An early Arita porcelain dish, Kakiemon, 17th Century, circa 1655~1670.
The centre of the dish with a table display of bonsai-like foliage. The curved cavetto with plant-filled lozenges against a blue ground.
The mark within the foot-rim was used at the Chokichidani kiln and the Old Kakiemon kiln in the period 1655 ~ 1670’s...
An Arita Export porcelain dish decorated with a design based on a Ming Chinese Kraak plate. A pair of Ho-o birds amongst flowers and bursting pomegranates. Arita, circa 1690 - 1720. A similar dish is illustrated in the Shibata Collection, Kyushu Ceramic Museum, item 2495.
The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.
Approximately 21.3 cm diameter...
An Early Arita “Snowflake” plate. Circa 1680. The thickly potted porcelain dish decorated with snowflakes and flowering prunus. The back with a lozenge mark.
Provenance: R&G McPherson Antiques, London W8.
Approximately 18.7 cm diameter...
This elegant Edo Period Japanese Antique Imari Porcelain Mukozuke Cup was made about 200 years ago
Imari ware has been produced in Hizen area of Saga prefecture of Japan since 17th century.
Size
Width 3.9in ( 9.9cm )
Length 3.9in ( 9.9cm )
Height 2.4in ( 6.1cm )
Weight 4.23oz ( 120g)
Condition
Overall good. Used.
A Set of Five Japanese Hirado Bowls. Each decorated with a single blossom. The shaped indented rim echoed in the decoration. Hirado 19thC. Diameter; 18.0 cm. Condition: four dishes excellent, one dish has a 1.5 cm fine hairline from a small firing fault in the rim
A fine gourd-shaped bottle decorated in Chinese Transitional style. Arita 1660 – 1680.
The bottle is decorated in late Ming style with the enjoyment of nature. These bottles are not uncommon but are seldom encountered with such fine painting.
The Catalogue of the Shibata Collection exhibits two similar bottles.
Approximately 20.4 cm high...
A fine and large Arita export octagonal jar, 1680 ~ 1700. The jar has similar painting around the neck and shoulder as those produced at the Kakiemon kilns.
Approximately 40 cm high. In fine undamaged condition. I have shown some very shallow flakes on the inside of the neck, this appears to have occurred before the firing...
This Bajo Hai style Sake cup made in Japan about 120 years ago.
Size
H: 60mm x W:58mm (2.4"H x 2.30" W)
Condition
Overall good, no cracks and no chips
Original box is provided
A medium sized bowl decorated in “Kinrande” style for the Japanese domestic market. These richly enamelled wares were patronised by the wealthy merchant class and tend to be decorated primarily with auspicious objects and patterns, kissho-ga which gives rise to the alternative description “katamono”, meaning literally standard objects...
The size of bowl: 6 7/8" Dia x 2 1/8" Very unusual Japanese Ko Imari Porcelain Namasu Bowl. The bowl has the design of flower motif in the center with bamboo leaves around. The side wall has two windows of phoenix bird and tropical plants. Bewteen them, gold Karakusa and spider mums design in gold and red. Very well painted. The shape of bowl is also nice with curving up. Outside has blue underglaze design. Good quality bowl. It is nice size bowl...
Japanese Meiji period “aka-e” (red) Kutani porcelain deep bowl finely decorated in the interior in overglaze rust-red and gilt highlights with a central cartouche featuring three seated scholars surrounded by dense floral and geometric panels and bands. The exterior holds two figural panels alternating with stylized flowers. A red rectangular cartouche holding a gold “Kutani” mark is on the base. Late 19th century...
Rare Antique Japanese Hand-painted Porcelain Sake cup of Kutani ware made in 19 century.
Kutani mark is painted on the bottom.
Old wooden box with no signature is also provided.
Size
Height 2.1" ( 5.3cm )
Diameter 1.8" ( 4.5cm )
Condition
Overall good.
No cracks, no chips.
Middle Edo Period Japanese Antique Ko-Imari Porcelain Cup with Dragon Painting made over 200 years ago.
It was used for buckwheat (Soba-choko).
Imari ware has been produced in Hizen area of Saga prefecture of Japan since 17th century.
Size
Width 2.8in ( 7cm )
Length 2.8in ( 7cm )
Height 2.3in ( 5.9cm )
Weight 3.53oz ( 100g)
Condition
Overall good. Used.
There are few tiny cracks on the edge of bottom rim.
A stunning Japanese Imari plate featuring a stand of blue iris with 2 delicate butterflies overhead. In excellent condition, it measures 9.75 inches in diameter. Dates Meiji, circa 1875.
An unusual Arita saucer dish decorated with a three colour pattern of a pair of gnarled prunus , Japanese apricot trees incorporating four low relief Prunus flowers, umehana, approximately 50% larger than the painted flowers, and a central motif of a Flowering Peony branch. The reverse decorated with three further flowering prunus branches. A single underglaze blue circle to the interior of the footring and a set of four spur marks in a "Y" shaped formation. The porcelain and the painting is o...
A fine early 18th sake flask, Tokkuri, of European form, the shape derived from Dutch Gin bottles. It is decorated with alternating panels of the Three Friends of Winter, Shochikubai, and a rather unusual combination of a Dragon amongst clouds, and stylised Ginko. The shoulders of the bottle are decorated with stylised Lotus mon amongst karakusa, and the top with a tako-karakusa, octopus scroll, border.
Approximately 19 cm high. In perfect condition.
Please study the pho...
A Japanese porcelain plate decorated with a dignitary beneath a parasol, attended by his servant, in a garden. The cavetto is unusually decorated with a continuous landscape, a device not often encountered on Arita porcelain. The use of linear shading is reminiscent of Chinese “Master of the Rocks” style. The back is entirely plain with four spur marks within the foot-rim. Arita, circa 1680~1700.
Approximately 21 cm diameter. Perfect condition with only a tiny piece of kiln dus...
A Japanese Export heart-shaped dish with an European harbour scene by Frederik Van Frytom. Arita 1680 ~ 1700. Frederik Van Frytom was a notable painter in 17th century Holland who was commissioned to produce Delft pottery samples for copying at Arita. This dish is a copy of one of a special set of five Delft dishes that were taken to Japan in 1684 and used in the tea ceremony. The moulded shape of the dish is reminiscent of silver tableware. Within the foot-rim is found an eccentrically written ...
A Japanese Arita Export porcelain spoon tray after a design by Frederik Van Frytom. Within the foot-rim is found an eccentrically written apocryphal Chinese reign mark, a feature seemingly of most wares the with Van Frytom designs. The shape is taken from an European silver dish and the porcelain clearly intended to be exported to the West.
A spoon tray of this design was included in a Christie’s auction in 2009.
Approximately 13.2 cm long.
Please study th...
A good quality large Japanese Imari bowl made for the European market decorated with a cobalt blue ground inset with a scrolling arabesque of Peonies in a highly stylised manner. The stems picked out in yellow enamels and the leaves veins in iron red. The flowers conventionally painted in iron red and gilt. Reserved against this ground are two quite large Ruyi shaped reserves containing a Pine and a Plum tree growing from a conventionalised rocky out-crop. The base of the bowl decorated with ...
A very fine and unusual square plate. Arita 1790 - 1820. This fits into a group of porcelains that more accurately could be called ’white and blue’ produced at the end of the 18th century and beyond. This plate features exotic figures and an elephant. See the Shibata Collection, item 3831, for an octagonal plate of similar design.
Approximately 18.6 square. Perfect condition.
Please study the photographs.
Within the UK payment by bank transfer is prefe...
Since Satsuma printed porcelain have got a great reputation
at Expo 1867 in Paris, Satsuma brand has been very popular in Europe.The specialization on making body and printing has been going on in early Meiji period, the bodies was made in Satsuma area Kagoshima pref.and was printed in Yokohama or
Kyoto and so on.
This piece was printed at Chindo workshop in Yokohama and stayed in Japan not be exported.
It has sophisticated patterns of mainly shrimps.
No chips no repairs.
SIZE: 21.4cm(D)...
Since Satsuma printed porcelain have got a great reputation
at Expo 1867 in Paris, Satsuma brand has been very popular in Europe.The specialization on making body and printing has been going on in early Meiji period, the bodies was made in Satsuma area Kagoshima pref.and was printed in Yokohama or
Kyoto and so on.
This piece was printed at Chindo workshop in Yokohama.
It has sophisticated patterns of mainly fishes.
And there is a tiny chip repaired on the edge.
SIZE: 21.4cm(D)/2.4cm(H)
The blue and white porcelain made in ARITA erea Japan had been exported to Europe and much prized among the people,
instead of Chinese porcelain.
They are called as IMARI from the name of shipping port.
We call the works produced in the EDO period as Ko-Imari meaning old Imari.
This piece is supposed to be produced on the last EDO period.
Extremely minute strokes in this piece are very excellent.
No repairs or damages.
Size: 18.8cm (D) 3.0cm(H)
An Imari three colour export squat round teapot of small dimensions decorated in a rich Imari pattern of various shaped panels of lobed and comma form set against a dark blue brocade style ground with Chrysanthemum flowers and gilt vine arabesques. The reserves plain and iron red inset with Karahana, Tang flowers, and Irises. Such small teapots were based on Chinese Yixing originals, as the Japanese had no tradition at the time of making tea using a tea-pot at the time.
The teapot measures app...
A nice quality Arita porcelain bowl decorated with a design of four panels of Hosoge or Karahana, Tang Flowers, in contrasting Iron red and under-glaze blue. This design appears in a number of variations on Chinese export porcelain from the late Kangxi period onwards, whether this is the precedent or homage to the Chinese pattern is difficult to say, but the porcelain would appear to be at least contemporary with the in general poorer quality Chinese examples. It dates to the period 1710-40. S...
The dish is in “Ko Sometsuke” style. It is decorated in underglaze blue with an Island Scene shrouded in auspicious ruyi form clouds which recedes into the background, three geese Kari occupy the mid ground (a seasonal motif associated with Autumn) and in the foreground Arumi rough waves crash over kaisou, water weeds, and Conches, horagai and Scallops, hotategai.
The abalone form, awabigata, was considered especially auspicious, as noshi, dried awabi strips, were formally presented with ...
The dish is in “Ko Sometsuke” style. It is decorated entirely in underglaze blue with an Island Scene shrouded in auspicious ruyi form clouds which recedes into the background, three geese Kari occupy the mid ground (a seasonal motif associated with Autumn) and in the foreground Arumi rough waves crash over kaisou, water weeds, and Conches, horagai and Scallops, hotategai.
The abalone form, awabigata, was considered especially auspicious, as noshi, dried awabi strips, were formally pres...
An antique Korean Vase with a fluted rim and medium long neck. The cream color glossy transparent glaze has small pittings and stains.
Date: 18th/19th Century
Dimensions: 8.5" tall X 6.5" wide
An Imari dish decorated with a central motif of bronze vase or censer with elaborate foliate handles containing Peonies, Maple branches and other flowers, flanked by low balustrade fences and sitting on board floor. The rim decorated with an unusual Aoi-mon (Tokugawa-mon) vine arabesque Karakusa border. The dish dates to the early 18th century circa 1700-1730.
The reverse decorated with three branches of Peach blossom. A single ring to the interior of the footring. Four spurs in a triangular ...
A pair of choku with mesh design which can be used for either sake or tea. One is in ecxcellent condition and the other has two minor hair line but no problem for use. 19th century. Diameter:6cm H:6cm
A nagazara or long dish dating to the late 18th or early 19th century with a central motif of a Chinese style landscape framed by a pattern of spirals and flower-heads, Asters or Chrysanthemums a deconstructed version of a contemporary Chinese Qing dynasty pattern (see Diana Cargo etc). a staple of the Chinese export trade to South East Asia, produced both at Jingdezhen and at provincial kilns in South China. A design originally based on the popular Kangxi period so-called “Aster pattern”.
...
A fine quality Kameyama-yaki auspicious Peach form, momogata, bowl delicately and painstakingly painted in the Chinese Literati style with Sansui scene for which the Kameyama kiln was renowned. The reverse decorated with auspicious Lotus motifs to the reverse and a small seal mark for the Kameyama kiln. A similar moulded dish with sprig decoration to the rim is in the Metropolitan Museum of Art New York (Accession number 93.3.453 and there dated 1820). At this period the kiln was probably produc...
A nagazara of conventional rectangular form with compressed indented corners decorated in underglaze blue with a Chinese style landscape featuring a small viewing pavilion on a bridge. The reverse decorated with a stylised peony and a “classic” comb border to the footring, This dish was produced at the Nabeshima fief’s official kiln at Okawachi in Arita for the Shogun in the late Edo period c.1820-60.
The dish measures 20.8cm long and is 11cm wide. It stands high 4cm at the rim and weighs...
A porcelain dish from the Nagasaki area, so not strictly “Ko Imari”, meticulously painted with an elaborate Leiwen border and a stylised Chinese style landscape in a light blue gosu. The reverse painted with three Lotus flowers with trailing Acanthus type scrolls in a contrasting dark blue gosu with a seal for the Kameyama kiln. The scroll motif to the reverse indicates a relatively early date of production and later examples do not exhibit the same degree of care or workmanship as the p...
An Arita foliate form dish decorated in underglaze blue with a band of auspicious shippo, cash, connoting a wish for wealth combined with mounds of evergreen Japanese Forrest grass, a symbol of longevity. Similar designs are to be found on Kakiemon porcelain of the Empo period where the same stylised motifs are used. The reverse painted with a sketchy small leaf arabesque combined with a spiral fuku in a double square. A very similar reverse appears on a dish in the Shibata collection, see Vol...
An Arita rectangular form dish decorated with an elaborate enamelled Lotus arabesque set against a yellow ground with a central reserve with a Chinese style landscape. The reverse painted with waves and landscape elements and a longitudinal nien hao six character mark for the Emperor Chenghua. The dish dates to the late 18th century circa 1770-1800. The lotus with yellow ground immitates contemporary Chinese Imperial porcelain of the Qianlong period. See Shibata Volume 8 no 44 for a similar dish...
An Arita Nagazara decorated with a Chinese style estuarine landscape in underglaze blue. The reverse decorated with further island vignettes and the base with a four character Chenghua mark. The dish dates to the late 18th century circa 1770-1800.
The dish measures 20.8cm in length, 12.4cm in width with a height of 3.8cm. It weighs 378 grams. It is in good condition with no cracks, chips or restoration.
A fine Arita Chawan, rice bowl and cover, decorated with a tripartite scheme. The design quite cleverly incorporates the three principal styles or schools of Japanese Art of the late Edo period, the Namban, the Rimpa and the Bunjinga School.
The first panel shows a Dutchman, gaijin, holding a cane standing in front of a table upon which there is a crackle glazed vase with Peacock feathers and a brush-pot. The rather stiff almost naïve style of the composition seems to have its origin in con...
An Ai Kakiemon dish decorated with a repeating pattern of Hosoge, flowers of Precious appearance, which in this case would appear to be representations of auspicious Pomegranate fruits constructed from Ruyi, Acanthus style leaves and other disparate elements. The ring of Hosoge pierced by a circlet binding them together with a gobenka motif in the centre. The reverse decorated with a lotus arabesque, karakusa, and a stylised fuku mark within a double square; a mark exclusively used by the Kaki...
Japanese Nabeshima ware porcelain dish decorated with a bird on a branch looking over a pond of omodaka (water plantian). The dish stands on a high, deeply recessed foot with outer "comb" cobalt blue design around its edges.
Dimensions: 8" diameter
Date: 19th Century
A heavily potted Arita porcelain dish featuring a rural pavilion beside a waterfall, the moulded cavetto with a celadon glaze. The blue and white landscape with touches of iron-red and gold enamel.
Arita, circa 1750 ~ 1780.
Approximately 22.5cm diameter.
Please study the photographs.
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Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.
...
An attractive Japanese porcelain dish, the blue & white decoration depicting the King of Beasts and the Queen of Flowers. The Lion-Dog and the Peony, shi-shi and botan in Japan, represent bravery and elegance . A popular motif.
Arita, circa 1790.
Approximately 29 cm diameter. Perfect condition.
Please study the photographs.
Within the UK payment by bank transfer is preferred.
Customers resident in China must make arrangements to pay by Internati...
An Arita porcelain plate (#2) decorated with a leaping carp within a moulded border based upon Chinese Ming export porcelain, ‘Kraak’ style. The dishes have faux chattering in imitation of Wanli Kraak dishes.
Arita, 1750 - 1780.
Approximately 21.5cm diameter. Perfect condition.
Please study the photographs.
Within the UK payment by bank transfer is preferred.
Customers resident in China must make arrangements to pay by International Bank Transfer in G...
An oak leaf shaped moulded dish of six-sun size in “Ko Sometsuke” style decorated in underglaze blue with three seated figures sitting around a low table with a typical Chinese style landscape of mountainous islets in a costal setting with a Ting, small pavilion in the foreground. The reverse decorated with prunus blossom sprigs and a seal for the Kameyama kiln in the centre of the foot-ring. Dating late Edo, Tenpo era. The kiln was established on the slopes of Mount Kazagashira near Nagasa...
An Ai Kakiemon dish decorated with a repeating pattern of Hosoge, flowers of Precious appearance, which in this case would appear to be representations of auspicious Pomegranate fruits constructed from Ruyi, Acanthus style leaves and other disparate elements. The ring of Hosoge pierced by a circlet binding them together with a central motif of a gobenka. The reverse decorated with a lotus arabesque, karakusa, and a stylised fuku mark within a double square; a mark exclusively used by the Kaki...
A finely potted Hirado dish featuring three figures wearing capes and carrying heavy packages upon their backs descending down a high mountain trail. Inferred by the small gnarled Pine trees on the wayside. Although no particular scene is identifiable the figures are in Hokusai “style”.
The reverse is painted with a Karakusa arabesque and has a single spur mark within the base of the footring. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18...
A finely potted six sun sized dish decorated with a traveller clutching his hat and leaning into a cold wind before a snow covered Mount Fuji. The design would appear to be derived from a print of travellers in the Mishima pass, one of the 36 views of Mount Fuji.
The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter and stands 3.4cm high at the rim. It we...
A well potted Hirado six-sun dish painted with a landscape with figures in the distance fording a river. This would appear to be a representation of the arduous crossing on the river Oi part of the Tokaido, probably derived from a topographical view, such as the Tokaide meisho ichiran, or similar.
The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter an...
A finely potted six-sun dish painted with the subject of two fisherman in a boat in the style Of Hokusai. The design is probably derived from several sources, notably the prints “Fishing in Rough Water” at Takamizawa, one of the 100 views of Mount Fuji and “Long line Fishing” on the Miyato river.
The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter...
An Arita dish decorated entirely with a dense arabesque of trailing bush clover vine and leaf with flowers, lotuses. This design belongs to a class of designs called hosoge which ultimately derive from Chinese patterns of the Tang period. This particular form, popular from the seventeenth century, features Bush Clover, Hagi one of the auspicious akikusa-de, and is known as Hagi Karakusa, where karakusa means Chinese (literally Tang) grasses. This type of design would have required great dexteri...
An Arita dish decorated entirely with a dense arabesque of trailing bush clover vine and leaf with flowers, lotuses These belong to a class of design called hosoge which ultimately derive from Chinese patterns of the Tang period. This particular form popular from the seventeenth century features Bush Clover, Hagi one of the auspicious akikusa-de, and is known as Hagi Karakusa, where karakusa means Chinese (literally Tang) grasses. This type of design would have required great dexterity and skil...
A nagazara of conventional rectangular form decorated somenishikide style, a combination of underglaze blue, sometsuke, and, nishikide, enamelled decoration. Nishiki literally means brocade. In this case a dense diaper pattern made up of repeating and contrasting cells of Karahana against an iron red ground and five petal flowers, presumably, ume hana, Plum flowers against a striated green ground, usually used to suggest pine needles. Inset within the brocade ground niche shaped reserves with st...
A nagazara of conventional rectangular form decorated somenishikide style, a combination of underglaze blue, sometsuke, and, nishikide, enamelled decoration. Nishiki literally means brocade. In this case a dense diaper pattern made up of repeating and contrasting cells of Karahana against an iron red ground and five petal flowers, presumably, ume hana, Plum flowers against a striated green ground, usually used to suggest pine needles. Inset within the brocade ground niche shaped reserves with st...
A fine Kakiemion dish painted in sometsuke style with a Fuyo-de pattern with four landscape vignettes in European style adapted from a Delft original attributed to Fredrick van Frytom (see image no 6) which in turn provided elements of the so-called Deshima or Scheveningen with contrasting panels of stylised Peonies, Botan karakusa. A central motif of wreath form composed of Pomegranates. The reverse decorated with karakusa, trailing lotus vine, and a spiral fuku, good luck, mark within a double...
A nagazara or long dish of bean-pod form, a very unusual shape, decorated with auspicious un-ryu, dragons and clouds, in its central reserve, surrounded by Matsu-fuji, entwined Pine branches and Wisteria vine, a traditional Japanese motif associated with longevity. The reverse decorated with further auspicious Dragons and precious objects, cash and scrolls with flaming pearls. Within the footrim and to the base of the dish a four character fukichosun mark signifying a wish for a long and prosper...
A good Kakiemon long dish, nagazara, of a wide boat, sanpan, shaped form decorated with stylised lotus karakusa. The reverse decorated with Karakusa motifs and a Fuku in seal characters within a double square. An identical dish is illustrated in the Shibata Collection, see volume 5 no 154, there dated 1690-1710.
The dish is in good condition no cracks, chips or restoration. It measures 20.8cm long and is 14cm wide, standing 3.8cm at the rim. It weighs 365 grams. Worldwide shipping included in t...
An Arita porcelain small bowl with barbed lotus style lobed rim, a namasu, typically used in Japanese cuisine to serve various pickles. Potted in mid 17C transitional Chinese style without a foot-rim as such, but an unglazed ring, kodai.
The interior of the bowl painted in ko-sometsuke style. One half painted with Su Shi’s “First Ode to the Red Cliffe”, divided into twelve columns reading from right to left. The stanza is not complete with several columns of characters missing at the end ...
An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422. The dish probably date from the period 1690-1710.
The ...
An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422. The dish probably date from the period 1690-1710.
The ...