Kawase Hasui (1883-1957)
Kuon Temple at Mt. Minobu
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1930.
Publisher: Watanabe Shozaburo. Watanabe D seal at right margin, indicating printing between 1931 and 1942.
Reference: Hotei #198a.
Condition: Very faint tone line at upper right corner.
Kobayashi Kiyochika
Taro Inari Shrine in the Asakusa Ricefields
(Asakusa Tanbo Taro Inari Mae)
From the series, Famous Places of Tokyo (Tokyo Meisho).
Date: 1877-1879.
Signed by the artist at lower left above the grasses.
Publisher: Fukuda Kumajiro.
Size: Oban. Approximately 14.25 x 9.75 inches.
Medium: Japanese woodblock print.
Condition: Excellent color. Bumped corners. Margin lightly creases.
Ohara Shoson (Koson)
Egret in Rain
Size: Tanzaku. Approximately 15.25 x 10.25 inches.
Date: 1928.
Publisher: Watanabe Shozaburo.
First edition bearing the Watanabe D seal (sausage seal) in the right margin as in the catalog example.
"Made in Japan" stamped on verso.
Bears Shoson signature and seal.
Reference: S14.3 (cat...
Modern Hagi Chawan By Miwa Kyusetsu X (Kyuwa) (1885-1981)
The rough white Hagi clay with fairly big enclosures is expertly thrown into half cylinder shape (hanzutsu); The light feldspatic hagi glaze turning to yellow beige; inside the foot ring stamped Kyusetsu.
Many of Miwa's chawan have a split cross footring called a warekodai that was favored by busho chajin (warrior tea men); it traces its origins to Korean chawan...
A classic design, the peach is said to represent long-life for mortals and immortality for the gods in Asian folklore. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I...
Flower arranging is one of the great arts that Japan has managed to take to ever greater heights of refinement over its long history. Here we have a classic example of a kake-hanaire (hanging flower vase) fashioned from bamboo by a lineage of craftsmen that started in 1578 with the first Kuroda Shogen...
This is an excellent and intricately carved very charming netsuke, made by our own Pennsylvania native, David Carlin. He describes it as a "Clown seated on a ball with his left hand holding his forehead and the right arm resting in the clown’s lap. The eyes are inlaid in amber and the clown has a star in his right cheek matching the stars on the sleeves and bottom hem of his sweater...
This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...
This mid 20th century Chinese carved ivory doctor's lady is 15" long, 3" high and 2" thick. The fitted hard wood base is 16 1/8" long, 1 1/4" high and 3" wide. Her left hand is holding a flower and is resting on the side of her body. Her right hand is held behind her head. She wears loose bracelets on both wrists and “lotus” shoes on her feet. There is a dark line (the center of the tusk) running along the back of her left leg...
Description
清 吳昌碩(1844-1927)刻古典交龍紐李白七絕詩浮雕紋巨型文房陳設印章。款識:問余何事棲碧山,笑而不答心自閒。桃花流水杳然去,别有天地非人間。印重:24 lb : 印高: 10 英寸 (25.4 cm) 寬度及厚度: 6 英寸 (15.2 cm) An Exquisite and Imposing Stone Seal-Ornament with Archaic Motifs, a Dragon Knot & a Tang Dynasty Qijue Poem Composed by LiaBai, Carved by Master Wu Changshuo (1844-1927) of Qing Dynasty Wu Changshi, born W...
A fabulous vase in the form of a rice pestle by Bizen Living National Treasure Kaneshige Toyo enclosed in the original signed wooden box titled Bizen Kine-gata Hanaire (Vase in the Shape of a Pestle). A fabulous range of colors plays across the surface, all natural kiln effects resulting from heat, cold, clay content and placement. The vase is 26 cm (10 inches) tall and in excellent condition. It comes with a custom made black lacquered wooden outer box to protect the original box...
Hiroshi Yoshida (1876-1950)
A Calm Day, 1930 from Inland Sea, Second Series.
Oban. Approximately 16.0 x 11.0 inches.
First edition bearing the large black jizuri seal, indicating self-printing by the artist.
Pencil signed and titled.
Medium: Japanese woodblock print.
Condition: Excellent.
Kawase Hasui
Ikegami Honmonji (Honmon Temple, Ikegami)
Date: 1931.
Size: Oban. Approximately 15.25 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe round 6mm seal, indicating a lifetime edition printed 1946-57.
Signed and sealed within the image.
Medium: Japanese woodblock print.
Reference: Hotei #245.
Condition: Lightly toned paper at back and margin. Tape residue at back margin.
Note: One of Hasui's most loved snow scenes.
Kawase Hasui
Yakumo (Yagumo) Bridge at Nagata Shrine, Kobe
Series: Collection of Scenic Views of Japan II, Kansai Edition.
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1934. A lifetime edition produced between 1946-1957.
Publisher: Watanabe Shozaburo...
Katsushika Hokusai (1760-1849)
The Ghost of Kohada Koheiji
From Hyaku Monogatari (One Hundred (Ghost) Stories)
Published by Tsuruya Kiemon ca. 1833. This edition Meiji 19th century.
Size: Chuban. Approximately 10 x 7.25 inches.
Condition: Very light creasing.
Medium: Japanese woodblock print.
This rare print depicts the murdered Kohada pulling back a mosquito net as he returns to haunt his wife and her lover.
A set of colorful Tokkuri in the shape of squared gourds by Living National Treasure Kato Hajime enclosed in the original signed wooden box titled Aka-e Hohyo Tokkuri (red glazed Tokkuri in squared gourd form). About the white bottom are fortuitous characters in green with a belt of blue, yellow and green in the center. They are 15.5 cm (6 inches) tall. There is slight rubbing of the red glaze typical of handling...
Beautifully carved pair of serpentine deer striding. They are mounted on carved wooden stands. One deer has beautiful variations of tone, the other deer is pale green. They measure 7" long, 6" tall, 2" wide. mid 20th century.
A Rare and Exquisite Jadeite Table Screen with Hand-Carved Motifs. The green jadeite table screen depicts a traditionally dressed man standing amid bamboo and plum-trees, with two cranes dancing along. Its jadeite quality, color, and carving skills are amazingly superb. Qing Dynasty Styled. Height: 4½" (11.43 cm) Width: 9½" (24.13 cm) Height with Stand: 10¼" (26.04 cm) Highly collectible and in an excellent condition.
張大千 仿宋徽宗聽琴圖 設色水墨紙本鏡心 1951年作 款識:道君皇帝作畫重而有力,丰神奕奕。其運筆及衣服自是宋人風格,並效其大略為此,非時賢所能為也。辛卯二月歲望風日晴美蜀郡張爰大千父。鈐印:張爰之印信、大千居士、長共天難老、百千之一。鑑藏印:詩外簃(徐伯郊)、仁愷過眼(楊仁愷)。出版目錄: 2006年4月:《詩外簃藏張大千書畫》(文物出版 社)施...
Japanese Nihonga painting on paper—this piece by well-known Edo painter, poet, and tea ceremony devotee Baiitsu Yamamoto depicts an idealized mountain scene in Yamamoto's distinctive style. Close inspection reveals a mountain temple nestled along the cliffs overlooking twin waterfalls...
Very interesting and unusual Tibetan Thangka (also known as a scroll painting) depicting the bhavacakra, or wheel of life, representing samsara (cyclic existence). Thangkas are often found on the walls of Buddhist temples and are meditated upon in order for monks to reach enlightenment...
Chinese antique blue and white underglaze stickneck vase with beautifully painted blooming prunus and flying birds design, key fret design at high footed base. Signed at bottom.
Republic period, 1930s
Size: 12 1/2"High x 4 1/2" Diameter
Japanese woodblock print entitled "Moonlit Night at Miyajima" by the artist Kawase Hasui. The Miyajima Torii Gate sands in the still water. A row of stone lanterns shine their light from the water's edge. Tall pines bend over the quiet beach. From across the lake, more lights can be seen. With black 6mm seal. Publisher: Watanabe Shozaburo. Produced during the lifetime of the artist.
Age: 1944-1957
Dimensions: Paper size: 15 1/8" high x 10 1/4" wide
Woodblock print of a maiko playing cards. Seated with her back toward the viewer, displaying her richly embroidered obi with flying cranes, she looks over her shoulder and demurely displays the card in her hand, the ace of hearts. The background is decorated with a pattern similar to that of her obi, flying cranes and swirling water with applied flecks of gold leaf on a yellow ground.
>Jun-ichirô Sekino traveled widely, not just throughout Japan but also in America, Mexico, Afri...
Japanese antique cha tansu (tea chest) made of dark hardwood, many open shelves with decorative cut out areas, compartment on top right with sliding panels, larger compartment on the bottom with hinged doors, 2 small drawer on the bottom right, Taisho Period.
Size: 45" high x 46" wide x 14 1/2" deep.
清 光緒皇帝(傳) 五蝠靈芝圖设色纸本立軸 1892年作 款識:光緒壬辰五月中浣御筆。鈐印:天清玉潤. 題跋:芳樹層層綴嫩芽,碧叢翠朵盡丹砂。驅馳驛路難消夏,試薦雕盤艷落霞。 臣張百熙恭題。鑑藏印:張百熙印、慈禧皇太后之寶、大雅齋。此畫亦有和明朝思想家王守仁後人、中國近代書畫家王同愈的題跋。A Painting of Bats, Rocks and Blooming Lingzhi-Flowers (Auspicious Symbols of Happin...
Hiroshi Yoshida
Evening at Chikugo River, Hida
Date: 1927
Size: Oban. Approximately 16.0 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Edition no. 51/125 penciled at lower right corner.
Made in Japan stamp on verso.
Condition: Excellent. On the verso, the upper right corner margin has been reinforced by a conservator.
An antique Chinese arm chair made of hardwood. The back rest is a carved relief of a tree with a bird and blossoms. A carved bat is hovering over the tree. The arms of the chair are rounded.
Date: Republic Period c1910.
Dimensions: 26" wide X 40" tall X 18" deep
A vintage Japanese 2 section Kamo Kimono Tansu chest made entirely of Kirinoki (Paulownia). All original hardware with maker's name engraved into the main lock plate. Upper section features two large hinged doors behind which are 8 kimono trays for storing textiles. The lower section has 3 drawers for additional spacious storage. Below the bottom drawer lies a false floor cover that hides a secret compartment where important papers and valuables were kept.
The Kamo Tansu originates fro...
A large unusual natural section of Japanese burl wood with dramatic twisting form on a stand. Great presence and charming qualities.
Size: 44" H, 42" W, 14" D
張大千/魚楊枝大士像 設色紙本立軸 1944年作 款識:甲卯秋清信士張大千敬艁。鈐印:張爰之印信、三千大千。 Hanging Scroll of of Guanyin Holding a Poplar Twig / Zhang Daqian (1899-1983) Inscribed twice and signed with two artist seals.
Condition: Hand-Painted, Good Condition Provenance: Property of a New York collection Dimensions: 50 1/2 X 25 1/2 inches 128.3 X 64.8 cm Artist Name: Zhang Daqian (1899-1983) Medium: Color on Paper Circa: 1944
Kawase Hasui
Uchiyamashita, Okayama
Selection of Scenes of Japan (Nihon Fukei Senshu)
Date: 1923.
Size: Aiban. Approximately 12 x 9 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #112.
Medium: Japanese woodblock print.
Condition: Slight toning.
Kawase Hasui
Clearing After a Snowfall on Mt. Fuji (Tagonoura). (Fuji no Yukibare, Tagonoura)
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1932. This edition early postwar.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi.
Doi watermark in upper left margin corner.
Japan sticker on verso.
Medium: Japanese woodblock print.
Reference: Hotei #266.
Condition: Excellent.
Rare and early Baule figure, made of hardwood with very fine carving. Made by a known carver. H. 32,5 cm. Early 20th century. Lovely age wear and great patina. Provenance: private collection UK.
Anthropomorpic cup, depicting a standing female. H. 21,5 cm. Rare and early piece.
Repair to the rim of the cup.
Provenance: Dutch private collection.
Five unique plates by Tomimoto Kenkichi, from various eras depicting bucolic scenery each uniquely signed on the back. Kenkichi changed his signature regularly, which makes it very easy to date his works. These date from the 1950s. Each is between 18.5 and 19.5 cm diameter (roughly 7-1/2 inches). One has a slight firing flaw near at the rim, otherwise they are all in excellent condition. A smaller 6th plate will be included, bonus.
Tomimoto Kenkichi (1886-1963) is one of Japan's fin...