A beautiful early 17th century silk floss textile embroidered with a variety of flowers in a panoply of colors. The central section has larger and more elaborate examples, while the borders have smaller meandering flora. Most probably of Italian origin.

The condition is quite fine, and the dimensions are 67" by 16". This wonderful piece has been part of my collection for 25 years and has not been previously shown or offered.

Offered is this superb, hand-painted English vitrified glass vase, made by Richardson around 1850. The vase has Etruscan paintings. It is signed on its polished pontil - Richardson's signature of vitrified glass objects is shown on page 447 of Charles R. Hajdamach's book, 'British glass 1800-1914' (shown in last picture here for your convenience). The vase is 7 inches (18 cm) tall and is in excellent condition.

This is an ANTIQUE GORHAM STERLING LADLE in the LUXEMBOURG PATTERN. Ca. 1893 with scroll patterns throughout with Scalloped bowl and scroll edge. 12.5" in length. Desirable Pattern in Excellent Condition.

Victorian Georgian Queen sterling silver soup ladle. Made by John and Henry Lias in London in 1839. King-shaped handle has engraved armorial with sword-bearing lion rampant and motto “Courage”. Deep ovoid bowl. A substantial and traditional piece made shortly after young Victoria ascended the throne. Stylistic continuity in the new reign. Fully marked. Very good condition.

Height: H 13 3/8 in. Heavy weight: 12 troy ounces. #BV250

Lovely Victorian pickle fork with a mother of pearl handle, a sterling ferule and silverplated tines.

Origin: England, ca. 1900. Condition: excellent. Size: 7-1/4" long.

A wonderful Staffordshire pottery cow creamer standing on a oval base. The cow is decorated with rust spots on the white background and the horns are gilt. The oval base is decorated as a grassy outcropping. Cow creamers were very popular in the early 19th century and were produced by a number of potters in Staffodshire, Wales and southern Scotland. This example is from the Staffordshire region.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 6-3/8" x 3" x 4-3/4".

A beautiful enameled silver patch or pill box by Nicholai Alexeyev. The hinged box is fully covered with enamels worked in shades of opaque white, aqua, periwinkle and royal blue, accented with translucent red and green. The cover and bottom are worked in a stylized starburst pattern, while the sides feature floral banding flanked by traditional triangular and dotted patterns. Exposed areas of silver are stippled and lightly gilt. The interior is also gilt...

A German Saltglaze Bellamine. With crisply moulded mask and applied flower roundel. Germany E17thC. Height; 8 1/8" (20.5 cm). Condition;  chip to inside of lip otherwise excellent. With a very good glaze surface.

A finely decorated German Stein, ca. mid 18th. century!

The saltglazed Steing decorated with a beautiful scene of a landschkneckt walking in a lanscape with a castle in the background. Very high quality and rare. Impressive pewter mount with large ball thumbrest and medallion in the lid with the portrait of a German ruler.

Size: 22 cm. tall.

Condition: Choice for type! A thin hairline at the handle and some minimal glaze chips, othervise superb.

German silver figural bird bowl, ca 1920. A swan with s-scroll neck, closed bill, and direct expression. Webbed feet in glide mode. Fine delineation of feathers from scaly neck to downy wing plumes. Hollow gilt-washed interior; frosted glass liner with scalloped rim. Silver marked “Sterling Silver Germany”. Very good condition.

Dimensions: H 5 1/4 x L 5 1/4 x W 4 in. Weight (silver only): 6 troy ounces. #BZ279

A superb Rococo-style first standard (950/1000 pure silver) tastevin by the master silversmith Marc Parrod. This large example retains the round shape of a traditional tastevin but replaces the usual bowl decoration with ornate bunches of grapes tied with ribbon bows and a remarkable handle treatment illustrating a young couple stomping grapes while holding hands. Parrod created excellent classic Burgundian tastevins, but his fantasy pieces stand apart from all the other Dijon masters...

Ca 1920 A wonderful set liqueur cups with etched silver plate holders. The cups are also etched with various designs. Three holders have a daisy and bud motif, four feature holly leaves while the remaining four have bamboo. One glass insert has a rough rim, another has a crack ( see photos) and some of the holders have dark spots inside the plate. 1-1/4"(h) x 1-5/8"(w). Sold as is.

This is a rare well modeled and detailed 19th century porcelain elephant by Samson. It is based upon an outstanding 1680 Japanese Kakiemon model, which, in turn, was derived from Chinese prototypes. The piece is eleven inches in height and is enameled in red and cobalt.

Condition: Excellent, no chips, hairlines or repairs.

Lightweight, hand forged 72 inch long 15k belcher long guard chain which can be doubled or tripled or quadrupled as a necklace. The belcher link is sometimes called a box link chain and is an interlocking square open link that remains popular to this day. Note that this is an original Victorian chain that has remained intact through the years and not chopped up into shorter chains. It has a threaded dog clip that is easily unscrewed to attach a pendant or two of your choice...

Large Victorian Classical sterling silver tray. Made by Dominick & Haff in New York in 1890. Rectangular with curved corners. Fluted sides and gadrooned rim. Stylistically restrained with nice heft. Fully marked including dated maker’s stamp, retailer’s stamp (JE Caldwell), and no. 772S. Very good condition.

Dimensions: H 1 1/8 x W 24 x D 18 in. Weight: 145 troy ounces. #BZ212

19th century English brass "Queen of Diamonds" Candle holders made as a commemoration piece to honor Queen Victoria's 60 year reign from 1837 - 1897. Measures 11.25" high x 4.5" square.

Blue Willow pattern scent bottle with silver gilt cap by Sampson Mordan. The silver is marked with the year mark for 1885. This scent is a large size measuring 2 1/4" in diameter. A wonderful addition to a scent collection or a collection of blue

Attributed to South Staffordshire, England, Possibly Bilston, late 18th century. The “gingham finish” was principally produced in this area. By placing a piece of cambric over solid ground color and then applying white enamel this finish was achieved. The three dimensional decoration was also found in the area. It was normally created by applying several layers of enamel. In addition, the unusual heart shape has been found in other Bilston boxes...