Fabulous and rare Pairpoint silver palate olive caster with original tongs. The satin glass insert is most likely Mount Washington and features a lovely hand painted floral design on all sides. All in excellent condition, it measures about 11 inches tall. (Glass insert is 4.5" high)

A beautiful floriform, Favrile glass vase in a bronze holder, made by Tiffany Studios, around 1900. Overall, it is 16 1/2 inches (42 cm) tall. The base is marked, 'TIFFANY STUDIOS / NEW YORK' along with the model number, '23819' (it also has the old 'TGDCO' mark, for 'Tiffany Glass & Decorating Company', which was used by them up until 1902)...

A. H. Heisey & Company beautiful pressed glass pitcher with open work silver floral design on the rim. The bottom has the "H" maker's mark inclosed in a diamond shape. Age: Pre 1920. Size: H.23cm. Diameter at the base. 13cm. Condition: Almost mint. Some minor scratches on the bottom.

A fine leaded glass water goblet with wheel cut swag and leaf motifs around the top of the bowl. The round foot is cut with a Star of David which rises with highly facet stem blocks upon which rests bowl with graduated terraces before gushing with flaring walls. The glass is most elegant with its watery translucence...

Early flint glass water goblet on round foot with thin stem rising to cylindrical bowl wheel etched with flowers and leaves. Excellent condition.

The goblet belonged to the collection of Lenna Gertrude Clarke Judd (1865 - 1939) who moved from New York City in 1903 to Dalton, Georgia where she became a well respected philanthropist through out the sate. We have the complete provenance from Mrs Judd down to the present.

Please forgive our poor pictures...

A rare combination of shape (7430), color (dark blue jade), and style (jade) makes this vase an ideal candidate for an advanced collector looking for something uncommon. From a narrow neck on broad shoulders, the optic ribbed vase tapers moderately to a round base, Condition is very good without defect. Signed with acid script Steuben, dating the vase to c. 1930...

A rare form of slag glass, this late 19th century example is richly marbled throughout. It rests on a round foot which rises on a stem supporting a tiered crown for the straight paneled bowl. This specimen is in outstanding condition and retains its identification tag from its original collector.

This goblet may be identified as EAPG CHALLINOR, TAYLOR & CO. NO. 13...

This gem was the product of the Gundersen-Pairpoint Company in the mid 20th century, but ended up the collection of an avid glass addict. For serious collectors, we can offer limited but very interesting provenance for this and other goblets we are selling from a socially prominent philanthropist who settled in north Georgia and died in 1939. The underside retains an identification tag from the collector. Dimension: 7 1/8" h

A goblet, presumed to be made by Riverside Glass Works as early as 1906 as pattern number 593. It has a caramel color, not a common find.

Please be aware that this pattern is known by several names such as Old English Colonial, Blucher, and Colonial, in part due to the change of ownership of the molds, during the first quarter or so of the 20th century, during which three companies owned them. As such we are unable to warrant the maker.

Excellent condition...

Rare Margaretta Early American Pattern Glass ale glass with round bowl foot, diamond crosses, and a fantastic 3 dimensional portrait of Margaretta of Mephistopheles fame, of whom there is a matching glass...

A very fine and scarce flint glass water goblet in the Magnet & Grape pattern produced probably 4th quarter of the 19th C., the scarcity owing to the frosted leaf, most of which were unfrosted. The glass is clear but watery...

An exceptionally fine frosted goblet on an unusual conical base supporting a fluted bowl, all decorated with frosted devices including a gorgeous anthemion leaf pattern banded by egg and dart. The base has finely etched fern. This flint glass goblet is mid to late 19th C.

This glass belonged to Lenna Gertrude Clarke Judd (1865 - 1939) who was a prominent philanthropist living in Dalton, GA where she built and landscaped her home which she named Oneonta...

Flint glass open sugar on round foot, glass sliced octagonally. Glass is tinted grey/purple. Condition better than average for age, but still age appropriate wear. Limited but interesting provenance for serious buyer. Glass belonged to well to do and well connected Georgia philanthropist Lenna Judd who died in 1939. Dimension: 4" h; 4 1/4" d

Impressive Early American Pattern Glass water goblet with frosted foot and stem concluding in 3 lion's heads. The base of the goblet bowl is formed with six panels and the sides are clear, flaring slightly as the sides rise to the rim. Condition of the glasses is excellent with no chips or cracks.

Most likely made by Gillinder & Sons c...

American Brilliant Cut Glass Pitcher richly cut with deep vessicas, stars, and other embellishments. The bulbous body tapers to wide neck with scalloped rim. The attached heavily faceted handle has a flat top. The underside has 32 point star. The blank is very clear. Condition is superb. Marked Libbey on the handle top. This pitcher is a superior example of brilliant cut glass in general but of hollow ware in particular. Height: 7 1/2"

A rare large American three footed cut glass rose bowl by T G Hawkes and Company. In excellent condition, it measures 8" by 6.5" high. Signed on bottom. More photos available upon request.

Group German style sterling silver and etched glass barware, early 20th century period. (8) pcs., incl. (2) matched decanters, mark of Edward Ball Co., NY; (5) glasses retailed by S. Wyler, Inc., NY; and (1) English decanter bottle, circa 1902, maker B. Muller & Son, 11.5"h x 4.25"w x 3.5"d (tallest). Condition Report; Good condition, no issues noted.

Wallace sterling silver & cut glass pitcher, sterling collar and brilliant cut glass by R.Walace & Sons, late 19th/early 20th century period, measurements as follows; H: 9.25'' W: 5'' D: 4.5''. No condition issues noted.

A vintage Mt. Washington Quilted Diamonds huge rose bowl. This true vintage Victorian cased glass rose bowl is in attractive aqua blue and it dates around 1890. This 5-1/4" high and 6-1/4" across crimped edge posey vase is in the satin finish Quilted Diamonds pattern, produced by Mt. Washington glass...

A beautiful hyacinth bulb vase by the Boston & Sandwich Glass Company, decorated in opaque overlay cut to clear in in a panel and trailing vine design. The top is enhanced with a cobalt blue lip and the bottom is slightly footed and star-cut. The overall form is very elegant. The shape was blown in the company's #123 mold and the cutting is identical to known labeled pieces. Vases of this shape were used to hold a single flowering bulb, usually a hyacinth, but sometimes a daffodil or tulip.

A large (top width: 14 inches, height: 6 1/2 inches), amethyst-colored, centerpiece bowl with a folded-down rim, made by Pairpoint during the early part of the 20th century. Ground pontil (see picture). Unsigned. The bowl has been examined under black-light: it fluoresces in a very gentle greenish color, typical of late 19th or early 20th century soda-lime glass; also, there are no cracks in the bowl. Also, when tapped lightly, the bowl has the tonal quality of a bell and rings for a long time, ...

Offered is this monumental-sized New England peachblow glass lily vase, made around 1890. The vase is 17 1/2 inches tall, 7 inches wide at the top and has a base-width of 6 1/4 inches. Though New England glass company made lily vases in various sizes, it is rare to come across a New England peachblow glass vase of this large a size (this is the largest-size lily vase they made). A New England peachblow glass lily vase of this size is at display at the Chrysler Art Museum (shown on page 48 of Ray...

A beautiful Peachblow vase made by the New England Glass Company, around 1890. The vase is 7 1/2 inches (19 cm) tall and 2 3/4 inches (7 cm) wide at its widest. The non-cased vase is in excellent condition and has beautiful coloration. It has an unpolished pontil, which are typical of New England Peachblow vases of this type (refer to page 75 of Billings' book on Peachblow glass for a vase of similar shape and size having an unpolished pontil - shown in last two pictures here for your convenienc...

Offered is this beautiful antique oil lamp (the lamp has been electrified), made by Sheldon. It is made in the highly collectible swirled-glass decor. The lamp is 7 1/2 inches tall (to bulb-socket) and 4 1/4 inches wide at its widest. There are a couple of base chips (the larger one shown in 7th picture). It is guaranteed to be an authentic antique Sheldon lamp - a similar lamp is shown on page 120 of Catherine Thuro's book, 'Oil Lamps II - gas & kerosene lamps' (shown in last two pictures here ...

Offered is this exceptionally rare Tiffany Studios glass 'Pulled-feather' vase with gold Favrile application. The vase is 4 1/4 inches tall and 3 3/4 inches wide. It is in good condition. Polished pontil. Unsigned, showing its status as a 'special order' item. Please refer to pages 39 and 52 of Albert Christian Revi's book, 'American Art Nouveau Glass' for Tiffany Studios vases with similar applications and shapes (shown in last two pictures here for your convenience).

Offered is this rare New England Glass Company's 'Fruit on Latticinio' paperweght, made around 1849 by Francois Pierre (after he left Baccarat Company and joined NEGC). The paperweight is approximately 2 1/2 inches wide and 1 5/8 inches tall. Polished pontil. It is in good condition - there is the expected, age-appropriate wear to the base of the paperweight (see 5th picture) and a few fabrication-holes (cannot be felt from the outside) inside the paperweight (see 3rd picture). A similar NEGC pa...

Offered is this wonderful, hand-painted, Victorian glass epergne. The epergne is 10 3/4 inches tall and 5 1/2 inches wide at its widest. The set is in very good condition (there is a fabrication flaw typical of hand-made glass items, a burst bubble - see last picture). Unsigned.

This is a beautiful Steuben jade glass decorated with acid cut-back floral motif. The heavy vase is approximately 9 1/2 inches tall, 6 inches wide and 3 inches deep. Except for a tiny spot on the top rim that was probably caused during fabrication and a couple of minor chips to the raised decor (see last two pictures), the vase is in very good condition. Like typical Steuben acid cut-back objects, the vase is unsigned - but it is guaranteed to have been made by Steuben. It is in Steuben shape nu...

Offered is this beautifully decorated (with mums) biscuit jar, made by Pairpoint / Mt Washington, around 1900. The jar is 8 1/4 inches tall (to the top of the handle) and 5 inches wide. It is in very good condition, without chips, cracks or repairs. The biscuit jar is fully marked (Mt Washington shape number, 'M.W. 4413' engraved on the inside of the lid, and, 'Pairpoint 3910' stamped on the jar's bottom - see last two pictures). Also, the mums decor is a well-known Mt Washington motif (refer to...

Offered is this pair of Mt Washington Burmese glass vases with applied handles in their 'Egyptian' pattern. Each vase is 7 inches tall, 4 1/4 inches wide (handle-tip to handle-tip) and both vases are in excellent condition (mentioned for accuracy: there is a black mark on the inside of one vase, perhaps from the flowers displayed in it - see picture). The vases glow when exposed to black-light showing the presence of Uranium salts in the vases' glass blanks, typical of genuine Mt Washington Burm...

Offered is this rare hand-painted 'Collars and Cuffs' lamp, made by Wavecrest around 1890. Overall, the lamp is 22 1/4 inches tall. The bottom glass part is 7 3/4 inches wide and 4 3/4 inches tall. The top glass shade is 9 inches wide and 7 1/2 inches tall. The chimney is 11 3/4 inches long and 3 1/2 inches wide. The lamp is in very good condition and the electrical wiring is in good condition (there is some age-appropriate tarnishing to the metal parts). The glass-bottom may very well be signed...

Offered is this beautiful amethyst-colored heavy tulip-shaped glass vase, made most likely by Boston & Sandwich (the first picture was taken in natural light while the others were taken with artificial light). The vase is 7 1/2 inches tall and 7 3/4 inches wide at the top. As are common with these old glass vases, there is a chip on the rim (see last picture) and a couple of small base chips. The vase is attributed to Boston & Sandwich due to the color and shape of the vase and because it fluore...

Offered is this beautiful, hand-painted art glass vase. The vase is decorated with berries and leaves. The vase is 9 1/2 inches tall and 5 inches wide at its widest. It is in excellent condition. Like many Mt Washington objects, the vase is unsigned, except for the number, '20' in its polished pontil (see last picture). It is attributed to Mt Washington based on the 'berries-and-leaves' decor, which is a well-known Mt Washington decor (refer to pages 229, 242, 243, 246, etc, of Betty Sisk's book...

This is a large, signed Crown Milano glass jar/jardiniere made by Mt Washington. It is an exceptionally large jar: it is 10 3/4 inches wide and 8 1/4 inches high. The jar is in excellent condition - no chips, cracks or repairs (there is some expected, age-appropriate fading to the paint). It is signed in its polished pontil.

Offered is this rare and beautiful cameo glass lamp, made by Mt Washington around 1890. The lamp's bottom part is cameo cut while the shade is hand painted. The lamp is artist-signed by 'Alfred Howell'. Originally, it used to be an oil lamp that has been electrified. Overall, the lamp is 20 1/2 inches tall. The bottom glass part is 7 3/4 inches wide and 4 3/4 inches high. The shade is 10 1/2 inches tall and 9 1/2 inches wide. The lamp is in very good condition. Though unsigned, it is guaranteed ...

Offered are these two beautiful, hand-painted Victorian glass ewers. The amber-colored thumbprint jug is 8 3/4 inches tall and 6 3/4 inches wide. The Mary Gregory one is 8 inches tall and 7 inches wide. Both ewers were blown (has pontil-bottoms - see last two pictures) and are without chips, cracks or repairs. Both jugs fluoresce a gentle green when exposed to long-wavelength black-light, showing that they are made of late 19th century soda-lime glass blanks.