This large Zenga chawan is glazed in a rich Oribe with a panel of ash clear glaze on which Kasumi Bunsho brushed “Don’t Know” and his full signature, Myoshin Abbot Jishunken with various seals. The Mino tradition chawan was made by Hayashi Ryouji of the Souzan kiln to act as the platform for Bunsho’s idiosyncratic and spontaneous calligraphy...

Classical kohiki, powdered slip chawan by Ogawa Tetsuo (b.1937). Rich full form that makes for an exceptional chawan with a fine lip and excellent kodai with some crinkled clay peaking through the slip as if emerging from melting clay, the potters forever frozen in the base of the bowl where the pot was dipped in slip. Simple and complex at the same time.

Though subtle, there is a power to kohiki ware that is most time lost in simple illustrations...

A very heavy unusual charger by modern avant-garde artist Suzuki Goro decorated with Oribe colored graffiti of traditional themes enclosed in the original signed wooden box. Combs, hairpins and bamboo and ceramic pipes in orange, green and black decorate the pale sand-textured surface of the massive charger. Typical of this artist is cut from a very thick slab with an irregular edge...

Tatsuzo Shimaoka (1919-2007) Square Bottle Vase with iconic Aka-e Designs

With tall rectangular sides, decorated with impressed rope patterns inlaid in slip and with Aka-e designs.
It is rare to see Shimaoka bottle with such design which he mainly applied for tea ware.

Tatsuzo Shimaoka was a Japanese mingei potter who studied under Shōji Hamada and later became the second Living National Treasure of Mashiko, Japan.
He was best known for his unique Jōmon zogan ...

Fantastic Bizen Sangiri stoneware vase made by Jun Isezaki (b. 1936).

Sangiri is the Bizen technique when the vessel is partially buried in sand in the kiln. The exposed area turns blackish because the ashes that cover it retards oxidation...

A life-size feminine image of a toilet slipper by Satonaka Hideto in light colored clay covered with Irabo glaze enclosed in the original signed wooden box titled simply Sakuhin and dating circa 1975. It is just over 9 inches (23.5 cm) long and in excellent condition...

A red Sado Mumyoi-yaki Tokkuri (Shuchu) by Living National Treasure Ito Sekisui V enclosed in the original signed wooden box. It is 5 inches (13 cm) tall and in excellent condition.
Ito Sekisui V (Yoichi) is the 14th generation of the family to follow in the pottery tradition. His father, Ito Sekisui IV, died when Yoichi was only 19. Upon completion of studies at Kyoto University in 1966, he returned to his hometown of Sado to succeed the lineage...

Small Shigaraki kake-ire hanging vase made by Uda Rakuzan. The small uzukumaru like form, intentionally deformed with the face covered in ash and charcoal effects and an incised decoration around the should of the pot. the rear has hi-iro effects and a metal hanger.

This vase is in fine condition but does not have a box. The vase measures 4.5" x 4.8".

Swirling white brush strokes decorated with dabs of iron like leaves blowing in wind on this square form by Living National Treasure Shimaoka Tatsuzo enclosed in the original signed wooden box titled Hakeme Take Moyo Hoko (Bamboo Pattern on Brush Stroke Square Bottle). It is 10-1/2 inches (27 cm ) tall and in excellent condition.
After serving in World War II, Tatsuzo apprenticed under world famous Mashiko Mingei potter Hamada Shoji, establishing his own kiln in 1954...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay, and displays a beautiful ashen glaze with hues of blue, grey, green, and a dark glossy ring encircling the top.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

Flame shapes fan up on the sides of this trumpeting bottle by Funaki Kenji enclosed in the original signed wooden box. It is 6-1/2 x 7-1/2 x 9-1/2 inches (16.5 x 19 x 24 cm) and is in fine condition. Funaki Kenji (b. 1927) was born the son of potter Funaki Michitada (1900-1963) in Matsue, Shimane Prefecture. Michitada had been a follower of the Mingei movement closely associated with its founders Kanjiro, Shoji and Leach...

An absolute classic natural ash glazed sake bottle by the reclusive potter Oasako Mikio enclosed in the original signed wooden box titled Hai Yu Tokkuri (ash glazed flask). Much of the dark surface is raw clay, with coals charring the front and tremulous tears of liquified ash dripping down both inside and out. It is 12 cm tall and in excellent condition...

A set of five deep plates by Living National Treasure Kondo Yuzo decorated with pomegranates in blue on snow white porcelain. The are 20.5 cm (8 inches) diameter and in excellent condition, each signed on back. They come in a custom made contemporary box. Kondo Yuzo (1902-1985) was born in the Gojozaka district of Kyoto and studied alongside Kawai Kanjiro and Hamada Shoji at the Kyoto Ceramics Research facility, where he studied kiln technique directly under Shoji...

Lavish charring on two sides contrasts with sliding Hai-yu glaze opposite on this thick and bold vase by Masamune Kengo enclosed in the original signed wooden box. The vase is 16 by 13 inches (40 by 33 cm) across, 11 inches (28 cm) tall and in excellent condition. The artist has been largely exhibited and prized, including the Chunichi Kokusai Togei Ten, Nihon Dento Kogei Ten, Nihon Togei ten, Issui Kai Ten, and Okayama Ken Ten.

Like a previous chawan this hanaire vase is a lesson in texture, covered over in a thick feldspar Shino style glaze meant to imitate shark-skin on a form resembling bamboo with a flared mouth to complete the piece. The highly textural glaze is in constant motion with areas of small and large nodules colliding to animate the form that has iron added under the glaze to also create a moody, atmospheric presence to the pot...

A spectacular work by Tsujimura Shiro enclosed in the original signed wooden box featuring a dark burn down one side, as if water has been pouring from the rim for centuries over the same place...

A stellar display of Hidasuki covers the sides of this voluminous Bizen vase by Yamashita Joji enclosed in the original signed wooden box. It is 15 inches (38 cm) wide, 14 inches (37 cm) tall and in excellent condition, and retains the original exhibition label on bottom. Due to size the cost of shipping will be accrued separately. Yamashita Joji (b. Tokyo, 1947) lives in Okayama, but began his artistic career in the Vancouver Art School in Canada. Upon returning to Japan in 1971 he apprent...

Brilliant firing affects decorate this deep tapering cup of raw clay by Tsuji Seimei enclosed in the original signed wooden box. A classic work relying truly on Tsuchi-no-aji, or the taste of the clay. There is no attempt at overt decoration of sculpture, just a perfectly formed cup with a slightly wider base blasted in the furnace with black charring, thin rivulets of molten ash and lots of Hi-iro. It is 12.5 cm (5 inches) tall and in excellent condition.
Tsuji Seimei (1927-2008) was...