Wood-fired Platter, Natural Clays & Glazes, by George Gledhill. 10.5"(26.5cm) Square. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Charming fresh water container (Mizusashi) by Oshio Shōzan III 三代 大塩昭山 (b. 1935), an important potter working in Akahada ware that is produced in Nara Prefecture. Akahada potters are famous for tea ceremony wares. Piece is for late 1970s, stoneware with overglazed enamel, it is 14.6 x 14.4 cm. Potter’s seals on the bottom Akahadayama (赤膚山) and Shōzan (昭山)...

A massive sculptural vase by Kyotos Inoue Yoshihisa (b. 1947) in the form of a crowing cock. This piece was featured in the Nitten in 1973 and is visible in the catalog for that year. Yoshihisa studied ceramics under Kiyomizu Rokube VI, certainly one reason for his emphasis on sculptural concerns. His work has often been accepted to the Nitten National Exhibition, as well as the All Japan New Crafts Exhibition where he received the Members prize, and the Kofukai-ten...

REPLY to DS: Please leave your phone # or call 978 975 5148 1-7pm EST to discuss. Only 4 blanks left for custom painting one each size: 16, 18, 20, 24. With Spring chill still in the air up here in the North East, this Denim Jacket Blazer hand painted by and signed Mimi Dee is still very wearable...

Hakuji, White Porcelain guinomi sake cups by Tokumaru Kyoko ,Tanaka Tomomi and Niisato Akio
All the cups are enclosed in the original signed wooden boxes, made recently and they are in new condition.

Size, D Tokumaru Kyoko 7.6 cm H 5.6 cm (SOLD)
Size, D Tanaka Tomomi 8.9 cm H 9.7 cm (SOLD)
Size, D Niisato Akio 6.6 cm H 5.4 cm (SOLD)
Size, D Niisato Akio 9.7 cm H 4.7 cm (SOLD)

Though ripe with interpretative meaning, waterfalls are often associated with the ideas of unharnessed elemental motion and change, purification and cleansing, and journeys into the fantastical or unknown...

This Kobu- Shino chawan is by Sakai Kobu and is an exceptional example of his work. The nebula like decoration around the intentionally distorted tsu-tsu style chawan with undulating lip has a quality of three dimensions within the glaze. The rich and well controlled surface exhibits iron red, blue-grey, white and lavender tones within the glaze and it is obvious why Sakai is so highly regarded as a modern Mino potter by looking at this chawan...

Here we take an opportunity to announse of a tragedy in the world of Japanese ceramics,Living National Treasure Nakajima Hiroshi passed away last month (Mar 7 2018) at age 76.
There is no doubt about the superlative nature of the deep celadon glazes used by Hiroshi, and this vessel is no let down. A creamy blue crackling glaze covers this artful form which comes enclosed in the original signed wooden box titled simply Seiji Tsubo...

Flower vase with angular shoulder and angular hip, slightly curving in on the sides and standing on a bamboo node foot. Heavy but fine gray stoneware that turned reddish brown upon firing, covered with a celadon green glaze with curved striations made by tracing with his finger. The places where the glaze is scraped back to the stoneware, the clay turned red-brown during firing...

Group of 3 scraffito and brush decorated earthenware vessels by Dr. Lawrence Jordan (American, 1947-2007), circa 1984-1986. The largest (9.5" high) is marked L.Jordan 86. The second is marked L.Jor84. The third is unmarked. Dr. Lawrence Jordan was an important American studio potter and educator. These pieces can be sold together or in two groups (the largest with the four handles can be sold separately from the other two, which I would prefer to sell together)

A dark bowl covered in rivulets of flowing ash by Kakurezaki Ryuichi enclosed in the original signed wooden box titled Kuro Wan. It is breathtaking, and I am already jealous of the lucky soul who will get to keep it...

Ikimori Isaburō II 2代 式守伊三郎 (1925-1987) had a successful career as both professional sumo wrestler and later referee of the top tier bouts. He was born in Hokkaidō and started training in 1936, reaching Makuuchi division in 1956. In 1962 he received referee name of Ikimori Isaburō II...

Signed earwires are 14K Gold. Own the only one. Made in USA. In a USA studio, the earwires were hand wrought and stamped: 14K, which keeps going up.

North to south: 2 3/8"
Green Praseolite Amethyst are 9mm X 5mm
8mm X 5mm natural highly brilliant Mandarin Orange color Spessarite or Spessartite garnet gemstones (real - never faux here!) from other lands...

Thick white feldspathic glaze tinged with flickers of color covers this sake flask by Kato Kozo enclosed in the original signed wooden box titled Shino Tokkuri...

His and hers, meoto yunomi set with stamped designs under a rich temmoku glaze

Stoneware and glaze

max. 4.5" x 3.75"

Functional, decorative and food safe

From a well-known series entitled “Chōtō” (Listening to the Waves) this contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors not ...

Here we have the maverick of Bizen showing off his skills again with a superb chawan in sandy white clay by Kakurezaki Ryuichi enclosed in the original wooden box and comes complete with a catalog from his show last year. The Kodai (foot) is very low, not much more than a flat spot on bottom, making it very comfortable to hold it, the coloring, the texture, the flame-licked , the playful rim and the weight! ...
* A white clay piece was choosing by the artist and published on the special e...

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...