White Shino glaze Vase with studded neck & shoulder, by Sachiko Furuya; Honolulu, HI. H. 9.125"(23cm) x Dia. 4.5"(11.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

A fabulous textured on those faceted sake cups and Ichirin Sashi (Single Flower Vase) by Sakai Hiroshi enclosed in the original signed wooden boxes.
Size, Vase, D 9.2 cm H 19.1 cm
Size, Cups, D 6,7cm and 6.5cm
H 5.2cm and 6.6cm
Condition, Excellent

A magnificent Shigaraki vase by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Konsei Hanaire (Blended Clay). The mixed earth creates a unique texture with green ash and burnt red where it has been licked by flame, yet remains pale from the shadows of the kiln, each side is unique, and there is never a dull moment.
Size, D 12.4 cm H 23.1 cm
Condition, Excellent
Furutani Kazuya (b. 1976) is one of Japan’s most promising young stars...

Mingei influenced stark white slipped bottle vase with dramatic hakame executed with a stiff boar's fur brush. This shape is a bit reminescent of Scandanavian form of the 1950's

Stoneware, slip and glaze

10.2" X 5.5"

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...

Large wasp waisted vase with chimney style neck glazed in a rich temmoku and tetsu0yu combination with large ring lugs flanking the neck.

Stoneware and glazes

15.75" x 7.5"

Robust temmoku glazed vase form with vivid masame patterned texture through out the body of the vase

Stoneware and temmoku glaze

9.8" X 6.4"

Round ko-tsubo, small vase with temmoku glaze and clear panels with multi-color enamels in vertical stripes

Stoneware, slip, glazes and overglaze enamels

7" X 7"

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...

Rich temmoku glazed vase form with archaic inspired impressed decoration around the body

Stoneware and glaze

8.25" X 6"

Seo Byung Ho was the recipient of the top prize in the 2009 World Ceramic Biennale, the highest paid ceramic art prize in the world. With this lovely pair of sculptural vases, Seo has combined the shape of a traditional vessel with the form of a fish, a symbol of eternal vigilance because the fish never closes its eyes. For the same reason, the fish is also a symbol of diligence that has long been a source of inspiration for Korean scholars, and is a common motif employed in scholar's implements...

This piece was fired for 11 days with pine fire wood in anagama. Melted ashes has turned to green glass as natural glaze, it's very beautiful, And shells that was placed to avoid sticking has become to natural pattern. YouTube movie: https://www.youtube.com/watch?v=DKmdIyVGWEg Accessary: wooden box signed by artist Size: 10.6cm(base diameter) 23.3cm(height)

Wood-fired flower vase by George Gledhil; Payette, ID. Attached lugs in style of "mimi-tsuki" (ears attached) "kabin" (flower vase) of Iga-yaki. H.6.375"(16cm) x Dia.3.75"(9.5cm.) Inspired by Japanese Iga ware. H.6.375"(16cm) x Dia.3.75"(9.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

A fine Tokkuri by the greatest Shigaraki Legend Tsujimura Shiro. It is enclosed in the original signed wooden box.

Shiro was born in Nara in 1947, likely needs no introduction, certainly one of Japans most well known potters, he has been displayed both nationally and internationally innumerable times.

Tsujimura Shiro first became interested in pottery while studying to be a painter in Tokyo...

Thrown, altered and assembled Oribe vase based on a traditional Japanese Dotaku, bell form. Traditional Oribe glaze and panels of white and black stripes on either side

Stoneware, slips and glazes

8.75" X 5.75" X 7.25"

Saffron hakeme yellow iron glazed double gourd bottle vase with subtle raked slip under the glaze

Stoneware, slip and glazes

9.75" x 5.5"

Functional, decorative and food safe

Vase, Hanaire, Mashiko-yaki, by Tagami Munetoshi. 8-sided body with round neck and lip. Deep black Temmoku glaze. H.7.5"(19.5cm) x Dia.2.75"(7cm.) Ideal for placement in tokonoma. Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

A spectacular work by Sugimoto Sadamitsu enclosed in the original signed wooden box titled Aka (red) Hanaire. The feeling is like Raku, with a very thin glaze over rough clay affecting hi-iro colors within the glazing. This is a wonderful piece for showing this master-potters control of glazing and firing technique.
Size, D 1.3 cm H 16.4 cm
Condition, Excellent
Sugimoto Sadamitsu was born in Tokyo in 1935...