This is a museum poster or flyer issued by the Long Beach Museum of Art in 1972, advertising an exhibition that year of the paintings of the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The unframed sheet measures 24 1/4" by 18", and bears the complementary signature of the artist in blue ink at lower right just below the black area of the central image. Burkhardt was born in Switzerland and arrived in America in 1924...

Wall-ready open edition modern color print from the Ethan Allan Home Collection, after the painting "The Parson's Cat", by the Dutch-born woman artist HENRIETTE RONNER-KNIP (1821-1909). The art measures 8 3/4" by 11 3/4" inside the double mat, and 19" by 21 1/2" as nicely framed. The artist's original oils regularly achieve the mid five figures at auctions, and a number have exceeded six figures...

Etching (5 5/8" by 7 1/2", 13 1/2" by 15" in pleasing old gold framing), titled on reverse label "Fishermen's Houses Saint Tropez", (French Riviera), pencil signed in the margin by listed California artist REGINALD WILMER VAUGHAN (1870-1958). The etching likely dates to about the 1930's or 1940's, I believe. Vaughan was born in Boston of blue blood stock (relatives were with George Washington at Valley Forge)...

Lithograph, 14 3/4" by 12 1/4" inside the mat, 21" by 18" as simply framed, signed in the plate at lower left "Merlin" and dated nearby 1939, also numbered (I think, also, in the plate, interestingly), 14/34 at lower right. This is a scarce work by the American Scene listed artist MAURICE MERLIN (1909-1947). The artist's short life likely accounts for the lack of recognition of his work...

This is the 1928 (issue date) work "L'Eglise de Limours", dated and signed 1922 in the plate at lower left, after a painting by French School of Paris master artist MAURICE UTRILLO (1883-1955), with the graphic art assistance of also important master artist Jacques Villon. The work, unframed, and measuring 19 1/2" by 11 1/4" presently, is one of the very collectable "Chalcographie du Louvre" impressions...

Print, engraving, Jacob Jordaens (1593–1678) (after Sir Anthony Van Dyck) by Pieter De Jode II (Antwerp 1606 - England c.1674) printed c 1630-1645 Half-length portrait of man with left hand across chest. He is wearing a ruff, with short beard and moustache and leaning against a building/pillar.Size 10" by 7.25" water marked and old collection notations on back. Inscribed 'IACOBUS IORDAENS./ PICTOR ANTVERPIAE, HUMANARUM FIGURARUM, IN MAIORIBUS./ Ant van Dyck pinxit. Pet de Iode Sculp...

King David playing the harp, as a angel holds an open book before him, and another holds a gigantic sword while writing in a book; after Domenichino Engraving 1718-1729 12.2" by 9" trimmed water stain as sen on back. For the same image see The British Museum collection donated in 1919.

Portrait of Abraham Bloemaert. On the background a landscape with buildings and a windmill. 58th plate of the series. Inscription on the bottom: 'ABRAHAMUS BLOEMAERT, / BATAV, PICT. / Pictor naturâ est, usus vix ille magistro: / Arte hic egregiis nec tamen inferior. / Pinxit Aves, Naves, Homines, Herbásque Ferásque, / Et laetos Flores FLORIDUS innumeros'. Etching and engraving, varg type paper with a mitre like watermark ; total:8.5 by 5"

This is a PAIR of color aquatints, each 8 1/2 by 12 1/2" inside the framing, 11 3/4" by 15 3/4" as framed, the subjects Notre Dame cathedral and the famous booksellers by the Seine in Paris, and (I believe) the famous column at the Place Vendome, each print numbered at lower left out of editions of 500, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991)...

Carroll Thayer Berry is a familiar name in artistic circles in the state of Maine, as he was an artist, illustrator and photographer there for many decades. Born in New Gloucester, he grew up in Portland and there became enamored of the sea and seagoing. After study at the University of Michigan (naval architecture) he worked for engineering firms in New York and Portland, then still as a young man worked on murals in administrative buildings in the Panama Canal Zone...

This is an example of the rare and desirable Currier print "Woodcock Shooting", 1852, measuring 14 1/2" by 19 1/2" inside the mat, 20 1/4" by 25" as framed. Some of these are offered in fine print shops to $4,000 if in excellent condition...

This is a monotype (generally considered an original work, the artist creating the art on a glass or metal surface which is then pressed against paper to create the final image---usually only one impression is made, so while some consider this a print, others might feel it is unique work). The artist, Pat Berger of Los Angeles (signed in pencil in margin and label on reverse) has been an active member of the art community in Southern California for many years...

This attractive and interesting print is a cover of the November 19, 1897 issue of the famous Parisian literary periodical "Gil Blas", which was issued between the years 1879 and 1914. Named after Alain-Rene Lesage's novel, it was a popular read in the late 19th and early 20th century among the fashionable. It serialized famous novels before they appeared as books...

Modern Italian etching, titled at lower left in pencil "Susanna", signed at lower right margin "G. Piccolo", circa mid 20th century. The print measures 9 3/4" by 7 3/4" inside the mat and 16 3/4" by 14 3/4" framed. Subject is the story of Susannah and the Elders, from the Bible's Book of Daniel. This has been interpreted by countless artists over the centuries. Our artist is Giacomo Picollo (1905-1988). Picollo created a number of watercolor landscapes which appear at auction...

This is a fine print on a puckery, soft, Japan-like very delicate paper, the image featuring an obviously Orientalist figure and a greyhound-like dog...

Etching on delicate Japan paper, 13 3/4" by 10 1/2" inside the mat (20" by 15 1/2" framed) signed in the plate at lower right by the important 19th century French etcher, CHARLES MERYON (1821-1868). There are modern-day notations on the framing paper: "....Casimir Le Comte after Gustave Boulanger, 2nd state, 1856, and "from Kennedy & Co." Meryon was born in Paris to an English physician father and French dancer mother. Early in life he traveled the Pacific's remote regions with the French...

**FOUR** pencil signed, numbered color etchings of Parisian scenes, by the well-known, widely honored and sought after artist, ANDRE HAMBOURG (1909-1999). The matching set of prints, each numbered in Roman numerals V/XX (5 of edition of only 20), measure 12 1/4" by 9 1/4" inside the mat openings, and THREE are framed, one unframed (the framed ones including the frame measuring 18" by 14"). The prints likely date to the 1960's or 1970's. Hambourg was born in Paris. By 1928, exposed to the rich an...

This is an engraving of the year 1821, measuring 13" by 10 1/2" (23" by 20" framed), formerly thought to depict Jeanne d'Aragon but now believed to be Dona Isabel de Requesens y Enriques de Cardon-Anglesona, the image developed by Pierre Bouillon (1776-1831), engraved by Raphael Morghen (1758-1833), after a circa 1500 painting with elements by Raphael Sanzio and Giulio Romano. The lady of means is seen in 3/4 view, her royal garments shown in impressive detail, a view to a loggia beyond, and ca...

Lithograph on paper of a World War I soldier, 12" by 9 1/4" inside the mat (20" by 17" framed), signed and dated in the plate 1915, by the important Swiss-born artist THEOPHILE-ALEXANDRE STEINLEN (1859-1923). Steinlen was born in Lausanne on Lake Geneva in 1859. After training at a textile mill in eastern France, he moved to Paris and the Montmartre literary and art scene. He found the scene creatively nourishing, and went on to spend most of the rest of his life there. Steinlen interacted w...

Etching of a Florida river landscape, titled at lower left margin "Peace on the Anclote", (actually misspelled on the reverse side official label as "Amelote"), and pencil signed at lower right and dated '37 by listed artist WALTER RONALD LOCKE (1883-1949). The Anclote river is just north of the Tarpon Springs area on Florida's Gulf coast. Locke was born near Boston and passed away in the Tampa Bay area of Florida. He is known principally for his graphic art---etchings of Florida and the Nort...

Dramatic linocut print, the sheet 13" by 20", unframed, numbered at lower left 6/12 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title, but skulls and other references to death seem to predominate, and the ink is black. At lower l...

Large lithograph on paper, the title "Sur Les Douze Coups de Midi" ("The Twelve Strokes of Midnight"), 21 3/8" by 29 1/2" (30" by 37 1/2" as framed), signed at lower right by the well-known Belgian modern artist PIERRE ALECHINSKY (1927-), and numbered at lower left 3/100. This is a modern image of odd shapes and constructions open to interpretation by the viewer. The artist is a major figure in late 20th century art's CoBra movement. The oil paintings sell for significant amounts of money at maj...

A rarely seen print, featuring the familiar, landmark high bridge over the Arroyo Seco in Pasadena, California, by the well-known California plein air impressionist artist BENJAMIN CHAMBERS BROWN (1865-1942). The lithograph is in rich brown ink on watermarked paper (an "A" with eagle). The sheet measures roughly 13" by 16" (margins irregularly cut, though more than ample) and the printed image 9 3/4" by 13". The print is not pencil signed. It seems to be quite rare, as I have located only on...

**(One of several pencil signed prints by the artist in my shop)**Photolithograph print published by Frost and Reed, 1929, from the original painting by Sir Alfred Munnings, 25 1/2" by 23 1/2" framed, boldly PENCIL SIGNED at lower right margin by the highly important sporting art master, and quite famous English painter of all equestrian subjects, SIR ALFRED J. MUNNINGS (1878-1959). The handsome subject is a most formally and traditionally dressed horseman, sitting atop his apparently Royal moun...

Lithograph on paper print of 1897/98, titled "Kraniche" in German, commonly known as "Cranes" or "Swans" in English, the sheet with margins 10 1/4" by 14", unframed, signed in pencil at lower left margin. This is a fine early color lithograph by the noted German artist WALTER LEISTIKOW (1865-1908). Leistikow's talent was nourished at an early age, He studied at the Royal Academy in Berlin, and by 1890 was himself an art professor at the Berlin Art and Craft School. Leistikow was a founding m...

Lithograph of a bull in what appears to be a stark Southwestern landscape, 12" by 13 3/4" as framed, pencil signed at lower right margin by listed WPA era American artist CHARLES EARLE MILLER (1907-) and with notation "Ed. 30" at center margin. The image is a very powerful one, similar to the work of Peter Hurd, in some ways. Miller was a painter, etcher and lithographer. I see a number of works online dated in the late 1930's and early 1940's, but after that the trail is difficult to follow....

**One of several prints by the artist in my shop** Lithograph on paper, 25" by 18 1/4", 32" by 25" framed, signed in pencil at lower right and numbered 79/180 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA. The subject is several young well-dressed girls in an interior, a small bird cage in ...

This is a lithograph on paper, the sheet 25 1/2" by 19 1/2", watermarked along the left edge "B. Crayon XXXX Manufre. Canson & Montgolfier Vidalon-les-Annonay", circa 1920, signed in the plate by the internationally famous American expatriate artist JOHN SINGER SARGENT (1856-1925), after a charcoal and graphite drawing of 1913 now in the collection of the Whitney Museum of American Art. The history of this print is that it was made after the drawing, (which I believe was of similar size), that ...

Drypoint on wove paper print, "La Petite Boudeuse" (translating as "the little sulk/sullen one"), 1905, pencil signed at lower right margin near the blindstamp of Edouard Sagot, Editeur, Paris, and numbered at lower left "No. 18", by famous French cubist painter and printmaker JACQUES VILLON (1875-1963). Villon, one of three brothers, (one of them the famous Marcel Duchamp), worked early on in the style of Degas and Henri de Toulouse-Lautrec. Around the time this print was created, Villon stud...

This is a PAIR of color aquatints, each 8 1/2 by 12" inside the mat, 13 1/4" by 17" as framed, the subjects Notre Dame cathedral and the Seine in Paris, and the flower market at the Madeleine, each numbered at lower left out of editions of 500 and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating very popular editions of prints which he numbered and hand sig...

Poster of 1986, "EGE ART LINE TOUR", 27 1/2" by 19 3/4", unframed, hand signed in somewhat faded marker by the noted Danish modern artist, PER ARNOLDI (1941-). This offset poster is not in great condition, having been tightly rolled for a long time, and it is dusty and has some digs in the paper, and edge damage as shown (what appears as diagonal scratch at upper right is light reflecting in scratch on the Plexi). It proved difficult to photograph unless I placed it under the Plexi to flatten ...

Circa 1850 lithograph with hand coloring, titled at bottom "The Flight into Egypt", published by the noted American lithographer James Baillie. Baillie began his career in the late 1830's as a picture framer in New York City, and then worked as a colorist for the Currier and Ives firm. By 1843 or 1844 he had struck out on his own, producing a wide range of lithographed images in the style of his former employer. At first glance most of Baillie's product looks like a Currier; only close inspec...

PAIR of fine engraved prints, 9 1/4" by 13" inside the innermost mat, and 20 1/2" by 26" as framed in attractive quality burl wood, one titled "Windsor and Eaton", the other "Carfax and Abingdon", created by the well-known late 18th century topographical artist and diarist JOSEPH FARINGTON (1747-1821). These are quality prints ready for display in any traditional interior, with fine detail and subtle coloring complemented by the rich brown burl and fine matting. Farington painted in oil and wa...

Decorative botanical copper engraving print from 1806, after the famed English botanical artist SYDENHAM EDWARDS (1768-1819), measuring " by " as framed. Sydenham was the son of a Welsh schoolmaster, and went on to become one of the principal artists for Curtis's Botanical Magazine late in the 18th and early in the 19th century. After 1815 he went on to publish The Botanical Register. The present example is surrounded by an ornate mat. There is a small foxing mark at right but otherwise the ...

**ONE OF TWO EXAMPLES OF THIS PRINT IN MY SHOP, THE SECOND PRINTED IN DIFFERENT COLOR**From the skilled hand of the noted Art Nouveau period painter, illustrator and decorator HENRI BELLERY-DESFONTAINES (1867-1910) comes this well known image "L'Illusion", printed in the year 1897 by F. Champenois in Paris for the popular series "L'Estampe Moderne". The image is a dreamy one, with undertones of male and female sexuality. Note the elegant gray-brown colors and the blue and white highlights. The a...

Chromolithograph print of jockeys on their mounts in a race, circa mid 19th century, 13" by 19" (15" by 21" in modern day dark frame), signed in the image by the noted British Vanity Fair magazine caricature and sporting artist LIBERIO PROSPERI (1854-1928), who signed as "Lib". The print is framed without mat and has some condition issues, including two vertical folding creases, and a damage area at lower center, below the horse's leg (see close up of that). Despite the condition this is an in...