A Japanese 19th century Banko ware teapot. Modelled as a leather pouch with a plissé edge and ties forming a handle (where the potter’s finger prints are visible). Enamelled flowers and relief moulded decoration of geese in white clay. Traces of gilt around edge and spout. Banko mark. No lid. Height “3½/ 9 cm, width including handle “6/ 15 cm. Condition: fine

A lovely and unusual Victorian sterling silver jelly knife in Towle’s 1880 “No. 128” pattern. Also known as “No. 28”, this pattern is characterized by a twisted handle, accented with beautiful bright-cut engraving. The serving end is shaped in the form of a leaf and is matte-gilt to highlight the floral engraving. Originally intended to serve savory jellies, the piece could now be used for pastries. The back is hallmarked by Towle and has the pattern number.

Origin: America, ca...

A Canton enamel squash blossom jewel or trinket box from the 1880s 1890s. This lovely and large Chinese enamel on metal box measures 4-1/2 x 3-1/2" and it stands 2-3/4" high on its foot rim. It is nicely worked with a fine life-like appearance and the hand applied enamel is in yellow, green and blue. The interior is light blue as is the underside...

Green flambé glazed miniature stoneware vase or perfume bottle, Art Nouveau design with engraved silver overlay, c 1900. Unmarked, probably German. Height "3½/ 9 cm. Condition: the end of one sprig replaced with silver colour, as shown on photo.

This is an outstanding American sterling silver repousse napkin ring in the style of Kirk although the mark is too worn to distinguish, ca 1880, heavily repousse with centered monogram GLJ, Wt. 18.9g; Condition is excellent; Measurement: 1 5/8 in. diam. x 1 in. high.

A pretty leaf shaped serving dish by Royal Copenhagen. Panted decoration of flowers, the twig handle with a rose and a forget-me-not flower in relief – the same as the handles used in the famous Flora Danica service. Impressed mark 2 and S, and the three waves of the manufacture in the version used around 1890. Length "7 1/5 / 18.5 cm. Condition: damage to the petals of the little forget-me-not flower.

A Dutch Delft 18th c tile. Painted decoration in puce of a church in a landscape, within double circles. Width "5 ¼/ 13 cm. Condition: fine.

Very heavy sterling silver serving spoon in Dominick & Haff's outstanding 1898 "New King" pattern. This is one of the company's best patterns and is very difficult to find. The reverse is also marked with the retailer's mark for Bailey, Banks & Biddle.

Origin: America, circa 1898. Condition: excellent, sharp details, period monogram "G". Size: 8-5/16" long.

A Minton wild strawberries A2625 hand painted berry or fruit bowl dated 1866. This Victorian beauty measures 9-3/8" across and it features finely handpainted leaves, flowers and wild strawberries all in high relief. This bowl is similar to other antique Minton patterns however we haven't definitively identified it. It has the impressed MINTON mark (used from 1862-71, later MINTONS) and a date cypher resembling that used for 1866...

25 1/2" by 26" red, white and blue neckerchief, hand hemmed with the tiniest of stitches. It is in excellent condition and has embroidered initials LZ in one corner. It came in a textile lot of shaker items. LZ in one corner. Circa 1840

Opaline glass bowl in the Brocade pattern, from the John Walsh Walsh glassworks. The opalizing effect was obtained by adding cobalt oxide to the glass, and a complicated procedure of heating and cooling. The opaline patterns made by John Walsh Walsh were produced as early as the turn of the century 1900. Height "3 ¼ / 8 cm, diameter "4 ¾ / 12 cm. Condition: fine.

Art Nouveau or Jugendstil silver plated and footed pewter bowl by Kayser, Germany, c 1910. The design is a wreath of cherries, divided into three compartments. Early stamped mark Kayser. The Kayser or Kayserzinn factory in Krefeld produced pewter items of high artistic value in the decades around 1900. Diameter "6¾/ 17,5 cm and height "2/ 5 cm. Condition: fine.

An interesting 18th century pewter plate, the border with an engraved motto, Suum cuique, written on a ribbon above an open book resting on a diagonally striped bar. As presented on this plate this is the crest and motto for the Scottish Clan Don. It is a Latin phrase meaning “to everybody his/her own”, historically used in freemasonry and in legal contexts, like serving as motto for the faculty of law at universities...

A faïence vase by Cantagalli with silverluster and blue decoration in the Hispano-Moresque or Ottoman style, c 1880-90. Ulysse Cantagalli, Florence, drew his inspiration from Arts and Crafts designers like William de Morgan, from Italian Renaissance and Islamic ceramics. Marked with the singing cockerel of the Cantagalli factory. Height "4 ¾ / 13 cm. Condition: mouth rim with two minimal glaze flakes, and a glaze burst near the foot rim (cf. pics).

A nice 19th C. black wool spaniel dog with a red tape collar. He has wire enforced legs. His wool shows areas of wear but no holes. He is 7" long and 7" tall. He has a great little face.

Fayence plate from northern France, c 1800. The well with carnelion, tulip and peony surrounded by some other flowers, all in manganese and yellow. Diameter " 9 ½ / 24 cm. Condition: wobbly base, otherwise fine. The back with spur marks near the rim, a sign of age.

La Rochelle fayence plate from the late 18th century. Charmingly naïve decoration of a pheasant in a landscape, the border with a twig of pears (?). The back with spur marks near the rim, a sign of age. Diameter: "9 ¾/ 24.5 cm. Condition: fine, with decorative crackling of the glaze and some burst bubbles caused in firing.

A hand painted Limoges large roses centerpiece or fruit bowl dated 1903. This wonderfully handpainted 10-3/8" across bowl stands 4" high and 8-1/2" deep, it has a handle on one side, and the painting is of very high quality for a painted blank. Typical in this era, china painting was very popular and some very talented pieces were produced by home amateurs...