Large limited edition Japanese lithograph with red sumi-e brush strokes by Toko Shinoda (b. 1913) titled "Fleeting Dream." This early undated image is pencil-signed, titled, and numbered 26/30 in the lower left margin. Paper size: 28 5/8" x 22". This print was never framed and is in excellent overall condition. From a Phoenix, Arizona estate. It was originally purchased from the Tolman Collection.

In bhumisparsa mudra, sitting on a stepped lotus stand. Originally the Buddha was holding a fan, which is missing. It dates from the late 18th to early 19th century. H. 29 cm.

Korean Choson dynasty front opening bandaji (storage chest) decorated with elaborate openwork brass hardware and the original fish-form lock. A large handle at the bottom is accented with three plates in the form of bats. The drop-front door opens to reveal a single small shelf in the interior. Late 19th century. Side carrying handles. 31”H x 33 ¼”W x 17”D. Very good overall condition with original finish. There are two fine hairline cracks on the top...

Tibetan thangka densely painted in gouache on cloth with a scene featuring the seven-tiered dark blue Mahottara Heruka, the wrathful form of the Buddha and principle wrathful diety of the bardo, depicted standing on a lotus throne with multiple heads, arms, and legs and surrounded by a flaming aureole in consort with Krodheshvari shown lying on a tiger’s skin. Seven herukas, rendered over inverted triangles, and other figures surround the central image. 19th century...

Lovely example of Han tomb sculpture. Made of red pottery, painted with red, white and black pigments. Both are in good condition, with normal age wear. Please note the remains of plant roots on one of the oxen, a very good sign of authenticity. A TL report from Ralf Kotalla confirms the age. H. 16 cm, L. 20 cm. Han Dynasty (206BC-220AD).

Large limited edition lithograph with red sumi-e brush strokes by Toko Shinoda (b. 1913) titled "Ancient Song." This early undated image is pencil-signed, titled, and numbered 12/35 at the lower right. The red calligraphy is more vibrant than it appears on the main image. Paper size: 27" x 20 3/4". Very good overall condition. There are three small pieces of linen tape on the reverse top edge. This print is from a Phoenix, Arizona estate...

A lovely roku-yu glazed form from the kilns of Korea mounted on a tri-pronged rosewood stand and enclosed in a period kiri-wood box. It is 12 inches (30 cm) tall plus the stand. There are minor chips about the rim. An excellent piece for use in the tea room. Likely 15th to early 17th centuries (Possibly later Goryeo likely early Joseon).

A fabulous baluster form vase by the first generation Kato Keizan enclosed in the original signed wooden box titled Gaoji Ryumimi Chokoku Kabin(Ivory Porcelain Dragon Ear Carved Vase). Low on the flaring neck two dragons form handles, and the body of the vessel as carved with archaic symbols reflecting continental taste popular from the Meiji through Taisho to early Showa period. It is 33 cm (13 inches) tall 19.5 cm (7-3/4 inches) diameter and in excellent condition...

A young girl, her hair loosely bound, drifts off into a fond memory with a smile as she brushes a letter, the reem of paper draped from her left hand, the bamboo brush idle in her right. Incredible detail from the Kinkozan Kiln in Kyoto stamped on the pale clay of the base. It is 18 cm (7 inches) long, roughly the same height and in excellent condition. Better known for Kyo-satsuma style pottery works, this is a rarity.

Antique Chinese brush washer in a GE glaze. Glazed on the inside and base with the base rim left unglazed. No markings.

Size: Approximately 11-1/2 cm diameter and 3-1/2 cm high

Condition: Hairline crack on base which continues up the side (please refer to pictures - it is not noticeable on the side)

Age: 18th century Qianlong period

Pair of Chinese porcelain low bowls. Decorated in the traditional three glaze sancai design portraying song birds, small fruit and insects. Six character under-glaze blue Jiajing mark to base surrounded by double circles. Good condition, some expected wear to the enamels.

Size: 6" diameter

A Chinese paired apron wraparound silk gored skirt, woven in tapestry (kesi, kossu, k'o-suu) technique with some silver wrapped threads and painted details, attached to an undyed cotton waistband and trimmed by a brocaded band. The panels are showing an imperial imagery of the celestial landscape with five-clawed dragons and phoenixes, against a green ground. The "long" dragons were probably covered by peacock feathers, rarely survived to the present days...

Pair of Chinese yoke back arm chairs. Late 19th century. Shanxi province. Elmwood. Dimensions: 43.5 inches height x 25.25 inches width x 22 inches depth. Seat height is 19.5 inches. Each chair has a back splat with carved figural panels. Condition: repair to break on one arm, replaced glue blocks on undersides of seats, some scuffing to one side stretcher on base. Structurally sound.

The grip carved of elephant, bolsters lacking. The single-edged blade with gilt panels, signed AMAL ABDALLAH (Work of Abdallah) with upswept tip and showing evidence of wootz damascus steel. The velvet-covered wooden scabbard with finely nielloed silver locket and chape. Latter 18th century. Overall length 25.4 cm. Condition III

This is a CHINESE HUNDRED DEER VASE from a metro Washington, DC area Estate. Size is 18" tall X 12" diameter approx. Ca. 1920- 1945

A set of figurines depicting a courtly Chinese couple by Miyanaga Tozan enlclosed in the original signed wooden box titled Choan no Haru from the Tang period tales. Each is expertly molded and painstakingly decorated in a Kyo-satsuma style signed in gold on the base of each. They stand roughly 13 inches (33 cm) tall each and are in excellent condition. The title calls to mind any number of ancient Chinese poems...

An elegant Edo period Mokko-Gata bowl decorated in gosu floral motifs over yellow under a clear glaze from the kiln established by Chinese Ming émigré Chin Genpin (Chen Yuanyun 1587-1671) around 1660 in Nagoya under direction of the Daimyo of Owari Province Tokugawa Mitsutomo. The piece makes use of Seto clay covered in a combination of imported yellow glaze and local glazes mimicking the popular Annan Yaki of Southern China and Vietnam...

Fine Chinese Han Dynasty Glazed Hu Jar with Animal Frieze (with Oxford TL Test)

This tall pottery jar (hu) was made during the Eastern Han Dynasty (AD 25 - 220) from a fairly high-fired pale reddish-brown pottery. The neck and shoulder are decorated with deeply incised bands but the main decoration is around the waist, a moulded frieze of a hunting scene including a man on horseback, dragon and leopard...

Gold glimmers on the rim against pale concrete tones on this rare mid-Edo period tea bowl from the Utsutsugawa kiln in Nagasaki prefecture, late 17th to early 18th century. Waves of brush strokes decorate the outside, while the white slip cascades from the rim in withering streaks within. A kutsuki on the side testifies to some event which happened during the firing, where another piece of pottery collapsed against the side, fusing and causing the bowl to deform...

Rivulets of green glaze descend all sides of this sublime storage jar, the bottom raw red Tamba clay dating from the Edo period. About the rim are four “mimi” ears for tying down the wooden bung. The base is slightly concave and burnt to a rock like texture. The vessel is 12 inches (30 cm) tall, 11-1/2 inches (29 cm) diameter and in excellent condition...

A young Maiko parts the curtains of an Okiya Tea-house entrance, perhaps on her way to training, or to begin a night of traditional entertainment through song and dance. Pigment and ink on silk in a fine brocade border with lacquered red wooden rollers. It is 25 x 78 inches (63.5 x 198 cm). There is some loss to the gofun in the center where it was obviously folded once before being mounted in its current state.

Measuring 10" high, and 13" at the widest point on the flared lip, this unusual Oribe vessel is likely a hibachi. Round at the bottom, the lip flares outward in a square shape, and the drip glaze is typical of Oribe wares, with rich flowing colors from dark olive green to deep turquoise, with flecks and spots of black, with lighter blue sections. The slip is of a creamy color, over stoneware, and there are applied motifs in iron oxide on the slip. The vessel is hand thrown, with thick walls, ...

Polychrome c.1950-1960. Inscribed on bottom: Hopi M Daniels. 10 3/4" diameter, 4" height. Minor paint loss

An exquisite vessel by Seifu Yohei IV decorated in slight relief under pale green glaze. It is 8-1/4 inches (21 cm) tall and in excellent condition.
Seifū Yohei IV (Seizan: 1872-1946), the second son of Seifū Yohei III (1851-1914). He studied literati-style painting under Tanomura Shōsai (1845-1909), a son of Tanomura Chokunyū, in Osaka for three years. In 1914, he succeeded to the head of the family and produced works mostly in his father’s style. He won a number of prizes includi...

Japanese shin hanga woodblock print triptych titled “Pine,” Plum,” and “Bamboo” from the “Friendly Garden Series” commissioned by the Franklin Mint and published by the Yoshida Family Studio in 1980. Each of the three prints is pencil-signed in kanji at the lower right margin and black ink signed and titled at the lower left image. The artist’s red seal is below the black ink signature. The three prints have been reframed with archival materials and UV Plexiglas in the origina...

A hexagonal miniature table brass box, decorated with interlacing patterns, tendrils and Islamic calligraphy inscriptions, inlaid in silver and copper. With hinged lid and a small locking clasp, the interior with wood lining, mother-of-pearl and bone inlays. Condition: bottom of the lining lost. Dimension: 20.5 cm high.

Chinese Han Dynasty Painted Pottery Horse & Groom (206 BC - AD 8)

This pottery model of a horse with its groom was made during the Western Han Dynasty (206 BC - AD 8). Both items are made from a fairly high-fired grey pottery and have been "cold painted" in white, pink, black and red pigments. The horse stands upright with the groom standing with his left hand out as though holding the reins of the horse; both of the groom's hands have purpose-made holes in them as does the mouth of the hors...

A very unusual Toyoraku Usubata vase covered outside in black lacquer decorated with geometric gold maki-e designs, the inside nearly swamped by organic green flowing to the center. It comes enclosed in the original somewhat dilapidated wooden box signed: The 75 year old man Toyosuke. This appears to be the signature of the third generation, and so would date from 1854, only a few years prior to the death of the fourth generation who began the technique of lacquering pots. It is 25.5 cm (10 ...

A very rare ancient eye bead from China from the Warring States period. It has a hole for stringing and can be worn. Size: Diameter. 2.5cm. Condition: Excellent for its age. One eye is slightly chipped. See last photo.

Lacquered necklace holder, most likely for court officials. Gilded and painted with dragons and cloud formations. Age: Ming (1368-1644)Condition: Good. Some chipping around the edges.Size:17.7cm X 7.5cm.

Hardwood mask from the Awori region. Early 20th century. Dimensions 28 x 19 x 18 cm. Ex Ursula Voorhuis (1932-2021), The Netherlands. Guy van Rijn archive: ao-0110550-001. Gelede society members worship the ‘Great Mother’, goddess of fertility.

A nice famille jaune bat motive tea cup. It has a Tonzhi seal mark both on the cover and the base of the cup and is of the period.

A minor manufacturing flaw on the cover (photo 2)and five hair lines as shown in the photos 4 and 5. two with stain and the other can be seen at certain angle only. Other than that, it is in fine condition, no chip or repair.

The height of the tea cup is 9cm and the diameter is 11.2cm

Tall Chinese Eastern Han Dynasty Sichuan Pottery Farmer (AD 25 - 220)

This tall pottery figure was made during the Eastern Han Dynasty (AD 25 - 220) and has been excavated from Sichuan province. It is made from a reddish pottery and is highly detailed. Such figures are usually referred to as farmers, although during this period Sichuan farmers were also called upon by their masters to become soldiers when required. As well as holding a long-handled spade in one hand and a winnowing tray in t...

Small Indian Hindu bronze group cast in one piece depicting Vishnu seated in lalitasana with his consort Lakshmi, holding a lotus bud. Condition: fine, few traces of usage. Dimension: 11.1 cm high.

Autumn colors by Goto Shiro in thick pigment on silk in a superb patterned-silk frame with solid ivory rollers. It comes in the original signed wooden box with a Futo-maki rolling bar titled Yudonoyama Banshu (Late Autumn at Mt. Yudono). This is representational of Nihonga in the 1950s, a time when artists were seeking a new direction, breaking with the past and expanding the limits of the medium. It is 25-1/2 x 86 inches (65 x 218 cm) and in fine condition. Goto Shiro (1924－1992) was born...

LARGE Chinese Western Han Dynasty Painted Pottery Soldier (206 BC - AD 8)

This large and impressive pottery model of a warrior was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a dense grey pottery and particularly "heavily-potted". It has been "cold painted" in white, red and black pigments. Note the character or symbol in white pigment under its right foot.

Although many Western Han Dynasty pottery soldiers of this general type are known, mo...

Made of grey pottery. Length 34 cm, height 29 cm. Good condition, minor chips to the ears. Comes with a thermoluminescence test from Kotalla. Han Dynasty (296BC-220AD). At our gallery we have ca. 50 pieces of pottery on display.

A very rare work by Suda Seika featuring a long armed monkey climbing over the rim in raw terracotta clay, contrasting brilliantly against the blue splashed white porcelain. It is 17.5 x 20 x 10.5 cm (7 x 8 x 4 inches) and comes enclosed in a period kiri-wood box. The first generation Suda Seika (1862-1927) was born the son of a merchant in Kanazawa, then part of the Kaga fief. He graduated the Ishikawa prefectural Industrial Ceramic Research Center in 1880 specializing in decoration, and m...

A 16th to 17th century (Momoyama to early Edo period) candle-stick of vine or root set onto a hollow carved base and covered in black and red lacquer with a metal stud and drip pan. It is 11 inches (28 cm) tall and in overall fine condition, with wear typical of centuries of use.

Pair of tall Chinese famille verte enamel tapered square form porcelain vases molded with relief decoration of the eighteen immortals among clouds set against a pierced ground. A rust-red 5-clawed dragon wraps around the neck of each. Circa 1900 to early 20th century. An apocryphal impressed zhuanshu 6-character Qing dynasty Kangxi square form reign mark is on the base. Custom wood stands. 16 1/2” high (18 1/4” high on stand). Heavily potted and in very good overall condition. From the...

Rare Large Chinese Yuan Dynasty Underglazed Zodiac Jar

This large and extremely rare stoneware jar of very attractive form was made during the Yuan Dynasty (AD 1279 - 1368) or possibly the early part of the following Ming Dynasty, most likely at one of the kilns in Yuxi, Yunnan province. It is "heavily-potted" and has been decorated in an underglazed pattern of twelve panels each featuring one of the twelve animals of the Chinese zodiac. It is coated in a clear and finely-crackled pale green...

Large bowl from the island of Biak in the Geelvinkbay in the Indonesian province Papua. The handle in the shape of a Korwar figure. L. 57 cm. Very good patina. Provenance: Lempertz, Brussel, 2017

14 images spanning two pages each are sandwiched between the silk binding of this two sided accordion album by Zen Priest Inaba Shinden enclosed in the original storage sleeve. The images span from Mount fuji to the Daruma to Zen Circles, each annotated with some verse or Buddhist anecdote. It is in excellent condition, the album (closed) measuring 8-1/4 x 12 inches (21 x 30 cm).
Inaba Shinden (1906-1986) was an important priest of the Rinzai sect of Japanese Buddhism. Born in Aichi, h...

Chinese Tang Dynasty White Pottery Horse & Rider

This unusual model of a horse & rider was made during the Tang Dynasty (AD 618 - 906). It is made from a creamy-white pottery that has been "cold painted" in various coloured pigments. Note the detail of the overweight rider's clothing and hairstyle.

Height 33.5cm (13 inches). This is a rare and interesting example of Tang Dynasty equestrian pottery sculpture in good presentable condition with signs of the usual and expected repairs to t...

Chinese Qing dynasty conjoined porcelain bottle vase with a globular body and long neck covered overall in a finely spotted monochrome tea dust glaze. The glaze extends down the spreading base to the unglazed foot. An old black collection mark is within an unglazed area at the center of the base. 7 1/2" high. Very good overall condition. There are a few potter’s fingerprints and/or faint smudges in the glaze. For a similar vase, see lot 135 from the former collection of Michael L. Vermeer, ...

Tall Chinese Song / Yuan Dynasty Qingbai Glazed Porcelain Ewer

This impressive porcelain ewer was made during the latter part of the Song Dynasty (AD 960 - 1279) or possibly the following Yuan Dynasty (AD 1279 - 1368). It is quite "heavily-potted" and coated in a finely-crackled Qingbai glaze, pale green in colour. A thick handle joins the trumpet-shaped mouth to the shoulder. There is insignificant surface wear and there are old genuine gold lacquer ("kintsugi") repairs which have been perf...

Small Indonesian ceremonial keris forged from steel in one piece with a straight blade, the hilt section in the shape of a sitting figure. Provenance: Private Collection, Switzerland. Condition: fine. Dimension: 24.7 cm long, 3.2 cm wide, weight: 82 g.

Tall Chinese Tang Dynasty Painted Pottery Horse & Lady Rider (43cm)

This impressive pottery model of a horse & female rider was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a buff-coloured pottery that has been "cold painted" in various different coloured pigments. The horse stands alert with its head turned a little to its left, the lady sits upright with one hand resting on her tummy; note her elaborate hairstyle and also the detail of the horse's mane ...

Tall Chinese Tang Dynasty Painted Pottery Horse & Lady Rider (41cm)

This impressive pottery model of a horse & female rider was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a buff-coloured pottery that has been "cold painted" in various different coloured pigments. The horse stands alert with its head turned a little to its left, the lady sits upright with one hand resting on her tummy. Note the detail of the horse's mane on its left side.

This is a ...

An antique pair of patinated heavy bronze statues showing a Kandyan noble and his wife in official attire. Dimension: 22.2 and 20 cm high, weight: 2.3 kg. Condition: the male on the back with soldered area.

Fine Chinese Neolithic Xiajiadian Culture Burnished Pottery Li Tripod

This superb and rare tall pottery vessel was made some 4,000 years ago by people of the Xiajiadian culture (c. 2300 - 1600 BC) from Inner Mongolia. The form of this vessel is characteristic of this Neolithic culture with its wide rim, partly hollow udder-shaped legs and carefully constructed body. The surface of the body above the legs, and the inner mouth, have a finely burnished surface, its smoothness making it a real p...

A Pair of Chinese Sui Dynasty Glazed Pottery Ladies with Oxford TL Test

This wonderful pair of ladies was made during the Sui Dynasty (AD 581 - 618). They are made from a creamy-white pottery and coated in an attractive pale yellow/straw glaze that is finely-crackled. Note the detail to the clothing, the hairstyle and especially the faces: exquisite !

These are from a long-established private English collection and come with a custom-made display stand. They are not perfect condition, bu...

Three small Chinese Guangxu mark and period ogee form bowls with lobed rims, each exquisitely decorated on the exterior in famille rose enamels with a quail standing on rockery below bamboo wrapped with leafy vines sprouting flowers and double gourds that extend over the wall to the interior well. A single bird flies above. The base of each bowl holds a six-character kaishu form iron-red Guangxu mark and of the period (1875-1908). 4” diameter x 1 3/4" high. Very good overall condition with...

Here is a fine hand formed tea pot of dark clay by Otagaki Rengetsu engraved with a poem and enclosed in the original signed and age darkened wooden box. It reads:
Oyamada no Hita no kakenawa, Uchi Haete, Keburi Nigiou, Miyo no aki Kana
In the hillside Paddies, Clappers with ropes as long as the smoke trails, the peaceful abundance of an Imperial Reign in Autumn…
It is 6 cm (2 inches) tall and in excellent condition.
Much has been written about the life and work of poet/...

Fine Tall Chinese Han Dynasty Painted Pottery "Stick" Girl

This fine and rare painted pottery figure was made during the Western Han Dynasty (206 BC - AD 8), more specifically, the 2nd century BC. It is one of a variety of Han Dynasty "stick" figures. The vast majority of "stick" figures represent males; female figures are particularly rare. It is made from a dense fine-grained grey pottery that has been "cold painted" after firing. It is believed that such figures originally had wooden ar...

Fine LARGE Chinese Han Dynasty Burnished Pottery Cocoon Jar

This wonderfully-shaped pottery jar was made during the early part of the Western Han Dynasty (206 BC - AD 8) or possibly as early as the Qin Dynasty (221 - 206 BC). This type of jar is often referred to as a "cocoon jar" due to the shape of its body. This unusually large example has a particularly pleasing form.

Its function was that of a grain storage jar. It is quite "heavily-potted", relatively highly-fired and decorated w...

A full-length Lamaist costume made for the ritual Cham dance with flared sleeves weighted at the bottom. This dress is composed of antique Chinese silks, mainly of a dark blue brocade with design of scattered peonies. The stripes in yellow satin damask with woven dragon roundels and red silk damask with clouds and roundels containing brocaded Chinese longevity characters. The collar made of red silk satin with a brocaded shuangxi character and decorated with two different brocaded fragments. Co...

A male front Mandarin square with a tiger, denoting the 3rd military rank. Silk tapestry (kossu, k'o-suu) with metallic threads and painted details. The animal is standing on a rock above deep water, the ground with Taoist longevity symbols. Blue silk lining. The background was probably covered by peacock feathers, rarely survived to the present days. Reference: "Ladder to the Clouds" by Jackson & Hugus Berkeley 1999, for similar badges. Condition: faded, the hind paws with thin area, missing th...

Rare Tall Chinese Eastern Han Dynasty Sichuan Pottery Entertainer (with TL Test)

This rare and interesting large pottery figure was made during the Eastern Han Dynasty (AD 25 - 220) and has been excavated from Sichuan province. Various pottery entertainers, dancers and musicians have been found in Sichuan province of varying sizes. This example, an overweight grotesque figure usually described as a storyteller playing a hand-held drum is particularly rare. He has a pronounced pot-belly and o...

Creamy-feel, crackled glaze with old body clay revealed.

Height: 10.3cm

Date: Yuan/Ming periods.

A cotton box is included.