Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 17th Century
Size: Height 26.3 C.M. / Width 12.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 16th Century
Size: Height 21.8 C.M. / Width 13.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 17th Century
Size: Height 20.3 C.M. / Width 9.2 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics...

Chinese export porcelain stem plate, made for the Thai market. With polychrome decoration of Thepanom between two Norasingh, among foliage on a black ground, details of the deities in gold. Condition: good, rim with few color flakes, wear to the gilt (rim). Dimension: diameter: c. 13 cm, height: 6.9 cm.

Green lead glazed oil lamp or candle stand from the Han Dynasty. In excellent condition with no damage, there are still traces of the classic silver patina as may be seen in enlargements. H: 13.5cm/5.3in and D: 10.5cm/4.2in.

Rare soy brown glazed stoneware vessel made in the shape of a grain silo. This basic style are well documented in Qingbai wares but this is the first I have seen in a brown glaze, also it has a fence going around the base which is quite unusual. It is in excellent condition with no repairs, cracks or fritting of the glaze and it is unusually large. H: 24cm/9.5in and D: 18cm/7in. It reminds me a lot of a Jizhou glaze but this seems heavier and more stable.

An unusually small creamer, Chinese export porcelain from the Qianlong period, c 1770. Decoration in the European taste of scattered flowers, a thin lattice border and garlands. Height "3 1/3/ 8.5 cm. Condition: a professional restoration is visible near the beak where the decoration is restored with exactly the same enamels as the original (cf. pics).

An unprecedented 19th century ceramic sculpture of a tumble of Shishi lions in a playful fight covered in unusual green-blue glaze. The Banko mark is impressed into the white clay of the base. It is very unusual to find large sculptures or works in Banko ware. This is 30 × 25 x 26.5 cm (12 x 10 x 10-1/2 inches) and in excellent condition...

Magnificent pottery Ding. The long legs and “cockscomb” design where, the legs join the body, are in keeping with bronze vessels from the Zhou to Warring States period, which pottery pieces were trying to emulate. There are traces of a repetitive meandering impressed band below mid circumference. The body is thinly potted with very light gray clay and originally had a dark gray slip applied to the outside (the original gray slip is still intact in the cavity)...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals...

Antique Japanese 4-panel small screen painting of landscape. Mountain landscape with rocky outcroppings, huts and trees on the edge of a wide expanse of water. A group of scholars contemplate a water fall. More figures sit outside waterside huts. A lone figure fishes from a boat. Painted in ink and light colors on paper. Signed Unkoku Toeki (1591-1644).
Unkoku Toeki was the second son of Unkoku Tōgan...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony...

Antique Chinese pair of ceramic roof tiles in the form of flying horses. Galloping through swirling clouds with back legs kicking. Glazed yellow with black details.

Age: Qing Dynasty

Dimensions: 9 1/2" high x 10 1/2" long x 5" wide

Fine Small Chinese Song / Yuan Dynasty Celadon Glazed Porcelain Jar

This attractive small porcelain jar was made in the 12th - 14th century during the Song (AD 960 - 1279) or the Yuan Dynasty (1279 - 1368). It is quite "heavily-potted" and coated in a thick pale olive-green glaze. The body, when soft, was indented with five wide vertical impressions to give it a lobed appearance. The foot remains unglazed revealing the pale grey body...

Chinese Yuan / Ming Dynasty Celadon Glazed Dish

This saucer-dish was made in the 13th - 14th century during the Yuan (AD 1279 - 1368) or early Ming Dynasty (1368 - 1644). It is "heavily-potted" and coated in a thick lightly-crackled celadon glaze save for the foot that has fired to a deep reddish-brown. The glaze has a very pleasant "silky-smooth" feel to it...

Chinese Song Dynasty Qingbai Glazed Porcelain Dish (with decoration)

This saucer-dish was made during the Song Dynasty (AD 960 - 1279). Its inner surface and outer wall are coated in a very finely-crackled pale qingbai glaze that has just a hint of green. The inner surface is decorated with what appears to be an impressed floral decoration although the impression is quite faint. The rim remains purposely unglazed as does the flat concave base. Interestingly around the outer wall can be seen...

Chinese Song /Yuan Dynasty Qingbai Glazed Incised Porcelain Bowl (with characters)

This porcelain bowl with flared rim was made during the 12th - 13th Century (Late Song - Yuan Dynasty). It is fairly "heavily-potted" and coated in quite a dark greenish qingbai glaze that is finely-crackled. The rim edge remains unglazed and in places has fired to a deep reddish-brown. The inner surface is simply decorated with an abstract incised pattern whereas the underside is more elaborately decorated wi...

A beautiful blue and white Transitional period bowl (about 1640), with an apocryphal Chenghua mark to the base. The cobalt blue color is very deep and attractive, painted with fishermen in a river scene. It is 22cm in diameter. Condition is good; there is a tight hairline to the rim. To keep our costs to a minimum, and pass the savings to our customers, we are only permitted to post a single photo of the item on Trocadero. Additional photos are available on request, or on our website.

A Korean, buncheong, white glazed bowl; C15-16th, Joseon dynasty. The bowl is covered with white slip to it's interior; the slip terminates short of the foot. The whole was then covered in a clear glaze, which shows a green-blue colour where it has pooled. Five stacking support marks may be seen to the interior of the bowl. Remnants of stacking supports may also be seen to the fully glazed foot. The diameter of the bowl is 18.2 cm. The glaze condition is good. There is a tight hairline ...

An antique Japanese Ikebana bamboo basket in an elegant satchel style with woven bamboo rope handle. Original smoked patina with flattened bamboo panels interwoven with the construction of the weave. Finished with a volcanic ash. Bottom has three bamboo slats woven into a triangular structure. Comes with lined bamboo insert.

Age: Meiji Period (1880-1900)

Dimensions: 16 1/2" High by 10 1/2" Diameter

A Japanese painting of a pair of songbirds perched atop a Peony Tree. Mounted single panel using a colored Sumie technique. Silk bordered on a silver leaf background.

Age: Taisho Period (1912-1926)

Dimensions: 70" High by 28 5/8" Wide

An antique Japanese Ikebana bamboo basket in a tall slender design. With a matched Wisteria handle that sweeps high over the top of the basket and dramatically extends to the waist. The body is divided by three levels, each separated by a distinct weave. Base is comprised of three layered concentric rings that provide a strong foundation for this work of art.

Age: Meiji Period (1880-1900)

Dimensions: 7 1/2" Diameter by 23 3/4" High

A Japanese bronze Wakizashi (short sword) from Edo Period (1603-1868). It comes with a Tokugawa symbol - the “Triple Hollyhock”.

A Japanese inlaid Shakudo bronze flower pot from Meiji Period (1868-1912).

A Chinese, bulb-mouthed, brown glazed vase from the Tang dynasty. The coarse stoneware body of this small vase was initially covered by a white slip, which terminated some way above its flat foot. The white slip was then covered by an attractive brown-teadust coloured glaze. Vases of this type have been attributed to the Xing kiln, Hebei, during the early Tang dynasty; see photo. A rare item. Dimensions; 9 cm tall. Condition; some small chips and abrasions to the foot. Age relate...

A Chinese Qingbai Glazed Vase with Petalled Rim. Circa, 12th-13th Century, Minqing Kiln, Central Fujian, Southern Song Dynasty. Found in the Philippines. Featuring a baluster shaped body rising from a slightly splayed foot, tapering to its shoulders onto a long waisted neck with a petalled mouth. Its body is adorned with carved and combed floral patterns and is covered overall in a green-white ‘Qingbai’ glaze stopping short above its foot. Its base is fully unglazed. Some vases wit...

A large Korean celadon jar, with incised decoration of floral sprays. Goryeo dynasty (12th-13th century) Of high-shouldered sinuous form, moulded with four lugs, incised on the body with four lotus sprays and with a collar of auspicious fungus heads below the short, upright rim, the whole applied with a glossy celadon glaze. Dimensions; 32 cm tall Condition. With good glaze condition, there is an old repair as a large section of the foot has been re-attached. Three of the fou...

A Korean celadon, Goryeo dynasty, melon form, lidded, ewer with incised floral decoration; C12th. The ewer is modeled as a melon with incised details of scrolling flowers, applied with s-shaped spout and handle, covered with a transparent sea-green glaze. Korea’s best-known ceramics, the celadon wares, were produced during the Goryeo dynasty (918–1392), an era of supreme artistic refinement. Vessels with molded, incised, or carved decoration, such as this exquisite ewer, typify tw...

A Korean, melon-shaped, celadon glazed, lidded ewer from the Goryeo dynasty; C12-13th. Many celadon ewers produced during the Goryeo dynasty mirror the shape of calabash gourds or melons, such as this graceful ewer for wine. The lid is a contionuation of the sectioned melon shape and is topped with a stem-shaped knob forming a loop, which would have allowed it to be threaded and connected to the pierced hole on top of the handle to prevent the lid from getting separated from the ewer. A ...

A large Japanese Cloisonne enamel vase from the 19th Century from Meiji Period (1868-1912).

Japanese antique silk fukusa tsuzure nishijin textile.This is a beautiful fukusa from the Meiji era. This is a high quality silk fukusa with a design of a parent and child crane. Also recommended for antique collections. There are some stains. However, it is not noticeable. There is no major damage and it is in very good condition. Size: 72m (28.3 inches) / 64cm (25.1 inches)

This is a beautiful fukusa from the Meiji era. This is a high quality silk fukusa designed by Fukurokuju (one of the Seven Gods of Fortune). Fukurokuju is said to govern happiness, status, wealth (being blessed with money), and longevity. This is a fukusa that can be easily displayed on the wall. Also recommended for antique collections. There are some slight stains. However, it is not noticeable. There is no major damage and it is in very good condition. Size: 55m (21.6 inches) / 52cm (20.4 ...

This is Patchwork silk yosegire child kimono textile in Edo period(1800-1867).This yosegire kimono is a patchwork of natural safflower dyed shibori, shikon dyed katazome, and indigo dyed kaiki-silk.All are originals from the Edo period. The lining is red silk, and the stains on the outer material are due to the red silk. There are slight stains and damage. Recommended for collection. Size: Length 110cm (43.3") / Sleeve to Sleeve: 104cm (40.9")

Rare bronze mythical turtle koro or incense burner from the early Meiji Period Ca. 1880. In the form of one of Japan's most famous legends is this mythological giant turtle known as the 'Minogame' or straw raincoat turtle due to the tail resembling a farmers straw coat. The Minogame is regarded as a very auspicious creature in Japan representing long life and good fortune. Sitting on its back is a nest of bronze waves holding a Hoju sacred gem koro or incense burner. 43cm long x 25cm wide x 25c...

Agata cup of a beautiful yellow and amber color. Decorated in hight relief of Chilong, Lingzhi and Fenghuang (dragon, mushrooms and Phoenix) with highly symbolic value, in fact the male principle chilong and the female fenghuang should signify a marriage, the presence of immortal Lingzhi making the union eternal. The artist used a part of the stone which is different, naturally spotted and cracked to cut the Chilong which is thus subtly spotted like a leopard. However, this part of the less soli...

Tall Chinese Ming Dynasty Glazed Pottery Figure

This pottery model of an official figure was made during the Ming Dynasty (1368 - 1644). It is quite highly-fired and made from a pale pinkish-brown pottery and includes an integral hexagonal plinth on which the figure stands. The head has been made separately and slots into the hole at the neck. The figure has been coated in green and amber glazes that have, over much of their surfaces, acquired a silvery iridescence, a result of long burial i...

Kodansu in ivory in the shape of an elephant, resting on four feet, enriched by refined inlay applications in the sophisticated Shibayama technique. The upper opening, facilitated by a bronze grip, reveals its interior. It bears the signature, engraved on the side. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 26 x 4.2 cm. State of conservation: Very good

A Japanese Satsuma ceramic vase with a globular body that captures attention thanks to its reserves of various shapes. Inside them, a narrative rich in detail is revealed, in which not only are fascinating scenes of daily life revealed with festive characters, but also spaces are opened up for evocative landscape depictions. Under the base, the Kizan signature in gold testifies to the authenticity and origin of this work of art. Origin: Japan Period: Meiji end of 19th century. Dim...

An E-karatsu Yobitsugi bowl made of various shards attached with wide bands of gold to a discarded base: the pieces dating from the Momoyama to early Edo periods. It is 22 x 20 x 6 cm 8-1/2 x 8 x 2-1/4 inches) and comes enclosed in a modern kiri-wood collectors box titled E-Karatsu Hachi.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi. Yobitsugi is a form of kintsugi that entails combining pieces of different objects together in order to create a ...

Very pretty and rare boxes of a pair of gold and polychrome lacquered ducks in perfect condition. On a base of taka maki-e lacquer (feather reliefs) and nashiji (gold powder) inside. Period: Meiji (1868-1912). Length 14.5 cm x height 7.5 cm. Wooden box.

A piece of hand-spun cotton cloth with chrysanthemum pattern, whose ground cloth in green is dyed with vegetable indigo and vegetable yellow, but the dye of the reddish-brown mum pattern is not clear. In excellent condition. 19th century. W:32.5cm, L:130cm

Balmy autumn day. Three men enjoy drinking on the boat under the autumn moon light. Painted with ink and light pigments on silk. Signed Shoko, the artist name of Tanomura Chokunyu, and sealed. It is dated on 1838. It is attributed to Tanomura Chokunyu(1814-1907).

Tanomura Chokunyu (1814-1907) was a Japanese nanga(literati) artist. He learnt painting under Tanomura Chikuden, and for his rare talent, he was later adapted as a son. He became a leading figure in the improvement of Nanga art ci...

Antique Japanese Buddhist Painting depicted Amida Descent of Amida and Twenty-Five Attendants. They each have musical instruments in their hands and fly down while playing music. Finely painted with ink, pigments, and gold on silk. Circa late 19th C.

Some light crease and insignificant light marks are present on the painting itself, and some insignificant light crease, traces of restoration of insect damage, and other light aged damage are present on the scroll mounting due to its great ag...

This magnificent and striking tureen is made of cloisonne having a slightly mustard yellow ground and beautifully accented with green diaper around the mouth of the bowl. The body is decorated with traditional Chinese emblems of good luck, and auspicious symbols such as the bat decorated with speckled blue. The blue dragon scaled handle atop the lid is embellished with brass buttons. The bowl is supported by flaring oval wrap-around feet.

Date
This cloisonne tureen dates to t...

A massive corner stone sculpture carved in greyish schist, Gandhara, c. 400-600 AD.

Interesting Pilaster from a corner with two reliefs, on it, candelabra with Buddha and bodhisattva and lying bulls on both sides at the top.

Size: c. 51 cm. tall and c. 22-23 cm. wide. Verry deep as well and almost triangular in shape.

Condition: F-VF, basically intact and almost fully covered with sandy encrustations - uncleaned. Chips and corrosion on exposed areas.

...

This monumental Japanese porcelain charger is painted in blue and white depicting buildings on stilts overlooking mountains, waters, and trees among a beautiful waterfall, situated at the banks of a calm body of water with a boat in the distance.

The scenery is surrounded with scrolls in a band upon which lay leaves and flowers. The uniquely rendered waves add special interest.

The back of the charger has what may be seen as scrolling vine and leaf decoration. We belie...

Goryeo dynasty is famous for producing high quality celadon pieces. This piece has very beautiful color and inlay. YouTube movie: https://www.youtube.com/watch?v=6aMbSJx4Enw Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan. Size: 12.0cm(D) 3.8cm(H)

Goryeo dynasty is famous for producing high quality celadon pieces. This piece has very decent form. YouTube movie: https://www.youtube.com/watch?v=DoEioCjM09o Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan. Size: 10.2cm(D) 11.2cm(H)

This beautiful plate is very rare green glaze piece among Annamese antique ceramics. YouTube movie: https://www.youtube.com/watch?v=DoEioCjM09o Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan. Size: 19.0cm(D) 5.5cm(H)

This plate was made at Sawankhalok kiln in Sukhothai dynasty era. Sanwankhalok kiln is famous along Si Satchanalai kiln in Sukhothai dynasty era. YouTube movie: https://www.youtube.com/watch?v=Q1va7CE740k Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan. Size: 25.0cm(D) 6.7cm(H)

This plate was made at Sawankhalok kiln in Sukhothai dynasty era. Sanwankhalok kiln is famous for celadon. YouTube movie: https://www.youtube.com/watch?v=CdlVqoUsFEQ Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan. Size: 23.0cm(D) 8.0cm(H)

Reverberating Zen Temple Bell from a Buddhist Temple with lacquered stand with inscription on the bell reading, 'Showa 3' (ca.1929). Deep, sonorous sound. With red lacquered striker. Excellent condition. Stand and bell height: 67cm; bell: 24cm height and 37cm diameter.

This is a japanese antique Very nice handspun & natural indigo dye thick cotton katazome kimono. There are a few small holes. There is a light stain on the lining fabric. They are not disturbing, and as a whole it is in very good condition. The sleeve part is a silk shibori. Size:Length:124cm (48.8inch) / Cuff to cuff, across the back: 120cm (47.2inch)

Old Chinese White Jade Carved Fu Lion Carrying Vase

It is 5 inches (12.7 cm) tall by 5 inches (12.7 cm) in length and 2 inches (5.08 cm) thick.

It has flea bite chips, inclusions, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to d...

1900's Chinese Silk Embroidered Lady's Robe with Horses Motif

It is 53.3 inches (135.4 cm) from shoulder to shoulder, 24 inches (61 cm) armpit to armpit, and 35.43 inches (90 cm) collar to hem and 35.78 inches (90.9 cm) wide at the bottom.

It has stains, yellowing, frayed silk, small tears, loose and loss of threads, discoloration, and wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an ...