Highly impressionistic watercolor painting of a small boat in a foggy harbor, 14" by 20", unframed, signed at lower left by the listed American artist JOSEPH MARGULIES (1896-1984). Margulies was born in Vienna and by the 1920's was studying art in New York at the Art Students League, one of his instructors being Joseph Pennell. He also received training at the National Academy, Cooper Union, and in Europe...

Oil on gray art board painting of a pretty lake surrounded by trees, houses on the distant shore, signed at lower left in ink "F. C. Hawkes" or similar, probably circa 1935. There does not seem to be a listed artist name that would correspond, but the painting stands on its own. It is quite dirty so a cleaning and a fresh frame would be transformative. There is a diagonal crack to extreme upper left corner...

Watercolor painting of a dramatic western American mountain, unframed, executed on a 12" by 17 1/2" sheet of watercolor paper, unsigned. The mountain resembles the pyramidal Going to the Sun Mountain in Montana's Glacier National Park, but I suppose this could be elsewhere in the great American west. Condition is excellent; the work needs only framing.

Interesting painting of the Southwest, showing Native Americans at a nocturnal religious ceremony or festival such as Penitente, probably in New Mexico, many candles flickering in the scene also populated with processional crosses. The blues of the nocturne dominate the composition, and the yellow crosses and many candles receding into the distance complete this most agreeable painting. The work is signed at bottom right with what appears as "Judith Rossio" or "Romo" or similar...

This is a well executed impressionistic watercolor of haystacks on a marsh, a popular theme in American art, addressed most notably during the third quarter of the nineteenth century by the great Martin Johnson Heade, in the marshes of coastal northeastern Massachusetts. This painting on heavy paper was laid down to an old board a long time ago. Unfortunately it does not appear to be signed, at least not on the front...

Ink and watercolor drawing of cows in a field, 13 1/2" by 21 1/2" (20 1/2" by 29" framed), signed at lower center "Sam Smith" The modeling of the animals shows that the artist was a keen observer of their forms and a talented draftsman. Apparently this is not by the listed New Mexico artist Sam Smith (1918-1999) as the signature is not similar and the work itself does not resemble that artist's work. This watercolor is in excellent, fresh, clean condition, the paper very white.

Attractive nicely framed American watercolor that dates likely to about the 1940's, signed at lower left with what appears as "A W Edwards". The landscape measures 13" by 18" (21" by 25 1/4" framed). Obviously the artist was skilled at and trained in the use of watercolor. More research might turn up information on the identity of this painter. Condition is excellent. Hand drawn mat lines add to the appeal.

Small contemporary painting on canvas, 10" by 10", unframed. The work seems to be in mixed media, the yellows particular appearing to be gouache, the green strokes shiny, the remainder of the painting flat. A decorative piece.

Watercolor painting of a harbor scene in New England, 12 3/4" by 18 3/4" inside the mat, 20 1/4" by 26 1/4" in silvery metal framing, signed at lower left in red "J. Stephenson" and dated there '77. This is likely a scene of Maine or Massachusetts, judging from the lobster traps at left on the dock. The artist does not seem to be listed but I have seen other similar works by this hand while traveling in New England...

A fine watercolor painting of tulips in a vase, painted in a modernist style, 15 1/2" by 12" (28" by 24" framed), signed in pencil at lower right by artist JULIAN E. LEVI (1900-1982). The work is fresh and clean, and nicely matted and framed. Levi was born in New York and spent much of his life there. He did venture to Philadelphia for training at the Pennsylvania Academy under Arthur Carles, Daniel Garber, and Henry McCarter...

Autumn landscape painting, oil on masonite panel, 9" by 12" (16 1/2" by 19" framed), signed at lower right, and on reverse bearing title "Fall on Geer Mtn." and the artist's then-address in South Kent, a small town in northwestern Connecticut. This is an early, 1966 palette knife work of contemporary Connecticut impressionist RICHARD STALTER (1934-). Stalter was born in Dayton, Ohio, exhibiting early talent...

Oil on canvas laid against wood panel painting of a young woman in traditional type clothing of Southeast Asia, likely the Philippines or Indonesia. The sizable work measures 37" by 24" (43 1/2" by 30 1/2" in wood frame). At lower right, in red, there does appear to be a signature but I am not certain as to how it reads; possibly "HA.....". The canvas is a little buckled especially at left, as it is laid against the panel and not firmly glued to it...

Old oil on gray art board landscape painting, 6" by 9" (10 3/4" by 14" in modern day framing), signed at lower right in red in a tight old hand "O. Farsky" with the "Antwerpen" nearby. At first glance this looks like an American Hudson River style oil, with fine detail, a split rail fence, and the structures in the center left area, which look more American than European. Farsky was from Bohemia, receiving art schooling in Prague during the late 1870's...

Oil on canvasboard panel painting of a scene in the French Quarter of New Orleans, 19" by 8" (24 1/4" by 12 1/2" framed), signed at lower right with what appears as "Dettick" or "Derrick". This work was likely created for the lively tourist scene in the French Quarter in the 1960's or early 1970's. It has been suggested that the artist is one "Dick Nick", who has been an active participant in the New Orleans Jackson Square art scene from the 1960's. Condition is excellent.

A nicely painted contemporary work on canvas, unsigned, 12" by 16", unframed, featuring a landscape of trees with early autumnal colors showing. The piece is in excellent condition. Needs a frame which should be easy/economical as the size is a "standard" size. The anonymous artist has created a very pleasing work; an excellent understanding of both impressionist theory as well as light and color is evident.

A pleasant watercolor painting of a working windmill in an extensive landscape, the sheet 9 3/4" by 13 1/4", currently loose under a mat, no frame, signed at lower left by listed English artist ALFRED WILLIAM RICH (1856-1921). Other than normal age toning of the paper, there are several spots of foxing, a missing extreme upper right corner, which is easily hidden by the mat, and reverse browning from residue of varnish or old adhesive...

Oil on board Currier and Ives style winter landscape viewed from birds eye perspective, 18 1/2" by 24 1/2", 23" by 28 1/4" framed, unsigned, circa 1900, or possibly even earlier, painted in a primitive hand...

Oil on paper or board painting of daffodils in a German beer glass, 23 1/4" by 17" (32" by 26" framed), signed at lower right "G Busby" or similar, and dated there 3/89. This is an airy and modern-feeling work, which reminds a bit of David Hockney and Wayne Thiebaud mixed together (Hockney the overall airiness and top portion, Thiebaud the heavily worked paper doily at bottom). I have searched for a listed artist by this name and come up empty so far, but clearly the artist was trained and tal...