54.875 (arms) 29 (height) 20.25" (waist, across).

5" in diameter, 1.25" tall.

8.5" long x 3.25" wide. Provenance: From the collection of Dr. Mary Mckee, Philadelphia, an agency physician for the Bureau of Indian Affairs from the 1890s to her retirement in 1930. Dr. Mckee graduated from the Women’s Medical College of Philadelphia. After experiencing difficult setting up a private practice in her home town, due to a resistance to women doctors, she joined the Bureau of Indian Affairs. She served in N...

This is a medium height carved cizhou wine jar with thick dark brown glazed from the Yuan dynasty (1277-1367). The vase stand on a recessed foot. The body is curved with two vertical sets of scroll within a double band..

Only minor abrasion especially on the mouth rim, pin holes and manufacturing faults as shown in the photograph, otherwise no chip, rim fritting, crack, repair or restoration...

 

A large b/w dish decorated phoenix. Ming dynasty 17th century Swatow ware. Condition with minor tiny flake chips (visible on picture 8), a fine hairline visible on picture 9, further in good condition as well as fine glazed and flawlessly. Diameter: 37.5cm.

Highly unusual mask, which has kept the original shape of the tree trunk from which it was carved. The mask itself is carved in a kind of "reverse relief", its features hollowed out, except for its nose. One round hole at ear level on each side. Wood, with brown semi-glossy patina. Himalayan Region, early 20th century. Height: 12" (30 cm). The mask is nicely mounted on a custom metal stand which enhances its strange beauty...

These very well carved and polished crabs are a late Meiji period product. They are about 4” wide, 2 ½” high and 1 ½” thick. Aside from some small old repair and hair line cracks due to their age, they are in great condition.

This is a cizhou style wine jar in a baluster shape from the Yuan dynasty (1277-1367 A.D). It stands on a shallow short recessed foot-rim like a stand and then everted outward like a short “C” shaped pedestal and the everted outward and upwards to a baluster shaped body with a flat shoulder and then straight upwards towards a very short neck mouth rim. The jar is divided into four horizontal bands with design in between them...

A simple black glazed ribbed vase with foliated rim. It stand on a two tier splay high foot, then everted towards a bulb like body towards a straight neck and then slightly everted towards a foliated mouth rim.

No damage, repair or restoration. There are abrasion, minor chips, pin holes, bubble burst and minute shrinkage of the glaze. All this are shown in the picture 3...

This Chinese carved bamboo brush rest has traditional dragons chasing pearl and cloud motif. The background shape is the 5 mountains and the rim of the mountains have carved ridges. The piece measures 3.5 inches high and 6 inches across. The natural curve of the bamboo allows the piece to stay upright, and the piece remains balanced on the 1/2 inch thick bamboo. Condition is very good.

This charming old Chinese headband was handmade for a small child sometime in the late Qing dynasty. It is one of the nicest animal headbands that I have seen, and it is in good condition. The cat's face would have been worn at the child's forehead and is 3 dimensional. Made with silk fabric, with silk thread for the elaborately embroidery, the face is complete with ears that flap, and side paws. Opened at the back seam for easy framing, it can easily be re-sewn to fit display stand.

5.25". On the back of the handle the spoon is engraved "Edith 1912".

This is a late Qing dynasty bamboo design yixing teapot of rectangular shape. It is dated to the Tongzhi period (1862-1874), late Qing dynasty. All the sides are shaped with the bamboo design, including the spout as well as the handle. The cover has two bamboo leave of dark green colour. On the base of the teapot, it shows the Tongzhi reign mark of the Qing dynasty. Also on the cover, it bears the seal mark of either the potter or the seal carver.

The teapot is in good condition...

Description:
In abstract form, a pair of stone tiger weights of Han dynasty was preserved in original excavation condition.
Covered all over the surface with adhering earth coatings, the images of recumbent tigers were still revealed by the silhouettes.
Han-Bar-Dao, a typical carving skill of Han Dynasty was used on two of the pieces.
In simple and clear carving skill, the images of two tigers were vaguely and subtly rendered...

Description: A lovely dog was carved vividly in a crouching way. Lying as is in sleeping, the dog's ribs were obvious by the carver's observation.The sandstone's quality was strong and the color was in grayish white and amid with black dots. Date was judged by the overall erosions and the characteristic style of the subject. Date: Song period(12th century), Width: 12cm , Height: 9.5cm.

Beautiful Katazome stencil dye work on thick, lightweight, coarsely woven cotton. It is decorated with auspicious motives; crane and long-tailed turtle in the framework of sho-chiku-bai (pine, bamboo, plum blossoms), the symbols of longevity and happiness. Bamboos, canes and pines are hidden, actually all over here in the form of scrolls. Three rolls of 13.1/2" (width) x 123 1/4" (long), roughly 98cm wide x 313cm long...

A Rare Oiled Entire Papered Marche Documentary Box: Korea, Choson Dynasty, 19th Century It is of rectangular shape with a flat base and fitted with a rectangular cover hinged at two places in the back, the interior box applied with an original decorated silk, it has two c-shape cast iron handles on back and front sides and the front applied with a foliaged rectangular lock plate...

One of the best examples of Japanese bronzes we have seen in an increasingly sparse market, this beautiful piece is worth a second look. Deep, rich Meiji Period (c.1867-1912) bronze with carp swimming over waves in raised relief on one side; geese frolicing among grasses, also in raised relief on the other side. Handles come out of baku's (bad dream eaters) mouths. Absolutely stunning. c.1890. (10½" x 5½") (27cm x 14cm). EMS Shipping/Insurance to USA or Western Europe $90.

Decorated with parrot in the form of a human, seated at the end of the handle, holding a rope in both hands.

Age: Burmese, Early 20th century.
Measurement: Total Height 27.5 C.M. (Height excluding stand 17.5 C.M.)
Length 29.5 C.M.
Condition: With aged crack and natural wears. Please refer to the enlargement photos for more details.
Shipping: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This panel was taken from Japanese "futon" bed cover. It is decorated with a chagama and other utencils used in the tea ceremony. They are drawn in the paste resist dying technique called tsutsugaki. The green area appears to be dyed with two colors, "ai" indigo blue first then yellow dye. The fabric (cotton) is loosely woven with one repair as shown in the photos. Meiji Period(1868-1912). Dimensions: 61" x 48"

Japanese wood zuishin figures probably from early 1900s. They are figures of the Toneri, the imperial guardsmen from the Heian period (794-1185). Later in the Kamakura period, they became the gate keepers of the Shinto shrines. Zuishin are sometimes called sa(left)-daijin and ya(arrows)-daijin (arrow-minister). The first character 'dai' means large or great and the second character means 'god'. There are zuishin dolls in Japanese Hina doll - the Minister of the Right and the Left - the ...

Takeda dolls are modeled after the characters from 17th to 19th century Japanese theater. They are known for exaggerated postures and often with a vivid facial expression of the Kabuki actors or Jyoruri puppets on stage from the period.

This doll is holding up a "takafuda" bulletin board in one hand and a brush in the other. "takafuda" was an official bulletin board for Tokugawa government (1603-1868) to announce any regulations, or changes etc.

Little was known about Takeda do...

Burmese lacquerware offering tray coated with black and red lacquer.

Age: Burma, Mandalay period, circa 19th century
Measurement: Diameter 31.8 C.M. / Height 6.3 C.M.
Condition: Nice conditon overall (some expected degradation due to its age such as natural cracks which are common for old lacquerware). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

I have too many bronze arrowheads to post separately so here is another group. These are all from China and date from as early as the Western Zhou (circa 700 BC) to as late as the Han period (circa 200 BC). Each of these is a great specimen for collecting, for study, or both. Inquire for individual prices. I will certainly sell them as a group at a discount - just email me with offers or requests.

This is a small and square jarlet from the Yuan dynasty (1277-1367). It stands on a flat base and rise straight up to a flat shoulder and then towards a small vertical square mouth rim. There are two small lugs on the opposite side of the shoulder. On all four side of the jarlet, there is a drawing of a single chrysanthemum flower in copper red colour. Most of the jarlets found are painted in cobalt blue and it is pretty rare to find them in copper red. The origin of this piece is from South-Ea...

This is a nice pair of tomb guardian, one piece in the form of a warrior and the other a mythical beast. The pair of tomb guardian is made of white earthen ware with copper green glaze. The green glazed is also nearer to the celadon glazed type. The clay, glaze and style suggest that the pair of tomb guardian suggest that this pair of tomb guardian straddles between the late Sui dynasty to the early Tang dynasty or about 7 century.

There is a re-attachment to the broken right ear of ...

Of slightly squat form, with metal handle and protective metal bands on the rim of the pot and the cover, and the end of the spout. The bottom with incised mark of the potter’s name.

Age: China, Qing Dynasty, circa19th century
Measurement: Height (measured from the foot to the cover's knob) 12 C.M. / Diameter (of the pot) 19 C.M.
Condition: Repaired to the interior rim of the cover and with some rim chips to the end of the cover. Please refer to the enlargement photos for more d...

Taisho Period Japanese Bronze Tear Drop Vase with original box. A classic shape with a gorgeous caramel patina. 8 inches (20.5cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Very Rare Early Edo Period (early 17th Century) Japanese Lion Mask for the Gion Festival. It would have been part of a two man costume, one man holding the mask and the other at the back covered by fabric to perform the traditional Lion Dance. To find this mask from such an early period is really quite an important find for the serious mingei collector. 12 inches (30.5 cm)h x 10.5 inches (27 cm)w x 11 inches (28 cm)d. From a widely renowned and published collection that has been exhibited at t...

Large Japanese Early Meiji Period (circa 1880) Okimono of a Kirin, one of the most magnificent and admired creatures in Japanese mythology. The Kirin is a Japanese unicorn, an animal-god who punishes the wicked with its single horn. It protects the just and grants them good luck. Seeing a kirin is considered an omen of extreme good luck - if one is a virtuous person. This spectacular carving is a masterpiece. It truly captures this fantastical creature in every detail. 13.25 inches (33.5cm) ta...

Late Edo Period (1850 -1868) Kyoto Bronze Vessel with an Encircling Dragon beautifully casted in high relief. Rich patina, wonderful shape, and a stunning design. Dragons are a Japanese symbol of strength and valor. 10 inches (25.5cm) tall x 10 inches (25.5cm) across. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Exceptionally beautiful Japanese lacquer box with a small doll, mame (pea sized) Ichimatsu nigyo (doll) inside - she actually is 4 ½” tall. This must have been some girl's (or woman’s) treasure box years ago. It may have been a gift from her mother or grandmother. The lacquer box is decorated with auspicious designs; a long tailed turtle emerging from a stream, pine, bamboo and rocks on the bank with a crane flying above. The combination of pines, bamboos and plums (painted in inside) ...

1300s/1400s

Decorated under the glaze with stylized patterns and concentric circles in iron oxide. Skillfully wheel-thrown and rests on a slightly flaring foot. Well-formed lid is surmounted by a circular knop with a yellowish-brown iron glaze. The interior and foot are unglazed. There are minor areas of glaze degradation on the top of the lid from burial. Some minor wear, small old chips to the interior lip of the bowl. Some evidence of burial earth remaining.

Diameter: 4 in., Heig...

Used by the bride for wedding this elaborate kingfisher feather crown is a very old and rare piece. The oldest kingfisher ornaments were made by glueing the feathers onto heavy paper. Metal wire was only used to attach pieces together. Both paper and the feathers are fragile, so not many of these old pieces have survived. This one is in average to good condition, some paper loss and some feather loss. It has its original long silk tassels and large glass beads though some of the small beads...

Each band of this pair of very fine silk embroideries have 2 sets mirror images: one set of floral motif and the other set of a couple celebrating. Both sets use satin stitch, french knot (aka forbidden stitch) and couching embroidery techniques. The embroideries are on a background fabric of fine patterned silk which measures 6" by 15". The floral embroidery is 1.5 x 2" and the couple embroidery is 1.5 x 5". Because of the sizes of the fabric and the sizes and arrangement of the embroiderie...