This is a wonderful Japanese covered tea cup of Kutani Ware. It was made 150 years ago.

It has a vivid and strong granular hand painting called 'ao chibu'.

The cup has painted kanji letters on the inside. No chips, cracks or repairs.

The tea cup will be sold together with its antique wood box.

Size: 3,8'' height x 3,2'' width.

. H 2-3/8 x W 5-1/4 inches

Minimal traces of usage, short crack

A beautifully crafted and remarkable example of Edo period Raku pottery...

Half cylinder shaped (Hanzutsu) tea bowl made of light, coarse unrefined Mino clay, with very little and small ishihaze (exploding stones).

The mouth has been trimmed in a fashion frequently seen in black oribe but rarely in yellow seto bowls. The expertly thrown body is covered with the typical ash glaze inside and outside which has turned into yellow, due to a slight iron oxide content in the clay; the thick and glossy glaze (guinomi-de) has a beautiful, fine crazing...

We like to offer you a distorted cylinder shaped ( hanzutsu ) tea bowl made of light, fine but unrefined Mino clay. It dates from the early 17th. century and is in stunning condition.

The expertly thrown body is covered with the typical feldspatic Shino glaze inside and outside, with the exception of the bottom and the roughly cut foot ring...

Real old Kihara-Karatsu Chawan from the well known Kiwara kiln in Sasebo. This type of tea bowl is called hanjiki, a transitional folk half porcelain bowl between Karatsu and Shoki-Imari ware.

Very nice cobalt decoration with mysterious charakters, crackle glaze and an antique gold restoration called kintsugi (gintsugi).

The Kihara-Karatsu Chawan comes with a high quality shifuku.

Size: 2,9'' height, 4,6'' width.

A striking late 19th century Shigaraki Chawan with one of the most beautiful Kintsugi repairs we have ever seen. A mixture of lacquer and gold powder showing a traditional Karakusa pattern - a real unicum.

This aesthetically pleasing highest quality Kintsugi gold repair was made and in 1974 by Arakawa Kentaro, former master craftsman of the Tokyo National Museum.

The 'kara' of Karakusa means 'China', while 'kusa' means 'plant'...

We present another awesome Shino-Oribe Chawan from our collection: Greyish-whithe glaze amalgamates with a wild and roughly thrown body and a still vivid and strong glaze. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark.

The chawan dates from the Meiji Period (1868-1912) and comes with a very good wood box.

Size: 3,7'' height x 5,3'' in diameter. No chips, cracks, repairs.

Satsuma hibi-yaki tea bowl from the late Edo, early Meiji Period with its antique wood box.

The bowl has a narrow meshed net of fine cracks and a tasteful gold lacquer. Great work.

Size: 7,6 cm height x 12 cm diameter.

Is there a tea ceremony connaisseur, who does not like to have a true Edo Ko-Hagi Chawan with beautiful loquat color?

Take a look on this rounded wan-shaped bowl. The light, sandy clay with enclosures is expertly thrown. Including the foot ring the bowl is covered with a mixed feldspar and ash glaze.

The light iron oxide in the clay produded a beautiful loquat color known from Korean Ido chawans...

A rare Kuro Raku Chawan by the 7th-generation successor of Raku ware, Kichizaemon Chonyu (1714-1770).

It comes in fine antique condition with a very old red Urushi lacquer Kintsugi and its antique wooden box with an attestation and appraisal of the Urasenke Tea House "Shikien" Kyoto, signed and sealed in 1950.

Born as the eldest son of the 6th generation Sanyu, he took over as the head of the family and didn’t retire until age 49, later passing away at age 57...

This is an absolutely rare black Seto chawan ( setoguro chawan ) from the late Momoyama Period, which means the late 16th century or the changeover from Azuchi Momoyama to early Edo.

Blackish-brown glaze amalgamates with a wild and roughly thrown body. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark ( watch image number 3 )

Setoguro yaki is high-fired ware that originated in the late 16th century...

We continue to offer you the most important chawans and present you this wonderful Tsutsui-Iga Chawan, dating back to the Momoyama period or even the Muromachi Era.

Cylindrical shape - hanzutsu - built up from clay coils and squeezen into shape, the foot roughly cut on a hand wheel. This technique is usually affiliated with the Muromachi period, but was used in Iga well into the Momoyama period.

The bowl was fired in an anagama (single chamber tunnel kiln), where it was ...

Today we like to offer you a very old Yuzamashi from the Edo period.

The yuzamashi is used to allow the boiled water to cool to the proper temperature before mixing with the matcha.

It is hand molded in the shape of lotus leaf.

No repairs, only natural inborn kiln cracks.

Size: 2,5'' height - 4,11'' width.

An absolutely stunning Edo period (1700s) Kuro Oribe Chawan covered in thick, ink-black crackle glaze and some fine cream colour with symbolic decoration.

It has an unidentified kiln mark.

The slightly irregular kutsu-gata form settles easily into the palm of the hand, with the built up rim resting lightly on the fingers. A high quality Japanese wood box is part of the offer.

No chips or repairs. Only natural inborn kiln cracks. Fantastic antique atmosphere!

Say the word 'Momoyama' to any Japanese pottery connoisseurs, and their eyes will inevitably light up. Most ceramic enthusiasts would give up any Saturday-night vice to own just one Momoyama Shino, Bizen or Karatsu guinomi (sake cup) or chawan (tea bowl). Here is another Momoyama item from our collection:

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay - slightly discoloured by age and use, which has also enhanced beautiful, fine crazing.

Shape...

On offer is this rare type of nezumi mizusashi made of shino-yaki.

It dates from the mid to the late Meiji Period and is in perfect condition.

There are no damages, cracks and repairs.

Size:

17,5 cm height

13 cm diameter

16,5 cm trunk diameter

Weight:

1400 g

Shipping included

H 3¾ inches

Some scraping of glaze on lip and body, consistent with age, all in all fine condition

Private collection of chaire (collection no. 54); bought from ‘private dealer’ (according to label inside piece); collection number in black lacquer written on ...

We offer a really rare kiseto ( yellow seto ware ) chawan from the Momoyama Period with tanpan marks ( copper green marks ).

It is a high fired ware from the end of the 16th. century in the Aburage-Hada style.

The early Kiseto glazes ( yellow Seto ) from the Muromachi period are considered to be attempts to emulate Chinese celadons from the Song dynasty. The composition of the wood ash feldspar glazes largely resembled that of the celadons; however, in oxidation instead of...

Perfectly shaped Ko-Seto Chawan dating back to the mid Edo Period (1603-1868). The expertly thrown body is covered with the typical white, feldspatic Shino type glaze. It differs from the Mino Shino glaze by being glossier due to a higher ash content

The importance of this sublime tea bowl is underlined by the fact that it was equipped with a tailor made double box and by the fact that the box bears the attestation of a tea master who judged that this bowl was made during the Edo Pe...

Very beautiful Kuro Oribe Chawan of early Edo period:

Only very little distorted half cylinder shaped (hanzutsu) tea bowl made of light, coarse, unrefined Mino clay. The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside, leaving an unglazed 'window' on one side. The 'window' is decorated with chidori (plovers) flying over an irrigation wheelin iron oxide glaze which has then been covered with a clear ash and feldspar glaze. This is a...

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a geometric pattern of squares and triangles and little circles. This is a typical late Momoyama design. The somewhat irregular foot is typical for the late production of the 1...

We like to present you a 150 year old tea bowl made of Shino ware. It was made around the late Edo/early Meiji period.

White pottery is coated with white and light grey glaze. Very tasteful. It comes with a Japanese wood box (kiribako).

As you can check on the pictures, it is in good antique condition with no chips, cracks or repairs.

Size: 7,7cm height x 11,4cm in diameter.

Extraordinary and more than one hundred year old water jar Mizusashi. It is signed by an unknown artist on the bottom.

This Bizen ware Mizusashi has a breathtaking shape and very good yellowish natural glaze called Goma. Great!

Mizusashi are containers of fresh water for replenishing the pot and rinsing bowls in the tea ceremony.

No chips or cracks, heavy weight 2,2 kg. Size: 5.5'' height, 7.92'' width.

Here is magnificent example of the beauty of Raku ware, a pottery tradition born more than 400 years ago in the ancient Japanese capital of Kyoto, from the collaboration between great tea master Sen Rikyu (1522-1591) and a potter named Chojiro ( - 1592), the forebear of the great Raku family of potters.

Sublime half cylinder shaped (Hanzutsu) tea bowl with a rounded brim, in the typical hand built style of the Raku family. The body is fully covered with a white engobe before the red...

We are glad to present you this Edo period chawan by Japans greatest Poet Rengetsu Ōtagaki ( 1791-1875 ).

It shows a 31-syllable poem of herself and her signature tastefully carved onto the tea bowl. The poem says:

おともせず

ふるとも見えぬ

朝じめり

枝おもげ成

青柳のいと

Without a sound

rain falls, also unseen

the morning wetness

in heavily sagging

fronds of green ...

Magnificent Nezumi-Shino Chawan with a true wabi sabi aesthetic form and a thick feldsparic glaze on a classic background of Nezumi-Shino — an art form dating back to the Momoyama period of Japan that was revived in the mid-1900s by legendary potter Arakawa Toyozo and others.

The tea bowl was made of little reddish, coarse, unrefined Mino clay and the expertly thrown body was trimmed with a potter's knife in its lower part.

With such glaze and form, this Chawan is one o...

Here we are proud to present another perfect early 17th. century chawan in museum quality.

Low cylinder shaped (hanzutsu) tea bowl made of light, fine but unrefined Mino clay with sone iron oxide content. The expertly thrown body is covered -with the exception of the bottom and the roughly cut foot ring - with the typical feldspatic Shino over an iron oxide based engobe. Akashino is just a variation of Nezumishino, due to the higher temperature (?) the glaze has turned red instead ...

This Tea Bowl (Chawan) in the style of Kenzan is decorated in white slip and underglaze iron.

It is in excellent condition, there is a tiny chip on the lip but no other damage and no repairs. It dates from the late Edo Period.

The Tea Bowl is from the Dikran G. Kelekian Collection.

Kelekian (1868-1951) was a very important dealer and collector, largely in the fields of Islamic and Modern French Art.

He had galleries in Paris and New York and was a major...

This bowl is decorated with a pine branch in underglaze blue and brown. A characteristic V groove cut is present in the footring, and an impressed seal of the artist / potter is on the base inside the foot. It is in good condition.

Diameter: 5 in., Height: 3in.

Here is one of the most important chawans of our collection: rounded wan shaped tea bowl with high foot of the bamboo node style in the typical O-Ido shape. The light, little coarse clay with enclosures is expertly thrown and full glazed - with the exception of the foot - with a transparent glaze of wood ash with some feldspar over a white engobe - in the style of Korean kohiki chawan (unglazed area on the outer wall is a typical feature found on many kohiki chawans).

The glaze sho...