A fine example of a French-Flemish croix papillon (butterfly cross) from the northern region of France around Calais. Jewelry scholars believe these were actually made in Belgium (a French region at the time) where they were known as “croix à la Jeannette” (Jeanette crosses). They were popular across the French regions of Picardie and Pas-de-Calais and into Normandie. This example retains all three of its original parts, each worked in gold and silver and set with table cut diamonds...

A small fob seal featuring an amethyst tablet set in a fluted closed-back setting surmounted with ornate scrollwork. The amethyst tablet bears the monogram “RB” and a heart-shaped lock and a key. The lock and key are rebus images carrying the message “Key to my heart.” This fob is perfectly sized to wear alone as a pendant or on a heavy chain or bracelet as one of multiple charms...

This Georgian diamond solitaire ring is set in 15K gold and has lovely engraved shoulders (also referred to as chased). The old mine cut diamond, chased shoulders and smooth polished gold back (beautiful in its own right) make this ring classically Georgian. There is not a prong visible on this diamond as a Georgian era goldsmith only wanted the diamond to be visible...

An elegant Georgian 18K gold fob seal worked in a floral pattern and set at the base with an amethyst tablet engraved with an armorial crest. The floral design continues up the shoulders to the loop by which the fob would have been hung from a watch chain. Tested and guaranteed 18K gold.

• Origin: England, ca. 1815
• Condition: excellent
• Dimensions: 3/4" x 11/16" x 1-3/16"
• Weight: 13.2 grams

An early Empire 15k superbly carved cameo pin circa 1820. This hand carved shell portrait cameo measures 2 x 1-3/4" and it features lovely tooling with a pierced gallery, and a twist border with applied textured flowers and leaves. The cameo itself is one of the most attractively carved we have seen- simply stunning in detail and she is wearing an Empire headdress. This brooch has the original c-clasp and a loop for wear as a pendant...

A pretty late Georgian example of a Halley’s Comet pin worked in 14K (perhaps 15K) yellow gold and featuring a light blue paste stone to represent the comet’s nucleus. The paste is set in an elegant buttercup-type setting accented with an engraved gallery. Blue paste is less common than other colors, and makes a very nice presentation. The comet’s tail depicted in the engraved and voluted gold setting.

In 1705, Edmond Halley correctly predicted the comet’s return in 1758...

This ring has many Georgian era characteristics, including the symmetry of the 10 Georgian diamonds surrounding a central larger diamond, the silver surround of the gemstones and the impressive gold craftsmanship of the fully closed back. The band is 3 horizontal bands linked with 3 vertical elements and is comprised of 4 sections with a carved gold leaf set into each...

A later Georgian period 15k yellow gold remembrance or mourning ring with genuine pearls circa 1820 - 1830. This beautiful antique size 6 ring is typically unmarked and it tests as 15k, and it most likely of United Kingdom origin. It has a bevelled glass window for hair (no hair present) and the shoulders are thickly sculpted with a multi-floral pattern sometimes seen on jewellery or decor of this period...

Impressive Georgian diamond cluster ring with nineteen diamonds in set in a silver setting with an 18K delicately incised and unusually shaped gold band dating to c. 1780. The pictures speak for themselves. The ring is oriented radially around a large central Georgian diamond and surrounded by 12 smaller Georgian diamonds with three diamonds are fitted into the remaining space around each side in a perfectly symmetrical form. The ring is a size 7.25 and sizeable.

A renaissance era poesy ring (spelled posy, posie, or posey), the outer ring of our posy has a chequerboard pattern with the darkly romantic inscription "Yours till death". The u in the letter Yours is written as a V because it is based off the Latin alphabet which used the letter V to represent both letters. Posey rings were popular in France and England between the 1400's and 1700's and were often given as gifts between lovers...

Renaissance 22 Carat signet ring with a deeply carved intaglio puzzle in the form of a pictogram which uses pictures and letters to spell out words that convey its meaning. The rebus reads "Love You" with the heart symbolizing love and the V (based off the old Latin alphabet) for the letter U, representing the vowel U which represents "You". The ring is unmarked and a size 6 and in excellent condition.

This is a spectacular one of a kind cameo portrait signet ring collector's item made of an sardonyx, a variety of banded onyx and a form of chalcedony quartz of reddish brown. Portrait cameos were often commissioned by those who had amassed enough wealth to leave their mark on society. The wearer of such a ring would demonstrate admiration for a particular philosopher, writer or popular figure in society...

A hand engraved Georgian 9k yellow gold and RGP engraved watch key. This 1-7/8 x 3/4" winding key features a rolled gold plate rotating swivel loop and a rotating knob on the RGP winding shaft. Both have underlying metal for rigidity and resistance to wear (gold is very soft), but the body of the key tests as 9 carat gold (the key is unmarked). It weighs 9.0 grams, and it is in excellent condition with no monograms, dents, bends, corrosion, losses, damage or repairs...

A very good Georgian watch fob seal worked in 15K yellow gold with ornate floral repousse floral decoration. The section connecting the fob frame to the bail is chased in a foliate pattern that matches the floral theme. One side of the flip part is set with a banded agate while the other side features an exquisitely chased and engraved gold plaque depicting a flower basket beneath a clear rock crystal cover...

A pretty Georgian heart pendant worked in 18K yellow gold and featuring a double-cut citrine heart. The gold surfaces are decorated in a repousse floral motif. The citrine is cut with lapidary facets on both sides it looks the same from the back or front...

This is an exquisite mourning cross brooch that dates back to the 19th-century Victorian era, circa 1860. It is an exceptional piece of jewelry handcrafted from the black jet, a type of fossilized wood that has been polished to a high shine. The brooch is adorned with 10K gold caps on both ends, finely engraved with intricate floral scrollwork, adding to the piece's beauty and elegance.

The reverse side of the brooch features a secure gold catch clasp, which ensures that the brooch stays i...

This is an exquisite mourning cross brooch that dates back to the 19th-century Victorian era, circa 1860. It is an exceptional piece of jewelry handcrafted from the black jet, a type of fossilized wood that has been polished to a high shine. The brooch is adorned with 10K gold caps on both ends, finely engraved with intricate floral scrollwork, adding to the piece's beauty and elegance. The reverse side of the brooch features a secure gold catch clasp, which ensures that the brooch stays in pla...

18K Late Victorian five stone diamond ring, also known as half hoops, set a jour, with no foiling and open in the back to reflect light and air. The five stone was a classic late 19th century pattern, for good reason; it was great design then and still is today. The generous amount of gold means it can be worn next to other rings without fear of damage to the stones. Note the beautifully hand rendered scroll pattern carved into the gold below the stones. This variation of the half hoop is fou...