A beautifully executed oil on canvas painting by George Harland, a noted British artist. The scene depicts a man returning in a rowboat at dusk. It combines elements of luminism and impressionism, and was done when both of those styles were in fashion. Harland was a highly thought of painter and was exhibited at the Royal Academy in London in 1907.

The painting is in excellent condition, with no impainting or restoration...

A circa 1910 small oil on canvas landscape of a forest pond, signed at lower right "O. Sch". This 3 1/2" by 5 1/2" work (9 1/2" by 11 1/2" framed) came from a local family of German heritage. Their art, some of which I acquired, came with the family from the old country. This work has some condition issues, as the canvas over the decades has buckled, with sharp horizontal roughly parallel "ridges" now apparent, as well as craquelure...

From our European Collection, a masterpiece by German genre realism painter Carl Johann Spielter (1851-1922), entitled "Sad News," painted in 1901. More information to follow: Size: Framed Size 60 inches wide x 48 inches tall.

This is a skillfully executed painting on canvas, 9 1/2" by 13" (14 1/2" by 18" in its distressed style white/gold frame), the subject several large ripening pears and apples, a pair of plums in the foreground. At lower left is written "A Mr. Caubert/Souvenir Amical/H. Camus". I believe that's what the names appear to be; more research might reveal the full identity of the artist. To date I cannot match this to a listed name...

Hubert Von Herkomer 1849-1914 British This is an original oil on board painting by British artist Sir Hubert Von Herkomer (1849-1914) This interior view of a woman at the table is signed lower left corner. The painting measures 13 X 9 1/4 inches. Housed in a period gilt toned frame with brass plaque. Herkomer was a Bavarian-born British painter, pioneering film-director, and composer...

A fine portrait of a lovely young girl, oil on canvas, 14" by 10 1/2", unframed, signed at upper left by listed French artist MAURICE JACQUET (1877-). Jacquet seems to have painted mainly portraits of young women, but a few landscapes are known. This work has just been cleaned and relined, as when found it had a very dry blanched unstable surface, and some loss areas...

French School, Late 19th/early 20th Century

Young Girl with Paper Dolls

Oil-on-canvas, Unsigned

Oval: 19” x 14 ¼”
Frame: 25 ½” x 20 ¾”

This charming study of a young girl intent on cutting out paper dolls is reminiscent of works by Berthe Morisot, Mary Cassatt and Pierre-Auguste Renoir (his earlier works). She is beautifully captured with her rosebud lips, her hair tied up in a bow, a lacy pinafore over her navy dress and stockinged legs ...

A rare painting by the well-listed Norwegian woman artist SIGRID LOUISE BOLLING (1853-1917), the subject a scenic fjord with towering peaks in the background, some with snow, hulking above man's humble houses on a rise at left. The work, signed but not dated at lower left, is oil on wood panel, measuring 10" by 13 1/2" (18" by 20 1/2" framed). Bolling was born in the Oslo outer borough of Vestre Aker, Norway, her father an officer and landowner, her mother Baroness Wedel-Jarlsberg...

Oil on canvas landscape of an autumnal forest with small foreground lake or pond, a man in a boat, signed in red at lower right, difficult to decipher the signature, though the work bears an old export stamp and an old label from a Budapest, Hungary auction house. The painting measures 21" by 10 1/4" plus two inches of framing on a side including inner gold fillet and green velvet liner. The signature looks like "J Tietz" or something similar but that is just a guess...

A very appealing small forest interior painting on board, 9" by 11" (12" by 14" in modern day gold framing), unsigned on front but on reverse in old hand is written (difficult to decipher) "near XXX farm Hampstead Heath/Oct. 3 1908 5 PM/P. P. (XXXX)". The word after P.P. is the last name of the artist but it has defied my efforts to make it out. The scene is painted in luminous tan colors with light grayish green and cream here and there, all in a very impressionistic blond to silvery light...

Oil on canvas painting of a forest in autumn or possibly winter, 13" by 20" (16" by 23" framed), not signed on front but inscribed on canvas reverse "Hommage reconnaissance a M. Fr...

A detailed oil on canvas scene titled on reverse label "Venice at the Canale Grande", unframed, 15" by 30", signed at lower left by turn of the century Italian artist ENRICO FOSSATI. The painting shows a less famous view of the canal and adjacent houses and people going about their business. There are at least thirteen figures in scene, some tiny; a pigeon or two and a few tiny chickens; a bridge; about ten boats of various sizes; clothes hanging out to dry; charming architectural details. Fo...

Ferdinand Leeke (German 1859-1923)

The Art Critics

Oil-on-canvas, signed lower right, located “Meran” and dated “1906"

Painting Size: 39.5” x 31.75”
Frame Size: 48.25 ” x 40”

A painter of historical, genre and allegorical scenes, Leeke studied at the Munich Academy under Johann Herterich and with the Hungarian genre and landscape painter Alexander von Wagner. Around 1889, Leeke was commissioned by Siegried Wagner, son of Richard Wagner to paint...

An old (circa 1900, perhaps earlier) oil on canvas laid on a Masonite panel, 19 1/2" by 15 1/2" (24 1/2" by 20 1/2" framed), signed at center left with conjoined initials "AF" (or, possibly, AT). The work features an older man wearing gold-rimmed spectacles, his white moustache and beard adding considerable character to this individual, who looks like a professor or other man of wisdom, accomplishment, and achievement. To date, an effort to tie the work to a listed artist has been unsuccessful...

Oil on canvas, 9" x 13" unframed, 19 1/4" x 15 1/2" framed Born in Lyon on May 24th, 1869 Albert Andre was to become one of the most renowned of the post impressionist artist. He was a painter, sculptor, writer and museum curator. He began his training in Lyon as a silk pattern designer. He then moved to the medium of painting. In 1894 Renoir was so impressed by his work at the Salon des Independance that he recommended Andre to the famous art dealer Paul Durand-Ruel, bringing Andre's art car...

Oil on canvas, 30" by 25" and 1 1/4" wide frame, unsigned, the subject two ladies and a cradled baby, in a traditional European interior of the nineteenth century. Due to the stretcher and canvas weave, I believe this is actually a work by an American artist, who skillfully copied a master work from Europe (probably Italian, or, Tyrol area/South German?). The painting would ideally be acquired by a restorer who can clean the painting and repair the large "L" shaped tear at lower left and a few...

This painting is something of a mystery, in that it depicts a fantastic classic castle on a hill, obviously in the Old World, a donkey pulling a card in the foreground......yet, there is a modernity to the work, especially in the somewhat cubist handling of the lines of the architecture, but, also, there's modernity in the entire structure of the image. Painted on an old board, this measures 26" by 18" (30" by 22" in a modern frame). The painting is signed at lower right "M. Lieberman" and is ...

Oil on canvas laid on masonite, 20" by 30", unframed, signed at lower right by Italian artist R. J. Bertini, and dated 1902 (possibly 1912). The scene is an interior with a large hearth in the background, four men appearing as cavaliers or musketeers around a table, engaged in an animated conversation with an old woman, as a young shy woman looks on from the left corner. The painting is charming and classical, executed by a trained hand who quite surprisingly does not appear to be a listed art...

A charming, whimsical, beautifully painted oil on canvas painting of a brown-robed man of the church in a spring forest setting minding a pig, while a vision of loveliness, a nude young female, appears at right. The work is unsigned but most certainly would have been painted by a listed artist, I would think around the year 1910. The piece is unframed and measures 21 1/2" by 18". The condition is generally good though a cleaning and varnish would be greatly enhancing, the surface now being dr...

A well-painted work featuring an interior, perhaps a residence, perhaps a restaurant or other public space, a table with fruit in a bowl, a chair, and sofa filling the space. The oil on canvas, 17 1/2" by 21" (20 1/2" by 24" in old frame, likely the original), is signed somewhat indecipherably at lower left and dated there "Berlin 1909". The name appears at first glance to be "B. Geis(xxxx)" or "B. Geism(xxxx)". Surprisingly, given the inherent quality of the painting, I do not see a listed n...

Oil on board painting of a sunny street scene in southern Italy, a central figure walking towards the viewer and others going about their business including washing clothes. The painting, signed at lower left "Pasini", measures 17 1/2" by 11 1/2" (21 1/2" by 15 1/2" in attractive old gold framing). The work likely dates to about 1900 or 1910. There is a light accumulated soiling and yellowed varnish that would make a cleaning well worth the investment. Pasini was known for his genre and land...

Oil on canvas painting of incoming waves, painted in an impressionist manner, 15 1/2" by 23 1/2" (19 3/4" by 28" framed) signed at lower left and dated 1906 by listed Danish artist VIGGO LAURITZ HELSTED (1861-1926). This is a pleasing scene and quite typical of the artist's work. He was known for coastal and marine paintings as well as landscape in Denmark. This work has a vertical tear/scuff about 2" long at right center, and the entire disturbed area including scuff is about 4" in length; w...

Oil on canvas laid on board landscape of a river in a mountainous scene including a few picturesque structures, signed with initials "LJGC" at lower left, and dated there 1904. There is a high likelihood that the artist who created this attractive painting was from mountainous Wales in the British Isles, as I have seen another painting online, identically signed, dated 1914, the scene depicted in that example given as the River Wye in Wales. The work measures 14" by 16 1/2" and 18 1/2" by 21"...

Oil on wood panel of a lady under a portico or trellis high above a coast like Amalfi in Italy, signed at lower right with initials "EC" and dated there "03". The work measures 12" by 7 1/2" (18" by 12 3/4" as framed). On the reverse of the panel is written in pencil old handwriting "E. W. Clawson 431 Pacific St.". It's possible that this could be the artist ("EC") but I can't be certain of that. I do think that a professional cleaning would be well worth the investment. It would really bri...

Oil on canvas, 20" by 14 3/4" (29" by 24" as framed) signed at lower left with the signature of well listed Danish artist NILS H. CHRISTIANSEN (1850-1922), the subject a setting sun behind trees in a thinning forest. The artist seems to have been very interested in depicting the effects of light on landscapes, as many paintings seem to include his trademark round sun or moon somewhere in the sky. The painting has a certain Hudson River school look, what with the trees and luminosity, but this ...

English circa 1850 landscape oil painting of a castle (the shape suggesting often-painted Windsor Castle) topping a low mountain, two tiny figures in the foreground. The work, 16 1/2" by 22" (19 1/2" by 25" in frame that appears "married" to it, and not that successfully, at that) is very, very grimy. This is a restoration project----to remove the dirt of 150 years, repair several small tears, and varnish the dry surface. There is no signature visible. This is certainly a painting the cleani...

A PAIR of oil on canvas works, each 14" by 10", unframed, featuring hanging wild birds against a simulated wood-grain background, painted in the then-popular realistic trompe l'oeil manner of painters like William Harnett in America, or Michelangelo Meucci (1840-1909) in Italy. The paintings likely date to about the 1880's. They are signed but despite my best efforts, I have been unable to make out the worn and faint signature. An image of that area is provided. The works over more than 125 y...

Oil on canvas laid on masonite, 14" by 11" and 3 1/2" wide frame, signed at lower right "C. DE VRIES". This is a pleasing work showing a young woman of central or alpine regions of Europe, holding in her hand a typical felt hat of the area, a window at rear letting in natural light that beautifully illuminates the subject. I have researched this name and find one listing that appears to correspond to the signature, one Belgian artist CAMILLE DE VRIES (1854-after 1924). Nevertheless, the work...

This is an original oil on canvas painting laid to a board, by French Marine artist Barthelemy Lauvergne. The title is Vue de Toulon, dated 1849, this painting measures 17 11/2X25 1/2 inches, signed and dated bottom right. Some light crackiing to the painting but everything is stable, the canvas has been backed upon a board no evidence of inpainting. Toulon is a city on the French Riviera and a large port on the Mediterranean coast. Located in the Provence-Alpes-Côte d'Azur region, and th...

From our European Collection, a beautifully painted 19th century original oil on board entitled "Portrait of a Lady, Full Length in a Black Dress, Standing in an Interior," by Austrian master Edouard Ender (1822-1883).

Ender's body of work is not especially large, with about 60 extant works known and documented. Though criticized by some in his day, he is now very highly-regarded within the 19th century portraitist and realism genre, and many of his pieces rival the genius in executio...

An antique oil on board painting of a chestnut thoroughbred in the barn, 9 1/2" by 12 1/2" plus 7/8" inch wide contemporary wood frame, signed with conjoined "AS" or "SA" monogram and dated 1899 at center left. The work is most certainly by a listed artist. The painting has a dry surface and perhaps some chemical oxidation of the paint, giving a blanched look in a number of parts of the horse's body, including rear spine/rump, tail, chest and legs; please view photos carefully. The board is s...

Decorative old antique floral painting, 17 1/4" by 13 1/4" (20 3/4" by 16 3/4" framed), unsigned, featuring a variety of flowers, including a tulip, in a decorative metallic vessel, all against a dark background, in the style going back to 17th century Holland. It is hard to know exactly how old the work is but mid 19th century would likely be a good guess. The canvas weave is rather coarse, promoting the earlier look. The piece is convincingly old, with some small losses and extensive craque...

Charles François Daubigny landscape oil on panel signed lower left presented in a quality gold leaf frame. Panel measures 10.5"W x 7.75"H. overall framed size 16.0" W x 13.0" H x 2.5" D A French landscapist of the Barbizon School, Charles-Francois Daubigny was born in 1817 in Paris. In 1835, having received a small scholarship, he went to Italy, where he spent an unproductive year. He earned a living by doing engravings for books and regularly sent to the Salon peaceful landscapes, painted...

Oil on unusual crimped/bent metal tin panels, each extensive landscape painting measuring 5 1/2" by 9 1/2" and about 1 1/2" margin all around, each signed at bottom in red "H. ROUX". These are beautifully painted works of the nineteenth century by an apparently listed Swiss artist. The pair has some scratches and small abrasions in a few spots, and one has a scratched area at top extending into the gold margin; but, these flaws are not so significant as to affect the overall impression. No do...

An antique oil on canvas, 19 1/4" by 26 1/2" (27 1/2" by 34 1/2" in gold frame), featuring the oft-painted view of the Wetterhorn peak (3,692 meters) in south-central Switzerland, above the village of Grindelwald. The work is signed with initials at lower center and dated 1859, but to date my efforts to tie it to a particular artist have been unsuccessful. The painting has extensive craquelure in the sky at upper right portion, and there are two small losses elsewhere. Old writing on the stre...

A fine pair of Venetian canal scenes painted by the School of Panini. Includes unique hand-carved frames. Oil on canvas. Dimensions: 20” x 13” Artist biography: Giovanni Paolo Panini, the most celebrated and popular view painter in eighteenth-century Rome, was born 17 June 1691 in Piacenza. Although he prepared as a youth for a career in the Church, he studied perspective and architectural painting in his native city and had received some architectural training by the time of his arriva...