Though ripe with interpretative meaning, waterfalls are often associated with the ideas of unharnessed elemental motion and change, purification and cleansing, and journeys into the fantastical or unknown...

Very sophisticated Shino chawan by Japanese artist Ko Ji Nakamura. It has a rarely seen Shino glaze of light pink, grey and blue color, designed with plum blossoms. A really aesthetic bowl which fits the palm of the hands perfectly.

This chawan was made around 30 years ago and is well balanced. The seal of his potter name (Kozan-gama) is stamped on the bottom.

It is is perfect condition. No chips or cracks.

Size: 8,7 cm height x 12,3 cm in diameter.

The Title: "Stormy Weather"
Artist: Muramasa Kudo (1948- )
Medium: Original Serigraph on arches paper, unframed
The size of Sheet: 41 5/8" x 30"
The size of Image: 39 1/2" x 27 3/4"
The year made: around 1985's
Publisher: Muramasa Kudo studio
Printer: Novak Graphics, Tronto, Canada Signature: Lower right , signed by Muramasa Kudo in pencil
The seal of Kudo embossed lower right corner of serigraph
Edition Number: 225/275 in pencil lower right
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This is a beautiful miniature oil on board by listed western Montana artist Dave Powell who was born in 1954. It measures 5" x 7" and is titled "Bumper & Thumper, A Team".

Large blue & white, sometsuke chawan with a vivid pine branch, matsu, stretching across the bowl. This chawan is by Kondo Hiroshi, son of Kondo Yuzo, Living National Treasure...

A massive Bizen Charger with a large central spot like a sunflare by Kengo Masamune (b. 1954) enclosed in the original wooden box displayed at the 1987 Nihon Togei Ten IX (The Ninth Japan Ceramic Art Exhibition) and can be viewed as item number 169 in the catalog. It is huge at 21 inches (53 cm) in diameter, 3 inches (8 cm) tall...

Lovely oil on canvas entitled "Taps" by Don Doxie who paints unbelievably beautiful still life civil war and southwestern paintings. This one measures 12" x 16" and looks just like a photograph.

Pair of mentori, faceted style vases by Shigaraki master potter, Kohyama Yasuhisa (b. 1936). The vase on the left side of the photos is an early Shigaraki mentori vase that was wood fired in his first anagama kiln, the vase on the right is a Hakuyu glazed vase, glazed with a Hagi style white glaze which Kohyama uses to this day on his "standard ware" functional pottery...

Enigmatic figures rise from concave discs on the front of this massive Tenmoku Vase by modern sculptural artist Ohi Toshiro enclosed in the original signed wooden box. The gourd shaped form is covered in a mottled red Kaki-yu spotted with flashes of black. The smooth evenly graduated sides contrast with the sharp rough edge of the opening, both surprising and pleasing. Signed clearly on the base, the vase is 14 inches (36 cm) tall, 9-1/2 inches (24 cm) diameter and in perfect condition...

A stunning piece by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Lobed kōro is decorated with stylized flowers and geometric design...

Set of 8 (eight) Hermes Breakfast cups with saucers in the "Toucans" pattern.

These cups were made by Moustiers France for Hermes, in their famous faience ware. This redware pottery is heavier than the Limoges porcelain in which this pattern is usually found. The Moustiers ware is less common as fewer pieces were made due their being handmade, with a raised design rather than the flat design on the Limoges.

The cups are large and hold 13 ounces (384.5 ml) of liquid...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a few small portions of the foot of the tea bowl exposed, displaying the somewhat reddish coarse clay that this piece is fashioned from.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece shown here was made by the 12th generation (Tahara) and, due to its excellent character, was endorsed by the 15th tea master of the Urasenke School of Tea, Hōunsai. The natural ash glaze gradates from a glossy lavender towards the top to a light tan nearer the bottom...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a portion of the foot of the tea bowl exposed, displaying the reddish coarse clay that this piece is fashioned from.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

Rich Oribe square serving piece, with pierced and linen decoration for tea ceremony, kaiseki. This piece is made of stoneware and was made by veteran Oribe potter, Kato Sakusuke. His works are widely exhibited and published and his touch for making Oribe pottery is wonderful.

This piece is in great condition with its signed box and measures 7.5" by 3" at its widest

Rich Oribe serving piece, an Ogi-hachi, fan shaped tray for tea ceremony, kaiseki. This piece is made of stoneware and was made by veteran Oribe potter, Kato Sakusuke. His works are widely exhibited and published and his touch for making Oribe pottery is wonderful.

This piece is in great condition with its signed box and measures 12.5" by 9"

Well fired Shigaraki chawan by Furutani Michio (1940-2000). Fine ash and bidoro glass cover this Hikidashi style (pulled out) Shigaraki chawan with a vivid pool of bidoro also covering the interior floor and walls of this teabowl. The signature is obscured, covered in ash, glass and charcoal. Over 95% of this chawan is covered in a coating of green glassy ash and is appealing to both the eye and hand...

Living National Treasure Fujiwara Kei (1899-1983) Bizen ware Hidasuki Chawan for Tea Ceremony.
The mark of the potter is carved on the bottom.

Hidasuki or fire sleeve-cording technique results when the ceramic items are wrapped in rice straw and then it burns in the kiln with beautiful red markings left on the surface.

Kei Fujiwara has become the second Bizen Living National Treasure in 1970.

Bizen pottery was originally produced in Imbe village of Bizen pro...

Work 73-6 Bizarre Maki. this print was done in early 1973 It is one of the ugliest Maki prints I have ever seen. In this period Maki did some of his largest prints and some also with seemingly weird qualities. But these big ones – easily seen to be a variation of Nothing or Mu—are not riddles. We know what they are because Maki told us what he meant...

Pure quiet and calm is embodied in this white Hagi crystal by important female artist Miwa Hanako enclosed in the original signed wooden box. It is 10-1/2 inches (27 cm) tall 5-1/2 inches (14 cm) diameter and in excellent condition.
Miwa Hanako was born the grand daughter of Living National Treasure Miwa Kyusetsu XI, daughter of Kyusetsu XII who has sought to incorporate sculpture into the realm of traditional Hagi ware. She was raised surrounded in the world of Hagi-ware. She graduated ...

Beautiful mezzotint print of a black and blue night scene with a waning crescent moon behind Japanese primroses in bloom. Artist: Yoshihiku Kaya, edition 39/75. No condition problems to note. Size: 8.5 x 4.25 inches and 20.25 x 14.25 inches with frame.

Now we are proud to offer you our second Chawan made by famous Toyozo Arakawa. It is colorful and shiny Oribe Chawan in mint condition with no cracks and no repairs.

Size: 5,1 inches x 5,5 inches x 2,8 inches

Toyozo Arakawa (1894-1985) rediscovered the techniques of manufacturing Shino glazes first perfected during the Momoyama and Edo periods. Arakawa also proved that these legendary ceramics originated in his native Mino province (not Seto as previously believed), and ...

Rare Hamada Shoji (1884–1978) Summer Chawan with distinctive iron pigments.

Size
Height 7.5cm
Width 13.8cm

Very good condition with no damage
Supplied with wooden box signed by Hamada Shinsaku

Shoji Hamada (1894-1978) was a renowned Japanese ceramic artist and one of the leading figures of the Mingei (Folk Craft) movement. He is internationally recognized for his contributions to pottery and is considered a master of traditional Japanese pottery...

Large classical Oni-Shino chawan by Kajiura Soshu (b. 1916). Showing a wide array of surface variations including a thick Shino together with large areas of an iron red glaze with the face of the bowl being covered in deposited ash from an intense wood firing. The interior has wonderful luminescent iron together with areas of Shino cells and and also has a ground down clamshell where something was stood inside the chawan during the firing, a common occurrence in this style of pottery. .

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Rare Chawan crafted by the eminent Hamada Shoji (1894-1978), showcasing the exquisite use of iron pigments.


Size:
Height: 7.9cm
Width: 15.1cm

In excellent condition.
Comes with a signed wooden box.

Shoji Hamada was a key figure in Japanese ceramics, famous for his involvement in the Mingei (Folk Craft) movement. Internationally acclaimed for his pottery expertise, he mastered traditional Japanese techniques.

Initially a painter, Hama...

A quintessential example of this artists most sought-after style, a ‘Scattered Blossoms’ vessel by Kondo Yutaka enclosed in the original signed wooden box titled Funka Bin (Scattered Flowers Bottle). The pattern of petals is impressed deeply into the surface, and filled with white slip, contrasting starkly against the textured black background. It is 23 cm (9 inches) tall, 17 cm (7 inches) diameter and in excellent condition. For a similar work see the collection of the Metropolitan Museum...

Hamada Shoji (1884–1978) Broken Straw Brush Motif Yunomi

Very good example of Hamada's iconic broken straw brush pattern with distinctive iron pigments.

Similar glaze and iron brush reference: http://www.philrogerspottery.com/portfolio/h186-yunomi-hamada-shoji/
No box is provided.
Size
Width 3.32in (8.5cm)
Height 3.35n (8.6cm)
Weight 225g

Condition
Very Good.
No chips, no cracks

So unique: fantastic light blue Celadon porcelain tea bowl by master potter Makoto Wakao.

Wakao Makoto was born in 1959 in the city of Tajimi (current Gifu prefecture), one of Japan’s great ceramic center known for Mino-yaki (Mino ware). He studied industrial design and at 24 was selected for the Asahi Journal Exposition and the exposition of the Japanese Traditional Crafts Association. Since 1998 his works have been frequently exposed at the famous Kuroda Toen gallery in Ginza, ...

A quintessential Mashiko work by important artist Hamada Shoji enclosed in a wooden box annotated by his son Shinsaku. It is 11-1/2 inches (29 cm) square. 7 cm (2-1/2 inches) tall and in excellent condition.
Hamada Shoji was born in Tokyo, and enrolled in the Tokyo Technical University at the age of 19. In 1918 he met the important British potter Bernard Leach, and the history of ceramic arts was forever changed. One of the most influential and sought after of all Japanese Ceramic arti...

A perfect Mashiko chawan with stunning glaze by greatest Shoji Hamada, enclosed in its originally signed wood box. The bowl has a wonderful shiyo-yu salt glaze. Hamada made such treasures only once a year in April because items with such glaze were very difficult to made.

Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to England with his friend, Bernard Leach, to start the Leach Pottery in St. Ives, Cornwall back in 19...

A large vase by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is an early work, when he focused on celadon-like glazes. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon. This is very large piece from that period. Titled Green Crystal Glaze Flower Vase (Rokushōyū kabin 緑晶釉花瓶), it is glazed stoneware, from Shōwa Period, early 1970. Piece is 24.2 x 20.4 cm and...

Every shade between mustard and aubergine fades into the deepest blue on the sides of this ovoid form decorated with enigmatic relief-work by Shinkai Kanzan enclosed in the original signed wooden box titled Nishiki-ka Kabin. It is 14-1/2 inches (37 cm) tall and in excellent condition.
Shinkai Kanzan was born the grandson of Seifu Yohei III in 1912 and was raised from a baby in the confines of the Gojo-zaka ceramic district of Kyoto, inducted daily into the realm of pottery by his father a...

A rare early form, the crawling Shino glaze covered in rich rust red with autumn grass in white silhouette by Mino pottery legend Suzuki Osamu (Kura) enclosed in the original wooden box signed on the side and titled Shino Hanaike on the lid. It is 26 cm (10-1/4 inches) tall and is in excellent condition.
Suzuki Osamu was born in Gifu prefecture in 1934, and graduated the Tajimi Technical School ceramics division in 1953. (not to be confused with avant garde potter Suzuki Osamu of Kyoto So...

One of the best pieces of his work is this 40 year old Tenmoku Tea Bowl of Wong Ching Chuen, the famous Chinese artist, potter and well known collector of Japanese and Chinese ceramics.

It shows perfectly the peak of his skill in throwing high sophisticated Tenomoku bowls. Mint condition - no cracks or repairs. It comes with its originally signed and sealed wooden box.

Size: 6,6 cm height x 13 cm in diameter.

Shipping included.

Wonderful Kuro Raku Chawan by one of the best Raku artists of the 20th century, Choko Heian. This tea bowl was made 40 years ago and it is in mint condition.

The seal of the potter is stamped on the bottom. The original wooden box with the signature of the potter is also included.

Size: 9 cm height x 12,2 cm in diameter.

Free shipping

Shino Ware: The Beauty of Whiteness and Organic Irregularity.
This rare beauty is made by Mino legend Ando Minoru (1927-2015) and painted by renowned avant-garde painter Takeo Yamaguchi (1902-1983).

Ando Minoru held his first painting exhibition at the Kokugakai of Ryuzaburo Umehara in 1957. In 1965, he worked under the guidance of Sakuzo Hineno, a well-known ceramist in Kyoto. In 1967, Ando Minoru published a collection of Mino ancient ceramic patterns, first and second editi...