This is one of three works I am offering, by a talented Canadian mid 20th century painter who signed her works "Eola Sutherland". Although there is online a photo of a gravestone for an Eola Hayton Sutherland (1884-1967) of Ontario, likely our painter, there is a lack of biographical information on the artist. Her skill is obvious, as is her familiarity with the Group of Seven and their style. Several have sold at auction in Toronto. This example measures 16" by 20", and is oil on board...

PAIR of unframed, unstretched oil on canvas paintings, the larger 20" by 24", the smaller one 17 1/4" by 22", both signed at lower right "Allen H. Newton" and bearing inscriptions on the reverse showing the locations in Andover, Connecticut (east of Hartford, between there and Willimantic in the northeastern part of the state). Both paintings are in need of restoration, since they've been carelessly handled by past owners, including, probably, rolling...

This unframed 20" by 24" oil on canvas landscape painting is something of a mystery. It is signed "J.V.C." and dated 1851 at lower left (see very close up photos), and on the wood stretcher on the reverse is incised "John V. Cornell New York". I believe there is an excellent possibility that this is a work by the historical New York painter John V. Cornell but I cannot prove it...

Oil on canvas, 21" by 26" (26" by 31" as framed), the subject a winter landscape with coniferous trees in the background, a small unfrozen lake completing the scene. This is an impressionistic work by a nicely listed painter, the works of whom appear with frequency at auctions in Finland. I currently do not have a lot of biographical information on the artist, who was, judging from the label on the reverse (see photo), a member of the Society of Finnish Painters...

Oil on canvas, 20" by 24" (30" by 36" as framed) signed at lower left by well listed and auctioned artist JORDI BONAS (1937-). The scene is a small boat harbor with a traditional church and coastal village in the middle ground. Bonas was born in Barcelona but was in France in his twenties. Exhibitions throughout continental Europe and then the US were held in subsequent years...

An American 19th century oil on canvas still life, circa 1870-1890, measuring 10" by 16" (12 1/2" by 18 1/2" as framed), unsigned, featuring a metal pot with green and red apples, a pitcher, and a glass, in the classic style of nineteenth century American still life art. I wish the artist had signed his or her work, as he or she was quite skilled. The painting has a patch on the reverse, approximately 3 1/2" by 2", corresponding to a repair in the red apple...

This is a stunning, classic plein air style seascape painting (24" by 30", 29 1/2" by 33 1/2" as framed) signed at lower left by California master artist HENRY LEOPOLD RICHTER (1870-1960). A probable original title, "SURF", is written on the stretcher. The handling of color, motion, and especially the balance of sunlight and shadow is quite impressive. Having viewed a number of other works by the artist online, this one really seems to stand out...

This is a large and impressively painted (28 1/4" by 47" just the painting alone) oil on canvas signed at lower left "J. Mathey 21", showing an early autumn landscape with patches of snow and forest depicted in an impressionist manner. The artist, JACQUES MATHEY (1883-1973), was the son of French artist Paul Mathey (1844-1929)...

Oil on canvasboard painting titled on backing paper "LAVISH FALL PALETTE/LONGS PEAK", signed at lower right by artist RUTH ERWIN (1904-1994). The work, featuring flaming aspen in the Colorado high country in high autumn, a view to monumental Longs Peak in the distance, measures 10" by 8" (18 1/2" by 16" framed). I've gathered a few nuggets of information on the artist through the net...

According to Sotheby's London old master specialists, this painting is an ANTIQUE copy of the major museum work "Stormy Landscape with Philemon and Baucis" by artist SIR PETER PAUL RUBENS (1577-1640), one of the major figures in European art history. The original is presently in the Kunsthistorisches Museum in Vienna, Austria...

Oil on canvas, 18" by 25" (19 1/2" by 26 1/2" as framed) signed lower left "F. Glyndon"...

oil on Masonite contemporary style quayside scene, 9 1/2" by 14" (24 cm. by 36 cm.) with 1 3/4" frame and liner, signed at lower right "L. Neuquelman". Neuquelman's larger works, some in a Pointillist style, sell well into the thousands at European (mostly French) auctions; his style is in the School of Paris circle and he was at some point a "Wally Findlay artist" (works sold through the high-end retail Wally Findlay Gallery, which had contracts with select contemporary artists, for their outp...

Oil on canvas nocturne style painting of a wave, 24" by 30" (28" by 34" as framed) by listed California artist ERNEST BROWNING SMITH (1866-1951). Smith is a familiar artist on the plein air scene and I believe his works are presently underrated in the marketplace. The artist had a trademark style; often the scenes in my experience are simplified, devoid of figures, and in a limited color palette. This nocturne is executed in shades of blue. It does not appear to be signed on the front but i...

Oil on panel, 9 1/4" by 12 1/2" (14 1/4" by 17 1/4" as framed), signed at lower left in red "Karla Mirabal", and inscribed on label on reverse, "Judge M. R. Mirabal Homestead in New Mexico" "Artist Karla King--So Calif and New Mexico--Artists of West--WHAA". This is probably of historical interest, depicting as it does an early home. The work is very impasto and impressionistic. The painting is a bit soiled but could be placed on the wall as is. Note the two young girls on the porch.

Oil on canvas, 24" by 36" (28" by 39" as framed), UNSIGNED, but certainly by the popular listed California artist HERBERT SARTELLE (1885-1955) (I will stand by this). This is a classic mountain scene favored by the artist (he seems to have painted that particular mountain over and over again), with large eucalyptus trees and a lake with distant mountains, all executed in Sartelle's unique impressionistic style and characteristic color palette. The painting probably dates to the 1940s or 1950s. I...

This is a decorative painting of the sweep of the Bay of Naples and its famous Mt. Vesuvius volcano, executed in the classic manner with a few figures scattered in the foreground. A gnarled pine at center provides a dramatic focus point. The painting, 12" by 20" (15" by 23" framed) is old looking but probably dates to the mid 20th century; see staples on the tacking edge, and the reverse of the canvas doesn't look all that old---basically it's a case of looking older than it is. There appears...

A well-painted oil on canvas (laid on board), 19 1/4" by 25 1/4" in later silvery-gold frame, signed at lower left "Lillian Reynolds" and dated there 1953. The scene is the timeless, shifting sands of the California desert, likely in the Palm Springs region. There does not appear to be information on an artist by this name, but that does not mean that she was not talented. There are a few light surface scratches and light soiling naturally accumulated over sixty plus years. The scene and cro...

For the collector of modern and mid century art, here is an interesting work from the year 1947. The highly modern painting of a green apple, blue pitcher and red and white diamond patterned cloth in a rather two dimensional and "airless" space is obviously the work of an accomplished artist. It is painted in oil on canvas, (unframed), the measurements being 32" by 11", and the artist, HENRI WORMSER (1909-) signed it at lower right in capital letters. Wormser is listed and there are some auct...

Finely painted oil on canvas still life of beautiful red apples spilling from a basket, 10" by 12", 15 3/4" by 17 3/4" framed, signed lower right by the noted American painter, ELBRIDGE AYER BURBANK (1858-1949). The work is in the tradition of many others who painted fruit, from the Fall River School of Massachusetts, through such artists as William McCloskey, Edward Chalmers Leavitt, and Levi Wells Prentice. Burbank, encouraged and supported by his uncle, a philanthropic antiquarian and colle...

Oil on canvas, 24" by 36" and 3 3/4" wide silver/goldish frame, signed at lower left by noted alpine scene artist HANS BARMA (1903-1978). This is an eye-catching painting of good size, by an artist demonstrating tremendous skill in the handling of light. The alpenglow on the distant peaks at sunset (dawn?), the shadowed areas, the areas in bright sun.....all handled with great control. The most famous painter of winter mountain landscapes in this style was Lazslo Neogrady, the works of whom s...

By the famous and important American-born artist who lived much of his life in Europe, this is a PAIR of unframed portrait paintings of a middle aged man and middle aged woman, one signed on the reverse "Cucuel" and dated there 1934, the other not signed. The portrait of the man (on the reverse of which is a lightly sketched out female face) measures 30" by 25 1/2" and that of the woman 25 1/2" by 20". These are works by the important San Francisco born artist EDWARD ALFRED CUCUEL (1875-1954)....

Oil on canvas painting of a forest interior in browns and greens, 14" by 20", unframed, signed at lower left by the noted American late 19th century painter ARTHUR PARTON (1842-1914). Parton was born on the Hudson River and went on to become a well known painter of that river and the Adirondack and Catskill Mountains. He is described as a second generation Hudson River painter, who also moved into impressionism and Tonalism. After training with William Trost Richards at the Pennsylvania Acade...

Oil on canvas painting of the familiar and oft-painted flower market at the Madeleine in Paris, 25 1/2" by 19 1/2" (31 1/4" by 25 1/2" in attractive above-average distressed look framing), signed at lower left by mid century Parisian artist H. PIERREL. I do not see a listing for the artist but have not searched extensively, although I have encountered other works by this talented hand. The painting is of a nice size and should please any Francophile. The condition is good overall, with some p...

Oil on canvas of a Mediterranean harbor with whitewashed buildings and red roofs, small fishing craft and figures in the foreground, circa 1945, by the listed French artist DOMINIQUE MANAGO (1902-). Manago, the older brother of artist Armand-Marie Guerin, painted scenes of Mediterranean France and Italy, including Venice, as well as some scenes from the coast of Normandy. This painting has acquired a mellow old layer of soiling, accounting for the yellowish brown tone in the photos. Since the...

A late 19th century small oil on artist board, unsigned, the subject a quiet glen with small waterfall and pond or creek in a forest. The work measures 14 1/2" by 9 1/2" in likely the original gold frame (now with a missing area at top right corner). A cleaning would work wonders. Old Kansas City framer's label and art board shows a Chicago origin.

(ONE OF SEVERAL BY MERRIAM IN MY SHOP) An oil on canvas, 30" by 40", unframed), the subject a Southern California desert mountain wash and canyon, a cluster of desert palms grouped towards the center of the composition, the painting unsigned by undoubtedly by the talented California painter JAMES MERRIAM (1880-1951). This brushstrokes, size and subject matter of this particular example is very typical of the artist's work; I will stand by its being "a Merriam". Merriam was born in Canada and was...

A large oil on canvas painting of a traditional horse-drawn cart of the Philippines, painted in a striking modernist interpretation, signed at lower right by noted contemporary Filipino artist ROGER SAN MIGUEL (1940-). The works measures 24" by 36" and 31" by 43" in its original blue mid-century frame bearing label from the House of Frames, Angeles City, Philippines (about 80 miles northwest of Manila near the old Clark Air Base). The framing suggests an early date for this work, perhaps 1970....

Oil on masonite double sided unframed painting, 23 7/8" by 19 1/2", signed in orange at lower right "H.H. SHAW", the subject on one side six figures, a man, bare breasted women and children, in an obviously tropical village, the other side three figures, the woman bare breasted. This is a painting by listed American artist HARRY HUTCHINSON SHAW (1897-1989). Shaw is today most closely associated with Florida and Pennsylvania. In the course of a long life, worked generally in an impressionistic...

This is an oil on canvas, 20" by 30", signed at lower right "J.B. Radway", who was a 19th century California listed artist, (JESSE B. RADWAY, 1826-c. 1905), but the subject is given on the stretcher as "on the North Cheyenne, Col.". According to the Hughes listing, Radway was born in New York in 1826, and was a resident of Silver Lake, Kansas in 1880, Topeka, Kansas in 1884-85, Alameda, California in 1887, and Vineland, New Jersey in 1900. He is believed to have died in New Jersey in about 1905...

This is a beautiful, elegant, understated winter landscape oil painting on panel, signed at lower right by noted Avon, Connecticut impressionist painter CONSTANT RAPHAEL FURRICK (1888-1966), measuring 11 1/2" by 15 1/2" (19" by 23" as framed). Strangely, considering the quality of the work, there seems to be little information available on the artist. He was I believe born in Poland. Furrick's work is scarce, with few auction records. This example of a somber snow covered field bordered by ...

This is an oil on canvas painting (measuring 7 3/4" by 9 3/4", plus very thin simple wood frame), laid down on a board, by the noted Northern California artist JOHN HENRY RAMM (1879-1948). It is titled on the reverse in the artist's own distinctive handwriting "Looking Down Bush Street" and initialed and dated 1930 (not signed on front, but, this is definitely the artist's way of signing; I have handled a number of his works in the past). I am personally very familiar with downtown San Franc...

Oil on canvas, relined, measuring 17" by 21" (24" by 28" as framed) signed at upper left in red by listed Italian painter CLAUDIO RINALDI (and below which he wrote "Firenze"---where he was active between the 1860's and 1890's). There doesn't seem to be a lot of information available on the artist, but the subject matter and the handling of the faces are consistent with a number of other works by his hand that have appeared on the market in Europe and America. Paintings of sweet, sentimental ge...

Oil on canvas of a female dancer in a long, flouncy dress, cheered on by a number of spectators in the background, measuring 32" by 25" and 39" by 32" framed, signed at lower left by noted, well-listed Spanish twentieth century painter FRANCISCO RODRIGUEZ SANCHEZ CLEMENT (1893-1968). (His father, born 1861, died 1956, painted in very much the same style, and often I believe the works of the two, similarly signed, are confused). This is a typical work of this artist, the works of whom sell regul...

Oil on canvas painting of yellow roses and fruit in a blue vase, 18" by 24" (27" by 33" in original frame), signed at lower left and signed again and titled "Yellow Roses & Fruit" on reverse, along with the artist's then-address at 330 South Coast Blvd. (now called South Coast Highway) in Laguna Beach, California. This is an excellent example of Kerr's work, likely dating to the 1960's when he had a gallery in Laguna before moving to Mendocino County in Northern California. Kerr was born i...

Oil on canvas painting of trees in a tawny dry landscape, 12" by 20" and 1" wide old wood frame, signed at lower left by artist S. J. TUJAGUE. At first I had difficulty reading the signature but some net research showed this to be by an artist apparently at least originally hailing from Louisiana, there being a number of pieces, some still life works, having been auctioned in New Orleans. A famous restaurant in that city goes by this name. From the looks of things the talented artist might ...

This is a really poetic work by FRANCIS LE COADIC (1912-), listed French artist, showing a country church and houses, a few figures, and a distinctively French telephone pole at the right side of the composition. The work, like a lot of Le Coadic's work, reminds one of Maurice Utrillo. Indeed, Le Coadic did paint a lot of works showing Montmartre in the snow, and other street scenes around Paris. He seems to be little known, and underrated; there are some auction records, but not many. This ...

Oil on canvas laid on board, 18" by 12", (25 1/2" by 19 1/2" in its quality gilt frame), apparently faintly signed at lower right and bearing the artist's red estate stamp on the reverse. This is an impressionistic view of a mother or nanny and her two young children, one in a baby carriage, by a well listed painter. Hartley was the granddaughter of famous American painter George Inness, and she was quite connected in the art world, knowing such luminaries as John Singer Sargent, Whistler, an...

This is a **PAIR** of unframed paintings in acrylic on Masonite (one appears to be on a thin, gauzy type of canvas laid on masonite), one 18" by 24", one 24" by 12" by noted Northern California artist TED CHRISTENSEN (1911-1998). Neither is signed on the front but they are typical of the subject matter and technique of the artist. Both are inscribed on the back; one says "#89-1 TED CHRISTENSEN/ACRYLIC - 12" x 24"; the other says "9002 -GOLDEN GATE/TED CHRISTENSEN/ACRYLIC 18" by 24". The ve...

Oil on canvas, 18 1/4" by 27 1/2" plus 3 1/2" wood frame, signed at lower right by the artist in Cyrillic and dated "51". This is a work of Russian impressionist LEONID BORISOVICH IANOUSH (1897-1978). His name has been spelled also as "Yanush". This is a finely executed work. Quite underrated currently, the artist was definitely professionally trained and very talented, his paintings spanning landscape, nudes and interiors. It appears that he is not currently all that well known but further...

Oil on canvasboard painting of an autumnal scene, 8" by 10" (14" by 17 1/4" in gold style framing), titled on the reverse "Eaton Canyon/Altadena, CA" and dated there 1999, signed on the front at lower left corner by the listed California contemporary plein air artist RAY CUEVAS 1932-2020. Cuevas since the mid 1980's has been known for his works featuring local scenes in the San Gabriels and vicinity, as well as other parts of Southern California. Larger works have sold at Bonhams and John Mora...

Oil and maybe sand mixed in, on paper backed by masonite, 19 3/4" by 24 1/4" (22 3/4" by 27 1/2" as framed), signed "CALZADA" at upper right. The subject is a Picasso-esque harlequin with a haunting, intense, soul-stirring stare, his hands clasped at bottom center, a mysterious drape separating face and hands, all by the noted listed Spanish artist and humanist, LUIZ SAENZ DE LA CALZADA (1912-1994). Calzada's works appear at many auctions in Spain, and they are most often of surrealistic subje...

Painting on board of quail and black Native American pot, probably Santo Domingo Pueblo or Santa Clara Pueblo (??), 8" by 10" (13" by 15" framed), signed at lower right by listed western American artist HAROLD WATT (1925-). Watt was trained at the Jepson Art Institute and also at the Art Center School of Design in Los Angeles. Instructors included Rico LeBrun, Lorser Feitelson, and Francis DeErdely. Watt worked for the Hollywood studios and also commercially as an illustrator. Beginning in 19...

A charming small painting of a cold winter day in the country, a lone woman braving the elements with her cane, in front of a modest cottage doing its best against the harsh elements. Some smoke comes from the chimney as a hint of warmth in an otherwise bleak scene. Measurements as framed are 9" by 13 1/2". There is no signature. The reverse shows this is painted on a circa 1870's gray English art board from a London supply house. The overall style reminds of Dutch 17th and 18th century Old...

Oil on unusual crimped/bent metal tin panels, each extensive landscape painting measuring 5 1/2" by 9 1/2" and about 1 1/2" margin all around, each signed at bottom in red "H. ROUX". These are beautifully painted works of the nineteenth century by an apparently listed Swiss artist. The pair has some scratches and small abrasions in a few spots, and one has a scratched area at top extending into the gold margin; but, these flaws are not so significant as to affect the overall impression. No do...

This oil on canvas painting of a waterfall in a forest, the light refracting the spray into a rainbow, was acquired by me more than 15 years ago here in Los Angeles. Measuring 14 1/2" by 11 3/4" (19" by 16" in circa 1930 frame), it retains some evidence of a signature, in red, at lower right, that signature ending in "s"; and on the stretcher confidently written in an old hand is "F. De Bergh Richards". (His name has been variously spelled as "De Berg", "DeBourg", etc.). I can say it is possi...

Oil on canvas, 18" by 24" and 1 1/2" wide white and gold painted frame, signed at lower left "EH Deffner '51" and inscribed on reverse "Sweetheart Lake/E.H. Deffner 10-'51/$150.00". This is a beautifully executed work by a talented artist, on whom I have not located a listing. From the subject matter I would suspect this work to be from the Pacific Northwest, like Oregon, Washington, or Northern California. There is a decidedly modernistic handling to the leaves on the tree at right. The ref...

Oil on masonite painting of industrial dockside scene, 15" by 19" and 1 3/4" of liner and frame, signed at lower left and dated "58". The artist, MARIO LORIETO (1919-2003) was a significant figure in the Uruguayan art scene, having studied in the Taller Torres Garcia (Jose Torres Garcia, the major Uruguayan artist), and with Jose Gurvich, Julio Alpuy, and Augusto Torres. He traveled in Europe and has been exhibited in museums in Latin America, Spain, and Italy. Note the use of baby blue and ...

Oil on canvas scene of a central Parisian plaza by the Seine in the late 19th century, including an advertising kiosk, horse drawn wagons, and figures dressed in the manner of the times, the Seine and domed building in the background, 20" by 24" (28" by 32" framed), signed at lower right by the popular contemporary painter who signs as "G. SHERMAN". The scene is reminiscent of Caillebotte's or Pissarro's famous scenes of Paris, and a number of other impressionist artists who favored the always p...

Painting of a city skyline, perhaps New York or San Francisco, 20" by 16", (25" by 21" framed), signed at upper right by the noted Brazil-California 20th century artist OZZ FRANCA (1928-1991). Franca is perhaps best known for his paintings of Native American women, and "Big Eye" children, but he also painted a wide range of other subject matter. The Askart listing says he painted, among other subjects, fantasy, dreams/mystery, female figure, still life, cityscapes, seascapes, and pure abstractio...

**One of two works by the artist in my shop** Oil on canvas, measuring 16" by 20" (22 1/2" by 26 1/2" as nicely framed), titled "Pond Farm" (and original $400 price) on the original Dalzell Hatfield label affixed to the backing. I do not see an actual signature on the painting itself but have not removed the backing board to search the reverse side. The painting is in excellent original condition. The Illinois-born Lutz is known today for his urban landscapes and genre subjects, often painte...

Oil on canvas painting of mountains and a beautiful lake, 20 1/2" by 26 1/2" (28" by 34 1/2" framed), signed at lower right by the listed Hungarian painter MARTON BARABAS (1893-1974). Barabas was born in Hungary and received his initial art training there, before moving on to Munich and Paris for further study. Eventually he established himself in Berlin for many years before moving to Los Angeles in 1958. In 1971 a book, "The Art of Marton Barabas de Markosfalva" was published in that city. ...

Fine oil on canvas painting of a quiet street and buildings on a gray day in winter, possibly Montmartre, signed at lower right by the highly regarded French School of Montmartre painter ALPHONSE-LEON QUIZET (1885-1955). Quizet though not a household name today, was a significant figure in the group of artists painting the bohemian, and in some parts, country-like Montmartre neighborhood on the outskirts of Paris in the first half of the century. Quizet was born in Paris and was headed for a c...

Oil on canvas laid on board painting of a colorful, flower-filled garden with paths and birdbath, what appears to be a fog bank moving in, 15 1/2" by 19 1/2" (24" by 28" as framed), signed at lower left by the well listed California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area. Born in England, Adam studied in Paris, Glasgow and even Buenos Aires, ...

Oil or acrylic painting on canvas, 30" by 20", unframed, (with name and other information on the reverse) by the well listed Australian aboriginal artist ANNA PRICE PETYARRE (birth dates given as 1960, 1962, and 1965--). This is most unusual for art of its type in that the work is in crisp blue and white only. From askart: "....home is Atneltyeye, Boundary Bore, on the Utopia Homelands, approximately 220 km from Alice Springs. She lives there with her family. She is a grandmother with five ...

Oil on canvasboard, 12" by 16" (17" by 21" as framed), signed at lower right by artist CURT PAULSON. I do not see a listing but the artist had a skilled hand. The style reminds a bit of California desert painters William Darling or Fred Chisnall. There is impasto, vigorous brush stroke, and a grayish blue light over the scene. Apparently original whitish antiqued frame completes this ready for the wall package. Condition is excellent.

Monochromatic landscape on masonite, 20" by 16" and 4" wide frame/liner, with wagon and sod or adobe structures, signed at lower right "G. NIBLETT". This is a work by noted western American artist GARY NIBLETT (1943-), listed in Samuels' book "Contemporary Western Artists". Niblett has been a member of the prestigious Cowboy Artists of America since 1976. His works have sold into the tens of thousands at major auctions of western art. This is likely a relatively earlier work, before he signe...

Oil on canvas painting, 12" by 20", unframed, signed at lower right by the well known Australian impressionist, HAYWARD VEAL (1913-1968). This is a vigorously painted landscape in greens and browns, enlivened by bold Key Lime bright light green daubs at top. Veal's works appear frequently at auctions of Australian art, where they can bring to the $5,000 area and above. He is known for his highly impressionistic landscapes and still life, with portraiture rounding out his body of work. Some p...

Oil on board, measuring 13 1/2" by 13 1/2" and 1 1/2" wide gold frame, unsigned, depicting a number of California poppies vignetted against a neutral background. This is a very decorative painting of the California state flower, executed in late Victorian times or early 20th century when such paintings were all the vogue. This one has survived in excellent condition and would be perfect for a Mission, Arts and Crafts, or Southwest style interior. Frame has small losses.

Oil on canvas, 40 1/2" by 32", in thin wood frame, signed at lower right and dated "57" by important twentieth century German artist ERNST FRITSCH (1892-1965), an artist mentioned in the same sentences as Bruno Krauskopf, Dix, Grosz, and other German art world giants of the twenties. Fritsch was born in Berlin and died there, and in between made a permanent mark on the art scene. He had joined the Berlin Secession in 1919, after having served in World War I. During the twenties he was associa...

Oil on canvas painting of a child, 15" by 12" plus present framing several inches wide on a side, signed at lower left and dated there 1927 or possibly 1929. This is a work by the noted American woman impressionist, MARY FAIRCHILD LOW (1858-1946). Her skill in Impressionism was refined by her time at the Giverny art colony in France and on Cape Ann, Massachusetts. Note the impressionistically rendered clothing contrasted with the finished face. Low was born in New Haven, Connecticut to "Blue...