Oil on canvas of a mysterious red cabbage on a string and an orange gourd on a tiled surface, windows beyond looking out onto a hilly landscape, 16" by 20" (23 1/2" by 27" signed "Hernandez" and dated 1995 at lower right. The painting should probably be reframed, as the cream liner is soiled. The painting has some yellowed varnish but otherwise is in good condition.

Oil on canvas painting, unsigned, contemporary, unframed, 24" by 36", executed in retro 1960's and 1970's colors: olive, powder blue, orange, white. If your interior is modern and skewing towards the "Pan Am" days, then this will surely please. It has a few light scuffs and soiling that might be removable with light soapy water--see photos.

Watercolor on paper painting of a boat in a harbor, 13" by 21" inside the mat, 20" by 28" as framed, signed at lower right and bearing the artist's name and Fremont, California address on the reverse. The artist is SALLY INOUYE (1927-2010)...

Oil on plywood painting 24" by 29" (" by " framed), signed at lower right "F. Sullivan '53", signed again on the reverse "F. Sullivan" and titled there "High Park Toronto". The painting of trees and a pool of water is created with palette knife especially in lower portion...

Oil or acrylic on canvasboard abstract painting, larger sized, at 28" by 40" as framed, signed at lower left "KAYE". The art takes after any number of modern painters' work, but the arrows imagery at the bottom portion, suggests to me a bit of Uruguayan painter Joaquin Torres Garcia. The creator of this work (and two others by the same artist I have listed) was probably a talented amateur with an excellent sense of color and a knowledge of modern art. Condition is good...

Vertical format colorful oil painting of a mounted cowboy making his way through a steep canyon in the Southwest or Rockies as the afternoon's last sun reddens a crag at right, a dramatic cloud beyond the "V" shaped notch topping an expansive and empty land beyond. The painting, measuring " by ", unframed, has some age but I doubt it would have been painted earlier than about the mid 1950's, judging from the stretcher and stapled canvas...

Pastel on paper drawing of a rocky coastline with sailing craft offshore, apparently unsigned, 9 1/4" by 23", (16 3/4" by 31" as framed), circa 1900. The style of the drawing is reminiscent of that of American artists like Alfred Thompson Bricher (1837-1908). The popular and common pastel art of William Chandler also comes to mind. The work needs a new mat and the old acidic wood backing is best replaced. Otherwise for its age this work is in excellent condition.

This is a very early watercolor, 9 1/2" by 5 3/4" framed, in the style of the early 19th century, titled at bottom "Double Rose", by an anonymous artist lost to time. His or her handiwork has survived likely 150 years or more but has lost a little color from fading, and the paper has browned. These are not faults---rather, they give the drawing age and character...

Oil on canvas, 12" by 15 3/4", unframed and unsigned, the subject a pensive figure, likely a male, seated on a breezy patio with French doors, curtains and a Paris-style small cafe table and chairs, a tea or coffee service on the table. The anonymous artist created a very appealing, contemporary little work, with impressive impressionist technique. The painting is in excellent condition with just a bit of stretcher bar show-through at top...

This is a very contemporary work, unframed, on a wood or masonite panel, 8 3/4" by 12", signed (incised) at lower right corner "EW" and dated there "01". The scene is a city street, depicted in rather bright color, in an impressionist technique; what is quite unusual here is the added medium used, the surface obviously having been worked with wax (I believe this might be called "encaustic" when used in a painting)...

One could call this work a homage to Jackson Pollock and Sam Francis: colorful drips in red, blue, yellow and gray, on an inky black background, 20 1/4" by 24 1/2" as simply framed in silvery metal behind Plexiglas. There is no signature. A fine choice if you are looking for original abstract art for your mid century or modern interior.

Oil or acrylic on canvas, unframed, 10" by 14", unsigned, the work painted in a harmonious and quite modern mix of varying shades of purples and greens, topped with white drips, the result a pleasing work that would look great in a contemporary or mid century setting. You would not necessarily have to frame this before hanging it on the wall. Condition is excellent.

PAIR of watercolors, the larger of raspberries on the vine, painted with amazing attention to detail and realism, measuring 10 3/4" by 8" inside the mat; the smaller painting of three bright red cherries and a leaf, measuring 6" by 9" inside the mat, BOTH SIGNED AT LOWER RIGHT with initials "M. C. R.". Since acquiring these works together at a shop in California's Gold Country a few years back, I have attempted to figure out who might have created them...

Oil on canvas contemporary landscape of a jagged high mountain peak, trees and a large boulder catching the atmospheric light in the foreground, unframed, 36" by 24", signed at lower right with a signature that resembles "Joseph Eugene" or "Joseph Evgeny". The artist has handled dawn or sunset light to great effect, as did many of the Hudson River artists. An alpenglow lights up the peak, and a sunbeam lights up the boulder...

Oil on canvasboard painting of red tulips in a bright yellow vase on a tabletop, two apricots or peaches at lower left, unsigned, in a gold frame in wall-ready condition. This is likely by the hand of a talented amateur painter, but it all "works", with bright attractive colors and a clean overall appearance. The entire work as framed measures 16 1/2" by 13 1/2". See a number of other floral works in my shop.

Oil on canvas extensive view of a town of red-roofed houses by the sea, a colorful garden and balustrade railing in the foreground, executed by an unknown artist, likely in the latter years of the 20th century. The artist painted a highly impressionistic work (27" by 31", 35 1/2" by 40" framed) in cheerful, light, sunny colors. The work is very decorative and is in perfect condition, so would be an item that you could hang on the wall immediately. Frame is in almost perfect condition as well...

This was once a beautiful late 1950's period example of Italian abstract art, executed by the listed artist, from Venice, Italy, GIOVANNI GIULIANI (1893-1965). Unfortunately due to careless storage by one or many owners (it was exposed to moisture), combined with the artist's choice of materials, it is now a restorer's special, worthy of conservation. I have received a quote of $400 to have it relined so that it can safely travel...

Oil on canvas extensive mountain and trees landscape laid on board, 8" by 10" (10 1/2" by 12 1/2" framed), unsigned, circa late 1920's to mid 1930's. I am certain that this is by a listed artist but sadly there's just no hint as to who created this. The scene could be western, or eastern; hard to tell...

Oil on canvas extensive landscape of trees, a body of water, hills and distant structures, 24" by 36" (31" by 43" in gold frame), signed at lower left "Emile Bovard". I suspect this to be a pen name for a talented artist as I see no listing for an Emile Bovard. The painting was likely executed in the 1970's or 1980's I would judge, from the materials and technique. The artist has created a good-sized and highly decorative work, with pleasing muted colors, the violets, lilacs, pinks, blues and...

This is an unframed watercolor painting on heavy watercolor paper, the sheet 15 1/2" by 22, the subject an mansard-roofed old 19th century house in a winter landscape, signed at lower left by a Los Angeles area artist of note, Ann Murdoch (nee Sanguinetti). Murdoch is not strictly "listed" but, a living artist in her 70's, now residing in the Los Angeles area, she has a long history in fine art, stretching back to the Village Art Show in New York, the New Hope area of Pennsylvania, and Chicago. ...

Watercolor painting of a lake and scenic mountains, 6" by 8 1/2" (10" by 12" in simple framing with no mat), apparently unsigned, circa mid 19th century, likely English. The gentleman from whom I purchased this makes regular trips to England and brings back drawings and paintings which he sells, so, that is why I am fairly confident that this is indeed English. The work needs a mat at least although frame could be retained. The drawing appears to be laid down on another piece of paper or very...

Watercolor on heavy paper landscape with house on a moor at sunset, a distant hill at left and blooming white wildflowers in the foreground, measuring 8 3/4" by 11 1/4" inside the mat, 17" by 20" in a simple old wood frame, and signed with initials that look to me like "R.E.M."---but this is just a guess. The piece likely was created in the last years of the nineteenth or early years of the 20th century. The shape of the house suggests to me an English rather than American origin. Condition i...

Large (36" by 36") unframed painting of a green chair in an office interior, unsigned, but by a Los Angeles area artist of note, Ann Murdoch (nee Sanguinetti). Murdoch is not strictly "listed" but, a living artist in her 70's, now residing in the Los Angeles area, she has a long history in fine art, stretching back to the Village Art Show in New York, the New Hope area of Pennsylvania, and Chicago. I learned this from relatives who were selling off some of her works (see two other pieces I acq...

Coastal seascape painting on pebbly surface old gray art board, likely the California coast but possibly Maine, circa early twentieth century, unsigned, measuring 7" by 17" (14 1/2" by 25" in its interesting blackish with reddish design frame). The work and framing is very presentable as-is, with just very slight wear to the frame. At the left edge one can see where the portion hidden by framing is fresher in color; therefore we can state that a cleaning would remove the somewhat yellowed varn...

Pastel on paper drawing of an attractive young blue-eyed, red-haired girl in white blouse with aqua bandana, apparently unsigned, 18 1/4" by 15" inside the mat, 25 1/2" by 22 1/4" in a modern gold frame with blue green mat and inner fillet. The drawing was purchased in Newport, Rhode Island, the seller telling me it came out of an estate there, where it was suggested to him that the artist was Rhode Island impressionist artist Helena Sturtevant (1872-1946), but it is unlikely that that could be...

Small decorative oil on canvas of a scene in Thailand with small boats, a figure paddling one of them, two ducks, and a house on a shore, 6" by 9" (9 1/2" by 12 1/4"), signed at lower right "Sak" or "Yak". Probably tourist art, this is nicely framed and the mat is clean, making for a decorative and inexpensive Asian accent for the home.

Watercolor with gouache highlights on paper painting 13 3/4" by 9 1/2" inside the mat, of a large and impressive castle on a hill, (possibly Windsor Castle near London), a pastoral landscape with figures in the foreground, signed in pencil at lower right "A WATT". There is a listing for an Arthur George Watt (1883-1935) but I doubt this be the same artist, as the techniques and style do not mesh and the dates are wrong; this drawing is earlier. The drawing is beautifully executed by a talented...

Watercolor on paper painting of a classic stone castle with figures outside its portals, 14" by 10 1/2" (26 1/2" by 23" as framed), apparently unsigned. This is a circa 1850 work which has survived in presentable condition. There is foxing in the sky principally, as shown, but no large stains. To be sure, there were a lot of anonymous skilled watercolor artists in the British Isles in the 19th century, though this might well have been created by an artist that would be "listed" today.

Gouache on thin card, 10 1/2" by 7 1/2" (19" by 15 1/4" framed), the drawing featuring modern, possibly biomorphic shapes, in a combination of magenta rose, navy blue, yellow and green (colors popular at that time period), signed in pencil at lower right "GILMORE". I can't tie this to any particular listed artist but the image and colors are pure mid century design. The cream frame is of the period. The mat lines are hand drawn. There are three spots of foreign matter on the glass only, and ...

Oil on canvas, 16" by 20", unframed, signed at lower right in red "SOON" and with artist's device, signed there "86", the subject a thatched roof village fronting low mountains, clothes hanging to dry in the breeze. This appear to be most likely Korean art, perhaps by a Korean-American, considering the American size stretcher. The name is common in Korea but I don't believe the artist is well known. The work is highly impressionistic and with a frame this will look even better. Condition is ...

Pastel on paper drawing of late autumn trees in a wooded landscape around a pond or small lake, 21 1/4" by 26 1/4" (31" by 36 1/2" framed), signed at lower right in all capital letters "CLAUDE REME". I don't see a listing by this name so the work stands on its own decorative powers, which are significant. There is a lot of atmosphere in this quiet scene, and the piece is big enough to power a wall on its own. Condition is excellent. The photos were taken through the old non-glare glass, so, ...

In the style of Philippe Noyer, or possibly Charles Levier or Bernard Buffet, is this unsigned circa 1960's oil on canvas painting, 20" by 16" (28" by 24" framed), the subject a girl, lost in thought, seated on a chair in one of those intimate Parisian attic bedrooms with skylight, the walls covered with a decorative wallpaper, a vase, mirror, and toiletries on the dressing table completing the scene. This modern painting doesn't seem to have the fine, finished surface of a Noyer, but the subje...

(**One of two works by the artist in my shop**). Unlike most commonly seen works by this artist, which are actually serigraph prints, this is an original oil on canvas painting, measuring 34" by 18" (unframed). The scene, which could be described as a floral fantasy, incorporating at least two human heads floating within the composition, is rather typical of the work of the artist, HERMANN DIETRICH (1916-2003). Dietrich's online profile has only in recent years become more developed. Born in...

Watercolor on heavy watercolor paper, 10 1/2" by 14 1/4" inside the mat, 19" by 22" as framed, not signed, the subject a coconut palm at left, with a schooner-type sailboat in the distance beyond a narrow spit of land, a white gull overhead. The work probably dates to the 1950's or early 1960's. The framing paper on the reverse looks to be of about that age, and there's an old label with the address of the former owner (or possibly, the artist, as "NFS"---"not for sale"---appears at the end of...

Watercolor on paper painting of creamy roses, 17 3/4" by 14 1/2" as simply framed, signed at lower right "Vivian E. Tiedemann" and dated there 1907. This is a typical turn-of-the-century work by an amateur artist, though, a skilled amateur. Such watercolor paintings of roses were popular in the Victorian era and even into the early new century, artists continued to paint them in oil and watercolor. This example is in excellent condition. It would make a fine addition to a shabby chic type in...

Pastel on gray paper affixed at edges to a linen-covered board, 21 3/4" by 25 1/2", unframed, signed at lower right in pencil "MARINO" and dated at lower left in European hand "1959". The image appears to be perhaps a highly abstracted horse or horse head, surrounded by abstracted imagery in electric blues, oranges, reds and greens. For a time I thought this might be a work of the famous Italian modernist Marino Marini (1901-1980), who signed "Marino", but some years back I sent images to the ...