Catalog (6168)

During the Joseon Dynasty (1392-1897), ceramics were considered to represent the highest quality of achievement from royal, city, and provincial kilns, the last of which were export-driven wares. Joseon enjoyed a long period of growth and production, which is still preserved today.

Wares evolved along Chinese lines in terms of color, shape, and technique. Celadon, white porcelain, and storage pottery were similar, but with certain variation in glazes, incision designs, and weight. Th...

Japanese pair of Fukugawa Imari ware porcelain bottle neck vases. With imagery of blue and gilt enamel phoenixes against a ground of red cherry blossoms, blue waves, floral medallions and gilt outlines. The long slightly fluted neck with medallions on a gilt design ground and gilt rim, tapered to a rounded body with short tapered foot, blue lotus petals and double ring above the foot, each vase signed with a Fukugawa mark signifying the pieces date from 1900 - 1920.

Dimensions: 5" x ...

A Chinese round porcelain charger with robin's egg glaze, with slightly flared rim, the recessed foo with white underglaze and old stickers to show provenance. The robin's egg glaze technique requires low-firing and uses two different colors of mottled purple-blue and turquoise.

19th Century

Dimensions: 9 3/4" x 1 1/2"

A Chinese robin's egg ceramic brush washer, with a rounded body tapering to the flat, unglazed foot, the round wide opening shows the interior is all glazed in robin's egg glaze. The sides are in the classic mottled turquoise and purple glaze with stipple texture from the time of firing. The robin's egg glaze technique requires low-firing and uses two different colors of mottled purple-blue and turquoise. Period 18th centnury.

Dimensions: 5 1/4" x 4" H

A large contemporary print by artist Tanaka Ryohei. Scene of a garden gate opening to the rising morning sun, a green grasshopper crawling along the latch. Signed in pencil, numbered 69/100 in it series, dated 2001.

Dimensions: 26" x 26 1/2" H (entire frame) 15" x 15 1/4" H (artwork only)

Japanese framed print by sosaku-hanga artist Haku Maki (1924-2000) titled "Collection 43". Depiction of a black embossed tea bowl with gold brush line. Signed in pencil with red artist's cartouche, dated 1980, number 73/240.

Circa 1980

Dimensions: 12 3/4" x 14" H (entire frame) 8 1/2" x 9 3/4" H (artwork only)

Japanese framed print by sosaku-hanga artist Haku Maki (1924-2000) titled "Collection 46 (B)". Depiction of a white tea bowl in relief against a black ground, with a black leaf design. Signed in pencil with red artist's cartouche, dated 1980, number 92/240.

Circa 1980

Dimensions: 12 3/4" x 14" H (entire frame) 8 1/2" x 9 3/4" H (artwork only)

Japanese framed print by sosaku-hanga artist Haku Maki (1924-2000) titled "Collection 37". Depiction of a black vase with cracked lip and gilt leaves. Signed in pencil with red artist's cartouche, dated 1980, number 144/230.

Circa 1980

Dimensions: 12 3/4" x 14" H (entire frame) 8 1/2" x 9 3/4" H (artwork only)

Chinese carving of immortals on a boat, made entirely of Zitan hardwood. The boat appears to be made of an ancient, gnarled tree sprouting flowers, with its canopy of leaves covering the passengers underneath. The 3 male immortal figures sit huddled closely around a lingzhi mushroom, which holds medicinal properties and is a symbol of longevity. One female immortal peers into the waters at the side of the boat with bottles of medicine at her side. The other female immortal figure has taken to t...

Korean metal oval shaped box, with copper lining and base. The top of the lid is incised with a mask and auspicious inscriptions, and its underside lined in dark stone or clay.

Dimensions: 2 1/2" x 3 1/4"

Chinese hard stone brush washer in the form of a flattened flower pod, edged with scrolling vines and flowers.

Dimensions: 2 1/2" x 2" x 1/2" H

Chinese hard stone brush washer carved into a gourd bottle shape, with two separate pockets for brush washing, the top carved with smaller gourds and spiraling vines, the bottom carved smooth. The stone is light green with orange areas.

Dimensions: 3 1/4" x 1 1/2" x 1/2" H

Japanese Imari ware porcelain charger with the image of a large koi fish in blue cobalt underglaze, with red and blue ground of scrolls, plum blossoms, the plate with fluted foliate petal edges, the underside with blue floral motifs and bands. The underside has a blue marking.

Circa 1800s

Dimensions: 14" x 2 3/4" H

A Chinese porcelain puzzle tea pot with famille verte color palette motifs of flowers on flecked enamel ground. The teapot is in the shape of the Chinese character "fu" meaning "good fortune". The piece is hand-painted in enamel with the image of a court official and vase on one side, and an attendant holding a flower on the reverse side. Old restoration.

Dimensions: 7 1/4" x 1 3/4" x 7 1/2" H

Japanese two section tansu, made with Kiri (paulownia) wood with natural finish front drawers, and original black lacquered frame. The piece has pine tree shaped hand-forged iron lock plates, with warabite iron pulls. The locks are incised chrysanthemums and the corner hardware is fan iron plating. The piece holds a side lock box with a large decorative iron chrysanthemum plating and keyhole. Inside the box are two small drawers with triangular plates and round pulls. From the Sakata region.
...

Unusual Japanese gyosho bako tansu (merchant's chest). With original red lacquer finish, this large piece holds three very deep drawers, each with squared kakute iron pulls on stylized pine tree mounts. The top drawer features a large central lock with flying crane motif, while the lower drawers feature chrysanthemum locks. The sides of the tansu also have two handles for traveling.

Meiji Period (1868-1912)

Dimensions: 22" W x 27" D x 39" H

Charming Japanese kanban (shop sign) hand carved from solid carved Keyaki hardwood with gold gilt lettering. Carved with the image of a snarling bulldog in red lacquer and beige pigments. Shop sign for Bulldog sauce shop.

Meiji Period (1868-1912)

Dimensions: 36" L x 1" D x 23" H

Japanese framed woodblock print by Nakayama Tadashi (1927-2014) of a stylized abstract horse with butterfly wings against a deep red ground. Signed in pencil, number 62/85.

Dated 1968.

Dimensions: 20" H x 11 1/4" W (overall) 12 3/4" H x 5" W (image only)

A large Japanse woodblock print, by famed artist Tadashi Nakayama. The depiction is the shadow of a bronze Giboshi (architectural post) against a large Buddhist temple door, with silver leaf accent hardware. Signed, dated in pencil, number 24/50.

Dated 1961

Dimensions: 33"L x 26" H (overall) 31" L 24" H (image only)

Chinese blue and white porcelain vase, of a round elongated form with slightly flared neck and foot. The body is slightly ribbed with highly detailed cobalt blue underglaze fu dogs. The foot signed in cartouche flanked by pair of dragons and smoke. Atttributed to Wang Bu Truong.

Dimensions: 7" x 14" H

Age: Republic Period

Japanese pair of hardwood pulleys, carved out of Keyaki (elm) wood with hand-forged iron hooks and hardware. Two wooden wheels on the inside are built to support a rope. Each pulley is branded with a signature on both sides.

Meiji Period (1868-1912)

Dimensions: 7" x 14" (each)

Chinese zitan wood ink well, with gold flecks throughout the natural graining. The top is carved with geometric patterns and two wells for ink. The opposite side is hand carved with calligraphy inscription.

Dimensions: 6 1/2" x 4 1/4" x 1"

Beautiful Chinese jade tree with blooming flowers of hand-carved rose quartz, jade, agate, and other hardstones . The tree is set in a stunning cloisonné enamel vase with stand. Very fine detailing.

Republic Period Early 20th Century

Dimensions: 12" x 16" x 22" H

UNDER Research and Documentation Phase
More Information to Come

Antique Chinese pair of hand-carved boxwood scholar's scroll weights. With mirrored imagery of a fisherman in a boat catching a fish, landscape scenes with pine trees and groves of bamboo.

Dimensions: 9" x 2 1/2" x 1 1/2"

Japanese framed print depicting a noh mask of a young woman, in monochrome colors. Artist signature in pencil Kimora Kosuke (b. 1936), 28/66 titled "Noh Mask Black. With an attractive black and silver frame.

Kosuke was born 1936 in Osaka, and graduated from Kyoto City University of Arts in 1956. His works have been featured in the collections of The Museum of Modern Art, New York, San Francisco Museum of Modern Art, The National Museum of Modern Art, Tokyo, and others.

Japanese framed print depicting a noh mask of a young woman, in monochrome colors. Attributed to artist Kimora Kosuke (b. 1936), title "Noh Mask Red". With an attractive black and silver frame.

Kosuke was born 1936 in Osaka, and graduated from Kyoto City University of Arts in 1956. His works have been featured in the collections of The Museum of Modern Art, New York, San Francisco Museum of Modern Art, The National Museum of Modern Art, Tokyo, and others.

Dimension...

Chinese pale white Jade brush washer. hHand-carved into a flattened gourd flanked by beautiful natural flowers and vines.

Republic Period Early 20th Century

Dimensions: 5 1/2" x 2 1/2" x 3/4"

A whimsical Japanese Hirado ware porcelain fu dog holding a reticulated xi qui ball under its paw. The precious face of the dog is hand detailed with shapely nose, fangs, whiskers, and tiny carved eyes. The dog has cobalt blue enamel swirl accents to its fur.

Meiji Period (1868 - 1912)

Dimensions: 5" x 2 1/2" x 3 1/4" H

Japanese porcelain Kutani ware stand or brush rest, in the classic Yoshidaya enamel colors of green, yellow, purple and dark blue. Of a squared form, with hollowed interior and pierced melon shape sides. The top surface is detailed with image of a monk riding a tiger through the bamboo forest, leaping over a river. The sides are detailed with blue and yellow enamel ground with geometric patterns. The piece stands on four short feet.

Dimensions: 2 1/4" x 2 1/4" x 1 1/2" H

Chinese ceramic water coupe, of a flattened round form with crackle enamel glaze in pale greens and brown. The slightly recessed foot is left is glaze in a pale matte green enamel.

Dimensions: 4 1/4" x 2" H

Chinese hardstone hand-carved cup with a handle shaped like a chimera peeking inside. Below the rim of the container is a band carved with geometric pattern. The stone is pale white with areas of darker beige and brown.

The Ming dynasty was the ruling dynasty of China – then known as the Great Ming Empire – for 276 years (1368–1644) following the collapse of the Mongol-led Yuan dynasty.
The Ming, described by Edwin O. Reischauer, John K. Fairbank and Albert M. Craig as "o...

Japanese ceramic oribe enamel chawan, or tea ceremony bowl. The bowl is squared with thick "dripping" oribe green/blue glaze down around its mouth. The foot is flat and recessed.

Circa Early 19th Century

Dimensions: 3 1/2" x 3 1/2" x 3 3/4" H

Japanese Shino ware ceramic chawan or tea ceremony bowl. Shino ware is easily identified by thick white glazes, red scorch marks, and a texture of small holes. One side of the bowl has dark brown underglaze design of flowers while the opposite side has flecks and lines, along the dramatic ribbed edges of the body. The foot of the bowl is formed flattened and is left bare without any glaze.

Circa 19th Century

Dimensions: 6" x 5" x 3" H

Chinese jade carving known as a cong, an implement dating back to Neolithic China, once used for unknown but culturally important reasons. The cong is often seen with squared outer edges carved of a taotie or beast's mask, which the inside is smoothed round with a central groove. The stone's coloring is light green with mottled brown.

Circa 19th Century

Dimensions: 2 1/2" x 2 1/2" x 2 1/2"

Pair of Chinese blue and white porcelain cups, with small hand carved hardwood wood stands. Each cup has a calligraphy inscription with two chops, imagery of flying cranes and a house below a pine tree. Each cup is signed with two character mark on the foot.

17th/18th Century

Dimensions: 2 1/2" x 1 3/4" H (each)

Korean antique ceramic bowl, eggshell thin body with tall sides, slightly tapered to the short foot. With celadon green enamel glaze. The exterior sides are incised with stylized floral motifs while the interior is incised with a ring just below the rim and wave patterns.

Goryeo (고려; 高麗 918–1392), also spelled as Koryŏ, was a Korean kingdom established in 918 by King Taejo. This kingdom later gave name to the modern exonym "Korea".
It united the Later Three Kingd...