A large and beautifully potted blue and white ginger jar. It is a scene of a dragon and phoenix chasing after the "Pearl of Fire" between heaven above and the sea below. Both the dragon and the phoenix are elaborately drawn with much details. The ginger jar also has the original porcelain cover as well.

There are some minor firing faults, expected degradation, chips and minor losses, abrasions...

An extremely beautiful and a museum quality Han dynasty ear cup. This is a rare and an unusual and exceptionally big ear cup, make of red pottery. Such big ear cup with design motives is rarely seen and in such good condition. This piece was discovered from the sea. This accounts for the loss in the green glossy glaze, but a more mat green and whitish colour on the ear cup...

A Han Dynasty terra cotta horse head with a very animated expression. There are some traces of red pigmentation on the straps of the horse head.

The horse head has abrasion , wear and tear due to the long period of burial. Otherwise it is in good condition.

The measurement of the horse head is: Height 15.0cm, Length 15.0cm and Width 5.0cm

Japanese late 18th century white IMARI figure of a gentleman. Formed by hand and made of white porcelain with a clear glaze. The gentleman is dressed in formal kimono and is carrying a fan. Done with wonderful expression and in very nice detail. The piece has some natural flaws in the clay and glaze, such as stress cracks and glazing flaws. The figure stands 17 1/2" tall, is 6 1/2" wide and is 5" deep.

Japanese early 20th century bronze art deco bamboo and sparrow vase. Signed by artist, KOMIN. The bamboo and sparrow are done in high relief. Beautifully made with a oxidized "blue" bronze finish. The vase measures 11" tall and 3 3/8" in diameter at the widest.

Marked "Pure Silver" 3 Tiers Jewelry Box with Wood Inside, Meiji Period (1868-1912)

The box is 3.25 inches (8 cm) tall, and 4.5 inches (12 cm) by 3.25 inches (8 cm) wide.

It is in good condition with no dents, repairs, chips, or cracks.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Khmer brown glazed pottery lime-pot in the form of owl with a stepped, moulded beak, eyes and tailbrown glaze stopped at the foot. This kind of lime-pot was mainly used in Khmer people's daily life in the ancient time, as can be seen on the stone sculpture on the wall of Bayon and Angkor Vat Prasart (Temple).

Age: Khmer, Bayon Period, 12th - 13th Century
Size: Height 10.5 C.M. / Width 11.6 C.M...

Japanese Meiji Period bronze vase. The vase has a poet on the front and bamboo and plum blossoms on the reverse. The handles are done in the shape of stylized elephant heads. Beautifully done with gold, silver and SHAKUDO inlays. Unsigned. The vase measures 13" tall and 8" wide at the handles.

Japanese Late 19th or Early 20th Century FUKAGAWA large vase. Beautifully done with the design of Mt. Fuji and mist. No storage box. The vase stands 12" tall by 11" wide.

Japanese late 19th or early 20th Century porcelain vase. Made by artist SUWA SOZAN. Stamp of artist on bottom of vase. Comes with TOMOBAKO, original artist's box. The side of the vase has small raised rectangular areas which have design of fish, snail, chrysanthemums, peaches, shellfish, butterfly, phoenix and Japanese shishi lion. The vase is 10" tall and 9 1/2" in diameter.

This late 19th century Chinese overlay Peking glass vase is 10 ¾ inches high and 5 ½ inches on the widest part. It depicts a well known Chinese story “The goddess of Luo River.” A groom drives a dragon cart over the river while the goddess Luo sits in the cart. Two maids are following them. The workmanship is precise and elegant. It is in excellent condition.

This rare Ming Dynasty (1368 ~ 1615) green, brown and yellow burial sedan chair is 12 inches high, 4 ½” wide and 3 ¾ inches deep. Two curved parts on the roof have been reattached. It is quite possible that the top of the roof is an old replacement.

This late 19th century Chinese carved bamboo arm rest is 6 ¾ inches long and 2 ¼ inches wide. It depicts an autumn scene; three frogs resting behind lotus leaf and dry lotus pod. The poem on the top translate as: “When crabs are growing to maturity and yellow mums are withering away, I am drinking wine beneath a blue autumn sky.” The workmanship of the picture and calligraphy are just elegant. It has nice patina and is in excellent condition.

This early 20th century Chinese table screen is 18 inches high (11 ¼ inches without stand), 18 ½ inches wide (16 ¾ inches without stand) and 9 inches deep. Aside from a few light scratches on the surface of the marble, it is in excellent condition.

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns...

Antique Japanese wedding kimono gown, black silk brocade with flying cranes over pine, plum and bamboo (Sho Chiku Bai). They are celebrative motifs that are almost always seen in the Japanese wedding and New Year. The beautiful color combination of gold threads (wrapped in real gold leaf) and white shiny silk threads are woven into the background of black Shusu, satin silk with the contrasting color of a red silk liner. This is an absolutely gorgeous wedding gown...

Pair of blue and white Chinese Export coffee cups. Gilded borders and strap handles with leaves. Qianlong (1736-95).Height:“2 ¼ / 6 cm.Condition: fine

Chinese Export octagonal tea bowl and saucer with foliate rims, Kangxi, c 1700. Iron red and gilt decoration of "Lange Lijzen" - long Lizas - a nickname for the slim ladies often found on the porcelain of the time. Diameter of saucer “4½/11,5 cm and of cup ”2¾/7 cm. Condition: minimal chip and hairline to the saucer, otherwise fine

Very thin eggshell miniature Hirado saucer with decoration of samurais and banners, 19th c. Possibly Hichosan, c f marks in app. six nr 98 in Lawrence: Hirado, Prince of Porcelains Diam: “3 ½ /9 cm Condition: Minimal nicks and small chip to rim

Very thin Hirado saucer, decorated in Kakiemon style with birds and flowers in orange, red, blue, green and puce, 19th century. C f marks in app. six in Lawrence: Hirado, Prince of Porcelains Diam:”4 ¾ /12 cm Condition: Fine hairline at blue flower and star crack, not possible to render visible on photos

Japanese antique hina dolls, large musician ningyo from the 1800s. The hayashi musician dolls were added to the emperor and empress dolls (Dairi-bina), sometime in the mid to late 18th century. They were first made in Edo (today’s Tokyo) while the Zuishin, Court Guards (also known as ministrator dolls) were being created in Kyoto.

There are two types of costumes for the musician dolls, Kamishimo or Suou (su-ou)...

Description: A rare tripod steatite censer was made in Tang dynasty. With dark gray tone, this censer was excavated with light gray incursions. A globular body was held by three foot in beautiful proportions. An earlier collection was published in " Early Chinese Miniature" by China Institute in America. Date: Tang Dynasty (AD618-906) Material: Steatite. Body Width: 6.5cm Height: 4.7cm Condition: Good, except one small scratch.

Description: An oval shaped brush washer made of stone was originated from Tang or Liao Dynasty.
In chrysanthemum decoration around the rim, the basin was kept with original whitish patina and some incursions within the tissues of the stone.
Some defects can be found.
Date: Tang Dynasty (AD618-906)
Material: Soap stone.
Length: 9.7cm
Condition: An excavation piece, one defect on the rim, another on the bottom.

Image of a heron in water in rice-paste-resist dying technique (tsutsugaki) on cotton. The color showing are coffee brown for the background and different shades of brown with white for the heron. The image mounted as a hanging scroll, which has been cut to fit into a frame. Meiji period, late 19th century. Mingei.
Cotton image: 11 ¾ x 8 ¾ in. Frame: 36 ¼ x 13 in.
Excellent condition.

Small architectural ornament, carved in the shape of a Garuda, standing under a triangular platform with his wings open. Wood, fine dark patina. Nepal, 18th century, probably earlier. Height: 4 1/8" (10,5 cm). The piece is nicely mounted on a custom metal stand. Old traces of woodworm work (no danger), large chip on right side of platform, otherwise good condition. Note: in Hindu religion, Garuda is a demigod, half man half eagle, who carries god Vishnu.

Antique Japanese warrior doll, 20" Empress Jingyo ningyo(doll) set. Clad in armor is a beautiful young widow, Empress Jingo doll with her faithful minister, Takenouchi no Sukune, holding her baby Ojin. Over time, many of the baby dolls were lost or intentionally thrown away by later generations, probably because of the lack of historical understanding. An old Samurai holding a baby is simply inconceivable and uncharacteristic of a Samurai warrior...

The Moon Through a Crumbling Window. (Hasou no Tsuki). Printed: 1st day. 2nd month. 1886. Engraver: Yamamoto. Signature: Yoshitoshi. Seal: Yoshitoshi no in. Publisher: Akiyama Buemon. Format: Oban tate-e: H.13 x W...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition), Fujiwara Arihira Walking in the Rain. Text by Eisai. No. 9 in a series of 52. Signature: “taiso Yoshitoshi”. Artist’s Seal: Taiso. Engraver: Miyamoto? Publisher: Matsuki Heikichi. Date: Meiji 18 (1885), 12th month (December,) 25th day. Format: oban tate-e with printed borders, H.12.5 x W.8.25"(including borders: 13.5 x 9.125"). Condition: Very good colors and impression,...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: Musha-e (Warrior print); “Yoshitoshi Musha Burui” (Yoshitoshi’s Courageous Warriors): Young Hino Wakamaru (after revenging his father’s death) and the “yamabushi” (mountain priest) escaping from Sado Island”, #14 in this series of 33. Signature: “Yoshitoshi hitsu” (from the brush of Yoshitoshi). Artist’s Seal: Taiso. Engraver: Horikou Muneoka. Publisher: Tsunajima Kanekichi. Date: Meiji 18 (1885.) Format: oban tate-e...

Artist: Utagawa Kuniyoshi (1798-1861). Subject: Mitate-e; “Eikyoudai Mitate Sanjuu Boku Kuisen” (Mirror Selections of 30 Trees & Flowers). Signature: “ichiyuusai Kuniyoshi ga”. Artist Seal: “kiri” (paulownia). Nanushi Censor Seal: “watari” (Watanabe Jiemon). Publisher: Joushuu-ya Kinzou. Date: ca. 1843. Format: oban tate-e, H.14.25 x W.975". Condition: Good colors and impression, no album backing, margins trimmed, minor back repairs to pinholes in top right & left corne...

Utagawa Kunisada [Toyokuni III] (1786-1864). Subject: Yakusha-e, Kabuki actor print; Kawarazaki Gonjurou (stage name of Ichikawa Danjurou IX [1838-1903] from 9/1852 to 2/1869).Signature: “ki-o Toyokuni ga” in red toshidama cartouche. Engraver Seal: Yokogawa. Censor Seal: “aratame” (examined), year of the cock (1861) 9th month. Publisher: Yamaguchi-ya Toubei. Date: 1861. Format: oban tate-e, H.13.75 x W.9". Comments: “kirazuri” mica powder giving sheen to dark blue background o...

Artist: Utagawa Kunisada [Toyokuni III] (1786-1864). Subject: Yakusha-e, Kabuki actor print; Ichikawa Ichizou III as “Shibahisa?” Signature: “Toyokuni ga” in red toshidama cartouche. Censor Seal: “aratame” (examined), year of the cock (1861) 10th month. Publisher: Ebi-ya Rinnosuke; address: horie-cho, ebi bayashi. Date: 1861. Format: oban tate-e, H.14.5 x W.9.675". Condition: Good colors and impression, no album backing, minor back repairs to small tears on upper right corner ...

Japanese Candle Stand, shokudai, made of lacquered wood. H.43cm(17") x Base Diameter 10cm(4"). Mid-late 19th century.Will include 2 "warosoku" (Japanese tapered candles with hole in base.)

Part of a triptych with depiction of the Five Great Myoo. At the top is Kongo Yasha Myoo, standing on two lotus bases, at the bottom Gozanse Myoo, being held by an acolyte. Black ink and color on silk, background gold. Beautiful painting, expensively painted.
Painted area: 39 x 15 ¼ inches; frame: 47 ¼ x 21 in.
Good condition, framed ( rollers cut off, old mounting behind mat).

Framed painting of Shoki standing with a sword in his hand. On his head a large straw hat. Inscription on the upper left side with three red seals. Signature and seal on the lower right side: Kano …Fujiwara Masuyoshi hitsu. Ink on silk. Kano style. Rollers cut of and framed with original mounting.
Painted area: 34 1/8 x 11 ¼. Frame: 54 ¾ x 17 ¼ inches.
Silk darkened with age, stained, undulating, one minor crack, otherwise good condition.

Original hanging scroll of a tiger and a dragon, two of the regal powers. Black ink on silk. On the lower right signature with two seals. The upper reading Gan…. Painter from the Kishi family.
Mat and frame

Painted area: 37 1/8 x 13 1/8.
Frame: 19 ¼ x 48 ¾ inches.

Some creases, one tiny hole, generally in good condition.