A pair of 18K yellow gold clip-on earrings in Keiselstein-Cord’s timeless “Rope Twist” design. These earrings were produced in at least two sizes, these being the. The surface is bloomed to create the semi-matte finish characteristic of the designer’s work. The earrings are fully marked and dated for 1982, making this among his earliest designs.

• Germany, 1982
• Condition: excellent
• Dimensions: 7/8” x 7/8” (22 x 22 mm)
• Weight: 35.5 grams

Two classical satyr masks peer out from the sides of this Art Nouveau watch fob pendant. Each snarling face is surrounded by whiplash curls of gold that rise to the top of the fob. The bottom surface is engraved with a period “JEM” monogram. The gold surface has soft matte bloomed texture characteristic of the period. The jump ring is original...

A classic pair of 18K yellow gold earclips by acclaimed jewelry designer Barry Kieselstein-Cord. The earrings are designed as rectangular plaques centering slightly domed centers surrounded by beaded borders. The surfaces have a hand-finished look and are bloomed for the slightly matte texture characteristic of the designer’s work. The earrings have substantial weight...

A fine Retro brooch worked in 14K yellow gold and set with diamonds and blue sapphires. The brooch is shaped as a stylized bow when worn vertically or a comet when worn sideways. The gold surfaces are pierced to lighten the overall effect. The center is set with a cluster of round brilliant and single-cut diamonds (J/SI1) surrounded by blue sapphires of slightly violetish-blue color and excellent clarity...

A Victorian 14k gold synthetic sapphire seed pearls leaf pin brooch from 1880-1890. This attractive2-1/8 x 5/8" brooch is of hollow construction and it has a finely tooled pinioned leaf with seed pearls and a claw-set synthetic sapphire. Fine gem stones like emeralds or sapphires were very expensive in the 19th and early 20th century, so synthetic gems were often used even in gold jewelry...

This wonderful stylish antique 14Kt yellow and white gold onyx and diamond ring dates back to the roaring twenties. The 10 X 8 millimeter rectangular onyx is centered by a bezel set approximately 0.10Ct very bright old-mine diamond. The filigree work on the sides and the top part of the shank is exceptional. The ring is a size 4 ½ and it can easily be sized.

This 14Kt white gold diamond heart is set with 42 full cut diamonds with the approximate total weight of 0.35Ct. The heart is ¾” high and 13/16” wide. The necklace is a 16” long 14Kt white gold cable chain.

This is an amazingly modern-looking Art Nouveau necklace. A total of seven garnets, two round, two oval, two square, and one teardrop, are mounted in 14 k gold. The square and teardrop garnets depend from the round stones and add movement to the design. The central dropper is studded with tiny seed pearls. The necklace is 15”long and the piece is unmarked. It dates from 1900-1920 and is a true antique beauty.

This 18 karat yellow gold retro Tiffany & Co. stick pin engraved with a gracefully leaping reindeer shows off the fanciest of Christmas cheer. The piece is signed Tiffany and marked 18k on the back. There are a few superficial scratches, as seen in the photos, but otherwise the piece is in excellent condition. The measurement of the oval disc is 18 millimeters by 13 millimeters.

Lovely 14K gold and sapphire pin. Pierced floral wreath interspersed with 6 square-cut sapphires. United States, ca 1930s.

Diameter: 1 1/2 in. Weight: 3.9 dwt (6.1 g). #1182

A stunning pair of 18K yellow and white gold earrings by Faraone in cooperation with Tiffany & Co. The yellow gold half-hoops are accented with white gold "stems" that burst open flowers set with marquise cut rubies. The rubies have fine slightly purplish-red color saturation. Intact inclusions indicate that the rubies are unheated. Faraone was one of the oldest jewelers in Italy, serving as court jeweler to the Royal household and to luminaries such as Maria Callas...

A lovely 14K gold pendant necklace featuring a colorfully enameled violet blossom centered with a seed pearl and suspending a freshwater pearl. The flower petals and leaves are enhanced with translucent enamels in shades of purple, green, yellow and burgundy. In Victorian flower symbology, the violet represented "modesty." The pendant is suspended from its original chain, marked 14K on the clasp...

A fabulous pair of mid-century 18K yellow gold and platinum earclips by Cartier set with brilliant round cut diamonds. The gold surfaces are cast in a rough texture that contrasts beautifully with the bright diamonds set in platinum. The diamonds, as expected of Cartier, are extremely fine quality (E color/VVS2 clarity). French jewelry became more flamboyant in the 1960s, as wartime restrictions eased...

An elegant pair of 18K gold earrings featuring large cultured mabe pearls surrounded by borders of brilliant round cut diamonds (E/F color; VVS2 clarity) and square cut blue sapphires of similar fine quality. The pearls have fine creamy body color with rose overtones and a high luster. Jewels by Spark were retailed by Neiman Marcus and other luxury purveyors. The original posts were removed for wear only with the omega clips, but could easily be replaced...

An unusually large Art Nouveau enameled violet pin /pendant worked in opaque white and purple shades over 18K gold. The petals are arranged around an old mine cut diamond (I/J; SI1). In Victorian flower symbology, purple violets conveyed the sentiment "modesty" and white violets conveyed "innocence." Perhaps the colors chosen for this piece were intended to represent a mix of meanings. The back retains the original pinstem and clasp, as well as a bail so the flower can be worn as a pendant...

An elegant Art Nouveau 14K gold enameled honeymoon pin featuring a diamond-set blossom enameled in delicate shades of iridescent translucent rose, yellow and white enamel set against a gold crescent moon. Delicate floral pins of this sort were popular gifts for new brides. In Victorian symbology, flowers could represent honey and crescents, the moon...

A delightful Retro period 14K gold charm or pendant depicting "Thursday's Child" by William Ruser. The charm is finely detailed. According to the poem, Thursday's Child has "far to go" so Ruser depicted the naked child walking along a natural freshwater pearl carrying a traveling sack of belongings. The use of freshwater pearl is a classic Ruser touch. The child's eyes are set with blue sapphires. The back is signed and is marked "14K."

Ruser, the formost Beverly Hills jewelry of his time...

English Egyptian-Revival 18K gold brooch with scarab, ca 1870. Winged sun with fluted and stepped form. Entwined and scaly serpent forms round and open center, inset with rotating double-sided carnelian scarab: On front is a carved beetle; on back the Roman God Mercury. Fine condition with beautifully toned patina.

Overall dimensions: H 7/8 x W 2 5/8 x D 3/8 in. Gross weight: 9.5 dwt. #1180

Gorgeous American Retro 18k yellow gold link bracelet, ca 1940s. A dense and interlocking design comprising 3 rows of rectangular links bordered by narrow ones. Satin finish. Fluid and slinky with a nice hang. Marked “750” and maker’s stamp. Fine condition.

Dimensions: H 3/16 x L 6 5/8 x W 1 1/8 in. Heavy weight: 63.1 dwt. #1176  

Ca 1960 A 14k gold beaded bracelet with knight's helmet charm. The charm is accented by cabochon beads that show minor wear. The bracelet is marked 14k, the charm 585 on the jump ring ( tested and guaranteed). 7-1/2" x 3/8" ~ 21.5grams.

A very finely cut cameo of a lovely young woman who most likely represents one of the goddesses of Greek or Roman mythology. The carver shows off his skills with the many fine lines and drapings which complement the curled and wavy hair of the lady. The styling suggests transition away from Victorian into Art Nouveau and thus we believe that it was made c. 1900. Additional support comes from the absence of a gold mark on the frame which was not uncommon prior to the passing of the Gold Act requi...

An elegant Art Nouveau 14K gold enameled flower pin with a full-blown blossom centering a seed pearl and a half-opened blossom. The petals are decorated in soft shades of ivory, green and rose iridescent translucent enamels. Delicate floral pins of this kind were popular gifts for new brides in the Victorian and Edwardian eras due to the sentimental meanings of various flowers in the Victorian flower language. The back is hallmarked by Whiteside & Blank.

• Origin: America, ca. 1900
• ...

A pretty vintage 14K yellow gold pin by Krementz featuring a spray of beautifully enameled bleeding hearts, each dangling a small seed pearl. The enameling on the blossoms has a matte effect that mimics the waxing texture of the flower in nature, while the leaves are in Krementz's more typical shaded translucent style. In Victorian flower language, bleeding hearts were used to represent "deepest love." Pins such as this with a delicate enameled flower against a geometric back represent are typic...

A striking late Victorian 14K yellow gold crucifix set with sapphires, an old European cut diamond and seed pearls. The diamond is graded at I/SI2 and the sapphires are finely colored and show no indication of heat treatment. The gold surface is "bloomed" for a soft matte texture that enhances the gold color but is subdued enough for the religious purpose of the pendant. The bail is original and is stamped for Bippart, Griscom & Osborn, one of the finest Newark jewelers of the era.

• Origin...

A fine early French Art Nouveau orchid brooch, the flower petals carved from banded agate around old mine cut diamond stamens, all set atop an elegant gold stem set with rose cut diamonds. The flower is a single piece of agate, finished with a matte surface to suggest the texture of a real flower petals. The carver left streaks of a darker colored agate on the back to create the delicately-colored veining that shows through the petals. The petal at lower left is turned back on itself to enhance ...

A very rare Art Nouveau Mardi Gras ball favor jewel in 14K gold depicting Greek goddess. The exposed areas of gold have a soft "bloomed" finish typical of higher quality Art Nouveau jewels that constrasts beautifully with the translucent enamels. The back is stamped "14K" and is engraved "COMUS 1908."

The Mystick Crewe of Comus is the oldest and most exclusive of New Orleans' Mardi Gras organizations. The theme selected for the 1908 event was "Gods & Goddesses." Favors were bestowed on t...

A delicate Art Nouveau 10K gold pin featuring a pansy decorated with translucent violet, pink and cream enameled. The flower center and a bud are set with small seed pearls. The brooch retains its original pinstem and clasp stamped "10K." In Victorian flower language, the pansy conveyed the meaning "Think of me." Small pins such as this were popular gifts for new brides.

• Origin: America, ca 1910
• Condition: very good; a small enamel flake to the tip of one petal (superficial only a...

An exceptionally fine Pampillonia 18K gold brooch in the form of a running thoroughbred horse mounted by a jockey. The workmanship is simply outstanding. Every detail of the horse's flying tail and the musculature underlying the coat are beautifully worked. The folds and wrinkles of the jockey's silks are equally detailed. The horse's eye is set with a small round ruby and the hoof of a hind leg touches on a .18-carat round brilliant cut diamond, graded as J color, SI2 clarity. The use of a yell...

Joseff of Hollywood was better known as jeweler maker for the stars. This necklace is composed of five discs with raised bulldogs on each. The center disc has a larger dog. The brass discs are attached to a brass link chain. Joseff designed jewelry from the Deco era into the 1950's.

For the discerning cuff link collector! A rare, impressive pair of cufflinks, hand fabricated in textured 14K yellow gold, each stamped “14K” and a house mark; centered with a circular natural apple green jadeite lightened with a little white diamond. House-made in mid-century Hong Kong. They are sure to add a dashing spot of color to your cuffs and to your ensemble overall. Size: 1.7 cm long, 1.7 cm wide. Condition: Excellent vintage condition.

This pre-loved pair of screw back earrings is securely mounted in 14K gold, each marked “14K HK.” The solid 14K yellow gold floral shape mountings are well-made with brushed texture. The gemstones are beautiful without scratches or abrasions. They are stunning to wear and a great investment. Size: 2.3 cm long, 1.5 cm wide. Condition: Excellent vintage condition.

A lovely pair of screw back earrings, securely set in 14K gold, each marked “K14.” The natural jadeite looks un-treated and finely crafted and polished. The natural cultured pearls elevate the elegance of the design. Size: 1.4 cm diam. Condition: Excellent vintage condition.

Here is an exceptional chased gold cast bracelet. The pierced raised dome setting highlights sapphire cabochons. There are no marks but testing confirms that it is 18k. 7-1/2" x 3/8"~16 grams.

An exceptional, pierced yellow gold slip-on bangle with floral design. For a smaller wrist, the inner diameter is 2-3/8" and it weighs 8 grams. It appears to be hollow and shows light wear on the inside band with a few very faint scratches and a very, very tiny indentation. Marked 14kt along with the Sloan hallmark.

A beautifully delicate design is this 10Kt gold amethyst and seed pearl Victorian openwork pendant. The center of the pendant is a bezel set 5 millimeter round faceted amethyst, while the cascading garlands on either side are decorated by forget-me-not-s. The length of the pendant is 1 ¾” and the width at the widest part is ¾”.

This estate ring is from the 1960-s. The “bamboo” design setting is a split shank style and topped by a 10X8 millimeter oval cabochon prong-set opal. The ring is a size 6 and can easily be sized.