This is an outstanding American sterling silver repousse napkin ring in the style of Kirk although the mark is too worn to distinguish, ca 1880, heavily repousse with centered monogram GLJ, Wt. 18.9g; Condition is excellent; Measurement: 1 5/8 in. diam. x 1 in. high.

Earthenware relief-moulded dish by Söholm on the isle of Bornholm, Denmark. Late 19th century, typical of this factory’s early production. Moulded decoration of laurel leaves and an old couple in classical style, the design inspired by Danish sculptor Thorvaldsen. Diameter "10/ 26 cm. Condition: slight wear to parts of the figures in the centre.

A nice early Staffordshire pottery child's cup decorated with a transfer scenes of children playing leap frog on one side and "peg top" on the other. The black transfer is highlighted with red overglaze enamel. The cup is accented with a molded foot and a strap handle. Teh glaze has the slight bluish tint found in Staffordshire pottery of this period.

Origin: England, ca. 1850. Condition: normal crackling to glaze, a few small flakes at the rim and two tight hairlines. Size: 2-3/4" tall.

An interesting 18th century pewter plate, the border with an engraved motto, Suum cuique, written on a ribbon above an open book resting on a diagonally striped bar. As presented on this plate this is the crest and motto for the Scottish Clan Don. It is a Latin phrase meaning “to everybody his/her own”, historically used in freemasonry and in legal contexts, like serving as motto for the faculty of law at universities...

Art Nouveau or Jugendstil silver plated and footed pewter bowl by Kayser, Germany, c 1910. The design is a wreath of cherries, divided into three compartments. Early stamped mark Kayser. The Kayser or Kayserzinn factory in Krefeld produced pewter items of high artistic value in the decades around 1900. Diameter "6¾/ 17,5 cm and height "2/ 5 cm. Condition: fine.

A superb and very heavy quality silver plated fruit bowl with high relief designs and scrolling c1890, made by E.G. Webster & Son of Brooklyn, New York. This bowl measures 12-3/4 x 10" and it weighs an impressive 1 lb. 14-1/2 ounces. It has the crown, lion and Prince of Wales feathers marks and a 154 pattern. This mark is sometimes erroneously ascribed to the sterling silver wares of Webster (Rainwater) but it is plated...

A pretty leaf shaped serving dish by Royal Copenhagen. Panted decoration of flowers, the twig handle with a rose and a forget-me-not flower in relief – the same as the handles used in the famous Flora Danica service. Impressed mark 2 and S, and the three waves of the manufacture in the version used around 1890. Length "7 1/5 / 18.5 cm. Condition: damage to the petals of the little forget-me-not flower.

Majolica grape and vine pitcher with a pewter lid with a leaf motif, most likely for serving wine outdoors circa 1880s. It is 8-1/2" tall and hand painted in brown, blue and green colors. It is unmarked except for what looks like a 70 painted onto the bottom. Majolica is an antique form of pottery, with a great revival of interest in the 19thC...

Tea bowl with printed decoration in brick-red in the Chinese style, and hand painted in various colours. English, possibly by Ridgway or Hicks & Meigh, c 1810-20. Height "1¾/ 5 cm, diameter "3¼/ 8 cm. Condition: chip to foot rim and an early restoration with two rivets (cf. photos).

Alt Wien / Old Vienna dish or plate – originally a stand for a vase or small tureen – with sparse decoration of stylized little tulips within a dark red border. The modern-looking design is a deceiver: the shape of the Royal Vienna Porcelain factory underglaze blue shield mark on the base shows a production date in the Empire period around 1800. Diameter "9 ½ / 24 cm. Condition: two small spots of glaze wear to the center, from the foot rim of vase or tureen.

Fayence plate from northern France, c 1800. The well with carnelion, tulip and peony surrounded by some other flowers, all in manganese and yellow. Diameter " 9 ½ / 24 cm. Condition: wobbly base, otherwise fine. The back with spur marks near the rim, a sign of age.

La Rochelle fayence plate from the late 18th century. Charmingly naïve decoration of a pheasant in a landscape, the border with a twig of pears (?). The back with spur marks near the rim, a sign of age. Diameter: "9 ¾/ 24.5 cm. Condition: fine, with decorative crackling of the glaze and some burst bubbles caused in firing.

A Japanese 19th century Banko ware teapot. Modelled as a leather pouch with a plissé edge and ties forming a handle (where the potter’s finger prints are visible). Enamelled flowers and relief moulded decoration of geese in white clay. Traces of gilt around edge and spout. Banko mark. No lid. Height “3½/ 9 cm, width including handle “6/ 15 cm. Condition: fine

A Canton enamel squash blossom jewel or trinket box from the 1880s 1890s. This lovely and large Chinese enamel on metal box measures 4-1/2 x 3-1/2" and it stands 2-3/4" high on its foot rim. It is nicely worked with a fine life-like appearance and the hand applied enamel is in yellow, green and blue. The interior is light blue as is the underside...

A small Bilston patch box, enamel on copper, mid-18th century, in a design somewhere between Rococo and Louis XVI: the outer shape softly rounded, the pattern more strict, of diaper type, textile-like. Patches, often in black silk, were used to conceal scars or blemishes from smallpox or other diseases. At the time Bilston, a town in West Midlands was famous for their enamel boxes. Width "1 ¾ / 4.8 cm. Condition: enamel flakes to lid and base (cf. pics).

1840's English flow blue 9.5" plate, Scinde pattern Marked "Oriental Stone", it was made by J. & G Alcock.

A lovely sterling silver fancy serving fork in an unnamed Art Nouveau pattern by the Baird-North Co. The handle is beautifully decorated with a thorny vine of wild roses. The back is decorated in a simpler design of roses. The splayed tines are ornately pierced. A fork of this shape would probably have been used to serve bacon, but it might also be useful for cold meats. The reverse is marked “Sterling/Pat. 1903”...

Copper luster and blue mustard pot, a footed salt and small dish, and a copper lustre and green pepper. All made around 1840-50, early Victorian Staffordshire lusterware. Height of pepper "4 ¾/ 12 cm, diameter of salt "3 ½/ 8.7 cm and of dish "5/ 12.8 cm. Condition: nick to the mustard pot lid.

A Spode soup plate in their Cracked ice and Prunus pattern, with inspiration from the blue and white Chinese pattern from the Kangxi period. Black transfer printed cracked ice border and flowers in polychrome enamels and gilt. Printed and impressed Spode marks for c 1820-30. The pattern is known as number 3950 (not visible on this piece). Diameter “9 ¾ /24,5 cm. Condition: slight wear to the well and back.

Rich Green majolica plate by Wardle of England with leaf and grape pattern. Note the intentional crackling of the glaze in the large leaf. In excellent antique condition with some expected wear to the higher parts of the design and the edges. There is an old chip on the back (see last photo). The glaze is good throughout, any weird variations you might think you see are cause by my lighting. Plate measures 9 inches across. Dates 1880.

Laconia, NH coin silver serving spoon by R. Gove with shell shaped fluted bowl, monograms, c.1850s-60s, 8" length. Excellent condition. An unusual form and maker.

Staffordshire poodle figure with confetti "fur" and painted facial details.

Origin: England, circa 1850. Condition: excellent, except that the tip of the front paw has been professionally repaired (difficult to see without a blacklight). Size: 3-3/4" tall.

Elegant sterling silver berry serving spoon with very high quality bright cut floral engraving. The matte-finished bowl is engraved with a rose motif while the handle has a variety of flowers and foliage. The reverse is marked "Sterling" and "J.S. MacDonald". The firm was in business in Baltimore, circa 1900. Excellent condition, no monogram. 8.75" long.

A bronzed spelter miniature busts of Emperor Napoleon Bonaparte, showing the Emperor, wearing his famous bicorne and favorite uniform of Colonel of Chasseurs Cheval de la Garde Imperial with orders of Legion of Honour.

CONDITION:

Nice patina, and good signs of age and usage.

MEASUREMENTS: Height: 10.3 cm (4 inches)

Very rare Imperial Russian silver child's fork with vermeil and engraved floral decoration. In fact, I've never before seen a piece of Russian children's flatware. The maker's hallmark on the back is slightly obscured by the design, but the assayer's mark (AA/1895), the standard mark (84), and the city mark (Moscow) are very clear.

Origin: Moscow, 1895. Condition: mint. Size: 4-3/4" long.

A small bud vase, enamel on copper, France c 1900, possibly Limoges. Decoration of a branch of thistles in Japonisme style over a guilloché patterned ground, the interior a brilliant blue. Height "2 ¼ / 6 cm. Condition: some wear around mouth rim and base (cf. pics).

Three perfume bottles: a white opaline bottle with arabesque decoration in blue and gilt, a white opaline with a winding snake in blue and a dark blue bottle with decoration of small flowers in white enamel and gilt. All three late 19th century. No stoppers. Height "3 ½ - 5 ¾ / 9 – 14.5 cm. Condition: fine, except for some wear to the gilt.

Three perfume bottles: two white opaline and enamelled French bottles, the third clear green and gilt, possibly Italian. The opaline bottles mid 19th century, the green bottle from around 1890. Height "3 ¾ - 5 ¼ / 9.5 - 13 cm. No stoppers. Condition of all three: fine.

Three perfume bottles: a green and white opaline overlay, cut and gilt bottle, an English white opaline and painted bottle and a brown clear glass bottle, cut and decorated in gilt. All three late 19th century, the first and last probably Bohemian. Height "3 ½ - 5 ¼ / 9 – 13 cm. No stoppers. Condition of all three: fine.

Cut steel brooch, early Victorian, c 1850 or possibly somewhat earlier, with hand cut studs riveted to a brass plate. Some of the studs with as much as 21 facets. Cut steel jewelry were often used in the evening, to create a sparkling, diamond-like effect. Width "1 ½ / 4 cm, height "2 ½/ 6,5 cm. Condition: a few studs missing (cf pics).

A pair of pressed glass beakers, Victorian, mid19th century. Blue, tending towards turquoise and very finely modeled, the bases with foliate rims. Height "3 ½ / 9 cm. Condition: fine.

A signed Royal Bayreuth miniature rose tapestry basket with pink and yellow roses. The basket is 3 3/4 inches tall.

Antique silver gilt spoon, enameled decoration of Denmark’s coat of arms. Made by Marius Hammer of Bergen, Norway, c 1900. The famous Hammer workshop (1847-1927) produced exquisite enameled cutlery and jewelry for export to other countries. Maker’s mark MH and 830 S. Length "4 / 10 cm. Condition: fine.

Wonderful figural sterling silver child's spoon especially for Easter. The handle is decorated with two chicks recently hatched from their eggs above the word "Easter" and an Easter lily. Interestingly, the teardrop shape of the bowl is that used in Victorian times for egg spoons. The back is marked by Durgin and also by D. Low of Salem, MA (maker of the famous Salem Witch spoon). Circa 1890. 4.5" long. Excellent condition, including intact gilding on the interiors of the cracked eggs.

Black basalt milk jug with an elegant leaf handle. Engine turned in a bamboo-like pattern. England, Wedgwood style, c 1800-1820. Height "4 ½ / 11.5 cm. Condition: hairline near the base of the handle (cf. pic).

German pewter vase by Kayserzinn, c 1900. Relief decoration of Marguerites in Jugendstil/Art Nouveau. Impressed marks 50, Kayserzinn, 4081 and an incised P. Height "3¼/ 8,5 cm. Condition: a few nicks to the lower part of the vase as seen on photos.

A small jug, an 18th century model skillfully copied after a cruet set from the faïencerie of Veuve Perrin in Marseilles (1760 – 1803). To one side a gentle couple harvesting - a mock rural scenery - and to the other floral decoration, all in 18th century Rococo style. From the Parisian factory of Edme Samson, made a hundred years later when ambitions were high to create true copies of the old and admired techniques and styles...

A group of pink lusterware made by Allerton, Staffordshire: slop bowl, two cups and three saucer bowls, all decorated with the Dahlia flowers typical of Charles Allerton & Sons, c 1860-70. Pattern numbers (?) 22, 707 and 701. Diameter of slop bowl "5½ / 14 cm, height of cups "2 ½ / 6.5 cm, diameter of saucers c. "5½ / 14 cm. Condition: wear to part of the decoration, nick to the foot rim of the slop bowl, one saucer with a hairline (cf. pics).

Early flint glass water goblet on round foot with thin stem rising to cylindrical bowl wheel etched with flowers and leaves. Excellent condition.

The goblet belonged to the collection of Lenna Gertrude Clarke Judd (1865 - 1939) who moved from New York City in 1903 to Dalton, Georgia where she became a well respected philanthropist through out the sate. We have the complete provenance from Mrs Judd down to the present.

Please forgive our poor pictures...

Jugendstil pewter dish of trefoil shape, the wedges between the leaves filled with softly modelled violets. The base with three minimal ball feet for the balance. German, c 1900, marked Rein Zinn 95 % (Pure Pewter 95 %) under a crown. Width "6 ¾ / 17.5 cm. Condition: fine, keeping its original oxidized decoration and patina, never polished.

A vintage, crisply patterned early Canadian pressed or pattern glass 8-1/2" pitcher in the Nova Scotia Starflower pattern (Trenton Glass). Also known as Dewdrop and Flowers (Sandwich 1870s-80s) in the United States, this pitcher is in excellent condition with no cracks, losses, damage or repairs other than a tiny fleabite chip at the bottom of the handle (see image)...

A Doulton Burslem Hand Painted Cabinet Plate with Three Birds in the Center Reserve. Registration number 97183 for 1888. There is a very slight chip on the edge (visible in the detail photo).

A pair of heavy Bristol wine glasses, peacock blue. Mouth blown and made around 1800 – 1810, the rim softly rounded. The pontil mark of one glass removed by grinding. Removal of the pontil mark was often done on lead “finer” glass (the lead allowed for cut designs). On the other glass the mark is deeper and so is still there, despite grinding. Height "4 ½ / 11.5 cm. Condition: fine.

English Edwardian cake knife, the blade engraved with a bird among flowers, the handle faux ivory resin. Marks för Atkin brothers in Sheffield and year mark for 1910. Length "9 ½ / 24 cm. Condition: a hairline and some yellowing to the handle.

Two soup plates and a dinner plate from Boch in Luxemburg, late 18th century. Under-glaze blue decoration of a posy with a trefoil /trèfle surronded by sprigs, the molded rim with a dented blue border. The molding and sprig pattern seen on these plates is now being produced by Villeroy & Boch under the name of Old Luxembourg...

A bowl and a dish, slop bowl and stand, part of a tea service. Soft porcelain, made in Staffordshire around 1840. Pink luster geometric border pattern with flowers in reserves and enamelling in green, with some red and gilt. Diameter of bowl "6/ 15.3 cm, height "3/ 7.5 cm, diameter of dish "7 ½ / 19.5 cm. Condition: a hairline to the bowl and an old restoration to the border of the dish (cf. pics).

Four perfume bottles, all in white opaline: the first decorated in gilt with winding morning glory, a very small enamelled bottle, a matted opaline and enamelled bottle and a bottle with a blue snake. The smallest bottle c 1840, the others late 19th century. Height "2 ¼ - 5 ¼ / 6 – 13 cm. No stoppers. Condition: some wear to the gilt and a nick to tip of the snake’s tail.

Three perfume bottles: a very small white opaline bottle with a gilt border, probably a sampler, a clear glass bottle with long neck and exquisite gilding and a white opaline bottle with a fan motif in blue. The smallest probably French, Second Empire, the two others late 19th century – the clear glass bottle probably Italian. No stoppers. Height "2 ¼ - 4 ½ / 5.5 – 11.3 cm. Condition: fine.

English or Irish wine glass or rummer, Georgian, c 1830. The cup and stem are slice cut, the knop diamond cut or faceted and the foot star cut. Height "4 ½ / 11.3 cm. Condition: fine.

This crystal dresser jar was produced in Belgium in the early 20th century. It is not signed but we believe it was made by Val St. Lambert. We have seen this pattern before. The jar measures 3 3/8 inches in diameter and 2 1/8 inches high. The crystal is hand blown and cut with panels and star bursts. The lid has floral decorations that are acid etched from green to clear. The workmanship is very fine and detailed. Condition: Excellent

A scarce Arts and Crafts American art pottery coffee pot by Clifton Art Pottery of New Jersey. This 6-7/8" tall coffee pot is in the lovely "Crystal Patina" glaze and it dates to the 1902-6 period. It has the stamped Clifton mark and an underglaze 272-30; it is in very good original condition with no chips, crazing, damage or repairs other than the loss of the lid and a tight hairline on the bottom only (not showing on the interior at all)...

An 18th century faience desk set or inkwell for a lady, decoration of flower sprigs, mainly Forget me nots. French, possibly Rouen around 1780, Width "6 ¼ / 15.8 cm and height " / 5.7 cm. The base with four little feet and mark W in black, maybe for William Sturgeon who owned one of the Rouen factories from 1776. Condition: later restorations having been removed, now left with cracks and hairlines (cf. pics) but still charming.

These porcelain inkwells were made as an advertising novelties for Carter's Ink in 1914. This example has nicely painted details and crisp modelling. The bottom is marked "Made In Germany." Excellent condition. 3.75" tall.

A very nice Nanking Chinese export porcelain plate. The blue decoration is finely worked and the body color is excellent.

Origin: China, ca. 1820. Condition: very good, no chips, two tight 1" hairlines visible on the back side at the rim. Size: 8" diameter.

A Davenport 2614 Old Imari 2451 style pattern cup and saucer from 1870-1887. This wonderful fully hand painted English bone china 2-5/8" tall cup and matching 5-5/8" saucer has lush gold, cobalt and orange decoration. The pattern was later copied by Royal Crown Derby as "Old Imari" or "Traditional Imari" (in production from 1902-2014). This scarce cup and saucer has the Davenport mark used from 1870-87 and it is in very good condition with no chips, cracks, crazing, damage or repairs other th...

An English Pearlware Pickle dish. In the form of a deep leaf with a green glazed rim. C1790. Length; 6 3/8" 16.2 cm) Condition; excellent

Deeply chased scroll work. With the mark last used in 1896 by F M Whiting to be changed to Frank M Whiting Co of North Attleboro MA, one finds this sterling silver bypass napkin ring or could it double as a baby bracelet? You can find the maker's mark of what appears to be a winged griffin? Please see page 367 of Schiffer's Revised Fourth Edition of Encyclopedia of American Silver Manufacturers.

Marks: The "Griffin" maker's mark, Sterling and 155
1 5/8" across X 1/8" wide
Weighs...

A Barbour Silver Co. silver plated tilt kettle, stand and associated burner from the 1890s. It has a simple, elegant design and it stands 13" tall from the top of the ebony wood handle to the bottom of the stand's ball feet. The base is unsigned, the kettle is stamped BARBOUR SILVER CO. NICKEL SILVER 4002 (operating from 1892-98) and the associated burner has the Meriden stamp. It is in very good condition with no chips, cracks, dents, bends or corrosion, however the handle supports have been...

Beautiful Peachblow glass Pair - these were souvenirs sold at the Chicago World's Fair in 1893. The glass pear is 5 inches high and 2 1/2 inches wide. The glass is in fine condition.

A beautiful, hand-painted, diamond-quilted Bohemian wine glass. The amber-colored glass has transparent cabochons on it. The glass is 4 5/8 inches (12 cm) tall and 3 1/4 inches (8 cm) wide. It is in fine condition. It fluoresces in a gentle-green coloration - typical of late 19th century or early 20th century glass objects.