Aweidah Gallery is pleased to offer this extremely rare Roman painted pottery wine amphora known by the Jerusalem pottery (PSEUDO -NABATAEAN) dating to the first Century AD.

They became known as Pseudo-Nabataean Ware because of their resemblance to the fine Nabataean painted wares which are characteristic to the Nabataeans...

Figural Vase with Elephant Handles
mid-late 19th century
Tongzhi Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
H: 33.7 cm D: 15 cm
Single hairline from mouth-rim, visible only in the vase's interior. Damage to glaze in a thin, short area perpendicular to hairline.
From a Laguna Beach, CA estate


Description & Notes

This vase is very typical of vessels made in the mid to late 19th century...

Octagon Jardiniere with Floral Panels
19th century
Likely Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose
enamels on a celadon glazed ground
W: 37.3 cm L: 36.5 cm H: 25 cm
Perfect Condition
From a Berverly Hills, CA estate


Description & Notes

This large eight-sided jardiniere is both rich and gorgeous: a thick celadon glazed ground is decorated with a resplendent parade of flowers, all done in the Chinese floral paint...

Larger Charger with Figural Central Cartouche
mid-19th century
Tongzhi Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
D: 38 cm
Perfect Condition; age wear to enamels
From a Beverly Hills, CA estate


Description & Notes

While the 19th century is considered a period of decline by most scholars of Chinese ceramics, the best late Qing wares are nonetheless romantic and lively portrayals of Chinese life...

Square Dish with Narrative Scene
Early 19th century
Jiaqing period, Qing dynasty
Porcelain with Canton famille rose enamels
L: 23.9 cm W: 23.9 cm H: 4 cm
Perfect condition
From an old Brunswick, Maine estate near Bowdoin college


Description & Notes

It's increasingly rare to find very early “Canton rose” pieces of this quality and in perfect condition.
In many ways this piece helps us understand the transition between famille ros...

Platter with Fish
19th century
Jiaqing - Guangxu period, Qing Dynasty
Porcelain with overglaze enamels
W: 33.5 cm L: 26.5 cm
Perfect condition; age wear to enamels commensurate with age
From a Pasadena, CA estate


Description & Notes

The construction and sturdy potting of this platter is consistent with 18th century export platters made for the European market...

Unusual Antique Japanese choba tansu (merchant's chest) with kannon biraki doors (hinged doors), made of kiri (paulownia) wood, safe box on right side has another single hinged door and two small interior drawers, 5 drawers, beautiful iron hardware with chrysanthemum shaped lock plates on doors and warabite shaped drawer pulls, Edo Period, mid 19th century. Size: 31" high x 31 3/4" wide x 13" deep.

Comprising 20 figures: 4 carriers with a sedan chair, musicians and figures carrying objects. Made of pottery with purple and turquoise glaze, red and black pigments. The figures 19,5 cm tall, the sedan chair 22,5 cm tall (including the detachable roof knob). This group was excavated in the southeast of the Shanxi Province. It is very hard to find big groups like this...

Ca. 1500s - 1600s

This incense-burner was cast with Mongolian script encircling body and has two handles with lion masks. It is raised on a slightly flaring footring and a slightly convex base showing wear and an old original surface with a mottled brown patina. The Bombay form rises to end in a flattened rim displaying evidence of long, continued use. The grayish-bronze interior shows its use as an incense burner. An old crack is visible to the head of one handle.

Width: 5 in...

An intricately carved soapstone wine (or tea) pot with attractive "Chicken Blood" red inclusions. This item was made in China, circa 1870-1900, during the late Qing dynasty. Condition - the spout has been broken and re-glued; there are minor chips to the prunus branch decoration and to the tip of the spout 19cm (7.5 inches) long; 10cm (4 inches) high...

Xuande mark, but ca. 1600s

This incense-burner was originally lacquered a reddish brown tone with traces remaining, and has small areas of verdigris on the base and handles. The interior has some verdigris and encrusted ash. The base is cast in the center with an archaistic style six-character Xuande mark. The overall surface is darkened and has worn unevenly from age and use. A design of two opposing phoenix birds wraps around the body in shallow incising work. Overall good condition...

A blue and white kraak dish
Late 16th century – early 17th century
Wanli period, Ming dynasty
Porcelain with underglaze cobalt blue; Jindezhen ware
D: 14.5 cm
Perfect condition; some typical rim fritting
From a New Canaan, Connecticut private collection


Description & Notes

This particular dish features underglaze cobalt blue painting that is swift, confident, and well-done...

Punchbowl with pheasants and flora
Mid-18th century
Late Yongzheng - Qianlong period, Qing dynasty
Porcelain with famille rose enamels; Jingdezhen ware
D: 26.2 cm H: 11 cm
Three repaired hairlines in the back unpainted section of the bowl
From an old Brunswick, Maine estate near Bowdoin college


Description & Notes

Punchbowls such as this would have been status symbols for wealthy society wives in America and Europe during the 18th century...

Imari-Verte Plate
Early 18th century
Kangxi period, Qing Dynasty
Porcelain with overglaze enamels; Jingdezhen ware
D: 22.2 cm
A star shaped hairline radiating from the center, but rather invisible and displays fine
From a Sandwich, MA estate

Description & Notes

Jingdezhen's monopoly on porcelain production was broken in 1616 when Japanese potters at Arita figured out how to produce their own porcelain wares...

Famille Rose Bowl in millefleur pattern
Late 19th century
Guangxu Reign, Qing Dynasty
Porcelain with overglaze famille rose enamels, Jingdezhen ware
D: 10.7 cm H: 6.1 cm
One tiny & faint hairline in bowl interior; no further damage
From a Columbus, Ohio estate


Description & Notes

This bowl bears a six-character Qianlong seal mark in iron red, but its shape and pattern suggests that it was made during the late 19th century Guangxu period...

Canton enameled vase
Mid 19th century
Daoguang-Tongzhi period, Qing dynasty
Porcelain with overglaze famille rose enamels
H: 18 cm
Chip and old repair at rim; no other damage
From a Columbus, Ohio estate


Description & Notes

Decorated in Canton, “rose medallion” wares were made strictly for export...

A Korean Very Fine Copper/Blue Decorated Peach-Form Water Dropper-19th C...

A Korean Very Fine Iron-Black Painted Koryo Celadon Bottle-13th C.: Korea, Koryo period, 13th C. This is very fine and tall tapered neck celadon wine bottle with cup-shape mouth painted in iron black with three-three leafy floral spray designed under smooth and clear bluish celadon glaze, and also two ring band incised around the neck, it bears kiln adhesive on the bottom. It is very fine condition except a tiny gold repair on the mouth rim It measures 26cm h. x 14cm d (10 ¼” x 5 ...

Of elegant pear shaped form. 18th. century, unmarked. Unfortunalely on all the images of the piece the blue color of the vase is much too light. In nature the vase has an wonderful very intensive blue tone. H : 18,8 cm. Condition : Perfect. Provenance : Old German collection.

This tripod censer has an extremely well potted rare shape. The censer is covered with an superb opaque glaze of finely mottled turquoise and purplish-blue tone. A piece of superlatives. The Mark on the piece is the Mark of the legendary Imperial Supervisor Tang Ying but the piece probably is from the nineteenth century. Diameter : 14,8 cm. H : 7,4 cm. Condition : Perfect. Provenance : Old south German collection.

Ca. 1800s

This jade pendant is well-carved with a design of peony flowers and leaves in low relief. The carving extends to the back, though simpler and flatter. It is a deep green with areas of lighter mottling, but when held to the light, it shows a brilliant translucent apple-green. It has an old probably 14k gold jump ring for attachment.

Length: 1 ½ in., Width: ¾ in., Thickness: 1/16 in.

This porcelain chocolate cup and saucer was produced in France in the late 19th century. The blank was manufactured by Tressemann and Vogt Limoges and the decoration was done by an unknown decorator using a spurious Sevres marking. The saucer has a diameter of 5 1/4 inches and the cup is 3 1/4 inches high without the handle. The ground color is deep cobalt blue. The cup features a figural handle in the shape of a peacock. There is a reserve on the front of the cup containing a hand painted ...

1700s / early 1800s

This white jade is of an even pale celadon-white tone with a few small veins of light russet. It is carved in the form of a six-lobed melon standing upright and supported by four large leaves that emanate from a vine that runs beneath it. The vine is carved all the way through and flattened on the bottom to provide a stable surface for the stone to stand vertically. This white jade has an overall soft, even polish and is in good condition. Acquired in Charleston, South ...

Xuande mark, but ca. 1600s

This incense-burner has a flaring rim form raised on three ogee feet and has its original patina and considerable carbon incrustation from many years of use. Two lion's head handles embellish the body and the cast Da Ming Xuande mark is centered on the base. The interior is darkened from use and the exterior shows small areas of darkened bronze where not obscured by blackish patina. There is a slight dent to the rim. The condition overall is very good. Purchased ...

A small underglaze blue decorated stem dish painted inside with three 17th/18th Centuty style cranes and outside with three bats. The stem is decorated with buddhist knots and stylized plantain leaves. To the inside of the base is the four character mark of the Kangxi emperor (1662-1722) but this item was probably made later, during the 19th Century. Condition - there are two repairs to the rim, each with an associated short hairline. No further damages or restoration. 2.75inches(7cm) high, 4 in...

This porcelain parasol handle was produced in Germany by a Dresden manufacturer in the late 19th century. It is unmarked but the workmanship is definitely from Dresden. It is 5 1/2 inches long and the knob is 1 1/2 inches in diameter. The ground color is cobalt blue. The knob has a scene of lovers in a garden inside a cartouche of ornate raised gilding. The rest of the knob is covered with gilded swirls and flourishes. The stem has gilded cartouches containing tiny cherubs. There are rows...

1800s

The wood appears to be old jichi wood that is exceptionally well-carved with twisting tree trunks of pine and plum intertwined to form the body, while stylized pine needles and plum blossoms encircle the perimeter. The pine and plum trunks are carved to show their contrasting textures. The piercing and depth of the carving give an energetic quality to the piece. Based on the carving, this stand was not intended as a fitted stand for a particular vase or sculpture. It may have been us...

An Edo period Oribe sake bottle of simple but full proportions and with classically Japanese Zen decoration - austerely yet sensitively placed grass and blooms decoration in iron oxide on the softly crackled opaque off-white glaze ever so slightly scorched in the kiln on two sides where the body is almost slightly exposed and oxidized to a buff tone at those points. The cut foot also glazed save for a crescent reserve around the center where the warm gray body is exposed. The rim and neck glazed...

A truly superb pair of English porcelain spill vases, fully decorated with feather painting. Decoration with the incredible quality, lushness, and detailing that these display can only be found on the wares of several manufacturers, and are always highly sought after. Although unmarked, these vases were most probably made by the Chamberlain Worcester factory. Further, very few painters had the skills necessary to paint such masterpieces, and the vases here were likely done by Thomas Baxter or Wi...

Ming Dynasty, Jiajing Period, 1522-1566

This vase is glazed white overall with a subtle fine crackle and has two horizontal luting lines very slightly raised on the body. The base is glazed white and the very white paste of the footring is exposed. The interior is fully glazed white. Two small iron specks are present below the shoulder. Unfortunately, there is a crack on one side that has not been restored, but is restorable. However, even though there is a crack, this vase remains a class...

A rare and striking large porcelain bowl made by the William Reid manufactory. The scene, handpainted in an underglaze soft grayish-blue, depicts oriental buildings and foliage. The interior has a border of alternating flower heads and dots, and the bottom has a workman's mark. Both the large size of the bowl, and the scene itself, contribute to the rarity of this piece.

The bowl is 6 5/8" on diameter, and is 2 5/8" in height. Condition is superb, with no cracks, chips, paint loss, or restorat...

Japanese lacquered tray with the view of Tagonoura and Mt. Fuji with various Japanese motifs surrounding the image. Taka makie is used to create the effect on Mt. Fuji and hira makie is used to paint the motifs surrounding the landscape. On the bottom is the name of the studio: Sato. Age: Late 19th to early 20th century. Size: Height: 1.25" Width: 9" Length: 8.25"

Makuzu Kozan Studio Blue & White Dragon Vase, circa 1920

It is 9.4 inches (24 cm) tall by 4.5 inches (11.4 cm) wide. It is 1.8 LB.

It is in good condition with no repairs, chips or cracks.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us within 10 days of receipt and in t...

Chinese miniature quartz sculpture of a a woman with an attendant from the 19th century. The woman is robed and holding a flowering branch in her right hand, a basket in her left. The figure to her right is kneeling, with agate base. It measures 2" long, 1.25" deep, 2.5" tall.

A well potted Kraak ( Ming Wanli ) style jar with an underglaze Cobalt blue Dragon and Phoenix decoration. The rim glazed in brown colour. Probably from the Qing Dynasty, it even could be that this very decorative jar was made during the late Qing Dynasty. H : 23,8 cm. Condition : Perfect. ( One chip to the inside of the unglazed footring which is not to see from the outside. )

A Korean Very Fine and Rare Sea-Green Celadon Inlaid Cup-Stand-12th C.: Korea, Koryo period, 12th Century, This is a high quality of incised and inlaid celadon cup stand, the finely potted cup stand with wide flaring saucer and set on a raised ring foot, decorated with delicately incised peony scroll and black and white slip inlaid peony around the saucer, bordered by two bands of key-fret patterns beneath a rich bubble-suffused celadon glaze with 3 spur marks on the bottom. It is fine...