This elegant Japanese seihakuji vase with peach bloom, shinsha accent, is by studio pottery master; Morino Kako. This vase measures 8.8” X 3.25” and is in excellent condition with original signed box. The contemplative decoration of this hanaire is boldly handled by an adept master of glazing and pottery form. Morino’s works are in numerous collections, museums and a wide variety of publications as well...

A set of five deep plates by Living National Treasure Kondo Yuzo decorated with pomegranates in blue on snow white porcelain. The are 20.5 cm (8 inches) diameter and in excellent condition, each signed on back. They come in a custom made contemporary box. Kondo Yuzo (1902-1985) was born in the Gojozaka district of Kyoto and studied alongside Kawai Kanjiro and Hamada Shoji at the Kyoto Ceramics Research facility, where he studied kiln technique directly under Shoji...

Classical kohiki, powdered slip chawan by Ogawa Tetsuo (b.1937). Rich full form that makes for an exceptional chawan with a fine lip and excellent kodai with some crinkled clay peaking through the slip as if emerging from melting clay, the potters forever frozen in the base of the bowl where the pot was dipped in slip. Simple and complex at the same time.

Though subtle, there is a power to kohiki ware that is most time lost in simple illustrations...

A double gourd shaped covered water jar by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni-Shino Mizusashi and inside named Robai-ju (Robai is a type of early blossoming plum, Ju is ball). It is just under 7 inches (17.5 cm) diameter, 6 inches (15 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician...

This large Zenga chawan is glazed in a rich Oribe with a panel of ash clear glaze on which Kasumi Bunsho brushed “Don’t Know” and his full signature, Myoshin Abbot Jishunken with various seals. The Mino tradition chawan was made by Hayashi Ryouji of the Souzan kiln to act as the platform for Bunsho’s idiosyncratic and spontaneous calligraphy...

Kenji Funaki (b. 1927) White Glaze Chawan (tea bowl) Studio Pottery
Elegant shape in the style of fine Joseon dynasty bowls covered with white glaze.

Kenji Funaki is known for his participation in the Mingei Movement led by Yanagi Soetsu and Kawai Kanjiro.
He studied under Hamada Shoji and Bernard Leach. Kenji Funaki received numerous awards including Kokuga Association Award, Japan Folk Crafts Museum Award, Japan Ceramics Society Award...

This elegant vase is by porcelain master; Tokuda Yasokichi III. This vase measures 9” X 5” and is in excellent condition. The rich overglaze enamel decoration of this hanaire is bold and both traditional and modern at the same time.

Yasokichi’s works are in numerous collections, museums and even the Imperial Household collection as well as numerous books, catalogues and other publications...

Aesthetically perfect in imperfection, this Ido chawan made by Korean potter Seon Gil Seo (b. 1910).

Ido chawan, also known as Ido tea bowl or Ido-style tea bowl, is a type of ceramic tea bowl used in the Japanese tea ceremony. It is named after the Ido kilns, which were located in the Mino region of Japan during the Momoyama period (late 16th century)...

A dragon writhes among the astounded population on this sometsuke blue and white vessel by Kawamoto Goro enclosed in the original signed wooden box titled Sometsuke Ryumon Utagaki Tsubo. It is 6 1/2 inches 16.5 cm square 8 inches 21 centimeters tall and in excellent condition dating circa 1980.
Kawamoto Goro (1919-1986) was born in Seto to a family of potters. He studied in Kyoto at the same institution as Kawai Kanjiro and Hamada Shoji...

An unusual vase with rough, pebble textured pink glaze over scratched in cranes by one of Japans most important post-war artists, Shinkai Kanzan, enclosed in the original signed wooden box. The shape and the design are exactly what we would expect from Kanzan, the coloring going even a step beyond. The texture is like unpolished jewels, the inside of a geode; very pleasing to the hands. The vase is 20.5 cm (8 inches) tall, 18 cm (7inches) diameter and in prefect condition...

An historically important work by Furutani Hiromu (Churoku I) from the initial firing of their newly established Nobori-gama climbing kiln in 1974. This type of work is called Hatsugama, or first from the kiln. It is the only piece in the show from the climbing kiln (which has not been fired in over 20 years) and the earliest piece in the show as well. It is 32 x 8 x 35 cm (13 x 3 x 14 inches) and in excellent condition, directly from the family...

Very nice catalogue of the works of Tomimoto kenkichi, Ningen Kokuho. Tomimoto was Living National Treasure of Japan for his meticulously painted enamel porcelains. Along with Arakawa Toyozo, Hamada Shoji, Ishiguro Munemaro, Bernard Leach and Kawai Kanjiro, he represented a group that fought to preserve the traditional crafts of Japan.

This retrospective catalogue (1991) is in very good condition, ex-libris, small bump to the spine and measures 9.5" X 7.5" and is fully illustrated in color...

Broad, Chinese influenced conical chawan with red and green enamel floral and circular decoration. This chawan is an early piece by enamel and Oribe artist Kuroiwa Takumi. He is widely exhibited and published for his pottery.

This chawan is in excellent condition and does not come with a box.

5.7" X 2.75"

Bold and powerful te-oke form by Mashiko veteran potter, Takauchi Shugo (b. 1937). Roughly thrown, Takauchi then hacked away vertical channels down the form adding dimension to the pot and disrupting the thrown marks that encircle the vase which stands as a quintessential form by this potter. The aggressive handle has incised decoration which is also highlighted by settles deep green Oribe glaze with bidoro style drips hanging perpetually beneath the device. At 12.5" tall this has an imposing pr...

A fantastic sculptural Bizen vase by Ajiki Hiro (b. 1948) enclosed in the original signed wooden box dating circa 1995. The vase is roughly 14 inches (35 cm) tall and very heavy, the entire piece carved and cored from a solid block of clay. Hiro is an artist versed in many of Japans ceramic traditions. He fires Shino, Oribe, Seto, Raku, Bizen and Hagi styles as well as styles all his own. His daring Bizen forms have been compared to those of Kakurezaki Ryuichi, and in fact the two often coll...

Wonderful, rich Nezumi-Shino chawan with "Sengai's Universe" design of the enigmatic Zen symbols of the circle/square/triangle showing through the iron glaze and slip as an evocative white decoration on either side of the bowl. this chawan with its classic Momoyama presence, active interior, rich glaze cells and well addressed foot is by legend and veteran Mino potter; Mizuno Takuzo (Taizo). Adept at a wide array of Mino styles, Takuzo excels at this style of Nezumi-Shino and occasionally use...

This bold and impressive Oni-Shino Kannon vase is by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). This rare wood fired Oni-Shino vase is a classic pot by the artist with a wide array of effects and attributes that Tsukigata is well known for which was further painted by the ferocity of the wood firing having one of the most complex surfaces by him that I have seen. The running natural ash which has accumulated on the face of the vase accentuate the verticality of th...

Serene and noble seihakuji koro by veteran and master potter Kishimoto Kennin. Published in an exhibition catalogue for a Takashimiya show (a xerox of the relevant pages are included) this seihakuji celadon koro is a classic example of Kishimoto's style and modernization of a traditional form. This koro is in excellent condition except one of the wing-like appendages was unfortunately damaged and has been repaired, please see the attached photo showing both sides of the area in question. The kor...