From our Chinese Blue and White Collection, a very rare Kangxi Period (1662-1722) porcelain dish, which is actually a Kangxi version of an earlier Japanese version of yet an even earlier Ming kraakware design, depicting a flower basket in the center medallion, surrounded by ogival panels of buddhist objects and auspicious symbols in the outer border, all very well-painted in varying shades of good Kangxi blue with an excellent glaze...

Width = 11.5 cm; Height = 8 cm Condition : Perfect, no chips, cracks, hairlines and free from restorations.

Chinese pottery granary jar, with cylindrical shape, decorated with bands of incised lines, and supported by three legs.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Size: Height 27.8 C.M. / Width 19.8 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground)...

Famille rose deep plate decorated in European flower sprays. Condition: Very good condition. Small wearings. No cracks or chips. Measurement: Diameter 21.9 cm = 8.6 in Hight: 4 cm = 1.6 in

Please note! Customer satisfaction is our top priority. We guarantee 100% accuracy and correct information for each object listed on our website. We are happy to offer a one-time exchange only policy on the return of any object within 30 days of the shipping date...

Japanese Silver Teapot Signed Miyamoto Shoko

Description & Size: 10.16 x 16.51 cm (4" x 6.5") height with & without handle 15.24 x 12.7 cm (6" x 5") wide with & without spout

Weight: 407 gram (14.37 oz)

Age: Meiji Period; Production: Handcrafted

This is a nicely crafted Japanese silver teapot c19th Century...

Brooch or fibula? very thick cast copper alloy. Hot gold with mercury. The gilding is very thick. It is very well preserved and is only worn on the ends of the reliefs as can be seen in the photos. Three black stones are set. The stones are very worn by shocks or degraded by time? Two holes are drilled on either side of the center. The correct color is that of the first photo where we see the greenish gilding. Interesting jewel certainly very old several centuries. 93x30mm

19th century marine (walrus tusk) Asakusa school netsuke carved as a group of four Fungus of Immortality. Wonderful realistic carving, beautiful staining, superb patina, very pleasant to handle. Length 1.62 inches.

Antique Baltic Amber Necklace for the Chinese Market
Date: c. 1900s | Late Qing Dynasty - Republic period
Materials: genuine untreated Baltic amber
Weight: 51 grams
Diameter of beads: 14 - 14.5 mm
Length (end to end): 53 cm
Provenance: From a Florida estate

Description: A rare strand of antique c...

Chinese enameled porcelain plate, depicting two figures with a cart being pulled by a dog, also decorated on reverse by bats in flight, late 19th/ early 20th century. Size, Diameter of the bowl is 10.5 inches, with no imperfections.

Found in the Philippines. The kendi is a well-known form in the Southeast Asian repertoire of vessels, and it has played a significant role in the rituals and daily life of the region since the first century CE. The kendi appears to be a variation of the kundika, an ancient holy vessel holding water from India’s sacred rivers...

These two saddle rugs, in knotted pile, are forming a pair and were used together: the larger piece with trapezoid ends served as a saddle cloth (makden), while the smaller rug was a saddle cover (masho). Both items are in their original condition, with a red trim and backed with a coarse beige fabric. Provenance: old Swiss collection. Dimension approx.: makden: 120.5 x 67 cm, masho: 82.5 x 66 cm. Condition: signs of age and wear, rims with partial discoloration, faded.

A Buddhist shrine, made for a temple, containing the 8-armed, weapon-bearing goddess Benten; her head adorned with a gilt bronze crown in the shape of a Shinto gate, decorated with birds, sun and moon, and beads. On the top of her head sits the snake-bodied water deity Ugajin. Behind her head a circular mandorla with three flaming jewels. Benten sits on a double lotus throne, placed on top of a rock formation...

Small steatite amulet Carved in the form of a wild boar standing on a rectangular base. Indus Valley Civilisation, 2500-1500 B.C. Length: 33 mm. Height: 22 mm. Slight abrasion due to age, otherwise very good condition.

Early 19th century boxwood netsuke of a seated inebriated oni with a sake cup in one hand, and the other raised to his head indicating a hangover. Strong early carving, great face, inlaid pupils and horns, powerful muscular limbs. Himotoshi is formed by his legs, very good patina. Height 2 inches.

Up for sell is an antique Chinese Cantonese silk tapestry, Qing dynasty, intricate embroideries including peafowls, cranes, geese, quails, golden pheasant, phoenixes, paradize flycatcher, pine tree & peonies, etc, embroidered in a beige color silk ground. Framed & glazed on front and back. Overall in very good condition. Measurements: Approx 19" x 24-1/2"

Huge 96 cm Antique Museum quality 17th - 18th century, Indian, finely hand carved and polychrome wooden sculpture of the Hindu deity Garuda.

He stands in a Tribhanga pose on an octagonal lotus base over a rectangular plinth, wearing a long dhoti tied at the waist with a sash falling down the sides of his legs. His upper torso is adorned with necklaces, his arms with armlets and bracelets, his face has a large nose and a full handlebar mustache, and he wears a high conical headdress...

Nicely carved statue of Hindu god Vitthal, standing, wearing formal attire and jewelry, arms akimbo. Wood, with fine glossy dark brown patina. India, early 19th century. Height: 25.7 cm. the statue is nicely mounted on a custom stand. Left and front lower side partly missing, slight abrasion, otherwise good condition. NOTE: Vithoba, also known as Vitthala, is a Hindu god predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is a form of the god Vishnu...

Porcelain or stoneware vase covered with a thick, deep black glaze that is stained with brown streaks in places same as Tenmoku style. The ceramic is very heavy, thick and solid. The glaze is deep and thick, in some places it flows in very thick drops.The rim of the neck has no glaze which makes me think that it must have been lightly ground, if so it should not be missing much as the vase is very elegant and well proportioned. I think that it's Ming périod perhaps earlier. Height about 40cm...