Gold dragons prance about the vermillion surface of this exquisite vessel by important Meiji potter Eiraku Zengoro XIV (Tokuzen) enclosed in the original signed wooden box which is in turn enclosed in an outer box also annotated by a later generation Eiraku. Remembered specifically for his mastery of Aka-e Kinsai ware, this is a museum worthy example of this important potters work. It is 43 cm (17 inches) tall and in excellent condition...
A magnificent set of five wooden bowls lacquered red with a net design enclosed in the original wooden box titled Shu-nuri Amime Hashiaraiwan dating from the first half of the 20th century. Excluding the lid each is 7.5 cm (3 inches) tall, roughly the same diameter at the rim, and all are in excellent condition. Repeated use of lacquer tends to see the black acquire a brown tinge. These remain jet black, and it is likely they have been virtually unused for the better part of a century...
Up for sale is this magnificent and high class set of a tea pot and a tea container made of wood and covered in lacquer with elaborate maki-e, applied with gold designs. Both pieces of art have perfectly fitting maki-e wooden stands...
Small Kagamibuta (button that acts as a netsuké in traditional Japanese clothing). However the size of this one is unusually too small. To my knowledge, there is no Kagamibuta of this size (32mm) usually the diameter of these exceeds 50mm. This is not the only particularity of this jewel, indeed the presence of glass paste is absolutely exceptional, there too, I do not know of any other netsuké, manju or kagamibuta created in this material...
Tokunyu was born as the eldest son of seventh-generation master Chonyu. He succeeded his father at the age of 18, but was prone to illness, and when his father died, he passed the mantle on to his younger brother later known as Ryonyu.
As he was sickly from a young age, he was a Raku master only for nine years and the number of his remaining works is the fewest among all Raku generations...
A striking soft-glazed six-sided incense burner by Maki Hokusai decorated with white flower blossoms on soft flesh colored glaze surmounted by a silver lid pierced with the character Kotobuki (Fortune) by Hata Zoroku. The pot itself is 10 cm tall, plus the sliver lid. It comes in an ancient wooden box signed by Zoroku.
Hata Zoroku I (1823-1890) learned metalwork techniques in the studio of Ryubundo in Kyoto...
This is a japanese antique Edo period (1800-1867)hemp Buddhist Shugensha hanten coat worn by Shugen practitioners and Yamabushi who practiced Shugendo.
Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains).
It has some light stains and one very small hole, but is in very good condition.
Size::Length :90 cm (35.3 inch) / Sleeve to sleeve :128 cm (50.3 inch)
An incredible Mishima Chawan dating from the Edo period with a wide repair to the rim in dark lacquer decorated with golden grasses in gold maki-e lacquer designs. It comes in an ancient dilapidated silk pouch with cotton buffer enclosed in an age darkened kiri-wood box titled Mishima Chawan. The bowl is 5.5 cm (2 inches) tall, 12.5 -13.5 cm (5-1/2 -6 inches) diameter and in fine condition. Mishima ware refers to different types of imported and adopted Japanese pottery...
Bronze dropper (suiteki) representing a chubby guardian lion, called komainu in Japanese or shishi in Chinese.
The komainu is inspired by the Chinese guardian lion shishi, which dates back to the Tang dynasty (581-618). Supposed to repel evil, it appears on both sides of the entrance to the doors or gates of shrines and temples.
The suiteki is a small container used to hold water that is added to the ink stone during the grinding of the ink stick, used for calligraphy...
Rectangular-shaped (nadekakugata) iron tsuba decorated with two dragonflies with copper tara-zogan inlay.
Japan – Edo period (1603-1868)
Width: 2.4 in. (6.2 cm) – depth: 2.7 in. (7 cm)
This is a Bakumatsu item.
This hemp Tsutsugaki Noren was used by merchants who handled horses, which was an important means of transportation from the end of the Edo period to the Meiji period. This Noren was used in front of the eaves, so it has some discoloration and light stains, but it has been carefully stored. The items are very rare and very valuable. The letters of "Otsu Higashimachi" are the letters of a spell to ward off horse plagues...
Dry lacquer Noh mask depicting the character of Kokushiki-Jo and designed to represent divine blessings. Inscription at the back of the mask. Japan, early 20th century, maybe earlier. Height: 20.4 cm. Some chips around the rim, partly flaked lacquer, otherwise good condition.
NOTE: This mask is used exclusively in "Okina", an ancient dance ritual said to be close to the roots of Noh. Okina is viewed as sacred and therefore accorded a different status from other items in the Noh repertoire...
Ko Imari Oranda-jin Hexagonal Hakukaku Mukuzuke c.1800
A deep octagonal bowl, mukuzuke, or choku, decorated with eight panels containing figures of orand-jin Dutchmen in various poses and involved in a number of activities. Some carry canes or cudgels and are perhaps involved in some sort of martial activity, whilst others carry a dove, a chatusbo (tea-jar) and a ruyi sceptre, auspicious objects. The Japanese were particular fascinated with the mysterious foreigners attachment to animals as pet...
Satzuma fine earthenware tea bowl by Nakamura Baikei (1868-1912). Decor of a palace or a temple rising in a snow-covered lake landscape and animated by numerous characters. Drawings very finely executed by Baikei who was one of the best artists in Satzuma. His works were widely copied. Its production was of irregular quality, sometimes weak, rarely excellent. The bowl presented here is one of his best creations, if not the best, because it is perfect. It is a bowl, moreover the shape is atypical...
A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era. Fish shaped dishes were a popular accompaniment of the tea ceremony, Chinese ko sometsuke examples made specifically for the Japanese market date from the early 17th century, Tianqi era.
The Koi was...
A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era. Fish shaped dishes were a popular accompaniment of the tea ceremony, Chinese ko sometsuke examples made specifically for the Japanese market date from the early 17th century, Tianqi era.
The Koi was ...
Ko Imari Arita Koi-gata Fish Shaped Dish Nagazara Genroku 17C
A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era. Fish shaped dishes were a popular accompaniment of the tea ceremony, Chinese ko sometsuke examples made specifically for the Japanese market ...
Five cases inro. Black lacquered wood. Decor powdered with gold representing a couple of tigers and their cubs. Gold mosaic details. Signature of the illustrious family of Kajikawa lacquerers in 3 characters or in relief followed by a drawing of a vase in red lacquer also in relief. Kyo-Ji-Ro (+1682) was the founder and the best of the line of Kaji-Kawa lacquerers, his descendants all bore the same name. The excellent quality of the lacquer, the rare and much appreciated decoration of tigers and...
Antique Japanese Kuro Raku tea bowl made by Sen Sosa VI, Kakukakusai Genso (1678-1730) who was the 6th Iemoto of Omotesenke school.
Kakukakusai Genso, the son of Soei Hisada, was adopted by the 5th generation Zuiryusai Ryokyu, and inherited the Iemoto title of Grand Master of Omotesenke tea ceremony school.
He served Tokugawa Yoshimune (1684-1751) who was the eighth shogun of the Tokugawa shogunate of Japan, ruling from 1716 until his abdication in 1745.
His three children ...
Ko Hagi Bajohai Chawan with Kintsugi Repair made in the Meiji Period (1868-1912)
Supplied with old wooden box with label "Ko Hagi Bajohai Chawan"
Size
Height 10.5cm
Width 13cm
Repaired with gold lacquer Kintsugi
Hagi ware, also known as Hagi-yaki, is a type of traditional Japanese pottery that originated in the town of Hagi, located in Yamaguchi Prefecture on the island of Kyushu, Japan. Renowned for its simple, rustic, and serene aestheti...
This is a breathtaking work of art, a cherubic figure forms the finial of this later Edo period ceramic incense burner. Atop the lid strides a youth in purple robes wearing a lotus leaf as a hat and blowing a flue, a staff lays at his feet. About the square box of the ash pot are exquisite-colored designs lined with gold like precious jewels dangling from the edge. Two beast heads protrude from the sides and the entire is elevated on a square foot. The koro is 8 x 11 x 17 cm (3-1/4 x 4-1/2 x...
A bowl, hachi, of kiku-gata, moulded Chrysanthemum form, decorated to the interior with low relief kiku-mon, stylised chrysanthemum flower heads. The narrow panels partly painted in underglaze blue with a gilt lozenge diaper pattern inset with swastikas, and brocades inset with various contrasting motifs of kiku-mon, hanabishi-mon, and matsu-mon (a view of the end of a Pine branch). The remaining four double panels with kiku-mons and Peony and Chrysanthemum sprays. The design an auspicious wish ...
Thick molten ash drivels over the shoulder of this fabulous 17th century Shigaraki Tsubo storage jar showing all the great attributes of Shigaraki ware. It has a large open ware (pronounced wa-ray) crack down the front, which does not go through to the inside, and the fire blasted front surface is shot with fine heat cracks. A large Kutsuki to the lower let shows where it adhered to something else in the kiln during the firing. Natural ash glaze in yellow and green slides down over the surfac...
Antique Japanese tall stone sekitō (pagoda) with five tiers. Made of granite and carved in 9 stacking pieces. The central square section is carved with a seated Buddha on four sides. The top spire is carved with 9 tiers between lotus petals. The surface has a beautiful patina and is covered with areas lichen and moss.
Age: Meiji Period (1868-1912)
Dimensions: 101 1/2" (8ft, 5in) high x 26" wide x 26" deep
Antique solitary Awara-yaki chawan by great artist Kuze Tensei 久世天声 (1878 - 1933) around 1915 (Meiji Period).
He studied art under Yamada Kei while working as a teacher at Ishikawa Technical Senior High School. In 1914, he moved to Awara Onsen in Fukui Prefecture (a classic hot spring town) where he set up a studio and kiln and created Awara-yaki using clay from the area to produce Kyo-ware style ceramics, which often won prizes in exhibitions.
The Kuze name is ...
An amazing small wooden figure covered in with glass eyes made in the hyper-real likeness of a Rakugo-shi Comic storyteller, dressed I traditional Hakama trousers and seated on a large cushion clutching a fan in his right hand.
It is 19 cm (7-1/2 inches) tall, while the cushion upon which he sits is 19.5 x 15.5 cm (just under 8 x 6 inches) and the figure is in excellent condition. There is what appears to be a signature on the bottom; Ta?Saku. This caring is very much in the audacious style...
Fish and water plants in blue with a crab in black decorate this vase by master of the subject Ono Bakufu enclosed in the original Tomobako wooden box from the Sosen Gama titled Sometsuke Kabin signed and sealed inside by Bakufu. The vase is 27 cm (roughly 11 inches) tall, 16.5 cm (6-1/2 inches) diameter and in excellent condition.
Born in Tokyo, Ono Bakufu (1888-1976) relocated to central Japan after the great Kanto earthquake of 1923 where he became an honorary member of the Hyogo Prefectu...
Three gods of fire which are unglazed earthenware made of clay. Fire has been thought as sacred and gods of fire have been put near furnaces, cooking stoves (kamado) and open fireplace (irori) for protecting from disasters and uncleanness. It is not clear where they are from, probably Tohoku district. All in good condition, no chip or crack.19th century. Height:20cm, Width:11 to 12cm
Composed by one of the most well-regarded and important figures within the Kanō tradition of painting, here we see a whimsical rendition of tiger and cub prancing through the forest. With its beautiful and well-preserved silk brocade to highlight the scene, the overall composition radiates a feeling of lightness and playful curiosity.
Oldest son to Kanō Takanobu, Tanyu was appointed as the first designated painter to the Tokugawa Shogunate. An enthusiast for Chinese style painting...
Sake cup in wood lacquered with gold, silver and cinnabar powder. On the outside on a rich thick kinji background, decorated with flowers in gold and silver leafs around the perimeter and in the center 2 stylized Chinese characters in thick lumpy cinnabar lacquer with the most beautiful aesthetic effect, probably the mark of the artist. The exterior is decorated with maple leaves in gold, red, green and brown lacquer on a black background. Note that polychrome lacquers are very rare. This is a c...
This Edo-period bronze quail incense burner is a stunning piece of Japanese craftsmanship. The lifelike form of the quail, intricately detailed and gracefully curved, showcases the artistry of the era. With a beautifully patinated bronze surface and intricate feather patterns, it is both a functional incense burner and a work of art, capturing the essence of the aesthetics of the day.
According to an inscription on the underside of the lid, in the year 1861 this piece wa...
A white bronze sculpture of crashing waves supporting three glass orbs; an elegant form carrying good fortune from old Japan. It is 49 cm (19-1/4 inches) long and in overall excellent condition. Set it in the window and watch the orbs blow colorful prisms across the room.
A carved lacquer box which pays homage to Chinese literary taste while presenting itself clearly in a modern, Japanese way (for turn of the century lacquerware at least) by 2nd generation lacquer artist Ishii Yusuke enclosed in the original signed wooden box. The tsuishu lacquer technique requires applying layer upon layer of lacquer which is then carved through and polished, a painstaking process. This piece is exquisitely crafted, carved and polished revealing the many layers of lacquer, it ...
A sage, strikes a forever pose as he stares into the distance, robes billowing in the wind, contemplating the troubles of lesser beings, a fan clutched behind. This is a beautiful bronze sculpture dating from early 20th century Japan paying homage to the literati and Confucian traditions which formed the basis of Japanese ideology at the time. It is signed Kiyoshi with an engraved signature on the hem of his robes. The figure stands 39 cm (15-1/2 inches) tall and is in excellent condition.
...
A carpet made of recycled washi fragments which were daifukucho (merchant's record book) or letters, and kakishibu (persimmon tannin) painted for strength and waterproof. It was generally put over tatami mats protecting
them from sun beam or dust. It has letters "Kanei 6 (1853)", very late Edo period. It has rips, holes and moth bites. 204cm x 192cm
The size of Covered Bowl: 4 1/4" Dia x 3 1/4" High. Pretty Japanese Ko Imari Iroe Polychrome Porcelain Covered Bowl. The covered bowl is made from fine quality procelain as well as fine glazing. It has sometsuke design finely painted at the border geometric design as well as the center design inside. the cover and bowl has pretty design of Marumon design with flower on large Marumon by the color of green, turquoise color, Japanese red and gold. turquoise color enamel is thickly painted. Other sm...
Vase in fine Satsuma earthenware enamelled in Osaka in Yabu Meizan's workshop at the end of the 19th century around 1890. The decoration is compartmentalized in 4 cartouches and represents the 4 seasons. The landscapes are meticulously painted, the details are surprisingly elegant and realistic. For winter, a snow-covered port is represented, the trees are heavy with snow, everything is motionless, padded. The cartouches are surrounded by a beautifully painted thousand-flower background. Yabu Me...
The Muromachi period in Japan, known for its artistic and cultural flourishing, produced exceptional pottery and ceramics, including this exquisite e-Shino incense burner. Crafted with meticulous attention to detail, this piece exemplifies the refined aesthetics of the time. Its elegant form, featuring gentle curves and a graceful silhouette, reflects the harmony between nature and art. Adorned with a lustrous glaze in shades of ivory, coffee, and pearl; this incense burner emanates ...
An exquisite bronze image of an ancient sage, a gnarled staff supporting his crooked frame with a golden fan capped with silver feathers clutched in his right hand. The Detail is superb, from the evocative expression to the minute details on his robe and accoutrements. It is signed on the foot Seiun (Hara Souemon), a top quality bronze, expressive and detailed. The figure is 10 inches (25.5 cm) tall and in excellent condition.
The Seiun family began bronze casting by the lost wax metho...
A rare Seto Heishi (also read Heiji) bottle dating from the Kamakura period (1192-1333) wrapped in a custom made silk pouch with age darkened Kiri-wood box. Streaks of an unusual blue shidare glaze are visible on one side, Unlike the vast majority of Heishi bottles, this piece is no unearthed or excavated but has been passed down from generation to generation (as evidenced by the lack of inclusions or calcification). It is 24 cm tall and in overall excellent condition, with only minor chips ab...
A yobitsugi Jar made up of various excavated kiln shards of central Japan dating from the Heian period (794–1185). It is roughly 32 cm diameter, the same height. Looking at the volume of debris and encrustations, it is likely that the upper most part of this tsubo, which is one piece, was buried in a kiln collapse, earth and stone fusing to the molten ash. During the Heian period, hole kilns were dug into hillsides, with a chimney bored down into the back. Sometimes during firing, or after r...
Antique Japanese single section mizuya tansu (kitchen chest). Made of sugi (cryptomeria) wood with details in keyaki (elm). Two large sliding panels with vertical slats open to a large compartment with a shelf. Below this is a horizontal row of four small drawers with round, iron handles. The top of the antique tansu has been recently fitted with a beautiful piece of polished black granite, making it a dramatic and useful console or buffet counter.
Age: Meiji Period (1868-1912)
...
Antique Japanese cast iron lantern in the form of a cricket (or grasshopper). Crafted with long, elegant antennae. The lantern is made so it can sit over a light or candle, illuminating the cut out sections on it's wings.
Age: Taisho Period (1912-1926)
Dimensions: 5 1/4" high x 11" long x 5" wide
Antique Japanese cast iron lantern in the form of a rabbit. Sitting upright with long ears alert. The lantern is made to hold a candle, the light escaping through many round cast windows in the rabbit's body.
Age: Taisho Period (1912-1926)
Dimensions: 10 1/2" high x 9 1/2" long x 5 1/2" wide
During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this “shimokabura” or radish-bulb-shaped sake flask (tokkuri). Crafted from locally sourced Bizen clay, this tokkuri embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze and distinctive markings achieved through specialized firing techniques. The t...
From a 2006 excavation site in Tokyo known to be occupied by the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl has been given a new lease on life with a gorgeous and detailed kintsugi repair with maki-e gold painting. Known to have been devoted patrons to cultural institutions, the Tokugawa’s governance and policies contributed greatly to the flourishing of arts, literature, theater, and urban ...
Finely carved mask, with strong features and delicate painting meant to enhance the strength of the character it represents. The character depicted here is of Hashihime. The mask is made of wood, its eyes are made of metal. The mask is signed. Japan,Taisho and Early Showa Period (1912-1945). Height: 20.8 cm. Very good condition.
NOTE 1: The most famous hashihime story comes from Tsurugi no Maki, in The Tale of the Heike, and is retold in the noh play Kanawa.
NOTE 2:Here is the legend of Hashi...
Exceptional Japanese incense cabinet kodansu in wood covered with a profusion of mother-of-pearl flowers and bone leaves, engraved and inlaid with the shibayama technique. Bottom in nashi-ji lacquer.
Handles, finishes and feet in silver. The handle can be turned to lock the cabinet.
Inside, three removable drawers in black lacquer with hiramaki-e lespedeza decoration, interior and door in nashi-ji, bone handle in the shape of buds.
This kodansu, use to store the utensils...
Antique Japanese Nihon Matsu isho tansu (clothing chest) in two sections from the Nihonmatsu area of Fukushima Prefecture. Made all of kiri (paulownia) wood. Iron hardware has a deep red lacquer finish and includes hirute shaped drawer pulls and large square lock plates with shōchikubai symbols (three friends of winter: plum, pine and bamboo) and a butterfly key hole cover. The top section has 2 large full-width drawers. The bottom section has two drawers and a safe box in the lower right ha...
Cast bronze warrior with multiple patinas, partly gilded. The samurai, wielding a naginata, fights furiously. The artist may have wanted to designate here the Japanese medieval hero, Miyamoto Musashi because the latter fought bareheaded and during the fights his hair electrified by fury stood on his head. History teaches us that he would have triumphed in 60 duels during his life as a swordsman.
Good condition, original gilding and patina. The spear blade appears to have been broken and welded ...
Jûbako picnic box made of paulownia wood and shaped like a paulownia flower. It is composed of three compartments with the interior in red lacquer.
With its original box with several inscriptions, included the datation "- 2nd year of Kaei era", namely 1848
Paulownia (kiri) is considered as a symbol of nobility, honor and longevity. Since the Edo era, there has been a tradition that paulownia is planted at the birth of a daughter to be used later as a material for makin...
Antique Japanese ikebana basket with tall, arching handle. Oval form body on a round foot. Fine split bamboo is tightly woven around the upper and lower portion of the body. A wide band in the center is accented with a wave pattern. The handle is tightly wrapped to create a series of small squares. The basket utilizes many different types of knot work.
Age: Meiji Period (1868-1912)
Dimensions: 22 1/2" high x 10 1/2" wide x 9" wide
One-of-a-kind!!! This is an item sui generis.
A yellow glazed Raku chawan, dating from the Meiji Period (ca. 120 years old) with its originally signed wood box.
The chawan is in superb condition with no chips or cracks. Around the bowl are carved chinese characters. The tea bowl is very solid and fits perfectly into the palm of the hands. Great chawan!
No chips or cracks.
Size: 8,6 cm height x 11,9 cm in diameter.
Free shipping
Based on telltale signs, this extraordinary Raku tea bowl likely dates to the late Edo period (200+ years old). Crafted with meticulous care, its smooth, ebony surface exudes a sense of depth and mystery while its reddish hues gracefully traverse the bowl's contours—creating subtle variations of color that evoke a feeling of warmth. A “hasami-no-ato” can be seen where the piece was grasped with tongs when pulled from the kiln, a feature thought to enhance the character of Raku ...
Antique Seto Guro Chawan made in the Mid to Late Edo period (18-19cc).
Size
Height 8cm
Width 12.5cm
Condition
There is a chip at the mouth. No cracks and no repair.
Supplied with wooden box
"Seto Guro" refers to a specific type of Japanese pottery known as "Seto blackware" or "Seto-guro-yaki" in Japanese. Seto Guro is characterized by its black or dark brown glaze, which gives the pottery a distinct and dramatic appearance.
Seto Gur...
We continue our presentation of Ohi chawan (Ohi tea bowls) with yet another sublime vessel, a true eye-catcher made at the end of the Meiji Period around 1910. It's a unique Ohi Chawan which seems to be a kuro Raku bowl, but it isn't. With its sophisticated shape and its mesmerizing play of different colors of glaze it's outstanding.
The lightness of the clay, the soft silky textures of the glaze, and the mastery of form are all signatures of a kiln of excellence backed by generations o...
Statue of Buddha, in monk's robes, standing on an elevated rounded stand, his hands in abhaya and varada mudra (symbolizing protection, peace, charity and compassion). Wood, with fine patina. Japan, mid Edo period, 18th century. Height: 18 cm. Slight abrasion due to age, otherwise very good condition.
This is beautiful Japanese Satsuma incense koro 5 2/4 iin diameter x 4 1/4in height ;
The koro has master hand painted work with a lot of gold.condition I’d very fine only has age gild wear no chip or repair.if you have any question please email
Thank you
This is beautiful Japanese Satsuma koro stand 4 1/4 in height 5 2/4 in diameter is in very good condition with No damage. No hair line chip or damage.only some old age gold wear The koro has master hand painted work use a lot of gold with very fine detail
If you have question please let me know
Only PayPal payment use
Shipping cost will provide with your shipping address
Thank you
Art deco free flowing Japanese bold style 'wagumi' bamboo flower basket. Not signed but definitely a masterpiece. Ca. 1930. Bamboo inset with lined copper. H:42cm; W:29cm. Great condition. Ask for shipping quote.