Sukisha is the word is used to refer to a person who is an enthusiast of sado (tea ceremony) beside his or her profession, or it refers to a person who owns collectable tea utensils.

The selected pieces include Takahashi Dohachi III (1811-1879) persimmon glaze Tenmoku tea bowl, Mashimizu Zoroku II (1861-1936) Kobiki tea bowl, Hozan kiln tea bowl, Akahada Hakeme tea bowl from the early 19th century , Kohagi tea bowl from the early to mid-Edo period, and Karatsu Itome tea bowl from the ...

This is an ANTIQUE PRAYER RUG, a GHIORDES circa 1900. From a VIRGINIA ESTATE the size is 4 1/2' X 6 1/2' approximately. Even Wear and border not wearing away. HARD TO FIND ANTIQUE PRAYER GHIORDES from the Cosmopolitan WASHINGTON, D.C. area

A high quality large bronze figure of the seated Indra, Nepal, c. 19th. century.

A artfully modelled figure. Normally this fine type is from around 13 cm. to max 21 cm. - our figure is no less than 27 cm. and thus also very broad and heavy for it's type!

The bronze with semiprecious stone inlays depicting the deity seated in maharajalilasana (royal ease), dressed in a dhoti, adorned with jewels and a crown...

Yi food bowl made of lacquered bamboo. Beautiful patina, expected wear and tear ; China,19th. D :16cms, H : 11cms

This porcelain tea cup and saucer was produced in Germany by KPM or Royal Berlin Porcelain Manufactory in the 1890s. The set is marked with the blue scepter underglaze and the red orb with cross overglaze indicating the porcelain and the painting took place at the factory. The saucer has a diameter of 4 3/4 inches and the cup is 2 1/8 inches high. The cup has a quatrefoil shape and the saucer has molded ridges that follow the contours of the cup...

A rare flesh pink glazed earthenware Art Nouveau style vase painted with Narcissus flowers in green, white and yellow enamels. This item was made, circa 1895, by the Riessner Stellmacher and Kessler "Amphora" factory in the Bohemian village of Trnovany. Condition: very good - there are minor glaze losses, no cracks and no repairs or restoration. 30cm (11.75inches) high. For additional enlargements please view item #0377 on our Liverpool Shop website at 69aliverpool.co.uk

A Chinese Export Lacquer Tea Caddy. The octagonal box decorated with birds in landscapes. The cover with a pair of peacocks and other birds. Containing a pewter caddy, the cover incised with another bird. With key. Canton Mid 19thC. Length: 6 3/4" (17.1 cm). Condition: very good with very little wear to decoration. Retouching to a very few small chips

1900's Chinese Imperial Yellow Silk Embroidered Panel with Lotus Patterns

It is 46.45 inches (118 cm) long by 34.6 inches (88 cm) wide. It is 1.3 Lb.

It has discoloration, yellowing, stains, bug bite holes and pull and loose threads (as seen in the photos).

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There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This porcelain plate was produced in Germany by Meissen in the 1860s. It is first quality and has the under-glaze crossed swords marking. The plate has a diameter of 10 inches and is 1 1/2 inches deep. It has an elaborate reticulated border that extends 1 1/2 inches into the plate. The center of the plate has a cobalt blue ground. There is a reserve hand painted with peasant women and a sheep in a detailed landscape. The reserve is framed by an ornate gilded cartouche...

This porcelain tea cup and saucer was produced in Germany at the Carl Thieme Dresden Studio in the late 19th century. The saucer has a diameter of 5 inches and the cup is 2 inches high. The set is made of fine, translucent porcelain. The cup features 3 lion’s paw feet. The set is beautifully hand painted with vibrant colors. The couples dressed in 18th century costumes enjoy the garden landscapes in various activities. There are lovely sprays of realistic flowers between the scenes...

There are a total of eight different signs, each with a different "saying" having to do with well wishes. Each "plaque" sign has a different saying...due to the age of the calligraphy, translations have not been possible.

Each sign inlayed with MOP flakes and is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

From our European Collection, a very large and imposing set of Renaissance Revival Armchairs, 19th century. These are made of either mahogany or walnut, with carved lion head motifs on the armrests, carved claw feet, and carved griffon-like motifs on the upper back...

Late Qing Chinese red tixi cinnabar circular box decorated with alternating layers of red and black lacquer deeply carved to create intricate designs The box has a beautiful sheen to the surface so that the layers of lacquer simply pop. High quality and in excellent condition, it measures 3” diameter, and 1.5” high. Circa 1850.

A fairly large lacquer chest with two original handles and lock. It has a removable tray inside. Size: L. 43.3cm. W. 24.7cm. H. 21cm. Condition: Very good. No repairs.

19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with pink body and leaf and white cherry flowers. Beautiful surface, very pleasant patina, large central hole. Diameter 5/8 inches.

This unusual hat stand is made of 2 very thin interlocking pieces which were black lacquered and painted with a floral and peach motif.

19th netsuke of two Tatebina - a male and female doll figures displayed during Hina Matsuri (Doll Festival), which starts on the 3rd day of the 3rd month. Of standing, flattened form with intentionally simplified doll faces and superbly incised floral patterns on the robes, nice wear and patina. Signed HOICHI on the back - for information on this excellent carver from Hojitsu school see NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, p. 476...