Image of a heron in water in rice-paste-resist dying technique (tsutsugaki) on cotton. The color showing are coffee brown for the background and different shades of brown with white for the heron. The image mounted as a hanging scroll, which has been cut to fit into a frame. Meiji period, late 19th century. Mingei.
Cotton image: 11 ¾ x 8 ¾ in. Frame: 36 ¼ x 13 in.
Excellent condition.

Small architectural ornament, carved in the shape of a Garuda, standing under a triangular platform with his wings open. Wood, fine dark patina. Nepal, 18th century, probably earlier. Height: 4 1/8" (10,5 cm). The piece is nicely mounted on a custom metal stand. Old traces of woodworm work (no danger), large chip on right side of platform, otherwise good condition. Note: in Hindu religion, Garuda is a demigod, half man half eagle, who carries god Vishnu.

Antique Japanese warrior doll, 20" Empress Jingyo ningyo(doll) set. Clad in armor is a beautiful young widow, Empress Jingo doll with her faithful minister, Takenouchi no Sukune, holding her baby Ojin. Over time, many of the baby dolls were lost or intentionally thrown away by later generations, probably because of the lack of historical understanding. An old Samurai holding a baby is simply inconceivable and uncharacteristic of a Samurai warrior...

The Moon Through a Crumbling Window. (Hasou no Tsuki). Printed: 1st day. 2nd month. 1886. Engraver: Yamamoto. Signature: Yoshitoshi. Seal: Yoshitoshi no in. Publisher: Akiyama Buemon. Format: Oban tate-e: H.13 x W. 8.75". Condition: Good Impression & Colors. Light soiling to bottom of print. Retains album backing. Margins trimmed, and left margin covered by album attachment...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition), Fujiwara Arihira Walking in the Rain. Text by Eisai. No...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: Musha-e (Warrior print); “Yoshitoshi Musha Burui” (Yoshitoshi’s Courageous Warriors): Young Hino Wakamaru (after revenging his father’s death) and the “yamabushi” (mountain priest) escaping from Sado Island”, #14 in this series of 33. Signature: “Yoshitoshi hitsu” (from the brush of Yoshitoshi). Artist’s Seal: Taiso. Engraver: Horikou Muneoka. Publisher: Tsunajima Kanekichi. Date: Meiji 18 (1885.) Format: oban tate-e...

Artist: Utagawa Kuniyoshi (1798-1861). Subject: Mitate-e; “Eikyoudai Mitate Sanjuu Boku Kuisen” (Mirror Selections of 30 Trees & Flowers). Signature: “ichiyuusai Kuniyoshi ga”. Artist Seal: “kiri” (paulownia). Nanushi Censor Seal: “watari” (Watanabe Jiemon). Publisher: Joushuu-ya Kinzou. Date: ca...

Utagawa Kunisada [Toyokuni III] (1786-1864). Subject: Yakusha-e, Kabuki actor print; Kawarazaki Gonjurou (stage name of Ichikawa Danjurou IX [1838-1903] from 9/1852 to 2/1869).Signature: “ki-o Toyokuni ga” in red toshidama cartouche. Engraver Seal: Yokogawa. Censor Seal: “aratame” (examined), year of the cock (1861) 9th month. Publisher: Yamaguchi-ya Toubei. Date: 1861. Format: oban tate-e, H.13.75 x W.9". Comments: “kirazuri” mica powder giving sheen to dark blue background o...

Artist: Utagawa Kunisada [Toyokuni III] (1786-1864). Subject: Yakusha-e, Kabuki actor print; Ichikawa Ichizou III as “Shibahisa?” Signature: “Toyokuni ga” in red toshidama cartouche. Censor Seal: “aratame” (examined), year of the cock (1861) 10th month. Publisher: Ebi-ya Rinnosuke; address: horie-cho, ebi bayashi. Date: 1861. Format: oban tate-e, H.14.5 x W.9.675". Condition: Good colors and impression, no album backing, minor back repairs to small tears on upper right corner ...

Japanese Candle Stand, shokudai, made of lacquered wood. H.43cm(17") x Base Diameter 10cm(4"). Mid-late 19th century.Will include 2 "warosoku" (Japanese tapered candles with hole in base.)

Part of a triptych with depiction of the Five Great Myoo. At the top is Kongo Yasha Myoo, standing on two lotus bases, at the bottom Gozanse Myoo, being held by an acolyte. Black ink and color on silk, background gold. Beautiful painting, expensively painted.
Painted area: 39 x 15 ¼ inches; frame: 47 ¼ x 21 in.
Good condition, framed ( rollers cut off, old mounting behind mat).

Framed painting of Shoki standing with a sword in his hand. On his head a large straw hat. Inscription on the upper left side with three red seals. Signature and seal on the lower right side: Kano …Fujiwara Masuyoshi hitsu. Ink on silk. Kano style. Rollers cut of and framed with original mounting.
Painted area: 34 1/8 x 11 ¼. Frame: 54 ¾ x 17 ¼ inches.
Silk darkened with age, stained, undulating, one minor crack, otherwise good condition.

Original hanging scroll of a tiger and a dragon, two of the regal powers. Black ink on silk. On the lower right signature with two seals. The upper reading Gan…. Painter from the Kishi family.
Mat and frame

Painted area: 37 1/8 x 13 1/8.
Frame: 19 ¼ x 48 ¾ inches.

Some creases, one tiny hole, generally in good condition.

Artist: Utagawa Kuniyoshi (1797-1861). Subject: Yakusha-e (kabuki actor print), Iwai Tojaku (1776-1847) as Osode. Signature: ichiyuusai Kuniyoshi-ga. Publisher: Joushuu-ya Kinzou. Date: ca...

Artist: Tsukioka Yoshitoshi, 1839-1892. Title: The Moon of Ogurusu in Yamashiro (yamashiro ogurusu no tsuki). Series: One Hundred Aspects of the Moon (tsuki hyaku shi). Signature: Yoshitoshi. Artist's Seal: Taiso. Engraver's Seal: Enkatsu. Publisher: Akiyama Buemon. Date: Meiji 19 (1886), 2nd month, 1st day. Format: oban tate-e, (Image) H.13 x W.8.875". Condition: Very good colors and impression...

Large Bronze Dragon Head Qilin Censer with Wood Stand, 17th Century

The qilin is 18 inches (46 cm) tall with stand, 14.5 inches (37 cm) without stand, and 15.75 inches (40 cm) wide.

It is in good condition with no repairs, or cracks, except small chips at his jaw (as seen in the photos).

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Blue & White Soft Paste Vase with Pomegranates, 18th Century

The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.

It has hairline cracks, glaze crazing, stains, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

This late 19th century Chinese ceramic seal paste box is 2 ¼” high and 3 1/8” in diameter. It depicts an orange red playful lion (Shi Shi) on white background. Aside from some crack lines due to firing, it is in great condition.

The Tachi bina is an older form of Japanese Hina dolls from the early Edo period(1603-1827). The earlier Tachi bina were not made to stand up, instead they were made to lay down or lean on the display. The faces of this set appear to be old with a beautiful sparkle on white gofun crashed/ground oyster shell, Kyoho-bina from mid Edo period. The silk brocade has washi paper backing (with washi hand made Japanese paper)...

This very well made South East Asian fish shape pot is 5 ¾” high, 7 ¼” long and 5 ¼” wide. It has pale green, brown, beige and black glaze covering the entire body. It is in excellent condition.

This Sui Dynasty (581~618) yellow burial horse is 10 1/2” high, 11 ¾” long and 5 ¾” wide. It depicts a battle horse wearing a leather saddle and a draped saddle cloth. Aside from an old repair on the tail and part of the neck, it is in great condition.

Antique Japanese doll, a head of a samurai festival ningyo(doll), rare find; dashi (festival float) ningyo or Kiku festival doll...

This folk weaving loom for straw mats, ropes, and the like, was a common feature in rural Japanese homes. Made of heavy keyaki wood frame and base, this "mushirobata oriki" also has a roughly hewn top crosspiece with a natural curve. H. 131cm(51.5") x W. 147cm(58") x D.(base) 46cm(18"). Late Edo to Early Meiji Era.

Indigo dyed cotton wrapping cloth, furoshiki, from late Meiji Era. The family crest stencil dyed (katazome) into the corner is "anzu-botan" (apricot-peony). L.133cm (52.25") x W.130cm (51").

Furoshiki, wrapping cloth, of indigo dyed (aizome) cotton. Two corners display a "kiri" (paulownia) crest, and there is karakusa scrolling around the entire border, stenciled dyed (katazome.) Ca. late Meiji Era (1868-1912). L.142cm (56") x W.132cm (52").

Imari ware soba choko (soba noodle dipping cup) from the mid-late Edo period (1600-1868.) Porcelain with underglaze cobalt blue painting of "takenoko" bamboo shoot pattern. H.5.5cm(2.17") x Dia.7.5cm(2.95"). A crack in the rim has been repaired using synthetic gold and lacquer. Soba choko were originally used for small morsels of food much like the mukozuke is used in today's Japanese place setting. It was not until later in the Edo Period that they were made specifically for use as noodle dippi...

The Zuishin dolls are a part of the Hina Ningyo doll set for Hina Matsuri, the Girl’s Day Festival in Japan. Though they are commonly called Daijin minister dolls, they are the figures of Toneri, the imperial guardsmen and escorts from the Heian period (794-1185).

It was said that the Zuishin dolls were already seen (created and added to the Imperial Hina couple) in Kyoto during the Meiwa era (1764-1772) while the musician dolls were created in Edo (current Tokyo) at the same time. J...

Standing on hexagon stand with his left arm outstretched, right arm clasped to his chest, wearing tall red hat, painted in green costume glazed.

Age: Chinese, Ming dynasty, 16th-17th century
Measurement: Diameter 10.7 C.M. / Height 37.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Sh...

This is an ANTIQUE CARVED CAMEO from a Maryland Estate. Depiction of 2 Lovebirds at a Birdbath. Ca. 1900 with size of 2" X 3" approximately. Set in Yellow Gold Filled Mounting. Outstanding piece

A canning jar from an early American pottery. H.8.5'x Base Dia.5". This 19th century canning jar (pot) has a rich brown glaze (Albany slip?) and exhibits the simple beauty of traditional functional pottery. It makes a wonderful flower vase.

Imari ware porcelain soba choko with underglaze cobalt blue pattern of "azami" (thistle.) Mid-late Edo Period (1600-1868.) H.6cm (2.3") Dia.7cm (2.6"). A playful rendering of a thistle adorns both sides of this soba choko, with bands around the bottom of the cup. Some minor glaze crazing and cracks, but overall fine condition. Soba choko were initially used for small food items, much like mukozuke or ko-zara are used in today's presentation of Japanese cuisine. Not until later in the Edo Era...

Gilded Cobalt Blue Imari Style Porcelain Charger, 18th Century

The charger is 2.45 inches (6 cm) tall, and 12.5 inches (31.5 cm) in diameter.

It has rubbing of gold and uneven rims (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to...

Japanese Meiji Period woodblock print of a BIJIN by Chikanobu. Dated Meiji 29, or 1897. Fine color and impression. The print measures 9 3/4" wide by 14 5/8" tall.

Large bronze bracelet of flat shape decorated on one side with several geometric designs inside which are remnants of silver inlays, and on the other side with a series of squarish incised geometric designs which must have contained silver inlays, now gone. Philippines Archipelago, Mindanao Island, 19th century, maybe earlier. Diameter: 4 7/8" (12,5 cm). A small dent on the outer rim, otherwise good condition. Collected in the Philippines in 1978. A rather rare piece.

Large bracelet of flat shape decorated with a relief geometric design. Bronze, with dark-green patina. Philippines Archipelago, Mindanao Island, 19th century. Diameter: 4 3/4" (12 cm). Very good condition. Collected in the Philippines in 1978. A rather rare piece.

Standing on hexagon stand with his left hand clasped to his chest, wearing tall red hat, painted in green and yellow glazes.

Age: China, Ming Dynasty, 16th-17th Century
Measurement: Height 37 C.M. / Width 10.5 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping f...

Small shrine with double hinged doors. Inside three sculptures of a female in dancing pose, holding an open fan and two males, sitting in front of the female. The old man at the left hand side holds bells in his right hand, in his left he held something that is missing today. The man on the right hand side held something in his right hand, now missing. Judging the faces they could be Daikoku, Ebisu and Benten. Three figures elaborately carved in plain wood, their bases decorated in color. Japan...

Wooden sculpture of Shichimen Daimyojin in sitting pose, one leg crossed over the other. She sits on the summit of mount Shichimen, her shoes by her side, holding a golden jewel in her left hand and another object, likely a key that is now missing. On the back in red lacquer an donation inscription with the date of Tenpo 7 (1836). Polychrome decorated wood with finish for protection of pigments, gilt metal crown, glass or crystal eyes. Japan, late Edo period.
Height 20 3/8 inches (51.9 cm...

Miyanaga Tozan Studio Celadon Monk with Tiger, Meiji Period (1868-1912)

He is 5.75 inches (14.5cm) tall by 8 inches (20.3cm) wide.

It is in good condition with no repairs, or chips, except hairline cracks at the base (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you ...

Chinese teapoy, urn-shaped with scrollwork around the base. European style decoration in Famille rose enamels, Qianlong, c 1750. Height: 4 3/4" / 12 cm. Condition: lid: restuck and a chip inside rim, urn: unprofessional restoration to rim.

Chinese tea bowl with very thinly engraved sgraffito decoration of a lady in her garden. Illegible seal mark in red. The hairstyle of the lady points to the Republic period, around 1930. Height: 2 1/4" / 6 cm. Condition: minor chip to the inside of the foot rim.

A Rose mandarin /Canton Famille rose ecuelle, soup bowl and cover, with double strapped handles and gilt finial, c 1820-40. Height: 4" / 10 cm, diam. of cover: 6 1/4" / 16 cm. Condition: a restoration above each handle, hairlines, some rubbing to the gilding and rim frits to the lid (cf pics).

Eggshell bowl, saucer and Kakiemon-style decorated cover, artist’s name in overglaze red. Extremely thin, Arita, c 1840-70. Diam. of cover: 3 1/2" / 9 cm, height of bowl: 2 1/4" / 6 cm. Condition: chips to rim of saucer.

Tea bowl with enamelled blue and gilt decoration, Jiaqing c 1800. The blue inside border with small stars in gilt makes it probable that the bowl was intended for the American market. Height: 2" / 5 cm, diam: 3 1/2" / 9 cm. Condition: rim frits.

Blue and white tea bowl with scalloped rim and pagoda decoration, Qianlong c 1760-80. Interestingly, the Chinese decorator has made an abrupt cut in the mountainous landscape scene (cf. picture 3) so as to give an impression of a printed pattern, the way it is sometimes seen on early English - competitive - transferware where this of course always was a mistake due to this new technology. Unusual. Height 2" / 5 cm. Condition: minimal chip to outer rim.

Very small scroll painting for in the back of a house shrine. Sumie. Daruma standing on a reed stalk crossing the river Yangtse. In the upper part a commentary or a poem. Black ink on silk. Red seal to the left. To the right the typical jar shaped seal in red.
Painted area: 7 5/8 x 3 13/16 in.
Size of whole scroll: 7 x 17 ¾ in.
Back of scroll needs fixing, scroll ends missing, painting slightly yellowed and soiled, crease at the top, some tears in lower area, due to rolling, gene...

Kanban with identical inscription on both sides: goko (five scents), a general, government licensed medication against all kinds of ailments. Middle brown wood with carved inscription, painted brown, gold and red. Forged iron handle on top.
Height with handle 22 5/8 in. (58.2 cm), without handle 21 in. (53.9 cm), width 7 in. (18 cm).
Some of the colors chipped out of the grooves, partly repainted and chipping again, some minor, short cracks and chips around the handle. Generally very...

Kanban with the inscription Inari taiji goyo (great Inari shrine, your order). The sign may refer to a shop at the shrine grounds, selling things to be offered at the shrine or souvenirs, or to a shop that specifically make devotional objects to the order of this particular Inari shrine. Attached to a black patinated wooden board are a bell and rope and two small objects, covered in gold brocade. Forged iron handle at top.
Measurements: height at left 38 ½ in., height at right 38 ¼ in.; wi...

Tall zushi with wooden sculpture of Yakushi Nyorai standing on a high, double lotus base. In his left hand he holds a medicine jar, while his right hand is raised in mudra. Very simple, country style carving. Lotus base very well carved in wood, covered with gold lacquer. Figure is plain wood covered with soot patina. Names of the donors written in ink on the bottom of the case. Date unreadable. Edo period, mid 17th century, possibly earlier. Height of case 25 3/4 in. (65.8 cm). Figure in good c...

Very rare. Simple wooden zushi with a figure of Fudo Myoo sitting on a high rock before a flaming halo. In his right hand he holds a sword, in his left a rope.
On lower levels of the rock formation sits Seitaka doji, holding his scarf in his left hand and a (now missing) club in his right, and stands Kongara doji, holding a lotus flower in his hands.

Light brown CLAY, hand modeled (not molded!), fired at low temperature, painted dark brown. Back of halo engraved with name of temple an...

Miniature shrine with inside the sitting figure of Dainichi Nyorai. He sits on a lotus base, in front of an open-worked halo. Written on top, probably in red lacquer, underneath a thick layer of soot: Dainichi. Height 2 ¾ in. (6.8 cm). Japan, Edo period, 19th century. Outside: some tiny lacquer chips at edges of one door. Inside: some of the outer lotus petals missing, otherwise very good condition. Very finely carved.

Japanese antique hina dolls (ningyo), the muscician dolls from the late Edo period (1603-1868). All five dolls have dimples on their cheeks; one doll in the center is carrying an inro (medicine case) and another has a pouch on her back of the belt area -- shown in the last photo.

Dimensions: Three dolls are 8 3/4 to 9 inches high, two dolls on 1/ 5/8 inches stool (new) are 10 inches high x 12 inches width x 9 1/2 inches deep; they can be as tall as 15 1/2 inches high depending on what...

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Wood Carved Tonkotsu Tobacco Box & Pipe Holder Turtle Motif, Meiji Period (1868-1912)

The tonkotsu is 4.6 inches (11.5cm) tall by 3.8 inches (9.5cm) wide. The pipe holder is 1.1 inches (3cm) tall by 8.4 inches (22cm) in length.

They are in good condition with no repairs, chips, or cracks.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% re...

Thick, coarse asa (hemp) kimono in beautiful condition: The collar is made out of an old cotton Kasuri, all hand done. Rare find from the Meiji period (1868-1912).

38 inches (sleeve to sleeve) x 36 inches (shoulder to bottom hem)

Three Jokan Dolls are part of a Hina doll set for the Japanese Girl's Day. They are to serve the Emperor and Empress with drinks and food. The young and pretty are usually choosen for this role. Many sets have one older married woman sitting in the middle, possibly a supervising figure? Her hair is usually done in a less attractive manner and she often has her teeth blackened. It was the sign of being a married woman at the time. Here, one of the dolls has a black line across her tee...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field. The designs of earlier Nobori banners were much simpler; they were used to identify thei...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field. The designs of earlier Nobori banners were much simpler; they were used to identify thei...

Japanese woodblock print quadriptych (four panels) by Osaka actor Yoshitaki (1841-1899) dating circa 1860's. Each panel features an actor standing against an embossed, checkered background. The black ink signature of the artist is in the lower section of each panel. Each chuban sized sheet measures 9 1/2"V x 6 7/8"H. Excellent color with extensive gauffrage and lacquered highlights. The panels are trimmed and Japanese mulberry paper album backed. There is some wrinkling of the paper and ol...

This well carved late Meiji Period (1868~1911) wood okimono is 2 ¾” high, 3” wide and 2” thick. It depicts a sitting Hotai with big smile on his face. It is signed “Chikamitsu” and is in excellent condition.