Tea caddy (chaire) of Shigaraki ware with characteristic, mottled, beige glaze over brownish, rough corpus. Lid of finely worked ivory. Signed with potter’s mark in the bottom. A heavy silk storage bag (shifuku) with stylized flower pattern comes with the piece. Showa, circa 1960. H 8 cm, D 6 cm. Condition: Perfect.

A set of three framed woodblock prints by artist Hiroshige depicting a busy street at night, a boat scene, and a small, upscale gathering. The similar usage of deep blue in each print is complimentary to the set. Size: (entire frame) 12.25" height, 22.25" width (each print) 6.25" height, 4" width

Here is another sophisticated Karatsu Chawan, which represents the wabi sabi philosophy of Japan at its best with expected impressions of roughness, austerity and intimacy.

This Karatsu-yaki tea bowl with its wonderful surface is about 80-90 years old.

It comes with its from the artist originally signed and sealed wooden box.

No chips or cracks.

Size: 6,9 cm height x 14,1 cm in diameter.

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Chinese Porcelain Sang de boeuf, Iron Red puppy dog with Celadon glaze, Ca. 1930's, 3 1/4" high, 4" wide x 1 3/4" deep, with curled tail and bell in front of the neck. Underglaze Ox blood and celadon glaze and bottom is unglazed. The condition is good, no damages.

Japanese scroll painted with ink and colors on silk depicting a spotted stag by a stream among reeds under a moon about to be obscured by clouds. Great composition with alert beast looking into the background hidden in beautifully depicted mist. Wonderful quality realistic painting, superb brushwork - see the detailing of hairs on its coat. Paper and silk mounts, wooden scroll ends. Signed GANEN and marked with red paste seal. Scroll size 68x19 inches, painting size 40x16 inches.

Toshi Yoshida (1911-1995)
Iidabashi, Daytime in Tokyo
Size: Chuban. Approximately 10.5 x 8.0 inches.
Date: 1940.
Later edition (ca. 1970s-1980s) with impressed pencil signature.
Medium: Japanese woodblock print.
Condition. Faint toning visible in margin.

Quintessential Taisho Period c.1925 Oribe sweets tray for the tea ceremony. Beautiful oribe olive greens and iron feldspar brown markings and geometric patterns. The tray seems to have a hanko seal on the back but we can't read it. Perfect condition. Ask for shipping quote. W:27cm x H: 17cm

Japanese oribe ware tall vase for ikebana (flower arrangements), with calligraphy inscription in front. Circa 1950, bottom marked "Nishikawa Kyomo", "made in Occupied Japan".

Size: 4.5" L x 4" W x 9.5" H

A vintage Japanese bamboo wall hanging featuring the famous monk Daruma with a proverb attributed to his wisdom. The saying reads Nanakorobi Yaoki or Seven Falls Down Requires Eight Times Up...

Tea Ceremony Seto Chaire Tea Caddy of cylindrical form with slightly tapering sides, covered with a light chocolate brown and a running mottled black glaze. Ivory lid lined with gold leaf on the inside. Signed: Hikari. It comes with a silk shifuku storage pouch. Size: H 9,5 x 6 cm. Taisho -Showa period. Good Condition!

Rather unusual 1930s Japanese porcelain covered inkstone with underglaze decoration. The side of the base is inscribed with a very long text, the top of the cover has a short poem and a figure of a man in robe lighting his pipe from ambers in the brazier. Possibly Arita ware, very nice modeling of the central raised area with rougher side surface for grinding ink, remnants if dried ink in the well...

Vintage Japanese uchikake (wedding kimono) embroidered in gold and white flying cranes set against a brilliant red background with black and white flowers. Mid-20th century. The lining is a shimmery red. Very good overall condition. Measures about 6 feet in length by about 4 feet across. From a Casa Grande, Arizona collection.

HAND-MADE WORK TABLE FOR JAPANESE HANKO SEAL CUTTER

Originally used to be hung the tools on those hammered nails. Unique and warmhearted simple device of a Japanese craftsman back to the mid 20th century...

MASK

Korean wooden mask with such nice hilarious facial expression by unique style of design and carving, similar to the one used for traditional Korean masque, but provably it's the one made for the decoration, mid-late 20th century, approx. 27 x 16.8cm (10.62 x 6.61in). With a metal fitting attached in the later years...

A small Japanese hibachi formally known as te-aburi or a hand warmer which were often found in traditional Japanese homes. The hand warmer is shaped in the form of a winter pumpkin known as an akoda and the design has been in use since the 17th century. The warmer contains makie decorations of chrysanthemums set with a bamboo fence. Age: 20th century Size: diameter 7.5" height 8.25"

OFFERING TRAY

Originally actually used as the traditional wooden ritual tray for votive offering in Korean Peninsula in early 20th century, approx. 25.5 x 25.5 x 7cm (10.03 x 10.03 x 2.75in)...

UNREFINED JINGASA SAMURAI HATS 2pc.

Two pieces set of old wooden molds for 'jingasa' (samurai soldier's hat) or the unfinished products itself before lacquered. Either way, could be for the vintage replica, but rare find for sure. Early-mid 20th century, Japan. approx...

Snuff bottle of eggplant form carved from a blue stone with bright and dark veining and few gold flecks. With green glass stopper and wooden spoon. Condition: fine. Dimension: total height: 5.6 cm.

Chinese Pink Quartz Snuff Bottle with original Top, Ca. 1940, 2 1/4" high, 1 3/8" wide, 7/8" depth, with round smooth polished stone with round top, dark spoon is attached from the top. The condition is good, has some dark stains inside and around the top opening.

This is a vintage child's front from Paktia province in eastern Afghanistan. It measures 25 x 28 cm and is densely embroidered in silk thread in a tightly worked ladder stitch. The sides, shoulder and waist straps are executed in Bukhara stitching where the metallic threads are carefully laid in parallel and then meticulously fastened down with a cotton thread. This textile is estimated to date to the mid 20th century and is in excellent condition.

A set of tea pot and stove was well preserved.

Date:Early 20th century.

Tea pot Height:8.5cm,
Stove Height:9.0cm

In Tibetan Buddhism, the Kartika, or Drigug, is a ritual flaying knife used in burial rituals, with the handle crafted as a dorje. A tool of the wrathful female deities known as Dakinis, the kartika symbolizes the cutting of all things material, symbolized by the human body. The blade is left dull (never sharpened) because it was used in a ritual representing the flaying of flesh and not for the actual purpose.

Wonderful Japanese wooden makie urushi lacquered single stack box with tray featuring a beautiful lobster on the lid. Overall box and tray size is 8 inches square. Wood outer box is about 10.5 inches.

LACQUERER'S TOOLS

Wooden bowl with the remains of coagulating black lacquer and the spatulas. 1970s, Japan. D 22 x H 10 cm (8.66 x 3.93in).


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Japanese porcelain fruit bowl, delicately painted with rural landscape of huts near a lake, trees and mountains, on one side are a pair of cranes, signed Sakano Shokai, Showa Period. Size: 11 3/4" wide (including handles) x 5 3/4" high

This vintage Hazara waistcoat from Jaghori in central Afghanistan is embroidered in extremely fine cross stitch in silk thread, depicting interlocking eight star motifs, a traditional motif in Hazara embroidery. The collar, shoulder bands and side panels are meticulously worked in Bukhara stitching in metallic thread, where the couched threads are laid in parallel to each other and are fastened by small stitches...

Chinese carved jade model of a whitish celadon jade pendants: round of somewhat coin form with nipple bosses and bats motif. Size; Diameter of this carving is 2 1/8 inches. Condition Report; Fine carving with no condition concerns.

Traditional pipe from Tibet made of white yak horn (rarer than black) and silver.
Beautiful typical Sino-Tibetan craftsmanship including long life symbol.
It was usually slipped inside the boot. Good condition with expected wear and tear; light knocks on the stem (see pix 4-5). Tibet, 21 cms

This Tibetan wool sash measures 12.7 cm x 340.4 cm in length including the silky fringes. The tigma (cross) motif is an ancient good luck charm among Tibetans and here it is depicted in a discontinuous weft pattern design. These sashes are traditionally worn to secure the traditional Tibetan attire called a chuba. The high lustre of the wool is attributed to the high lanolin content of the goat wool in the high altitude regions of the Tibetan plateau...

LACQUERER'S WHEEL

Wheel for lacquering used by Japanese lacquer craftsman as a handmade professional tool made of wood, iron, and *cloth (*coating the top plate, though looks like wood), from Aizu area, Showa period, mid 20th century, approx...

Large Artist's Proof of Munjado Calligraphy by the Famous Kim Ki Chang aka Unbo (1913 - 2001). Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. This is the original signed AP (Artist's Proof) of this large lithograph, where Unbo gives us a most creative rendering with anthropomorphic figures in the ancient style of figurative munjado calligraphy. 38.5 x 28.5 inches, 98 x 72.5 cm.

Huge maku (curtain) made of many sake-bukuro which are recycled. It has many mending patches and stitches. The first half of the 20th century. 2m56cm x 128cm

Chinese yixing teapot melon shape with incised Chinese inscriptions and flowers design.19cm wide.12cm body diameter.9,5 cm high. good conditions.

SMILING MASK

Korean wood carving mask, similar to the one used for traditional Korean masque, but provably it's the one made for the decoration, mid-late 20th century, approx. 27 x 18.5cm (10.62 x 7.28in). With metal fitting and string attached in the later years. Some expected stains and damage due to aging as is as seen...

An Uzbek mafrash panel from northern Afghanistan, mid to late 20th century. Silk embroidery in cross stitch, measuring 16 1/4 x 40 1/4 inches (41.3 cm x 102.2 cm). Condition: Excellent. The reverse side of this textile is lined in purple silk with an ikat hem.

A beautiful late 19th/20th C. Chinese famille rose porcelain jar in excellent condition. H:14cm Sold

A Chinese soapstone seal with foo dog finial. 20th Century. Good condition, please refer enlargements for condition details. 2-5/8"X1"X1".

Chinese brown ceramic figure of a duck sitting with one wing raised, head turned back to preen feathers. Intricately incised details of feathers. Decorated all over with tiny white glaze dots. The eyes and bill of duck are beautifully glazed.

Age: circa 1950

Dimensions: 7 1/4" long x 3 1/2" high x 4 3/4" wide

MAYUDANA 2pc.

Mayudana (or Kaikodana) as sericultural cramped paper bedroom for rearing silkworms, 1960s, Japan, approx. 55 x 40 x 3cm (21.65 x 15.74 x 1.18in) each


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FISHMONGER'S SHOP SIGN

Wood carving codfish displayed in a fish shop in Korea, early 20th century. approx. 50 x 8 x 2.7cm (19.68 x 3.14 x 1.06in). Uniquely realistic expression. Some expected flaws due to use and aging, but in generally good condition as is...

A weaving pulley in the shape of a woman with pinned-up coiffure ending in two horns. Carved from hardwood with dark patina, the reel is worked from a nut or another material. Collected by the Swiss ethnologist Charlotte von Graffenried, author of the book "Akan Goldweights". Condition: traces of usage, the body and one horn with a split. Dimension: c. 15.5 cm high x 7.4 cm wide.

SPOOLS

Various types of Korean wooden spools of early 20th century. Thread is the one originally reeled at that time...

An antique aubergine Peking Glass wine cup. It is molded glass, cut/grinded with a short carved foot. Chinese glass was largely used to imitate more precious materials such as white jade, Lapis Lazuli and other valuable minerals.

A densely embroidered pillow cover from Hazara district in Pakistan, circa 1950. This pillow cover was made for a wedding. Curling horn and star patterns are typical of the embroidery of the Hazara district, resembling both in design and technique the phulkaris of Punjab province. In this district it is typically accomplished from the reverse - the designs are outlined with one running stitch, then the outlines are filled in with another. The characteristic phulkari stitch of closely placed, p...

Chinese carved boxwood figurine depicting the Tang poet Li Bai dressed as an official and holding a cup of wine. Fixed on a wooden base. Condition: fine, some patina. Dimension: total height: 18.2 cm.

Kawase Hasui
The Torii at Miyajima at Night
Date: 1930s.
Publisher: Watanabe Shozaburo.
Size: Koban. Approximately 6.25 x 4.25 inches.
"Made in Japan" stamped on verso.
Reference: Hotei Hp-52.
Medium: Japanese woodblock print.
Condition: Excellent.

Man's soft grey silk under kimono with a painted image of Daruma, the Japanese God of Wishes. Two large coins using the shibori technique cross over onto the sleeves. Two pale peach washes are painted across the image area as well as swashes of small metallic gold flecks using the surihaku technique. This is a very soft, light-weight gray silk with a bright green raw silk lining. Dating to 1930s and in excellent condition, this garment measures approximately 51” across and 54” long.

TOOL LIKE MORTISE-SAMPLE

Details and usage really unknown, but would be a sort of old Japanese architectural wooden tool, like size or form sample of mortise (for mortise joint with a combination of mortise and tenon). Happy first encounter, very rare find. Showa period, early-mid 20th century. Large: 14.5 x 2.5 x 3cm (5.70 x 0.98 x 1.18in), Small: 11.5 x 2.5 x 2.5cm (4.52 x 0.98 x 0.98in).


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Dating circa 1930-40 and in excellent condition, this Chinese export cabbage leaf pattern bowl measures 8 inches across and 3" high.

Dated to the mid 20th century, this cushion cover (thakia) measures 15¼ inches x 30 inches (38.7 cm x 76.2 cm). As the Hazara district is situated between Punjab and Swat, the embroidery of this area is stylistically very similar to that of the Swat Valley. However, these pieces are generally more complex in design and construction. This piece is embroidered on both sides with silk on a cotton background in a predominantly geometric pattern. On one side, the space is stabilized by two center d...

Typical of the mountainous Swat valley in northern Pakistan, this cushion cover is distinguished by the black cotton background embroidered in a zinging, shocking pink. This amazing piece measures 12¼ inches x 32 inches (31.1. cm x 81.3 cm). Swati embroidery patterns are traditionally handed down from mother to daughter and these are the typical color contrasts. In Swat, the embroidery is called bagh or flower garden. Elsewhere in Pakistan it is called phulkari, an Urdu word derived from phul...

Depicting curling horned and star patterns, this wedding textile from the Hazara district of Pakistan, in the province of Khyber Pakhtunkhwa (formerly known as NWFP) is densely embroidered in silk floss thread on a black cotton ground. It measures 70 x 77.5 cm and is in excellent condition. The motifs are curvilinear and embroidered in dark red in a combination of satin stitch and long and short stitch, outlined with a top stitch of golden silk floss. Estimated age: late 20th century.

Typical of the mountainous Swat valley in northern Pakistan, this cushion cover ("thakia" in Urdu) is distinguished by a purple cotton background embroidered in a bright pink, with yellow and sage highlights. This amazing piece measures 14 1/8 inches x 30 inches (36.1 cm x 76.2 cm). Swati embroidery patterns are traditionally handed down from mother to daughter and these are the typical color contrasts. In Swat, the embroidery is called bagh, meaning flower garden. Elsewhere in Pakistan it is ...

Embroidered in vivid turquoise silk floss with a top stitch of golden silk floss, this woman's shawl ("phulkari") from Swat Valley measures 97 cm x 198 cm and is in excellent condition. The designs are stylized rosettes with densely embroidered borders and a medallion motif in the center. Black is the dominant color for the background of Swati embroideries, which share many motifs in common with the embroidery from Hazara district. The unique motifs on this wedding shawl suggest Chinese influenc...

The bouquet of flowers for this stunning silk fukusa was made using yuzen resist dying, free-hand embroidery, and gold surihaku, with gold and silver foil couching applied to create the bow. On the reverse side is a large mons (family crest). Three of the four original silk tassels are still intact. As a decorative item, this fukusa would make a fabulous wall hanging or framed artwork. In excellent condition, we estimate this fukusa to be mid Showa. It measures 26” wide x 29” high. ...

COCOON BAG

Bag made of washi Japanese paper used to contain silkworm cocoon balls so-called Mayubukuro, Showa period, 1940s, Japan, approx. 145 x 80cm (57.08 x 31.49in)


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This hand made, gold plated over silver, lapis lazuli bracelet is 7 inches long and 3 quarters of an inch wide. There are seven lapis lazuli pieces surrounded by a wired floral design. The workmanship is wonderful and it is in great shape. It is a 1930~1945 product and came from the jewelry collection of a retired Hong Kong jeweler. The back has a woven pattern.

GOLDEN BALL

Golden ball at tip of Japanese Rising Sun Flag, made of glass brass-plated from the inside, Showa period, early 20th century, Japan, H 32 x D 13cm (12.59 x 5.11). Unique golden landscape of the surface like looking through fisheye lens. Quite a rare find today since easily breakable for such glass made. (*As seen the photo#10, this listing piece is the medium size and the large and the small one are also available in stock. Just in case.)

Gorgeous woodblock print by shin-hanga artist Hiroshi Yoshida (1876-1950) titled "Plum Gateway". In the foreground is a small girl wearing a kimono, standing next to a tree with long, spindly branches and flower blossoms, gazing into the background at her mother and young sibling standing under a gateway. Signed and stamped. Size: (entire frame) 20.75" height, 15.75" width, (artwork) 14.25" height, 9" width

Chinese teakwood tabletop display stand. Each of the four tiers for holding objects has carved frieze decoration. 18” wide x 15” high x 5 1/4" deep. 20th century. Very good overall condition. Some of the frieze decoration was loose and has been re-glued. From a Sun City West, Arizona collection. Please note that the miniature Chinese ceramics are not included.