A fine example of a French-Flemish croix papillon (butterfly cross) from the northern region of France around Calais. Jewelry scholars believe these were actually made in Belgium (a French region at the time) where they were known as “croix à la Jeannette” (Jeanette crosses). They were popular across the French regions of Picardie and Pas-de-Calais and into Normandie. This example retains all three of its original parts, each worked in gold and silver and set with table cut diamonds...

Here is a fascinating Georgian-era ring, possibly a mourning ring, which could have been worn by one of Jane Austen’s more affluent characters. It features a rose-cut diamond (pointed top instead of flat), set in 14kt gold with decorations in black enamel on the shank, which are still in excellent condition. The ring is approximately size 5. It isn’t possible to estimate the weight of rose cut diamonds in a setting. It is in the I range for clarity – normal for its time. Unmarked...

This is one of our favorite rings! An elegant and lovely ring made from unmarked but tested 18k yellow gold and a sweet purplish-pink topaz. The ring is size 8, and could be resized. The topaz is set in a modified buttercup setting, with a single golden leaf curling up to meet the stone on either side, and with delicate detail work in the gold. It is in excellent condition. Topaz is thought to be a healing and energizing stone, to bring forgiveness, and promote truth...

This beautiful and classic brooch, in the style of Lucien Gautrait, features a flower and ribbon motif, with a circle of white enamel in the center. The pearl on the dangle may be a replacement (many dangles have had to be replaced over the years). The brooch is marked with the French eagle for 18k gold and partial owl marks with “73”, indicating a piece that was imported into France post 1893 and assayed in the town of Rouen...

This colorful brooch depicts a red poppy in full bloom, with green leaves and buds. It was made by the well-known Bippart Griscomb & Osborn Company of Newark, New Jersey. It is also stamped for “14k”. Measuring 1” x 1-1/4”, it has the long pin stem often found on antique jewels. There is an interestingly-shaped freshwater pearl mounted at the top, and another dangling below...

This is one of our very favorite lavaliers! It is quintessential Art Nouveau. It depicts a flower with an amethyst at its center, with the classic whiplash motif. The central amethyst weighs approximately 1/2 carat, and it’s accented by 28 seed pearls. Feng Shui practitioners believe amethysts aid in purification, and give access to a higher plane of energy. It tests as 14k, and the gold is that lovely subtle old gold color. It weighs 3.3g and measures 1” x 1” at the widest points...

This petite gold-filled Edwardian fan-shaped fretwork pin measures 15/16” x 7/8”. A bit worn in places, but still very nice. Oddly, the watch hanger tests as 10k. Signed SIMMONS and RFS & Co (for the R.F. Simmons Co. of Attleboro, MA). Circa 1915. The photos are part of the description; please examine them carefully. Thanks! Shipping, handling & insurance within the USA included.

Each double fetter link on our 18” chunky Victorian albert chain is connected to 3 love knot links with the pattern repeats eight times. The T-bar and dog clips are stamped 9 carat. Alberts are named for Prince Albert who popularized the wearing of a vest with pocket watch and a fob on a chain, the watch in the vest pocket, with fob and T-Bar dangling. Our chain combines the fetter link and love knot link...

Our c1900 9 carat 16.5" long Albert Chain has a slim fetter link, sometimes known as a paper clip link, connected to a love knot link in a repeating pattern. T-bar and ring clasps are stamped 9ct (for 9 carat) and 375...

This pair of double “Sunrise” or “Sunset” cuff links is marked WHITE GOLD FRONT BELAIS 14K; TALON GRIP TRADEMARK. They are octagonal, measuring 5/8” x 7/16”, with rigid connectors that are hinged at one end. The Belais Brothers were among the first to develop a formula for white gold (patented 1917). Many feel they were the premier workers in white gold of their era, and their pieces are collectible...

Here is a petite pin which has a water lily or lotus motif, highlighted by a tiny seed pearl. (The lotus is a symbol of enlightenment and purity, especially to Buddhists.) It is unmarked but tests as 10kt gold. It measures 1-1/8”, and weighs in at 0.04 oz. It would look lovely on a lapel or blouse. Circa 1900. The photos are part of the description; please examine them carefully. Thanks! Shipping, handling & insurance within the USA included.

This sweet pin is so very Art Nouveau! A lady’s face is surrounded by ribbons and flourishes, some set with seed pearls...

This terrific Edwardian watch chain is complete with swivel clip and T bar (most aren’t), and with very nice detail. It weighs a satisfying 36.5g. It is unmarked, but tests as gold fill. 13-1/2” in length; the long bar links measure 1-1/8” each. The T bar is 1-7/8 long. We just love the details! It would be the perfect accessory for your Dickensian outfit, cosplay in general, or it could be altered to make a necklace or bracelet. It shows some wear, so its previous owner loved it very much...

Impressive Georgian diamond cluster ring with nineteen diamonds in set in a silver setting with an 18K delicately incised and unusually shaped gold band dating to c. 1780. The pictures speak for themselves. The ring is oriented radially around a large central Georgian diamond and surrounded by 12 smaller Georgian diamonds with three diamonds are fitted into the remaining space around each side in a perfectly symmetrical form. The ring is a size 7.25 and sizeable.

This stickpin features a burnt orange or caramel-colored oval carnelian – yummy!. It is set in (stamped) 10kt gold and surrounded by an oval gold frame set with 4 seed pearls. The setting measures 13/16” x 1/2", and the whole thing is 2-3/8" long. Circa 1915. The pin has a little bit of a bend toward the top, typical of gold stick pins and not visible when it’s worn, of course. Otherwise in excellent antique condition. The photos are part of the description. Please look at them carefully. ...

Here is a very Victorian brooch, featuring a cross, anchor, and heart, symbols of faith, hope and charity. The metal has very nice engraving. Unmarked, but made of a layer of gold on top of what looks like copper. The center of the heart is set with a seed pearl, possibly faux, and the cross is set with 11 tiny turquoise-colored cabs – they are too tiny for us to make a definite ID. It measures 1-3/16 x 7/8". The gold shows wear here and there, and it has a nice patina. Overall it is in very g...

Hardstone Portrait Cameo signet ring of a gentleman in profile. The ring was likely commissioned by a wealthy individual or statesman as a self portrait. The ring has a maker's mark for Henry Griffith & Sons, is hallmarked for the year 1852, Birmingham and stamped for 18ct. It was one of the earlier rings made by Henry Griffith & Sons which began in the year 1850 and continued in business until the early 1970's. The ring has slight engraved indentations along the shoulders which follow the sh...

This spectacular mourning band is of black enamel with accents of white enamel and bordered in gold accents. With its breathtaking miniature painting of a young girl, this ring is a fine example of the neoclassical influences of the Georgian period on mourning jewelry. The heavy graphic representations of death so prevalent before this time no longer suited the lightness of the Georgian era. The urns painted in gold over white enamel, the garland or wreath surround, are all examples of the neocl...