If a chawan can be at the right place at the right time, than this is the one. This medieval style chawan has a rich, fluid coating of glassy ash covering the entire face and most of the interior of the bowl with a vivid, green pool of ash as a centerpiece for the viewer/user. The ash is in a myriad of colors and travels well onto the foot where it culminates in a beautiful drip of green glass...

Wonderful, rich Nezumi-Shino chawan with "Sengai's Universe" design of the enigmatic Zen symbols of the circle/square/triangle showing through the iron glaze and slip as an evocative white decoration on either side of the bowl. this chawan with its classic Momoyama presence, active interior, rich glaze cells and well addressed foot is by legend and veteran Mino potter; Mizuno Takuzo (Taizo)...

This highly animated and perfection in porcelain vase was made by Hokkaido native; Ono Kotaro. The deeply carved seiji vase is actually has a very pale yellow crazed glaze which collects on the ridges and further accentuates the cyclone like movement of this pot. As you look around the vase, the deep ridges bring the eye up the pot and it actually appears to be in motion...

Classical Iga vase by noted master Japanese potter; Kishimoto Kennin (b.1934). This vase, based on Momoyama and early Edo Iga archetypes, has varying hues of natural green ash about the top portion of the vase which also cascades down the side and forms wonderful bidoro rings around the mouth and shoulder. Though a thoroughly Iga pot, the clay body is actually wonderful Shigaraki clay with a healthy amount of feldspar inclusions...

I have long wanted to offer a significant piece by this artist, and here is a spectacular Nezumi Shino pair of vases by Wakao Toshisada enclosed in the original signed wooden box. Red tinged white waves boil over the Nezumi-gray arc of the base, a white waxing moon floating above. They measure 9 x 3-1/2 x 12-1/2 and 8-1/2 x 3-1/2 x 10-1/2 inches (23 x 9 x 32 cm and 21.5 x 9 x 27 cm) respectively and are in perfect condition...

An exquisite Nerikomi basin by Shiobara Yoshio enclosed in the original signed wooden box exhibited at the 9th Nihon Togeiten National Exhibition. Nerikomi is the technique of working with layers of variously colored clays. This basin measures 17 inches (43 cm) diameter, 6 inches (16 cm) tall and is in fine condition. The original exhibition tag remains on the base with a note stating it was purchased for 400,000 yen (currently about 5,000 dollars) at that time...

A massive Bizen Charger with a large central spot like a sunflare by Kengo Masamune (b. 1954) enclosed in the original wooden box displayed at the 1987 Nihon Togei Ten IX (The Ninth Japan Ceramic Art Exhibition) and can be viewed as item number 169 in the catalog. It is huge at 21 inches (53 cm) in diameter, 3 inches (8 cm) tall...

A large Oshimon Kaki Vase by Ota Itaru enclosed in the original signed wooden box exhibited at the 9th Nihon Togei Ten National Exhibition. The entire surface is impressed with inverse pyramids, and patterned with dark and light triangles. An incredibly exacting design perfectly executed. The vase measures 16 inches (40 cm) tall, 11 inches (28 cm) diameter and is in fine condition...

Large, Momoyama inspired, Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). Though it is easy to spot some influences of his master, Arakawa Toyozo, this chawan is all Tsukigata Nahiko. The vivid iron slip shows, like a shadow, under the feldspar Shino glaze with rich areas of natural green glassy ash coating the surface and iron accents about the lip and showing through the surface...

Simple saffron glazed stoneware neriage water jar with vivid patterning and two small gold lacquer dots on the body

Stoneware and glazes

7.25" x 6.25"

Functional, decorative and food safe

Paddled teabowl with poured slip decoration under my saffron glaze. The interior shows wonderful running and pooling of the iron yellow glaze.

Stoneware, slips and glaze

5.25" x 4.15"

Functional, decorative and food safe

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Mashiko White Glaze with Iron brush of pattern used by Munetoshi's grandfather, Sudo Takeo, and by Hamada Shoji. H.3"(7.5cm) x Dia.3"(7.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

Tea Cup, Yunomi, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze) with Aka-e (overglaze red enamel.) 8 Faceted sides. One facet features the broken sugar cane motif in homage to the image made famous by Hamada Shoji, who taught Isamu's father. H.3.375"(8.5cm) x Dia.3"(7.5cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo...

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Brown glaze and overglaze red enamel bamboo leaf motif in white medallion. H.3.125"(8cm) x Dia.3.375"(7.5cm) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right aft...

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Bamboo node shape with kaki ("persimmon") & white glazes. H.2.75"(7cm) x Dia.3.875"(9.75cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school w...

Tea Cup, Yunomi, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze) with bamboo leaf motif. H.3.5"(9cm) x Dia.3.25"(8.25cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-gen...

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Ame-yu (amber glaze.) Slip trailed designs piped onto outside shoulders. H.2.875"(7.25cm) x Dia.3.75"(9.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right a...

Tea Cup, Yunomi, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze) Rou-nuki (wax resist.) A repeated pattern of "8"s on this cup are a reference to the kanji character for 8 which is two lines that open wide slightly horizontally, an image that is open and receptive to good luck and symbolizes a bright future. H.3.375"(8.5cm) x Dia.3.375"(8.5cm.) Tagami Isamu was born in in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family...

Sake Cup, Guinomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze,) Nuki-e (wax resist design.) H.2"(5cm) x Dia.3.125"(8cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to...

Sake Cup, Guinomi, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki ("persimmon") glaze and bamboo leaf motif. H.2.5"(6.25cm) x Dia.2.5"(6.5cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-generati...

Sake Cup, Guinomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Kuro (black) and Nuka (Rice Husk Ash) glazes. H.2"(5cm) x Dia.3.125"(8cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to America to m...

Sake Cup, guinomi, by Tagami Isamu, Hinata Kiln, of Mashiko, Tochigi Prefecture. 8-faceted shape with kaki yu ("persimmon" glaze) and aka-e (red overglaze enamel.) The motif of the broken sugar cane appears on one the facets in homage to the image made famous by Hamada Shoji who taught Isamu's father-in-law, Sudo Takeo. H.2.25"(5.5cm) x Dia.2.875"(7cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He w...

Sake Cup, Guinomi, by Tagami Munetoshi, Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu Aka-e ("persimmon" glaze with red overglaze enamel.) H.1.875"(4.75cm) x Dia.3"(7.75cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school ...

Guinomi, Sake Cup, by Tagami Isamu of Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze,) and bamboo leaf motif. H.1.75"(4.75cm) x Dia.2.375"(6cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-generation head ...

Guinomi, Sake Cup, by Munetoshi Tagami of Mashiko, Tochigi Prefecture. Kaki-yu Aka-e ("persimmon" glaze with red overglaze enamel.) H.1.875"(4.75cm) x Dia.3"(7.75") Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to Ame...

Tea Cup, yunomi, by Nakamura Masahiro, Tsuboya-yaki, Okinawa. ca. 2000. H.3"(7.5cm) x Dia.2.75"(7cm.) White glaze with two overlapping circles in blue, the intersection filled in with yellow glaze. Tsuboya wares are divided into joyachi (glazed) and arayachi (unglazed) wares, which also served different functions (large unglazed storage vessels, smaller glazed personal items such as bowls, plates, cups, etc.) The Tsuboya pottery district in today's Naha City began in 1682 when Okinawa's three ...

Tea Bowl, Matcha Chawan (in Korean, Cha Jya,) by Shin Hyun-Chul, ca. 1995. H.2.5"(6cm) x Dia.5.5"(14.5cm.) A classic example of natsu jawan (summer tea bowl) with a low, and wide profile. Accompanied by signed wooden box. Shin Hyun-Chul is a Korean potter who is well-respected by tea ware connoiseurs in Japan. His work is also shown in, of course, Korea, and has been exhibited in NY and LA in the U.S. The early tea masters, such as Rikyu, created a Japanese aesthetic for tea which prized the a...

Dish by Sachiko Furuya. H.2.5"(6.5cm) x Dia.11.375"(29cm). Bamboo Ash, Copper, Iron Glaze. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and museums in the ...

Tea Bowl, Matcha Chawan, Ido-gata (well-shaped,) by Sachiko Furuya. H.3.25"(8cm) x Dia.6.5"(16.5cm). Bamboo Ash, Copper, Iron Glaze. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited...

This piece is almost identical to the work submitted by the artist to the 7th Nihon Dento Kogei Ten in 1983 (featured as item number 116 in the catalog for that year) and indeed, shares the title Hi-iro In-mon Tsubo (Flame-Colored Stamp-Patterned Tsubo). It measures 34 cm (13-1/2 inches) diameter, 29.5 cm (12 inches) tall and is in excellent condition.
Kanzaki Muneaki (b 1949) is the fourth generation head of the traditional Mokusen Kiln in Koga, Shigaraki. His works have been exhibited...

Lush wasp jar with my Ao glaze over hakeme slip with stinger style lid knob

Stoneware, slip and glazes

8.8" X 6.2"

Functional, decorative and food safe

Rich, almost luxuriant chawan by rising star, Tsukamoto Haruhiko (b. 1959). This lush and evocative Oribe chawan features an every changing landscape and kaleidoscope of textures and color over the well carved, faceted surface. From light and pale tones of green and blue-green, to thick pools of a rich brown-green pool of glaze in the mikomi, this chawan has something at every angle and turn of the chawan. The innovative form, landscape and cut foot are all trademark characteristics of the potte...

This large, bold and classical Shino vase was made by Mino legend and veteran potter, Hayashi Shotaro (b. 1947). Thrown out of traditional Mino mogusa clay, the throwing is both a blend of both casual and power. The form has areas of iron decoration under the beautiful and active white Shino glaze with lots of craters and crawling characteristic of great Shino pottery. The vase is an amalgam of classic Momoyama inspired design and Shotaro's genius for modern form and pushing the edges of contem...

A striking Bizen Chawan of mixed clay by young artist Yokoyama Naoki enclosed in the original signed wooden box. The mixed earth is pulled and twisted out of shape; one can sense the plasticity with your eyes. The stretched earth is burnt red where it has been licked by flame, yet remains pale from the shadows of the kiln. The bowl is just less than 5 inches (12 cm) diameter, 3-1/2 inches (8.5 cm) tall and in fine condition.
Naoki has been displayed at the Chanoyu Zokei Ten at the Tana...

Who says the work of a woman potter is feminine? This is a powerful Iga work by Watanabe Aiko enclosed in the original signed wooden box. There is nothing sedate about this work, charred and dripping with glassy green glaze, freckled with flying ash; the heavy lug handles jutting from the side slightly off kilter. The vessel is 7 inches (17 cm) tall, roughly the same diameter and in excellent condition.
Aiko established her first Anagama kiln in Shigaraki in 1994, and moved to Iga in 2...

Well fired Shigaraki chawan by Furutani Michio (1940-2000). Fine ash and bidoro glass cover this Hikidashi style (pulled out) Shigaraki chawan with a vivid pool of bidoro also covering the interior floor and walls of this teabowl. The signature is obscured, covered in ash, glass and charcoal. Over 95% of this chawan is covered in a coating of green glassy ash and is appealing to both the eye and hand. This chawan is in the style of Furutani Michio's early works (circa 1975 to 1985) and based o...

A large, Momoyama inspired, Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). Though it is easy to spot some influences of his master, Arakawa Toyozo, this chawan is all Tsukigata Nahiko. The swell and rhythm of the throwing, the application of a rich red iron underglaze and his soft and seductive Shino creates a style that is easy to differentiate from most other Mino/Shino potters. The bowl's broad shape and high kodai is classic for this potter and th...

Powerful, dramatic, enigmatic, there is a nearly unending number of descriptions that would still all fall short in describing this large Enbu-Shino chawan by Yamada Kazu. Enbu literally means "dancing fire" and it is that dancing fire that pushed the clay and glaze of this chawan to the very limit where the glaze turned to molten glass and began to flow like lava down the sides and into the interior of this pot. But pushing the limit is nothing new for Yamada Kazu who has broke new ground in hi...

A large, exhibition quality, bold and timeless Oni-Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). This rare wood fired chawan has a wide variety of surface effects caused by the interplay of iron and Shino glazes and an intense fire with the face exhibiting a satiny iron face (tetsu-omote). The intentionally distorted shape fits the hand well and the lip, mikomi and kodai all act to balance out a truly inspired work by a potter of the highest level. Th...

Encrusted in blue glass, this Iga Tokkuri by Furutani Kazuya is a pleasure to see and hold. It is 5 inches (12. Cm) tall, 3 inches (8.5 cm) diameter and in perfect condition, enclosed in the original signed wooden box.
Kazuya (b. 1976) is one of Japan’s most promising young stars. He graduated the Yamaguchi College of Art in 1997, and spent a year at the ceramics research facility in Kyoto before returning to work under his father, Furutani Michio, in Shigaraki. His Father’s sudden...

Temmoku and haiyu glazed tea caddy, chaire with ceramic lid. There is flowing glaze all around the upper portion of the wasp waisted form with a beautiful green steak present on the face of the pot.

Stoneware and glazes

4.2" x 3.25"

Functional, decorative and food safe

Wood-fired Tea Bowl, matcha chawan, with signed wooden box by George Gledhill; Payette, ID. Shino & Ash glaze. H.3.375(8.5cm) x Dia.4.875"(12.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introductio...

Wood-fired Tea Bowl, matcha chawan, with signed wooden box by George Gledhill; Payette, ID. Ash glaze. H.3.125"(8cm) x Dia.4.5"(11.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the wo...

Wood-fired Tea Bowl, matcha chawan, by George Gledhill; Payette, ID. White Shino glaze. H.3.125"(8cm) x Dia.5.125"(13cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Cere...

Wood-fired Tea Bowl, matcha chawan, with signed wooden box, by George Gledhill; Payette, ID. Shino & Ash glaze. H.3.25"(8.25cm) x Dia.4.875"(12.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduct...

Wood-fired Tea Cup, yunomi, by George Gledhill; Payette, ID. Shino glaze. H.3.5"(9cm) x Dia.3.25"(8.25cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helpe...

Wood-fired Tea Cup, yunomi, by George Gledhill; Payette, ID. Shino glaze. H.3.5"(9cm) x Dia.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped ...

Wood-fired Tea Cup, yunomi, by George Gledhill; Payette, ID. Shino Glaze. H.3.125"(8cm) x Dia.3"(7.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped ...

Wood-fired Tea Cup (yunomi) by George Gledhill; Payette, ID. Shino glaze. H.3.25"(8.25cm) x Dia.2.75"(7cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has help...

Wood-fired Yunomi (tea Cup) by George Gledhill; Payette, ID. Shino glaze. H.3"(7.5cm) x Dia.2.5"(6.26cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped...

Wood-fired Tea Cup (yunomi) by George Gledhill; Payette, ID. Ash Glaze. H.3.25"(8.25cm) x Dia.2.875"(7.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has hel...

Wood-fired Yunomi, Tea Cup, by George Gledhill; Payette, ID. Ash Glaze. H.2.875"(7.25cm) x Dia.2.75"(7cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped...

Wood-fired Disk-shaped Vase by George Gledhill; Payette, ID. Ash glaze exterior, white glazed interior. H.3"(7.5cm) x Dia.9.75"(25cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the worl...

Wood-fired Vase, hanaire, by George Gledhill' Payette, ID. Ash glaze, feldspar, a solid sculptural and textural piece. H.8"(20cm) x 3."(9cm) square. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduc...

Wood-fired Vase, hanaire, by George Gledhill; Payette, ID. Shino & Ash glaze. H.4.625"(11.75cm) x Dia.4"(10cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has ...

Wood-fired Vase (hanaire) or Sake Flask (tokkuri) by George Gledhill; Payette, ID. Ash glaze. H.5"(12.75cm) x Dia.3"(7.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea C...

Wood-fired Vase by George Gledhill; Payette, ID. Shino & Ash glaze. H.6.25"(16cm) x Dia.4"(10cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to shape...

Wood-fired Vase (hanaire) or Sake Flask (tokkuri) by George Gledhill; Payette, ID. Ash glaze. H.4.375"(11cm) x Dia.3.375"(8.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of...

Wood-fired Vase (hanaire) or sake flask (tokkuri_ by George Gledhill; Payette, ID. Ash glaze. H.4.625"(11.75m) x Dia.3.25"(8.25cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world o...

Wood-fired vase (hanaire) or sake flask (tokkuri) by George Geldhill; Payette, ID. Ash Glaze. H.4"(10cm) x Dia.3.5"(9cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Cere...