By the noted American photographer CHRISTOPHER FAUST (born 1955) is this black and white silver print photograph "Seattle Art Museum", 1995, measuring 5" by 12 1/2" (21 1/2" by 25 1/2" in contemporary-looking black frame under Plexi). The motorized sculpture in the plaza, "The Working Man", is by Jonathan Borofsky. It is today an iconic piece of the downtown Seattle scene. The photographer was born in Fort Riley, Kansas and is today closely associated with Minnesota...

For the Andrew Wyeth collector, a color collotype print "Arthur Cleveland", circa 1965, from a limited edition of only 100, **with INK SIGNED-by-the-artist label** affixed to the backing. The print measures 26" by 18 3/4" and frame is 1 1/2" wide on a side. This was acquired in Connecticut; the seller stated that it had been acquired from a Boston gallery in the 1960's by her parents, who had unfortunately trimmed off the margins to make it fit the frame...

Paul GESSLER view of Lucern, color etching. Measuring 12x9” Framed in a beautiful gilded frame at no extra charg Paul Geissler (Germany 1881-1965) was born June 25, 1881 in Erfurt, Germany, where his father was a gardener. He studied drawing with the painter Sondermann and attended the Arts and Craft School in Erfurt for 4 years. In 1903, he studied at the Grand-Ducal School of Arts in Weimar, Germany, with Max Thedy...

Japan Festive Wine the book B xx

Original lithograph print, sheet 14 7/8" by 11", simply framed (removed from frame for photography), unsigned, titled "Diego" (the brother of Alberto), circa 1961. The backing board bears an early 1960's label from the east coast store "Korvette art gallery", on which is written the artist name, title, medium, and the notation "from Behind The Mirror" Maeght Paris. On the reverse of the paper is printing in French. See photos...

A pair of old prints in color---I believe, some sort of lithography process similar to chromolithography in feeling, one featuring the Notre Dame cathedral in Paris, the other the Second Empire "Pont au Change" bridge connecting the Ile de la Cite to the Rive Droite. The current bridge was rebuilt between 1856 and 1860 and therefore bears the letter N, the imperial insignia of Napoleon III. It is composed of three 31 meter long arches and is 30 meters wide...

This is another of Haku Maki’s depictions of the kanji天 for day, heaven, sky. It’s a fairly easy character to make stark and lovely. The next year, 1971, he did another black-and-white dramatic rendering of the same kanji (Poem 71-51, which is below at #1452042 (stock #1077). The print is 12in square and in excellent condition.

Two antique prints circa 17th century, matted together, one featuring profiles of a man's head (6 1/2" by 9 1/2"), the other a study of a bare foot and a foot in a sandal (6 1/2" by 4 1/2"), the head profiles, originally drawn by Annibale Carracci (1560-1609) for his "Livre de Portraiture", subsequently transferred into engravings, likely by Jan Van Haelbeck (fl. 1600-1630) and published in Paris in 1667 by Francois de Poilly. Carracci's name is at lower left, and de Poilly at lower right...

18th Century Dutch School, "Pastoral Scene", Ink and wash, image size 9 3/4 x 13 7/8 inches, inscribed "J. Bosch 1773 in de manier van N. Berchem met stoffazie na A.v.d.Velde.", In the manner of Nicolae Berchem (Dutch, 1620-1683) and Adriaen van de Velde (Dutch, 1636-1672)on reverse, framed.

Seraphim of Sarov (Russian: Серафим Саровский; 30 July [O.S. 19 July] 1754 (or 1759) – 14 January [O.S. 2 January] 1833), born Prokhor Moshnin (Прохор Мошнин), is one of the most renowned Russian saints and is venerated in the Eastern Orthodox Church. He is generally considered the greatest of the 18th-century startsy (elders). Seraphim extended the monastic teachings of contemplation, theoria and self-denial to the layperson...

Daniel Tretiak chose to number this note 32, with no explanation of why there were no other notes between 28 and this one. In this note he focused on Poem J, a 1966 print that had just emerged (in 2019).

An oversized framed Presidential Christmas card/print from Jimmy Carter. Facsimile signatures of both the President and his wife, Rosalyn."Thanks for your friendship and support. With our best wishes..." The gunmetal frame measures 12" x 14-1/4" with the picture fitting snugly into it. Mounted under glass.

Early and rarely encountered oversized Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting tradesmen. The print is pencil-signed “Yoshitoshi Mori” at the lower right, dated ’68, and numbered 28/60. The artist’s red seal is above the signature. The paper measures 26 1/2”V x 21 1/2”H. The print is in good overall condition. The portion of the paper edge that was previously covered by a mat is very sightly darker...

Color poster of the now well known Guggenheim Museum structure in Bilbao, Spain, hand signed and dedicated by famous American architect FRANK GEHRY (1929-) at lower right and dated there '98. The Santa Monica, California-based Gehry of course needs little introduction, seeing as that he is among the world's best known contemporary architects, with a long list of famous structures by his hand, distributed around the world...

John Edward Costigan, American, 1888-1972, Etching, "Mother and Child", 1957, ed. 4/25, image size: 16 15/16 x 13 3/4 inches, pencil signed

Original intaglio by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent original condition. Titled and marked A/P l.l. Also signed "Wendell H. Black '54 by Elaine" Also inscribed bottom right of the sheet "Berk Chappell-imp" 12 by 23 1/2 image alone. Provenance available.

Hermine David, French, 1886-1971, etching, "Dockside, Seine", image size: 9 7/8 x 12 1/2 inches, c. 1930, pencil signed lower right

Etching on paper, 1923, measuring 9" by 13" (15" by 18 3/4" framed---no glass), titled "La Lagune--Venise" in pencil in lower right margin, signed in pencil at lower left margin and numbered there 80 from an edition of 100, by the important artist EDGAR CHAHINE (1874-1947). The influence of Whistler's similar graphic works and drawings featuring Venice is very obvious, what with the big sky and tiny silhouettes of the buildings on the horizon far away...