Robust Oribe hakeme (hakame) vase with an exceedingly rich and traditional glaze with wonderful luster and depth

Stoneware, slip and Oribe glaze

8.25" X 5.75"

Katakuchi, Spouted Bowl, by Sachiko Furya; Honolulu, HI. Bamboo Ash and Copper Glazes. Take Kodai (Bamboo node-shaped foot.) H. 2.75"(7cm) x Dia. 5.5"(14cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

A fine Nerikomi work by Living National Treasure Matsui Kosei (1927-2003) enclosed in the original signed and stamped wooden box. The surface has a soft sheen, like the effect of being carved from gray marble. It measures 17 x 12 x 3 inches (43 x 30.6 x 7 cm), in perfect condition. Matsui was born in 1927, beginning his ceramic studies in 1946...

"Kashizara" are serving dishes (lit. "plates") for Japanese sweets, often used in the Tea Ceremony, but can be used for multiple purposes. This footed dish, made by contemporary ceramic artist Sachiko Furuya, stands 2.5" tall at the uplifted corners, and is 6.875" wide. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Potent green Iga-Oribe vase by noted master Japanese potter; Kishimoto Kennin (1934-). This roughly faceted mentori vase has varying hues of green and an overall iridescence across the body. Though Iga-Oribe, the clay body is actually wonderful Shigaraki clay with a healthy amount of feldspar inclusions.

Kishimoto has been making pots since the early 1950’s and is well know for a wide variety of wares that he has made including Shigaraki, Iga, Iga-Oribe, celadons and Ki-Seto...

Burnt yellow glaze streaks down the body to form encrustations of glazz on the base of this organic looking vessel by Hori Ichiro enclosed in the original signed wooden box. It is 10 inches (25.5 cm) tall and in excellent condition.
Hori Ichiro (b. 1952) graduated the Tajimi School of Industrial Design and apprenticed under Kato Kozo...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and Copper Glazes. H. 3"(7.5cm) x Dia. 4.75"(12cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

molten ash streaks around the form of this superb Shigaraki Tsubo enclosed in the original signed wooden box dating circa 1996 by pottery legend Furutani Michio. It is 8 inches (20.5 cm) diameter, 8-1/2 inches (21 cm) tall and in fine condition.
Furutani Michio is one of the Gods of Shigaraki, an artist who wrote the book on Anagama kilns, and one of the more influential artists of the second half of the 20th century...

Ash runs in glassy rivulets down the sand textured sides of this large work by Tsuboshima Dohei enclosed in the original signed wooden box. The undulating rim calls to mind ancient firing traditions, the intense heat of the kiln warping the forms as they turn near molten...

Wood Fired Guinomi, Sake Cup, by George Gledhill; Payette, ID. H. 2.25"(5.75cm) x Dia. 2.5"(6.5cm.) Volume = 4oz (120cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Evocative blue decorated henko bottle vase with fluid brush decoration and sgrafitto decoration prominently signed; SEIRAN. The cobalt decoration sits on an almost ash style glaze with spots of blushed areas, similar to Hagi pottery. I have not been able to find out anything about the potter, but the brushwork and use of space suggests a full time potter, used to working in this particular style.

This henko is in perfect condition with its original signed box and measures 8" X 8.5" x 6".

Wood-fired Tea Cup, Chawan, Gray (Nezumi) Shino glaze, with spouted corner. George Gledhill; Payette, ID...

Tea Cup (yunomi) by George Gledhill; Payette, ID. Gas-fired, Shino Glaze, H.3"(7.5cm) x Dia.2.5"(6.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped ...

Well fired Shigaraki chawan by Furutani Michio (1940-2000). Fine ash and bidoro glass cover this Hikidashi style (pulled out) Shigaraki chawan with a vivid pool of bidoro also covering the interior floor and walls of this teabowl. The signature is obscured, covered in ash, glass and charcoal. Over 95% of this chawan is covered in a coating of green glassy ash and is appealing to both the eye and hand. This chawan is in the style of Furutani Michio's early works (circa 1975 to 1985) and based o...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Wood and Gas Fired. H. 2.25"(5.75cm) x Dia. 3.5"(9cm.) Volume = 4oz (120cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Te...

Maple leaves swirl in a vortex on this large rectangular platter by Ando Hidetake enclosed in the original signed wooden box. Rich iron leaves seem to float on or just below the surface as if floating in a pond, the suction from a surfacing carp drawing down, pulling the leaves around it. Excellent for display or use, it is 17 x 10-1/2 inches (43 x 26 cm) and is in excellent condition. Hidetake was born third generation into a Mino pottery family in Gifu prefecture in 1938. He began an appren...

White Porcelain Mug by Hanako Nakazato; Union, Maine & Karatsu, Japan. H. 3"(7.5cm) x Dia. 3.25"(8.5cm). The node around the shoulder led Nakazato to name this a "Bamboo Mug." It is well-balanced and light enough to not feel heavy when filled with a beverage and exhibits and elegantly thrown handle. Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated ...

A set of five Yunomi Tea cups showing off to a tee the many styles of Oribe for which Suzuki Goro is known. Narumi Oribe ,Yashichida Oribe ,Ao Oribe and everything in between with just as varied decorations. Each is uniquely engraved with the artist’s signature and they come enclosed in the original signed wooden box titled Oribe Yunomi.
Size, W 5.5cm (2.1/2inches) H 7.9cm ( 4 inches)
Condition, Excellent
Suzuki Goro has a list of shows and prizes too lengthy to ...

Faceted Straight-sided Bowl, Porcelain, by Hanako Nakazato; Union, Maine and Karatsu, Japan. 2 available; H.2.75-2.875" (7.0-7.25cm) x Dia.4.75-4.875" (12.0-12.5c.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education. While in the US, she took a r...

Shinogi (faceted) Guinomi (sake cup) in white porcelain, by Hanako Nakazato of Union, Maine and Karatsu, Japan. H. 1.75"(4.5cm) x Dia. 2.75"(7cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education. While in the US, she took a renewed interest in ...

Large, wan-gata form teabowl with white and grey slip of a bamboo groove design under a saffron, iron yellow glaze. This teabowl is a real handful.

Stoneware, slips and glazes

6" x 4.75"

Functional, decorative and food safe

A small dish from the 1960s by Fujihira Shin enclosed in the original signed wooden box. It is 8 inches (20 cm) diameter and in fine condition.
Fujihira Shin (b. 1922-2012) was born into the family of a ceramics dealer in Kyoto, raised among the pots, and attended the Art University, however, in his second year would lose four years of his life to battling illness. This life and death struggle would make him a strong character, coming forth from then on in his works. He would come to th...

Porcelain Dishes, Mukozuke-shape or dessert/salad dishes, by Hanako Nakazato; Union, Maine and Karatsu, Japan. H. 1.5"(4cm) x Dia. 7.5"(19cm.) Scalloped rim gives the name of these dishes by Hanako, "Petal Mukozuke." These dishes are appropriate for most any savory or sweet food and are an excellent size for use as a mukozuke dish used in Japanese cuisine. Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, wi...

An organic form by Ikegami Kazuo enclosed in the original signed wooden box titled Bitchu Obuje. It is 8-1/2 x 7-1/2 x 9 inches (21.5 x 19 x 23 cm) and is in fine condition.

Two Guinomi sake cups and a Tokkuri by Kato Yasukage enclosed in the original signed wooden box titled Shino Tokkuri/Guinomi, Nezumi Shino Guinomi.  The cups are cool, one in white glaze tinged red, the other in blue-gray glaze tinged with a reddish-blue.  They are beautifully uniform in a misshapen way, allowing no favoritism to the drinkers.  The tokkuri burns red, like the first drink as it goes down.  Yasukage has sheered away the outside of the bottle, leaving it multifaceted, the pin-h...

An exquisite pottery form by Kawase Takeshi enclosed in the original signed wooden box titled Hakuji Hori Hanamoyo Sara. The fluted edge rises around a central garden filled with scrolling florals. It is 14 inches (35 cm) diameter and in fine condition.
Kawase Takeshi (1953-2007) was born the second son of Kawase Chikushun II in Kanagawa prefecture. He began in the family kiln, eventually breaking off to establish his own kiln in 1986. He was the subject of a television show in 1999, a...

Artist signed wood box is included. 16 x 10.5 x 6.75 inches, 41 x 27 x 17 cm.

Ame-yu, amber glazed porcelain teabowl with carved design of fish around the form, "upriver" pattern.

Porcelain and glaze

5.15" x 3.5"

Functional, decorative and food safe

Vase for flowers by Sachiko Furuya; Shoreline, WA. Shino glaze. Contemporary, H.5.5"(14cm) x Dia.4.25"(10.5cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in gallerie...

When you hold this piece in your hands, first contact, you get it.  A Rey unusual and organic form by Isezaki Koichiro enclosed in the original signed wooden box titled Hikidashiguro Chawan.  It has been a pleasure to watch over the last 30 years the reinvigoration in pottery in Japan, an explosion of innovation which seems exponential.  It continues to blossom bigger every year.  The potters are so technically skilled and taking an original approach to the ceramic arts.  Isezaki Koichiro i...

Framed Woodblock print by Kyoto artist Clifton Karhu (1927 - 2007.) "Takasegawa Spring." An image of the Takase River, a canal that runs along Kiyamachi Street in Central Kyoto. This print uses not only Karhu's well-known strong black key lines, as well as the masterful use of woodgrain; it also uses detailed technique to illustrate rain in the foreground. Signed and dated, 1990, #46 of edition on 100. Image size: H.22.25" (56.5cm) x W.11.75"(30cm.), Frame size: H.29.25" (74cm) x W.18.5" (47cm) ...

Small Dishes, Mashiko-yaki, by Tagami Munetoshi of Hinata Kiln. Kaki (persimmon) glaze with white border. H. 1"(2.5cm) x Dia. 4.375"(11cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to America to major in modern art...

Something about the pattern on this Kinsai vase by Ono Hakuko screams vintage, like a classic episode of the partridge family.  There is a great deal of life about it, some type of inner joy, the gold repetition like the lights reflecting off a mirrored ball.  It comes enclosed in the original signed wooden box titled Yuri-Kinsai Hana-tate. 
Size, W 8.5  cm ( 3-1/2 inches)  H 24.0  cm ( 9-1/2 inches) 
Condition, Excellent 
From Aichi prefecture, Hakuko was trained by h...

Vase for flowers by Sachiko Furuya; Shoreline, WA. Contemporary, H.6"(15.25cm) x Dia.4.25"(11cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and museums ...

A phoenix flairs majestically out in minute detail on this large sometsuke vase by Nakamoto Chikuzan enclosed in the original signed wooden box. Written with an exacting hand, the bird is made up of hundreds of tiny strokes of the masters brush. Ordinarily we do not work with sometsuke however this is a powerful piece deserving exception. The vase is 13 inches (33 cm) tall and in perfect condition. Nakamoto Chikuzan I (1911-2000) cultivated his roots at the Tobe Industrial School before emba...

Sophisticated, yet naturalistic set of five, hand made, hand cut leaf plates with red enamel leaf designs under a washed gold gilt surface. This Rimpa influenced set for casual or kaiseki use are by veteran Kyoto Kiyomizu potter, Heian Seiun and most likely date to the 1960s. Seiun comes from a long line of potters dating back to the Edo period and each of these plates is just slightly different in shape and form making for a marvelously natural set.

These plates are all in excellent condi...

White blossoms decorate a scattering of branches on the surface of this footed sweets dish by Kondo Yutaka enclosed in the original signed wooden box titled FunKa Daizara. It is 8 inches (21 cm) diameter, 3 inches (8 cm) tall and is in excellent condition. The deeply impressed white patterns are striking against black.
Kondo Yutaka (1932-1983) was born into a traditional pottery family in Kyoto. He studied under Living National Treasures Kondo Yuzo and Tomimoto Kenkichi at the Kyoto Mu...

Rectangular Sushi Plate, Shino Glaze with Iron Brushwork Decoration. John Miller; Portland, OR. H. 0.75"(2cm) x W. 6.125"(15.5cm) x L. 11.5"(28.5cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying potte...

Black green and silver bands like a core sample of crustal layers from some fantastic planet decorate the brushed and impressed clay of this large piece by Kyoto Artist Morino Taimei enclosed in the original signed wooden box. The vase is 10-1/2 inches (26.5 cm) tall, 9-1/2 by 5 inches (24 x 12.5 cm) and is in perfect condition. The box as well is like new. Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year be...

Hanging Vase (J. kakehanaire) by Sachiko Furuya. Bamboo Ash Glaze. H.6"(15.25cm) X Dia.4.625"(12cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and mu...

Hanging Vase, Kakehanaire, by Sachiko Furuya; Honolulu, HI. H. 4.375"(11cm) x Dia. 2.75"(7cm.) The 2 torn opening holes give the vase a very organic appearance. Iron, White, Bamboo Ash glazes. Braided raffia hanging string. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy ...

A family of Stonefish (Okoze), the deadliest fish in the world, swim across the pure white surface of this large Tsubo by Uchida Tadashi enclosed in the original signed wooden box. It is 12 inches (30 cm) diameter, 13 inches (34 cm) tall and in excellent condition. The box is titled Tetsu-e Okoze-Mon Tsubo (Tsubo decorated with Okoze fish in Iron) and includes a thank you card from the artist to the collector. A label tied to the box chord states it was purchased from an exhibition at Takashi...

Karhu printed these invitations for his shows at the Tolman Collection, the Tokyo gallery which has long represented him and his work. These were done in large numbers, about 800, in the late 1970's and early 1980's. This particular print reads "warau kado ni fuku kitaru," Happiness Sits on Laughter, a very Zen-like saying. This image is finely framed and is in good condition. Inside Mat Image Size: H.6.5 x W.24", Frame Size: H.9.5 x W.27.375". Clifton Karhu was born in Duluth, Minnesota ...

Black Raku Tea Bowl, Matcha Chawan, with crawling glaze, by George Gledhill; Payette, ID. Pinched & carved and individually gas-fired to 1900-1950 F (1038-1065 C.) H.3.25"(8.25cm) x Dia.4.25"(10.75cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his...

A very heavy unusual charger by modern avant-garde artist Suzuki Goro decorated with Oribe colored graffiti of traditional themes enclosed in the original signed wooden box. Combs, hairpins and bamboo and ceramic pipes in orange, green and black decorate the pale sand-textured surface of the massive charger. Typical of this artist is cut from a very thick slab with an irregular edge. On back a self portrait hunches over the clay forming a large vase, the caption beside reading Nanikuso! (I w...

A pair of thick Oribe slab dishes heavily raked and splashed with green by Ishii Takahiro enclosed in the original signed wooden box. They are 8 inches (20 cm) square each and in fine condition.
Ishii Takahiro was born in Gunma prefecture in 1980 and has taken Japan by storm after graduating the Kyoto Municipal University of Art and an apprenticeship under Kakurezaki Ryuichi. A true rising star in the Ceramics world

Yunomi, Tea Cup, by John Miller; Portland, OR. Ash glaze with hakeme slip. H.1.375"(3.25cm) x Dia.2.5"(6.5cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had the chance to s...

An open bottle draped with ochre glaze over charred blacks by Tsukigata Nahiko wrapped in a brocade bag and enclosed in the original signed wooden box titled Oni Shino Kannon Hana-Ike.  Kannon, the protector deity in Buddhism, is quite often seen meditating in white robes whith a bottle alongside.  A superlative example of this artists work.
Size, D 13.4 cm ( 5.3 inches)  H 26.7  cm ( 10.5 inches) 
Condition, Excellent 
Tsukigata Nahiko (1923-2006) was not only an acc...

A striking series of concise patterns underlie the deep purple and green glaze on this large ichirin-sashi vase by Living National Treasure Tokuda Yasokichi III enclosed in the original signed wooden box. The box is signed Masahiko, dating it pre 1993 when he succeeded the family name. The body of the vase has been brought up to a very narrow neck, just wide enough to receive one flower before it flares out at the top. The vase is 8-1/2 inches (21 cm) diameter, 9 inches (13 cm) tall and in ex...

Large wan-gata form terra cotta teabowl with a black background and yellow, red and green "falling leaves" about the bowl in old Rimpa fashion

Terra cotta, slips and clear glaze

6" x 4.25"

Functional, decorative and food safe

A large vase by Living National Treasure Shimizu Uichi enclosed in the original signed wooden box titled Tenmoku-yu Kabin inside a black lacquered wooden niju-bako box. It is 14-1/2 inches (37 cm) tall, 8 inches (20 cm) diameter and in fine condition.
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer. Discarding the family business he apprenticed in plastic arts under Ishiguro Munemaro. His work retains some principal elements of his teachers style while incorporati...

Yunomi, Tea Cups, Mashiko-yaki, by Tagami Isamu of Hinata Kiln. Faceted sides, Kaki (persimmon) glaze on exterior, White Nuka (rice husk ash) glazed interior, with red & green overglaze enamel decoration of sugar cane and stripes. H.3.25"(8.25cm) x Dia.3.25"(8.25cm,) Volume=8.5oz (250cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaur...

Rich Oribe paddled henko style jar with flowing glaze on the shoulder and paddled area

Stoneware and traditional Oribe glaze

9.5" X 7.4"

A massive Oribe Slab by Hayashi Shotaro enclosed in the original signed wooden box titled Oribe Cho-ho-Zara. It is 25-1/2 x 13 x 4-1/2 inches (65 x 35 x 11.5 cm) and in excellent condition. Due to size the cost of shipping will be accrued separately for this item.
Shotaro is one of Japans true genius potters, moving far beyond tradition, glaze research and firing technique, to a place of inception. He first began with a 7 year apprenticeship under his older brother Kotaro, ending when ...

This classic Mingei hanaire is by Mashiko potter Hyuga Munetoshi, a one time student of the Hamada kiln (?). Glazed in an exceedingly rich tessha/kaki iron glaze the pot has wax resisted decoration of flowers on either side of the pot. Created for both function and decoration , this pot is a great example of modern Mingei influenced Mashiko pottery. The glaze is far more complex and rich than the photos convey and will not disappoint in person. In person, this pot bears a remarkable resemblance...

Faceted, mentori serving bowl with medieval green and temmoku glazes

Stoneware and glazes

8.5" X 3.8"

Functional, decorative and food safe

Tea Bowl, Matcha Chawan. Celadon Ash & Nuka Glazes with Iron Slip. John Miller; Portland, OR. H. 3.0"(7.5cm) x Dia. 5.0"(12.75cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had...

Kakehanaire, Hanging Flower Vase with torn opening, by Sachiko Furuya; Honolulu, HI. Black, White, Bamboo Ash glazes with pink colors emerging in places. H. 5.625"(14.25cm) x Dia. 2.25"(5.75cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art...

rta A bold work by 20th century potter Shimizu Jun enclosed in the original signed wooden box titled Red Rocet. The platter is 16 inches (40.5 cm) diameter, 2-1/2 inches (6 cm) tall and in perfect condition. Jun was born in Osaka in 1951, graduating the Osaka City Industrial Institute (Metalworking) in 1969, upon which time he moved to the Kyoto Ceramics Research Facility. Avoiding the political world of National competition, Jun concentrated on Local events as a forum for exposure, beginnin...

Large Dish or Rimmed Plate by Sachiko Furuya; Shoreline, WA. Contemporary, H.2.75"(7cm) x Diameter of 13.5"(34.25cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in ga...