An intertwined double handled large sauceboat decorated with flowers on both the inside and the outside. Gilding on the base, handles and on the rim with dentil decoration on the outside edge. 3 3/4 inches (9.5 cm) tall, 9 inches (23 cm) long and 7 ¼ inches (18 cm) across the handles. Circa 1780.

Condition: no chips, cracks, hairlines or repairs. Gilding wear around the rim and especially on the handles.

A porcelain ovoid form teapot with a floral knop and hand painted with floral sprays on either side and floral sprigs on above and below the handle, picked out with magenta, and on the spout as well as above and below. The crossed hayforks with a line through them was the factory mark for the late 198th century. Height 5 1/8 inches (13 cm), length across spout and handle 7 ¼ inches (18.4 cm) and width 4 ½ inches (11.4 cm)...

English blue and white transfer printed plate by Clews, Staffordshire, c 1820. Clews (1818-1834) produced patterns with motifs intended for the American market. This pattern in a soft blue shade, however, is of a guide demonstrating some Italian classical ruins to a lady traveller seated on a donkey, all viewed as from inside a grotto. Flat back with impressed mark: Clews, warranted Staffordshire. Diameter "9½/ 24 cm. Condition: two chips, one to the underside of rim, as shown in photos.

A pair of boat shaped salts in transparent blue glass with thin facet polished edges to sides and backs. Empire style, 1810-20, probably Scandinavian. Width: 3 ¼”/8 cm. Condition: fine

A Staffordshire blue and white waste bowl or slop bowl, transfer printed, early 19th century. The outside with a textile pattern and reserves with a bird. The inside with a stylized border of leaves and flowers and a similar bird in the centre. Diameter "4½/ 11,5 cm, height "2¾/ 7 cm. Condition: fine.

A pair of blue and white, transfer printed tea bowls, c 1820. The exterior with putti and lions playing, the interior with a stylized leaf and flower border. Height "2¼/ 5,5 cm, diameter "3¼/ 8,5 cm. Condition: minimal nicks to foot rims, one bowl with a nick to upper rim.

Three 19th century faience plates, Northern France (Saint Clement?), all with vivacious floral decoration in the "gaudy" style, all with combed red border. Diameter "9/ 23 cm. Condition: wear to the decoration of two plates, all with rim frits.

Two rattan handled and lidded water jugs in late Jugendstil, two of a kind. One designed by Richard Riemerschmied for the company of F & R Fischer c 1915, the other and smaller by Webster & Son, New York c 1920. The German jug hammered (pressed) and nickeled brass, the American jug silvered copper. Riemerschmid was co-founder of the Deutscher Werkbund, the ideas of which were close to the Wiener Werkstätte...

A pair of small Doulton Lambeth Silicon jars, the inside salt glazed as to be used for pickles relish or the like, the outside meticulously worked with applied and incised stylized leaves and pearl borders in beige and blue. Impressed mark Doulton Silicon Lambeth and year mark 1883. Height "2¼/ 6 cm, diameter "3½/ 8,5 cm. Condition: fine.

Copper lustre cream or milk jug / pitcher, both sides transfer printed and enameled with Hope sitting on the seashore by an anchor, pointing towards the horizon where a ship is seen sailing away. Sunderland, England c 1830, unmarked. Height "3 ¼ / 8.5 cm. Condition: beak with a hairline (cf. pic). A larger Sunderland jug with Charity is presented in another GC offer (cf. last pic).

Function and form make up this silver shoe horn, featuring a decorative intricately brite-cut flora/fauna design enhanced with a centered design bird on a fence. The finish looks like brocade and the defined design stands out subtly from the silver. Monogrammed JKS brings instant relatives from the past into the present. Measuring 6 7/8" in length x 1 3/4" at the widest point, it weighs 60.8 grams. Unmarked but tested 850. Near perfect condition with minor age appropriate wear...

Offered is this beautiful, Moser purple-to-clear vase with deep-cutting of flowers, made around 1900. The vase is 3 3/4 inches (9,5 cm) tall and is in good condition. Broad polished pontil with slight 'pull'.

A pair of blue glass vases, Pearline from Davidson’s in Gateshead, England. Pearline, an opalizing pressed glass launched by Davidson’s, was very much en vogue c 1890 – 1910. Height "4/ 10.2 cm. Condition: fin (please observe that what might look like cracks to the base in the photos are mould traces).

A pair of English Staffordshire ”Imari” plates, the decoration painted in under-glaze blue and enameled, the rims lustre-glazed. The backs with a printed mark Ironstone China. Early Victorian, c 1830-40. Mason’s was the first manufacturer to launch Ironstone ware but many others were to follow. Diameter "9¾ / 24,5 cm. Condition: some crackling to the glaze to one plate, and a small chip to the underside of the rim (cf. pics).

Opaline or overlay peach-coloured and white satin glass perfume bottle, France around 1890. Floral decoration in enamels and raised gilt with applied clear glass swirls. Bottle and stopper marked 35. Height "8 1/3 / 21 cm. Condition: fine.

A pair of hand painted English porcelain dessert serving dishes, probably Spode, lozenge shaped with lobes and decorated with floral sprays and sprigs in bright colors with gilt scalloped border and gilt floral design in the apexes. No marks on the base, but this form with the elegant gilding in the apexes is ascribed to Spode and from early in the 19th century. Length 10 ¼, width 7 ¼ and height 2 inches.

Condition: No chips, cracks, hairlines or repairs. Almost no wear.

Two pairs of tea cups with sprigged ornamental decoration in lilac and twigs of flowers in gilt. English, around 1830 and attributed to New Hall. Unmarked except for the pattern number, 7940. Diameter of saucers "6¾/ 17,5 cm and of cups "4½/ 11,5 cm. Condition: one pair fine, the other (please see the last photo) with some wear, a star crack and a hairline. This pair to go with the first (optional), at a cost not exceeding the additional shipping fee.

SOLD Porcelain underglaze blue painted dinner plate decorated in a direct steal from Worcester with the “pine cone” pattern. The form of the plate is slightly different than the Worcester form but design and border are a close copy. Worcester is done with a transfer prints whereas this plate is hand painted and the porcelain is hard paste as opposed to soft paste. Since the pattern being copied is from around 1780 this plate is probably circa 1790...