Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone...

Incised and Inlaid Stoneware Vessel by Cho Chung Hyun (born 1940), a retired professor and Dean of Fine Arts at Ehwa Womans University. This piece was recently featured in an exhibition at the Korea Society. Cho Chung Hyun's work is inspired by Korea’s onggi pots...

Bold colors ripple and bead like oil on the surface of this multifaceted object by Hashimoto Tomonari enclosed in the original signed wooden box. It is 27 x 24 x 23 cm (11 x 9-1/2 x 9 inches) and comes with a signed wooden box, directly from the artist.
Hashimoto Tomonari was born the son of a sculptor and has felt comfortable with the processes of creation since childhood. He graduated with a masters from the Kanazawa University of Art in March 2017, then relocated to Shigaraki...

Elegant modernism art deco ceramic vase with signed box by one of the Japanese masters, Norio Azuma. Created at the turn of the century, ca. 2000. 13" tall x 10" in diameter. ask for shipping quote.

Amber glazed (Ameyu) teapot with cobalt decoration high-lighting the body of the piece

Stoneware, glaze and overglaze

8" X 5.75" X 9.5"

Functional, decorative and food safe

Keikan-ko (Chicken Head) Vase, by Sachiko Furuya; Honolulu, HI. Inspired by a historical Chinese shape. Shino and Bamboo Ash Glazes, with braid handle. H. 9.5"(24cm) x W. 5.75"(14.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

GIZA GIZA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Giza Giza’ is a Japanese onomatopoeia and would be translated to “Jagged” in English. H 13 x W 13 x D 13cm (5.11 x 5.11 x 5.11in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature...

The vase has interesting rugged and leathery texture to it, reminding of elephant skin. H 18 cm. Signed with impressed mark. It comes with inscribed and signed storage box and information paper. Perfect condition. ***** Morimoto Kei was born in Akaiwa City ( Okayama ) in 1948. In 1978 he came under the influence of Master Fujiwara Kei and was taught by him. 1982 became a student of Oi Itsugo 1986 built his first climbing kiln. 1989 opens his studio...

Medium size terra cotta plate decorated in the tin glazed majolica style with resisted spirali e tagli design amid an abstract background. This plate can be wired to hang, please let me know if you want this option.

Terra cotta, glaze and overglazes

14.25" X 2.25"

Functional, decorative and food safe

Large ovoid baker form glazed in a classical Oribe pattern of "mon" gate devices. Thrown and altered with applied lug handles

Stoneware, slips and glazes

15.75" X 5.75" X 5"

Functional, decorative and food safe

A set of 5 very stylish small plates in raw porcelain with one sleek glazed surface by Kato Yoshiyaseu enclosed in the original signed wooden box titled Reversi Plate. The elevated surface is glazed smooth, the pierced foot and underside are in raw porcelain. Each plate is 10 cm (4 inches) diameter and in perfect condition. These were made on our order specifically to accompany the larger plate set also listed...

Rich Oribe influenced mizusashi with hakeme (hakame) and impressed design. In the firing, the glaze ran off the pot to form a dragonfly eye style drip. The drip makes the pot a bit uneven, but I could not bring myself to grind off the drip. The foot can easily be stabilized with the addition of two felt pads

Stoneware, slip and traditional Oribe glaze

5.75" X 8.6"

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.0cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

Robest impressed decoration teabowl with an overall "echoes" pattern around the piece under one of my Oribe glazes

Stoneware and glaze

5.5" x 4.25"

Decorative, functional and food safe

A powerful Bizen sculptural vessel by Motoharu Kurokawa Of a trapezoidal shape, with irregular cut away parts on both sides. Kurokawa Motoharu ( Tokyo, 1957 - ) is an innovative craftsman from Okayama, who works with Bizen, he has won numerous prizes for the originality of his works. Member of Japan Kogei Association. Impressed artist’s mark in the bottom and information of the artist. Size: H 30 cm, W 30 cm, bottom: L 18 x 7 cm. Perfect condition

Large, open style chawan with hakeme, underglaze copper and overglaze red (aka-e) enamel decoration

Stoneware,slip, glaze and overglaze enamel

6" X 3.2"

Lustrous green Oribe glazed chawan over a combed "breaking waves" pattern highlighted with an underglaze wash of purple-brown

Stoneware, slip, wash and glaze

5.5" X 3.85"

Functional, decorative and food safe