Wood-fired Guinomi, Sake Cup, by John Benn; Harstine Island, WA. Temmoku & Nuka Glazes. H. 2.25"(5.5cm) x Dia. 2.75"(7cm.) John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln...

I cannot help be see the incense stick burns in a Buddhist altar cloth when I look at this Shino Chaire by Wakao Toshisada which comes enclosed in the original signed wooden box.  Inevitably as more sticks of incense are added to a koro, some will break and fall onto the altar cloth, smoldering as they disappear into smoke, leaving only a fleeting scent and shadow-like scar in the drapery.  If one has ever been deep into the darkness of a temple, you may know the quiet feeling of contemplation...

A Pottery box by pioneering female artist Tsuboi Asuka made as a flowing roll of golden brocade inspired by traditional textiles enclosed in the original signed wooden box. It is 19 x 15 x 17 cm (7-1/2 x 6 x 6-1/2 inches) and is in excellent condition.
Tsuboi Asuka was born in Osaka in 1932, but the family moved to Tokyo when she was 12...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...

Plate, Mashiko-yaki, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kuro (black) and Kaki-yu ("persimmon" glaze.) H.1.25"(3cm) x Dia.7"(18cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares...

An exquisite work of layered pottery by challenging female artist Fukumoto Fuku enclosed in the original signed wooden box titled Tsuki no Shimo (Moon Frost) and date to 2017. The clear white glaze certainly is like moonlight, and something about the impact of the form into multiple forms calls to mind an asteroid strikeing ground. It is both calm and alive with movement at the same time...

An incredible universe is born in the center of this masterpiece by Tenmoku legend Kimura Moriyasu enclosed in the original signed wooden box titled simply Tenmoku Chawan. It is 14 cm (5-3/4 inches) diameter, 7 cm tall and in excellent condition.
Born into the Kimura family in Kyoto in 1935 the youngest of four children, it was only natural for Moriyasu to move into ceramics, following and training under his brother Morikazu and learning decorating techniques from his father...

Tear drop form tokkuri in the Jovian Storms pattern neriage and a rich and three dimensional Ao glaze which runs from steel blue-grey to green with blue highlights

Porcelain and glazes

7.75" X 5"

Functional, decorative and food safe

Ao glazed, thrown and altered vase form with panels of Shono rain pattern

Stoneware, slip and glazes

8.25" X 7.5" at it's widest

Classic and Momoyama inspired chaire in Oni-Shino style with a wide array of textures, varied coloration and a simple reed/pampas grass decoration carved through an iron-rich slip under a thick feldspathic glaze. The use of varying thicknesses of the Shino glaze not only accentuates the form but creates a moody and atmospheric appearance like mist clinging to a lakes edge...

A brilliantly colored bowl studded with shiseki and slashes of black by Banura Shiro enclosed in the original signed wooden box. It is 14 cm diameter, 7 cm tall and in excellent condition.
Banura Shiro (1941-2001) was born the fourth son of influential Lacquer Artist Banura Shogo. His sensitivity to textures may stem from that exacting influence...

Enigmatic forms in black populate the oil spotted rust-colored body of this voluminous work by Shimizu Yasutaka enclosed in the original signed wooden box displayed at the 35th Nihon Kogei Kai Shinsaku Togei Ten (Japan Crafts Association Exhibition of New Ceramic Works) and published on page 8 of the catalog for that year (2007, catalog included). The vessel is 14-1/2 inches (37 cm) tall, roughly 1 foot (29 cm) diameter and in fine condition...

Large teabowl with medieval green, Fujina style, glaze over hakeme with kamon diamonds around the piece

Stoneware, slip and glazes

5.6" X 4.25"

Functional, decorative and food safe

Please see the recent Ceramic Monthly cover story on Michael Gustavson, at gustavsonstudios.com Collectors of Gustavson know that his early pieces, like this one, "Wedges" from 1986, are some of his best work, and are all the more valuable because they are hard to find. This is likely the finest example of his early work that is available today. This extraordinary raku vessel has had only a single owner from the day it was created over 20 years ago...

This subtle, yet impressive mizusashi is by modern Karatsu legend; Nakazato Takeshi (b. 1937)...

Guinomi, Sake Cup, Temmoku & Nuka Glazes. John Miller; Portland, OR. H. 15" (3.75cm) x Dia. 2.125" (5.5cm.) Vol. 1.3oz (40cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had th...

A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia of Chinese artistry. With its distinctive deep red glaze, reminiscent of brilliant sunsets, red chili peppers, and festival colors; its presence creates an enchanting visual allure. The bowl's form is elegantly simple, with a gently flared rim that invites contemplation. Crafted with precision and care, this piece reflects th...

Wide Bowl with incised Lotus medallion. Bamboo Ash and Copper Glazes. H. 3.625"(9cm) x Dia. 8.625"(22cm.) The Lotus is a important symbol in Buddhism as it represents rebirth, purity, and spiritual perfection. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and ...