A very nice child size red, white and blue checked bonnet. It has the cardboard stays that are removable so the bonnet can be washed. I like this feature because you can hang the bonnet on a peg rack so much easier without the stays. It is in good condition it just one spot at the very top of the brim...see picture. It is 13" top to bottom and 9" front to back.

A renaissance bronze figure, Italian, Venice, and in a superb style with the stylistic hallmark of the Roccatagliata workshop, c. 16th.- early 17th. century.

The figure is made of bell metal and depicts a Cupid with spread wings holding a scroll with the portrait bust of Christ. He is standing on a stepped podium and mounted to a heavy black base.

Size: 15 cm. tall including the black stone base and 10,4 cm. for the figure alone.

This porcelain tray was produced in France by Haviland Limoges around 1900. We believe that the porcelain blank was sold white ware to a decorator who hand painted it. The tray measures 11 1/8 inches long and 8 3/4 inches wide. The porcelain blank has a scalloped edge. The ground color blends from deep green, to teal green to yellow. There are raspberry vines trailing across the tray. The flowers, berries and foliage are professionally painted. The colors are bright and vivid...

Lenox Porcelain Gold Rim Soup Plate, Ca. 1920, 8 1/2" diameter, 1 3/8" high, marked "Lenox, Made Expressly for Ovington Bros. New York" in green and 7/J.33 in Gold above green mark. The condition is good. This one(1) soup plate will match with #1405843 below.

Gorgeous sterling silver soup ladle in the 1892 "Mazarin" pattern by Dominick & Haff. This ladle is in the large size. The handle is elegantly decorated with a gadrooned border that coordinates nicely with scrolled shoulders of the bowl. The back is hallmarked by Dominick & Haff and has the patent date.

Origin: America, ca. 1892. Condition: excellent, sharp detail, no monogram. Size: 11-3/4". Weight: 176.5 grams.

Figural majolica tobacco humidor in the form of a ball player. The piece is decorated in beautiful, rich colors under the shiny tin glaze. The base is impressed "10830II" and is also painted with the decorator's mark.

Origin: Continental, probably the Low Countries, France or Germany, ca. 1900. Condition: Mint. Size: 6" tall.

A Substantial George III Silver Coffee Pot, by Daniel Smith and Robert Sharp, London 1774. Dimension; 11.5" high x 9" spout to handle; weight, 33 Standard, 30.1 Troy ounces. Initials LHP and "Llewellyn S. Parsons" on base (see picture), prior owners. Excellent condition.

This pair of porcelain and ormolu bronze mounts was produced in France in the 1860s or 1870s. They measure 16 inches tall and are 7 1/2 inches across the figural handles. The ground color is celeste blue. The bronze bases are ornate and very Victorian. The lion's paw feet connect with elaborate scrolls. The handles have putti playing musical instruments. Hand painted panels of young lovers strolling in country landscapes are portrayed in fine detail and soft coloring...

Danish Söholm, Bornholm: earthenware dish typical of this factory’s early production. Relief-moulded decoration of laurel leaves and a family scene in classical style, inspired by Danish sculptor Thorvaldsen. Late 19th c. Diam: “9 ¼ /23,5 cm . Condition: slight wear to parts of the figures in the centre

An uncommon tinsel, or foil, painting on glass. Extremely vibrant, with deep colors, the painting shows a bluebird surrounded by a variety of fruit, with a compote of fruit behind it. It is rare to have a foil scene without a lot of open space between subjects.

The painting is in excellent condition, as is the later frame, which measures 16 1/4" by 13 1/4".

A porcelain teapot with blue and reddish cornflowers amidst extensive gilding as well as gilding on parts of the lid and the body. 7 inches tall x 9/1/2 inches long x 4 ¾ inches wide.

Condition: no chips, cracks, hairlines or repairs. Very little wear to the gilding.

This 3 piece porcelain tea set was produced in Austria by Royal Rudolstadt in the 1890s. The pot measures 5 ½ inches high and 4 ¼ inches from the spout to the handle. The cream pitcher is 4 inches high and 3 inches from the spout to the handle. The sugar bowl with lid is 3 ½ inches high and has a diameter of 3 ¼ inches. The 3 pieces all have little feet. They are entirely hand painted and hand gilded. The scenes with cherubs are all artist signed...

A fine transfer printed dark blue and white Staffordshire plate in the "Birds and Fruit" pattern. Attributed to John Hall & Sons, Burslem, England.

The central scene features two birds amidst a panoply of fruit, including pears, strawberries, blackberries, grapes, etc. The cavetto and wide rim has a border of flowers and foliage.

The color of this platter is a deep, clear blue, with no blurriness, and with the desired ripple glaze...

A pair of molded edge porcelain dessert serving bowls, Spode circa 1814 with bat transferred fruit in the center. Pattern number 1686. Neither is marked, but the distinctive border of twined dolphins alternating with a large plant (?) is a Spode design. The pattern of fruits is currently made by Spode and called “Chatham.” The border is set off with a band of gilding at the rim and the inside edge. The bat transfer is an unusual color, almost brown at some angles and gold at others...

A Blue and White Christening Mug, with Gilt by Whittingham, Ford & Co. Burlsem, 1868-1873. Irving Pattern; dimensions 3.5" high x 3.75" wide. Some age wear.

This painting epitomizes all the characteristics one looks for in a folk art portrait, including the whimsy that is so delightful. Note the vibrant colors, unusual treatment of anatomical features (the shortened arm, for example), and embellishments such as the chair, bonnet, shawl, book, and sheet music...

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744...

A fine Dr. Wall (First Period) Worcester pickle leaf dish in the "Pickle Leaf Vine" pattern, showing flowers and vines within a feuil-de-choix border, and with a workman's mark on the reverse. Excellent condition with no cracks, chips, paint loss, or restoration. The white areas at places along the edge are light reflections. Length 3 1/4", and width 3 1/2".