18 x 18 inches, 46 x 46 cm. Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Hira (wide) or Natsu (summer) Chawan shape. Bamboo Ash and Copper Glazes. H. 2.5"(6.25cm) x Dia. 5.75"(14.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Yunomi, Tea Cup, by John Miller; Portland, OR. Ash glaze with hakeme slip. H.1.375"(3.25cm) x Dia.2.5"(6.5cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Broad, rounded altered teabowl with dramatic undulating lip and glazed in my temmoku and partridge feather glazes

Stoneware and glazes

5.8" x 4.35"

Functional, decorative and food safe

Kang Jong Sook Korean Contemporary Ceramic Sculpture

Yunomi, Tea Cups, Mashiko-yaki, by Tagami Isamu of Hinata Kiln. Faceted sides, Kaki (persimmon) glaze on exterior, White Nuka (rice husk ash) glazed interior, with red & green overglaze enamel decoration of sugar cane and stripes. H.3.25"(8.25cm) x Dia.3.25"(8.25cm,) Volume=8.5oz (250cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo...

Two yunomi with my partridge feather and saffron glazes over temmoku. The interior of the foot is glazed in a simple clear glaze.

Stoneware, slip and glazes

A measures 3.75" x 4"; B measures 3.85" x 4"

Functional, decorative and food safe

Robust Oribe style teabowl with kushime combed decoration over faceted planes around the bowl. The interior shows a wonderful texture created by the pooling glaze and intermingling of copper and iron in the glazes. The base of the bowl is my own temmoku glaze

Stoneware, slip and glazes

5.6" X 4"

Functional, decorative and food safe

Red Decorated Cups (2) in Soba Choko shape, by Hanako Nakazato; Union, Maine and Karatsu, Japan. Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education...

Wood-fired Guinomi (Sake Cup,) Temmoku & Nuka Glazes; by John Benn; Harstine Island, WA. H. 2.125"(5.5cm) x Dia. 2.75"(7cm.) John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln...

RARE! Oribe vessel covered in pale earth-tones scribbled with natural motifs by Suzuki Goro enclosed in the original wooden box titled Narumi Oribe Natsume. Evidencing the great value placed upon the work, it comes wrapped in a silk bag bound with silk chord, inside a the original signd wooden box enclosed in a lacquered Niju-bako double wood storage case...

A large sculpted image of the goddess of mercy Kannon cut from a solid slab of Iga clay by artist Kishimoto Kennin. The image is 12-1/2 inches (31.5 cm) tall and in perfect condition. The artists mark is engraved into the base of the back; there is no box. This artist has been working with clay since the 1950s, devouring styles along the way...

Black Raku Tea Bowl, Matcha Chawan, by George Gledhill; Payette, ID. Thrown & carved, individually gas-fired to 1900-1950 F (1038-1065 C.) H.3.5"(9cm) x Dia.4.5"(11.5cm.) Glazed foot. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates...

Shades of red ripple like fire in the kiln across the variegated surface of this large Koro by Shino master Kato Toyohisa enclosed in the original wooden box titled Aka-Shino Koro. Whenever one looks into a wood burning kiln during the firing, this is what is visible; ash molten on the sides of pots turned red hot by flames blasting through, long tendrils of fire wrapping about the wavering forms...

Tea Cup, kumidashi style, by George Gledhill; Payette, ID. Red shino glaze with bottom of cup and foot left unglazed to show natural clay. H.2.75"(7cm)xDia.4.375"(11cm.)There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Ame-yu (amber glaze.) Slip trailed designs piped onto outside shoulders. H.2.875"(7.25cm) x Dia.3.75"(9.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right a...

Black Raku Chawan, Tea Bowl, by George Gledhill; Payette, ID. Pinched & carved with notched foot. Individually gas-fired to 1900 - 1950 F (1038-1065 C.) H.2.5"(6.5cm) x Dia.4.375"(11cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and enco...