A striking design rises up the pin-holed surface of this set of Tokkuri with genuine gold repairs about the rim dating from the late 18th to 19th century and enclosed in a period wooden box. They are 2 inches (5 cm) diameter, 6-1/2 inches (16.5 cm) tall.
Green glazed pottery stye, containing 5 moulded goats, a typical burial gift from the Han Dynasty (206BC-220AD). Diameter 22 cm. H. 7 cm.
Condition: iridescent glaze with normal age wear.
Ex private collection The Hague, collected in the 90’s.
Large table top scholar's huanghuali chest with all it's original hardware. This is an early Ming piece as the huanghuali wood is quite thick. In later Ming pieces the wood was reduced in thickness as the huanghuali became scarcer. The hardware is typical early Ming. It is 100% original except for the inner tray that was probably added later. Size: L. 41.5cm. W. 24.6cm. H. 19.3cm.
Condition: Normal ageing.
Description:
A Yaozhou water dropper was presented in perfect condition.
The glaze condition was very good except some incursions had been happened to the rim of the venting hole and the beak-like mouth.
Amusingly found at the bottom, there were three padding clays were still adhered without being removed.
It was really rare to find an ancient porcelain ware which was solely for scholar use.
A similar piece but from Longquan site was documented...
Very scarce Northwest Coast Tlingit potlatch ladle, fashioned from hand-beaten copper and Dall mountain sheep horn. Circa 1840s. Size: 9 inches length (3.25 inches handle). Copper objects were signs of great wealth and prestige among Northwest tribes. Such spoons were prized possessions that were brought out for marriages and important feasts. This spoon has a carved horn handle in the form of a seal with flippers and red stained teeth, which is riveted to a copper stem and bowl...
Pair of Chinese porcelain bowls decorated in famille rose enamels with an opposing long-tailed phoenix and five-clawed dragon chasing flaming pearls among clouds over green waves. An orange-red five-clawed sinewy dragon among flames is in the interior well. A six-character kaishu iron-red Guangxu mark is on the base. Probably of the period and circa 1900. Custom stands and a padded silk presentation box are included. 7 3/4” diameter, 3 1/4” high...
Longquan porcelain covered with green celadon glaze. Glazed Base. Southern Song 南宋 (1127–1279). Measurement : Diameter: 22 cm. Condition : firing fault on the center, no chips, cracks or hairlines and free from restorations.
Ge type golden celadon glaze covering foot rim. Broad firing ring on base burnt red. Diameter = 12.2 cm Period : 14 th-15 th Century Longquan Kilns, Zhejiang Condition : no chips, cracks, or hairlines and free from restoration.
Incredible attention to detail defines this large Pagoda entirely gilded in gold. It is 32 inches (81.5 cm) tall, 16 inches (41.5 cm) square at the base and in excellent condition. This would have been displayed in a Butsuma as a reliquary container. Both upper and lower doors open to reveal gold lined chambers in which the Buddhist objects could be stored. A couple of the small bells dangling from the eaves have been replaced or re-hung with wire...
A carved wood figure of a Daoist Immortal, probably a depiction of Confucius or Laozi, sitting on a separate stool-shaped base, his hands raised before his chest. Remnants of paint. Condition: old losses, cracks. Dimension: total height: c. 37. 8 cm, 17 cm wide x 8.8 cm deep.
Longquan plate/bowl covered with green celadon glaze. Glazed Base. Southern Song 南宋 (1127–1279). Measurement : Diameter: 16.5cm. Condition : no chips, cracks, or hairlines and free from restorations.
BW Qing Dish decorated with a landscape depicting mountain, lakeside scenes with houses and trees . There is a character mark on the center of the double circle.
Width = 20 cm. Qing Dynasty (19th Century)
Condition : Perfect without damage or restoration
BLACK HANJI PANELS
Two pieces set of contemporary panel abstractions made of compressed 'Hanji' (Traditional Korean handmade papers) dyed by charcoal
coming from the studio (Jang Yong-hoon) operated by an artisan of South Korean Intangible Cultural Property. Solid make...
In lobed melon shape, this silver box features fine repousse designs all over the surface, with an applied branch holding various flowers and leaves...
Description: Walnut carving was a typical Chinese craftsmanship. From late Ming until now, this skill was treasured by Chinese people. It has been a miniature art for hundreds of years. In a clear cut way this hard kernel was carved
as a deity of longevity who was favored by Chinese people. Holding on the right hand with a staff and the left hand a Peach of Longevity, he was accompanied by a boy attendant and a crane...
A full-length Lamaist costume made for the ritual Cham dance with flared sleeves weighted at the bottom. This dress is composed of antique Chinese silks, mainly of a dark blue brocade with design of scattered peonies. The stripes in yellow satin damask with woven dragon roundels and red silk damask with clouds and roundels containing brocaded Chinese longevity characters. The collar made of red silk satin with a brocaded shuangxi character and decorated with two different brocaded fragments...
20" tall Chinese Qing dynasty Qianlong to Jiaqing period (circa 1796-1820) Dehua blanc-de-chine white glazed porcelain Guanyin figure with black painted hair. She stands in bare feet holding a bronze colored vase in her right hand and is dressed in a flowing robe with a veil. A beaded necklace adorns her neck. Her elongated ears frame a serene facial expression with downward gazing eyes. The figure is heavily potted and weighs 11 lbs. Very good overall condition...
Description: A Lohan head was finely carved from a buff-tinted sandstone. By a downcast gazing look, the handsome Buddhist disciple was depicted neatly on the features. The slanted eyelids, the slightly bulged eyeballs, the slender and pointed nose, and the vivid and lightly closed mouth etc. all of them were rendered in a natural and vivid way. In a plain form without any decoration, the Lohan head piece was expressed with a serene atmosphere that the traditional Buddhist sculptures would own.
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