A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety...

Japanese Hirado Figure of a Hawk, perched on a rocky mound. L19thc Height 28.5cm. Condition; excellent.

Antique big porcelain bowl of Kutani ware made by greatest Eiraku Kutani at the end of the Meiji Era, around 1910.

All overglaze images and patterns are tastefully hand-painted in great colours.

The signature of the potter is written on the bottom.

We sell it with its original signed woodbox. Very good condition, no chips, no cracks.

Size: 10 cm height x 20,4 cm diameter.

Shipping included

Japanese ko-sometsuke porcelain nagazara (tray form dish) with scalloped corners. With creative blue underglaze depiction of pine boughs and cones in and centered within double lined blue rectangle by the cavetto. The sides with decoration of a literati scroll with berried vines. A narrow key fret band adorns along the outside of the foot rim. A six character mark appears inside the rectangular foot rim...

A rare Arita zhadou form sake cup warmer. These unusually shaped vessels following the form of zhadou, Chinese lays jar, were used for the warming of sake cups, and as flower vases. The form of these cup warmers seem to follow Chinese Song precedents, an example of the Japanese preference for more classical Chinese forms, rather than later Ming and Qing examples, which characteristically have much wider openings...

An amusing netsuke form model of a mischievous monkey dressed as a Manzai dancer based on an Ivory model of the late Edo period. The figure is crisply modelled, the head partially bisque with cobalt blue and iron brown glaze applied to the head dress and flowing robes. Both the head and the long tongue are separately modelled from the base. Sarumiwashi, trained monkeys were a popular form of entertainment in Japan, and also performed as part of Shinto rituals relating to the New Year...

Japanese Nabeshima Tree Branches Footed Dish

Description & Size: 5.84 x 20.32 x 11.43 cm (2.3" x 8" x 4.5") height & wide top & base

Age: Mid - Late 18th; Material: Porcelain; Production: Handcrafted

This is an exceptional Japanese nabeshima shallow bowl form & footed dish with lightly painted blue branches on white background. The back is painted blue with 3 flowers surrounded by blue foliage couple with painted blue comb border on the foot...

An unusual rhomboid quadrilobed form dish decorated with a landscape of islands with Pagodas within a lake or estuarine setting conceivably a composition based on the “Eight views of the Xiao and the Xiang rivers”, Shosho hakkei. The design produced largely through the use of a stencil with additional applications of wash. The technique of using paper stencils, katagamni zuri, to reproduce patterns was also used at the Nabeshima kiln...

Fine Ko Imari Ryu-mon Tray Dish Mid Edo c.1750 A dish of decagonal scalloped form with a raised upturned rim decorated in some-nishikide style and gilt outlined enamels with a Chinese four toed dragon pursuing a flaming pearl in a sky filled with auspicious clouds and lightning bolts. Its body partially obscured by the clouds and its tail emerging from waves below...

An antique Japanese imari ware covered basin. The basin is decorated with traditional auspicious Japanese motifs such as pine, bamboo, plum, and cranes. Along with the auspicious motifs are designs often seen with imari wares such as scrolling vines and chrysanthemum-like patterns. Often, these patterns are known as kinrande, where the motifs are emulating gold brocades. Age: Meiji Period Size: Diameter 11.5" Height 7"

An unusual moulded dish decorated with swirling ribbon like Shonsui brocades alternating with depictions of the Shochikubai. The central Mikomi decorated with a floral motif of two stylised flowers surrounded by a broad band of alternating cartouches in kakiwake style with auspicious objects, Chinese and Japanese Fans and a Whisk, and Cranes. The dish has a fuchi beni, iron brown glazed rim with no pattern to the reverse...

A rather striking Chinese derived pattern of Shou Lao and the Eight Immortals painted in a wucai, five colour, palette. The central mikomi painted with an amalgam of a Feiyu, Flying fish dragon, and a conventional dragon, rather than a true Feiyu, which would have had a pair of fins and fish tail rather than legs and conventional tail of this example. The border pattern is composed of auspicious cloud and sacred fungus motifs linked by a Karakusa arabesque...

A rather curious dish produced at the Shida kiln in Arita made for the Japanese domestic market that contains a rebus and the mon for the famous Kabuki actor Ichikawa Ebizo V, who was described as having the eye balls of a fresh Lobster from his characteristic wide eyed acting performances. It was presumably made for sale as a souvenir at the theatre...

Japanese Arita Blue and White Large Dish. Decorated with a deer standing in a landscape. L17thC Diameter 12.5" (31.7cm). Condition; good, some crazing to glaze especially to rear. Frit to rim.

A thickly potted Arita porcelain vase finely decorated with polychrome enamels depicting three Cranes amongst flowering Peony shrubs. This item was made in Japan in the 19th Century. Condition: excellent - no damages and no restoration. 24.5cm (9.5inches) high.

A fine Kakiemon shallow dish of moulded octafoil form decorated in underglaze blue and enamels with a scene from the Tale of Ise featuring the famous eight planked zig zag bridge, Yatsuhashi, over a bed of Irises, kakitsuba. The Kakiemon version combines trailing Cherry blossom with clouds and rain. The lower half of the design incorporates further familiar Kakiemon elements, the almost trade mark, turbulent waves and a water fowl, amongst Irises...

A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the sarasa ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise...

A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the “sarasa” ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise. The centre of the dish is decorated with a block of twelve flowers each with nine petals, which presumably has ...