Best of the best! Distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay. The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom' the roughly cut foot ring and window, which is decorated with plover birds (chidori) over waves in black under a shin on type glaze. Next to the roughly cut foot ring is a kiln mark (kama jirushi)...
Antique Japanese fan painting of a grasshopper with an array of leaves and berries in the background. Edged in gold and laid down, signature of Tani Buncho (1763-1840), an extremely influential artist during his time.
Size: 10.25" tall, 22.25" wide
Beautiful Japanese antique 2-section storage tansu made with all keyaki (elm) wood on the front, the top portion of the top section has a shrine compartment covered by 4 small glass sliding panels. The interior of the shrine compartment has two small compartments with double doors for displaying flat images with slatted drop in panels covering small compartments on either side...
Antique Japanese Tansu from the Meiji Age in Japan. Made from beautifully cut Chestnut to showoff the striking grain. Small Locking hinged door with two hidden drawers located behind.
Dimensions: 33 3/4" High X 40" Long X 15 1/2" Deep
A large Kakiemon dish decorated with the Three Friends of Winter to the rim and a central motif of a Peony. The reverse decorated with a continuous lotus scroll and a spiral fuku in a double square. The dish dates to the late seventeenth century circa 1680-1700.
The dish measures approximately 25 cm in diameter and stands 6cm high. The dish is in good condition, except for a crack to the rim and small filled chip. Shipping at Cost.
Only one of a kind! Distorted half cylinder shaped (near kutsugata) tea bowl made of light, coarse unrefined Mino clay. It dates from the Momoyama Period.
The expertly thrown body is covered with the typical feldspatic shino glaze inside and outside, with the exception of the bottom' the roughly cut foot ring. A very minor iron oxide content of the clay has changed the white shino glaze to light pink (beni). This is absolutely rare...
An interesting kaku nagazara, rectangular dish designed for use in the Kaiseki meal. It is decorated primarily in a three colour Imari palette, more typically found on porcelain produced for export to the West. The central reserve is decorated in kinsai style with gilt and gilt outlined enamels with a “winter” landscape incorporating Bamboo, Take, Pawlonia, Kiri and Suisen, Japanese Narcissus partially obscured by cloud like ground fog, and finger form kuomo style clouds...
A rectangular dish, kakunagazara, made for the Japanese domestic market decorated with an auspicious manji-tsunagi, wan diaper, gilt brocade ground inset with ume hana, plum blossom inset with niche like lobed reserves containing stylised Camellia, Tsubaki. The central reserve, mikomi, window, containing geometrically arranged stylised Bamboo, take, Bamboo shoots and grasses with mist or clouds in Kumo finger form painted in underglaze blue...
Beautiful Japanese antique lacquer suzuribako (calligraphy box for writing), decorated with gold maki-e lacquer scene of pine tree saplings and roses growing near a stream, the shore is made of up of a dense gold nishiji and some leaves and petals of the rose are inlaid with mother of pearl, the interior of the box is entirely covered in a dense gold nishiji with flowers on the inside of the lid, the box has two small interior trays and it's original ink stone and copper gourd-shaped water d...
This is Tsutsugaki Hanten of the very big size of the Meiji era.
As for this, the powerful face of the dragon is very impressive. The good cotton of this texture is spun by hand. The part of the sleeve has two or three places of slightly thin stains. It does not stand out.As for this, the state is complete. There is no damage.
You can enjoy it in this. This is dyed with a natural indigo plant.
shoulder length64cm(25.1")
Size: 125cm x 130cm (49.2 "x 51.1")
A small antique Japanese iron tsuba decorated with motifs of cherry blossoms blown in the wind. The tsuba is decorated in a way where on one side is a branch of the cherry blossoms and the other side is the flowers scattered on the ground. The flowers are done in a shakudo style technique. Size: Diameter 2.75" Height 0.2"
Japanese brooch made from coral, beautifully carved into a fan surrounded by flowers, leaves, and swirling winds, with a goldtoned metal backing and fastener. 19th century
Size: 1" tall, 1.5" wide
A large, and heavy, Stick Stand, ( for holding walking sticks and umbrellas), profusely decorated, in Satsuma style, with a panapoly of historical scenes enclosed within elaborately enamelled textile (?) patterns and surmounted by a large coiled dragon amongst stylized clouds. This item was made in Japan for export to Europe or America during the late 19th or early 20th Century.
Condition: there are chips to the rim, some cracks around the base and losses to the head and claws of the dragon...
Here we present a tasteful kuro (black) Oribe kutsu chawan from the mid Edo period.
It has an interesting shape with fantastic black glaze and two different images on it. This bowl is unmarked, which was typical for tea bowls of this era.
We offer this tea bowl with a very good box (kiribako).
No cracks or repairs - except inborn kiln cracks...
Japanese small lacquer chest from the Meiji period (circa 1900). Beautiful lacquer detail with playful fudogs and butterflies. Fine details in the hardware and lacquer on each of the panels.
Dimensions: 19" Long X 18 1/4" High X 11 3/4" Deep
This is a wonderful tea bowl of Japanese Hagi Ware, which was made about 100 years ago.
The seal of the potter is stamped on the bottom. Some natural glaze cracks, which were intentionally created in the time of the firing process, are very nice. This bowl has an authentic wabi sabi taste.
Hagi Ware is a type of Japanese pottery most identifiable for its humble forms and use of translucent white glaze...
Late Momoyama period cylinder shaped (Hantsutsu - slightly destorted but not a Kutsugata yet) tea bowl made of light, rough Mino clay. The fastly but expertly thrown body in the style of a Narumi-oribe bowl, which is a variation of green Oribe style. The whole body with the exception of the foot and it surrounding area are covered with a thin ash glaze, a low iron content of the body has coloured the the glazed part light brown; the brim is accented with copper oxide glaze...
An absolutely stunning Edo period (1700s) Kuro Oribe Chawan covered in thick, ink-black crackle glaze and some fine cream colored decoration.
The slightly irregular kutsu-gata form settles easily into the palm of the hand, with the built up rim resting lightly on the fingers. A high quality box called Shiho-zan is part of the offer. The four sides of the box are surrounded.
No chips or repairs...
Japanese hand warmer made from bronze, with a handle and a floral-patterened openwork lid depicting three men playing the Japanese board game Go. The sides of the hand warmer show beautiful scenery with trees, mountains, three figures in a canoe, and one figure standing over a bridge. Signed on bottom. Meiji period (1868-1912)
Size: 5.5" tall, 7" diameter
An impressive Japanese Soto zen calligraphy by the noted calligrapher, Gesshu Soko (1617-1696). Gesshu was known for his research and interpretation on Dogen's work, Shobogenzo (The Treasury of the Dharma Eye). The calligraphy is a famous zen phrase which translate as: The moon reflected on the water while the breeze amidst the pines blow in this eternal evening. What is the cause or purpose on this pure twilight...
An energetic and bold zenga painting depicting the wish fulfilling jewel known as a hoju in Japanese. The jewel represents the energy of the dharma and often is used for the hope that people's wishes can be granted. Signed Shunbokuzan. Provenance James Coburn Estate.Age: Edo Period Size: Length 49" Width 22.75"
It is indigo dyeing Patched Sashiko-stitch beautiful BORO kimono of very rare and amazing in the Edo era . This is all an original state.This can enjoy both sides. As for this, the good cotton of a texture spun by hand in the Edo era is used...
Up for sale is our oldest Japanese Tokkuri (Sake bottle). It dates from the Momoyama Period with an age of 400 years and has a very tasteful glaze with vivid colours. Close to the bottom there is a kiln mark (refer to picture no. 6)
The Tokkuri can be used with a little flower as a wabi arrangement. It is in good condition with a crack on the top of the tokkuri, which enforces the wabi look.
A Tokkuri with this age is absolutely rare.
Size: 18 cm
Shipping...
A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen. Boy avatars,...
A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen. Boy avatars,...
We present a Hagi chawan from the Koraizaemon Saka family, offered with the original wood box, dating from the Meiji Period
No cracks and repairs.
Size: 7,9 cm in height x 12 cm in diameter.
The first Hagi wares, a glazed, high-fired stoneware, originated with the Korean potter Li Kyong. He was brought back to Japan by Lord Mori Terumoto after the invasion of Korea in 1593. Many potting centers in Western Japan, such as Agano, Takatori and Satsuma, date their beg...
This superb ivory carving of an aristocratic young woman holding a child is a mid or late Meiji period (1868~1911) product. The woman is formally dressed in a kimono decorated with patterns and floral designs. Her hair is elaborately coiffed. She holds a boy in her left arm and a parasol in her right hand. The child is holding a branch of chrysanthemum. The piece is very well executed and stands 10 ¼” high, 4” wide and 3 1/8” thick (measured from the bottom). The artist’s signature...
A fabulous Japanese cloisonne vase purchased from the 1893 Chicago Exhibition. Inside the vase is an old decaying leaflet given to the buyers by the exhibitors. On a fragment one of the massive vases displayed by Suzuki can be seen on this paper (See image). There is more to this faded image on the reverse buy it is hard to see. The vase is one of the well known vases with the eagle finial. Every one of the Suziki pieces was approved by the Emperor for this exhibition. This vase is special. It w...
Ca. early 1800s
This bowl is divided into eight petal-form lobes, with a rim painted with alternating leaves and geometric designs in underglaze cobalt blue of medium to dark tones. The well is painted with a so-called “The Friends of Winter” design of pine, prunes and bamboo, and the interior base is painted with a bird on rocks and leafy plants. The exterior sides have a scrolling peony Arabesque, and the base has a four-character Chinese Ming Dynasty Chenghua mark. Very good conditi...
This is Tsutsugaki used in the Tohoku district. This was dyed with an indigo plant.
As for it, dark blue and light blue contrast are fair. The cotton spun by hand has good texture. The local custom, the way of thinking affect the motif of Tsutsugaki. It is a very rare thing to adjust the hanging scroll of the letter to a theme happy. It is simple and sturdy, and this area assumes rusticity economy the history. There are two places of small stains. The others do not have any problem. Size: 152cm...
This is a very attractive Japanese Imari bowl. For an old Imari piece it is in excellent condition. It is also a very heavy piece potted. The bowl measures 8 1/2 inches across and 4 inches tall.
A rather curious dish of moulded Kraak form decorated with a partially obscured Chinese four toed Dragon painted in underglaze cobalt blue with gilt outlined enamelled auspicious clouds framed by a band of stylised Chrysanthemum demi-florets. The reverse decorated with further stylised clouds and a six character mark for the Emperor Yongzheng.
An identical dish appears in the Shibata collection dated circa 1750-80, although I think the dish may well be more or less contemporary with the reign ...
A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety. The symbolism of th...
A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety. The symbolism of th...
A magnificent and rare Amida Nyorai bronze Buddha, made in the early Edo Period, which means in the early 17th. century. This statue was made in a way called lost-wax metal casting, also known as Rougata Chuuzou, which was popular only in the 6th. century and in the Edo time.
The statue is in good antique condition with no repairs or cracks.
Size: 7,8'' height
Shipping included
Up for sale is this special example of the beauty of Raku ware, a pottery tradition born more than 400 years ago in the ancient Japanese capital of Kyoto, from the collaboration between great tea master Sen Rikyu (1522-1591) and a potter named Chojiro ( - 1592), the forebear of the great Raku family of potters.
This particular chawan (tea bowl) was made by the 12th bearer of the Raku name, Raku Kichizaemon Konyu (1857-1932), whose works are not very diversified but who created seren...
Another Kamakura (end of Heian Period 1100-1300) Yama chawan from our collection made of unglazed pottery.
This is an excavated tea bowl from the Seto area (Aichi Prefecture).
Very good antique condition and atmosphere.
Size: 2 inches height, 6.2 inches width, 6.1 inches length.
Shipping included
This is Asamai-sibori of the Akita area of the Edo era. It is dyed with an indigo plant of nature.
This is good-quality thick cotton spun by hand. This is woven with a good-quality cotton thread spun in the country. The feel is good, and it is comfortable to eyes. A technique of good Shibori was introduced into the Asamai district from the Narumi district late in the Edo era. This is an expression method of early Asamai-Shibori. It is the simplest expression method of good-quality Shibori. The ...
Choki print, please contact for details
Eizan print, please contact for details
Japanese Hirado Figure of a Hawk, perched on a rocky mound. L19thc Height 28.5cm. Condition; excellent.
A Japanese iron garden lantern often referred to as a toro. Often these lanterns are placed within a garden setting to guide guests towards a tea house or an entrance to a building. The iron lantern contains a short inscription with the date when the piece was made (first year of Taisho, 1912) and that the lantern was made by Yojiro. Age: Taisho Period Size: Height 19" Diameter: 18.5"
Japanese Silver Box w Roses & Brown Bird Signed
Description & Size: 4.44 x 13.71 x 10.16 cm (1.75" x 5.4" x 4") height & length & wide
Weight: 431 gram (15.20 oz)
Age: Meiji - Taisho Period
Production: handcrafted
This is a beautiful Japanese silver box handcrafted with dark rose wood. The silver box has a large 3D silver rose with etched leaves, a rose bud, & a raised brown bird. There are some gold highlights on the rose stamens, r...
This is a very fine and extremely detailed Japanese satsuma vase. It was made by Kinkozan but the style reminds me more of a Ryozan piece. It is signed on the underside with an impressed mark. It stands 7 1/2 inches tall and in 4 3/4 inches wide. The vase is in excellent condition.
Up for sale is this wonderfully textured 19th century Japanese cast iron tea kettle made by noted Kyoto-school tetsubin craftsman Kibundo ( 1812-1892 ).
It is cast in high relief with the image of writings and a landscape.
This fine kettle bears the body-mark “Kibundo zo” and a remnant of the square seal mark of Kibundo on the bottom.
The quality of the relief casting is superb. A peculiar punching technique called “oshinuki” was applied to the body, produc...
This is an Edo period chawan by Japans greatest Poet Rengetsu Ōtagaki ( 1791 - 1875 ).
It shows a poem of herself, tastefully carved onto the tea bowl. The chawan has a wild and rough look and an aesthetic kintsugi ( gold repair ). A tasteful woodbox is also included.
Size: 2.4'' height, 4.3'' width.
Ōtagaki Rengetsu was a Buddhist nun who is widely regarded to have been one of the greatest Japanese poets of the 19th century. She was also a skilled...
This is Katsugi dyed with an indigo plant of the Edo era. This is made with high-quality hemp.
The whole is dyed in Katazome. The part of the hem is drawn in Tsutsukaki.
A rich family used Katsugi at the time of ceremonial occasion. This type of Katsugi was used in a part of Yamagata mainly. Jyofu-hemp Edo Katsugi often generally has heavy damage, but this item does not have damage at all.The width of Katazome is 13cm.
There are several places of a few thin stains.
Please enjoy bright indigo...
Japanese SATSUMA FLOWERS VASE Meiji Period
Description & Size: 18.41 x 19.05 cm (7.25" x 7.5") height & wide
Weight: 1763 gram (62.18 oz)
Age: Meiji Period c19th Century
Production: Handcrafted
This is a beautifully Japanese Satsuma vase handcrafted & decorated with multiple flowers & bamboos through out the vase. The vase is crafted on 3 flare footed stand. The condition is excellent with the exception of a hole drilled on the base. ...
This is a rare Wan type chawan, around 400 years old in shape close to a tenmoku tea bowl. It is thrown on a wheel from coarse, unrefined iron bearing clay.
The grey ash glaze has been painted on the body with a straw brush as seen on Korean hakeme chawan. A stone in the wall has exploded in the fire - a very sought after effect ( see pic number 2 ), giving this type of Karatsu bowls its name: ishihaze (exploding stone). At the rim is a repair in silver lacquer ( refer to pic number ...
Black Raku Chawan with wood box, both have the sign of the 12th. Kichizaemon Konyu ( 1857-1932 ).
The lid back of the wood box bares the appraisal and of Sen Sosa XII 'Sesai' ( 1863 - 1937 ), who has been the 12th grand tea master of Omotesenke.
We offer this tea bowl by order of a German collector.
The chawan is in good condition with no repairs. There are two small inborn kiln cracks on the rim.
Size: 3,4'' height x 5,1'' length x 5,1'' width.
...
Japanese Cloisonne Vase w WISTERIAS IRIS ROSES & MUMS
Description & Size: 14.60 x 10.16 cm (5.75" x 4") height & wide
Age: Meiji Period c19th Century, Production: Handcrafted
This is a beautiful Japaneses cloisonné vase made during the Meiji Period with fine silver works in wisterias, iris, roses, & mums flowers with black enamel background. The top & bottom are mounted with bright brass. The condition is excellent with no cracks or damages. There are b...
Japanese Cloisonne Enamel Vase Pair w Swallows
Description & Size: 24.13 x 12.06 cm (9.5" x 4.75") height & wide
Age: Meiji Period c19th Century
Production: Handcrafted
This is a very beautiful pair of Japanese cloisonné vase with flying swallows in a yellow moth enamel background. The neck is decorated with fine silver with colorful chrysanthemum flowers. The top & bottom rims are constructed with bright brass. There is no signature but it's...
A superb Karatsu chawan dating from the mid Edo period (1615-1868). Karatsu pottery originated more than four hundred years ago in the small town of Karatsu, located in northern Kyushu. It has been a favorite of tea practitioners for centuries for its simple design and natural feel. Decorated karatsu ware is called E-karatsu.
This tea bowl is in excellent condition and comes with a special wood box with describtion of its content ("Karatsu Tea Bowl Edo Period").
It is perf...
Japanese Cloisonne Vase w Butterflies & Cherry Blossoms
Description & Size: 25.4 x 4.5 cm (10" x 4.5") height & wide
Age: Meiji Period, Production: Handcrafted
This Japanese cloisonné vase is a beautifully crafted with fine silver wires & wireless in multiple butterflies & falling cherry blossoms with light blue background enamel. The base is crafted with a border arranged & filled with tiny flowers. Both the rims on top & base is mounted with bright br...
On offer is this unique and wonderful hand painted Japanese tea bowl from the end of the 19th. century ( Meiji Period ).
The colours of this antique tea bowl are amazing. There are no chips, no cracks and no repairs, best condition.
There is a sign of the artist, but i was unable to identify him.
You will not find a similar tea bowl. This style is definitely rare.
Size: 8,2 cm height x 11 cm diameter.
Shipping included
Antique big porcelain bowl of Kutani ware made by greatest Eiraku Kutani at the end of the Meiji Era, around 1910.
All overglaze images and patterns are tastefully hand-painted in great colours.
The signature of the potter is written on the bottom.
We sell it with its original signed woodbox. Very good condition, no chips, no cracks.
Size: 10 cm height x 20,4 cm diameter.
Shipping included
Japanese ko-sometsuke porcelain nagazara (tray form dish) with scalloped corners. With creative blue underglaze depiction of pine boughs and cones in and centered within double lined blue rectangle by the cavetto. The sides with decoration of a literati scroll with berried vines. A narrow key fret band adorns along the outside of the foot rim. A six character mark appears inside the rectangular foot rim. This strongly potted and decorated piece exhibits freedom of expression not bridled by repet...
Wonderful Japanese antique two panel byobu screen painting in ink and mineral colors on silk, Nihonga School, depicting a scene of a group of seven crows and a single magpie near a waterfall and hot springs possibly Onsen Baths, beautifully painted churning water and falls, signed and with hanga of artist Aizu Katsumi: born Fukushima Prefecture.
Exhibited Teiten and Bunten Exhibitions during prewar period.
c. 1900.
Size: 76 3/4" high x 90" wide
Japanese Silver Tea Set Signed MUSASHIYA YOKOHAMA
Description & Size
Teapot: 21.59 x 13.97 cm (8.5" x 5.5") height with & without handle, 15.24 x 12.7 cm (6" x 5") wide with & without spout; Weight: 580 gram (20.45 oz)
Sugar Pot: 11.43 cm (4.5") height, 15.87 x 10.16 cm (6.25" x 4") with & without handle; Weight: 268 gram (9.45 oz)
Creamer: 7.62 cm (3") height, 13.33 x 8.89 cm (5.25" x 3.5") wide with & without mouth & handle; Weight: 243 gram (8.57 oz...
Distressed Japanese Iki mask with crystal eyes. Gofun finish over dry lacquer composition. Details including veins, wrinkles and furrows. The surface is in a distressed state with significant losses and some 'alligatored' texture possibly from exposure to elements. Would make a worthy conservation project for someone with the patience to recoat and touch up losses (the missing left ear being most challenging.) Length, about 9 1/4 inches (23.49 cm)
