A small etching of one of the classic old buildings of America's oldest coastal cities, perhaps New Orleans or Charleston South Carolina, titled "Street Cart", numbered 91/150 and signed "Godzala" or similar. The etching measures 3 3/4" by 2 1/2" inside the mat and 10 1/4" by 8 1/4" in the silver metal frame. Condition is excellent. The piece likely dates to the 1990's through present. I do not see an obvious artist that would correspond with the name.

"William Hogarth" Portrait of John Wilkes The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

This is a color aquatint, 9 7/8 by 12 7/8" as framed, the subject a monumental Paris building in the autumn twilight, (the Pantheon, I believe?), numbered at lower left 248 of 500 and signed at lower right in pencil by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating editions of prints which he numbered and hand signed. This example has not been examined outside the frame...

A mid-Victorian chromolithographic print c1860-80 in a period gilt frame depicting two kissing children with a doll. This unsigned 7-1/4 x 5-1/2" print is mounted on a lined mat and encased on a period 11 x 9" gilt wood frame with original glass; it is in excellent original condition with no rips, tears, foxing, staining, fading, losses, damage or repairs other than a small water stain to the mat on the lower right corner and some minor scrapes to the gilding on the frame...

A nineteenth century gentleman deep in thought, searching for the answer to an obviously vexing problem, is the subject of this etching, created in the late 1870's by artist Leon Richeton (1854-1934) after the original painting by Scottish artist ERSKINE NICOL (1825-1904). The artist was born in Edinburgh and taught in Ireland in the years surrounding the Great Potato Famine of the late 1840's...

A “modern” print collage design depicting fragments of ancient temple roof tiles; a stylized Shinto shrine compound all overlaying a background scene of samurai warriors, issued ca. 1930s

Excellent impression and color including bronze powder printing—clouds and warrior highlights, very slight creasing to upper corners, not backed.

Overall size: 11 3/8 x 14 in.

An antique etching or engraving with hand coloring the scene including a windmill, distant steeple, small boats on a body of water, and elegantly attired mid-19th century folks, the artist name H. Jessen appearing at lower left margin. There is a Carl Ludwig Jessen of Frisia (or, Friesland---an area of the extreme northern Netherlands and adjacent areas of extreme northwestern Germany). He was born in 1833 and died in 1917. I have not been able to locate an H...

A view of the "Kolk" in Rotterdam, Holland, titled "Rotterdam Kolk" at lower left, plate signed with conjoined initials (tiny) and pencil signed "Marius Janssen" at lower right margin, 12 1/4" by 18 1/2" as framed. The Kolk is a familiar part of the center of this historic city, which suffered severe damage in World War II...

A colorized print stamped Karl Bohme Munchen in the lower left corner along with a printers mark. Not examined out of the original frame. The frame measures 14-1/2" x 18"; the print , 9"x12".

This is a framed reproduction, circa mid 20th century, of the PIERRE AUGUSTE RENOIR (1841-1919) famous painting "La Fillette a la Gerbe" (Little Girl with Sheaf). She is carrying her sheaf of wheat, although she looks to be more of a child of the privileged rather than a field worker in the tradition of Millet. This is one of Renoir's more popular paintings and it has been reproduced many times...

For the Hawaiiana fans, here is a clean Hale Pua anthuriums print, 13 3/4" by 10 3/4" (24 1/2" by 20 1/2" framed). Close up magnification shows it to be some kind of later photo of an original airbrush painting, I believe (offset printing-type dots visible with a magnifier). The color seems to be just printed on rather than airbrushed, the signature, likewise. You need a magnifying glass to tell the difference...

From a set of lithographs, Paris Dans sa Splenour, published in 1861, titled, “LE NOUVEAU LOUVRE/Vue prise du Palais Tuileries.” The printer and lithographer are shown in details of the lower left and right corners. The image without printing is 9 7/8 by 14 ½ inches (25 x 27 cm), the page 13 ¼ by 19 ¼ inches (34 x 49 cm).

Condition; some rubbing to the surface and some of what look to be ink spots...

Offset Lithograph by ALIZERA aka ALIZERA GOLKAR
The title: WOODED FALL
The size of Poster, Sheet size: 27 1/2" H x 19 1/2" W
Image size: 24" H x 16 1/2" W
Signed by artist, ALIZERA on the right side middle on plate
Medium: Gallery quality Offset Lithograph on Heavy Paper.
Published by Art in Motion, Inc., Vancouver, B.C.
Printed in Canada.
The condition: Excellent, never been framed.

This is rare lithograph poster by early work of ALIZERA aka AL...

A hand colored engraving titled Sepulchral Chambers near Bethany (also in French) after a drawing by Luigi Mayer (1755-1805) published in London in 1803 by R. Bower as part of the set of prints, “Views of Egypt, Palestine and Other Parts of the Ottoman Empire.” The paper with a watermark, “J Whatman/1801” on the right hand edge with the lower part of the date missing. A dramatic view of men in local dress in a tomb lit with torches...

Offset Lithograph by ALIZERA aka ALIZERA GOLKAR
The title: TWILIGHT
The size of Poster: 32" Long x 27" High
Signed by artist, ALIZERA on the lower left side on plate
Medium: Offset Gallery quality Lithograph on Heavy Paper.
Published by Art in Motion, Inc., Vancouver, B.C.
Printed in Canada.
The condition: Excellent, never been framed.
Please note upper left and right corner is showing
curley because I had to photograph in plastic folder.
Print is...

A pen and ink print signed W.V.V.T in the lower right corner. There is a small white spot in the right area (see photos) and dark spot above that... there is also rippling in the upper left corner-- the paper may have been pasted to a background but we have not examined it out of the frame. 12" x 16"

Circa 1850 lithograph with hand coloring, titled at bottom "The Flight into Egypt", published by the noted American lithographer James Baillie. Baillie began his career in the late 1830's as a picture framer in New York City, and then worked as a colorist for the Currier and Ives firm. By 1843 or 1844 he had struck out on his own, producing a wide range of lithographed images in the style of his former employer...

"William Hogarth" Sigismonda The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty...