Tsuchiya Koitsu
Kyoto Kitano
Size: 5.625 x 3.625 inches.
Publisher: Takemura Hideo. Takemura seal at lower left.
Date: 1930s.
Koitsu's Shinsei seal at lower right.
Koitsu catalog no.: TK-TM-120.
Medium: Japanese woodblock print.
Condition: Rough left margin.
Note: Unlike the catalog example, this one is titled in the image.

A fine Carved Ivory Netsuke of a man carrying the moon on his back signed Giyoku Seki a masterful piece. Measuring 2.5 inches 5.5 centimeters.

Edo Dynasty Japanese Bamboo Saki pot and Container , nice red stained bamboo saki pitcher with tiny hole at base , but made from one length of bamboo as well as a lidded bamboo storage container. H of saki pitcher is 12" diameter of storage container is 4.25"

Here is an amazing vase by the most sought after of all Japanese potters, Kawai Kanjiro dating from the 1940s, enclosed in a fine kiri box endorsed by the Kawai Kanjiro Museum. The box is signed Kanjiro Saku, Gosu Hana-ire Hentsubo, Kawai Koha (Made by Kawai Kanjiro, a Gosu blue flower vase of altered urn shape, endorsed by Kawai Koha. Koha is Kanjiros daughter, and the current head of the Kawai Kanjiro Museum...

Japanese Washi Paper Caligraphy Book, Ca. Meiji period 1879, 8 1/4" x 5 3/4" wide, 5/8" thick, approximately 60 pages of Caligraphy in double Washi paper, the condition is good.

Wonderful hexagonal latticed bronze hanging lantern with electrical bulb. Very art deco. Each panel has glass behind the lattice work to throw off an ambient light. 12" tall by 10" wide. Ask for shipping quote.

Ohara Koson (Shoson)
Cockatoo and Pomegranate
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1927. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6mm seal at lower left.
Shoson signature and seal lower right...

Japanese Sliding Door, framed by Kiri Wood panel in upper section and Reed vertical Reed panel framed by brown Lacquered wood Frame, 68 1/2" high, 34" wide, 1 1/4" thick, small area about 6" long Reed pieces are broken off.

An interesting modern, abstract koro. The compressed sphere with elliptical, off centered opening. A warm, brown temmoku glaze with darker brown glaze dripping from the top and stopping in controlled fashion above a well - continuing to form the unglazed foot in ogee fashion. An artist seal (three or four stylized Kanji characters within an oval) is impressed into the concave base near the foot rim. Very good condition. Some burnt on kiln residue on the foot goes to 'wabi'...

The size of Kutani Dog: 7" High x 4 1/4" Wide x 5" Deep.
This is beautiful and adorable Japanese Kutani Dog
from 1970's to 1980's about 50 years old
vintage Okimono. It has flowers, butterfly and ribbon on neck design.
The Dog is made from crackle glazing semi porcelain body.
Bottom of Dog Okimono has some kind stain. It has four felt circles,
preventing scratch when placing on the wooden top.
The condition of dog excellent...

Eijiro Kobayashi
Evening Cool on Sumida River.
Series: Hasegawa Night Scenes.
Date: 1910s-1938. Early edition.
Eijiro seal at lower right.
Size: Approximately 9.75 x 7.125 inches.
Publisher: Hasegawa Takejiro.
Reference: No. 1244 in Hasegawa catalog.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Takahashi Shotei (Hiroaki)
Teahouse in the Night
Size: Mitsugiri-ban. Approximately 15.0 x 6.625 inches.
Date: pre-1936.
Artist's seal at lower right.
Publisher: Watanabe Shozaburo.
No. 564 in 1936 Watanabe catalog. M-57 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent.

A large silk painting of a scene from the history of Japan by Kai Seihyo (1882-1974), one of Japan's noted painters specializing in historical subjects. Kai Seihyo was trained at the Tokyo University of Fine Arts. It was later in Seihyo's life where the artist began producing unique historical subjects and received high acclaim where Seihyo was known for his paintings of samurai and horses. Age: 1948-1960, late Showa Era. Size: Length: 47" Width: 28.5"

Japanese limited edition sosaku hanga woodblock print by Tadashi Nakayama (1927 - 2014) titled “Flowers and Riding Horse” (Hana to Kiba) dated 1968. The bottom margin contains, in pencil, the date, artist’s signature and edition number 49/85. The paper measures 20 3/8”V x 15 3/4”H (Image: 14 1/2"V x 11"H). A red Nakayama seal is on the back. In pencil at the bottom left corner of the back is the title, in Japanese, and the original saIes price of 10,000 yen...

Kanmei F. K. (Active 1940s)
General Douglas MacArthur, 1947.
Size: Oban. Approximately 16.75 x 11.0 inches.
Edition: First and only.
Publisher: Watanabe Shozaburo. Bears rarely used Watanabe seal at lower right margin.
Carver: Aoyanagi Isao (seal)
Printer: Ono Gintaro (seal)
Sealed by the artist and signed in English and Japanese.
Medium: Japanese woodblock print.
Condition: Paper slightly toned. Small surface spot at right...

TANUKI MASK

Japanese paper-mache mask of raccoon dog as a vintage folk toy from Shizuoka region, with rare unique coloring design, 1980s, 21 x 16 x D 15 cm (8.26 x 6.29 x 5.90in)...

Exquisite set of Japanese Dairi bina (hina), the emperor and the empress dolls from early to mid Showa period. This is not a large set of dolls. The measurements of the wood box are 17” wide x 12 3/4” tall x 13 1/2” deep. We should add the approximate sizes of dolls. The label indicates that they are from Matsuzaka-ya, a major department store. Matsuzaka-ya started as a kimono store in late 16th century, pre Edo period...

THE STORY OF SHIBA ONKO

Lovely old Japanese clay okimono as the iconography with boys and a large jar, depicting *the famous story of Shiba Onko, so-called 'kamewari' (jar crushing)...

Splashes of earthen color decorate the deep sides of this large open dish by Living National Treasure Tamura Koichi enclosed in the original signed wooden box. The bowl is 15-1/2 (39 cm) diameter, 4 inches (10.5 cm) tall. The box is worn but still sturdy, and the bowl is in perfect condition. Koichi graduated from the Tokyo University of Fine arts Where he later taught), and took up an apprenticeship under (later) Living National Treasure Tomimoto Kenkichi. With a very impressive career, Koi...

An amazing wood sculpture of a standing lady looking at a mirror while fixing her hair. Sculpture was done by Owa Sakunai (1894- active 1987) originally Sakunai was a farmer in Nagano and did sculpture as a hobby. Sakunai received the opportunity to study at the Academie Julian when he was 65 years old. After his study in France, he submitted many of his works to the Nihon Bijutsu-in exhibition. The work shown may have been submitted to an exhibition during the 1960s - 1970s. Age: late 20th cent...

Hiroshi Yoshida (1876-1950)
A Calm Day, 1930 from Inland Sea, Second Series.
Oban. Approximately 16.0 x 11.0 inches.
First edition bearing the large black jizuri seal, indicating self-printing by the artist.
Pencil signed and titled.
Medium: Japanese woodblock print.
Condition: Excellent.

Japanese mid 20th century large lacquered wooden tray with shell inlays. The inside of the tray is done in a abstract design in colors. The upper edge and back are done in solid black lacquer. There are shell inlays on the 4 edges of the front of the tray and on the upper left hand corner on the back. The tray measures 19" wide, 19" tall and about 2" in depth. Signed Rokuhei, by artist, Koseki Rokuhei (1918 -). Comes with TOMOBAKO, artist signed wooden storage box.

A large Japanse woodblock print, by famed artist Tadashi Nakayama. The depiction is the shadow of a bronze Giboshi (architectural post) against a large Buddhist temple door, with silver leaf accent hardware. Signed, dated in pencil, number 24/50.

Dated 1961

Dimensions: 33"L x 26" H (overall) 31" L 24" H (image only)

Ohara Koson
Monkey reaching for the reflection of the moon
Size: O-tanzaku. Approximately 14.75 x 7.5 inches.
Publisher: Daikokuya
Date: ca. 1910-1923.
Koson signature and seal.
"Made in Japan" stamped on verso.
Reference: K41.25 (cat. 136) in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Tonal difference in blue at bottom of image due to previous matte.
One of Koson's...

An early 20th century cloisonne obidome with a vibrant color floral design that can be worn as a pendant. Size: H. 4cm. W. 4.5cm. Condition: No repairs.

1st Nakamura Donen (1876-1937) High Quality Black Raku Chawan (Tea Bowl) for Tea Ceremony

He was a famous potter during Meiji-Taisho periods who studied with 4th Ninnami Dohachi and worked in different styles such as Raku and Mishima.
Nakamura Donen is the founder of lineage of Donen family potters.
He has a lot of Korean influence in his works as he studied the pottery in Korea.

Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16...

Vintage Japanese glass obidome (sash ornament) with domed top and differently colored concentric circles resembling an eye of a fish. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Clever design, excellent quality glasswork, very pleasant to hold. Metal fixture with two loops on the back for an obi cord. Diameter 1.54 inches.

CALLI KORI

'Kori' (Japanese wicker trunk) wrapped in old waste calligraphed washi paper, early 20th century, 47 x 33 x 16 cm (18.50 x 12.99 x 6.29in). Aged deterioration as is as seen. Stand chair is not attached, as just this item itself.


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to ha...

Netsuke of standing Jurojin (one of the 7 Gods of happiness, usually associated with longevity) holding a scroll and a fan in his hands, with a reclining spotted deer (symbol of longevity) by his feet. Excellent carving - see the detailing of his face, incised fingernails, coat and spots of the deer. Great quality staining, beautiful patina. Signed SHINZAN on the bottom - for a brief discussion of the artist see CONTEMPORARY NETSUKE by Miriam Kinsey, p. 237. Height 2 1/16 inches.

A captivating bowl created by Kyoto potter Kawai Zuiho, most likely in the early 70’s. This bowl features a red undercoat which is visible in places through the greenish overglaze. The effect is quite striking and sure to attract the eye. With a convenient indent on the side, this bowl fits comfortably in the hand.

Kyo-Yaki is high-fired ceramic and pottery that centers around the Higashiyama district of Kyoto. Dating back to the 17th century, this style of pottery stems from the...

This striking chawan is a fine example of “Oni Shino” (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time blending with the molten as...

Japanese round wood Hibachi with Copper Lining, carved out of whole width of tree, 9 1/2" diameter for top rim, 8 1/2" high, thin crack on one(1) side.

Beautiful pair of Ca.1950's art deco wood braziers with copper inset. Excellent condition and comes in the original wood box. H:10" by diameter of 7". Ask for shipping quote from CA warehouse.

A set of yoroi and kabuto for Boy's Day in Japan. The condition is almost new except the color (salmon pink) of strings is not so reddish (dull, faded color). There is a straight crack along the wood grain on the lid - did not show up well in the last photo. Total height is 30 1/2". The dimensions of wood box are 16 1/2" wide x 13" long x 12 3/4" high.

An impressive pair of large red lacquer boxes beautifully decorated with hydrangea flowers and leaves. Both with "Made in Japan" paper labels and insurance identification/inventory labels. In very good condition with some minor wear, each measures 9 inches high, 12.5" diameter. Dates Showa, mid-century.

Striking Showa Period c.1930 negoro lacquered tray. Negoro lacquering techniques were developed in the Edo Period at Negoro Temple in Wakayama Pref. putting on layers of black lacquer then covering with red lacquer and burnishing until the black rubbed through. The motif are old coins in raised relief of lacquer. Ask for shipping quote. L:14" x W:9".

Netsuke of standing Jurojin holding a turtle on his hand. Jurojin is one of 7 Gods of Good Fortune, that of longevity, and the turtle - one of his usual companions - is also associated with longevity. The netsuke is essentially a wish for long life. Very nicely carved, great level of detail and perfectly captured facial expression, expert staining. Signed SEIGYOKU on the back - for a discussion of the artist see CONTEMPORARY NETSUKE by Miriam Kinsey, p. 226. Height 1 7/8 inches.

Japanese framed abstract woodblock print by sosaku-hanga artist Tajima Hirohuki 田嶋 宏行 (1911-1984), titled "Ancient Writing B", number 23/100 of the series, and signed in pencil.

A printmaker of the sōsaku-hanga school. He was born in Tokyo and graduated from Nihon University in 1932. In 1943, he graduated from the Western-style painting division of the Tokyo School of Fine Arts. He created his first print in 1946, and joined the Bijutsu Bunka Kyok...

Netsuke carved by Ryoshu (born in 1912) - one of the best Japanese netsuke carvers of the 20th century. Netsuke represents a doll of Daruma (founder of Zen Buddhism) enveloped in monastic robe, and his eyes can pop in and out. Perfectly captured facial expression, beautifully incised and etched facial hair and 3 flowering chrysanthemums on his robe. It appears that the artist etched a different design on every piece of this model of his - see the other Darumas by Ryoshu on my site. Excellent cle...

Hanging scroll. Shoki holds Futen’s wind bag which balloons around him and protects him from a very light rain. While Shoki has his hands full trying to control the wind bag, his bulging eyes are rolled in defeat and annoyance towards the right, where a little demon who has a Chinese mortar on his head and holds the pestle in its hand jumps in front of him.
Ink and color on silk.
Signed and red artist’s seal.
Japan, Taisho or early Showa era, 1920s-1930s.

Image: H 43.25 x...

This is a Hina Goten (Palace) doll house for the Girl's day in Japan, also known as Hina-matsuri or Sekku. Traditionally it is the day to celebrate and honor the young girls in the family. I remember my days playing with our antique hina dolls. Unfortunately, ours were all destroyed over the years. I guess that our temptation was a little too strong to play around with these attractive removable attachments, including the swords.

The Hina house was not a very common style in many areas...

Japanese ceramic square dish by famed artist Otagaki Rengetsu (1791-1875) with lovely grass calligraphy, tan milky translucent crackle glaze, curled edges, four oval feet, bottom incised with floral pattern and signature. Four rounded feet raise bottom surface. Comes with tomobako. Poem on plate reads: Asa to kite Coming again tomorrow Min to Omoeba I think of not seeing them Ietsuto ni Even to hang in the house Te-Ori to Oshiki A shame to snap a branch Yamazakura hana ...

Tsuchiya Koitsu
Nikko
Date: 1937
Size: 5.75 x 3.75 inches.
Publisher: Doi Hangaten (seal lower left).
Koitsu seal and title at lower right.
Reference: Koitsu catalogue TK-DH-122.
Medium: Japanese woodblock print.
Condition: Some fading. Paper residue at top back corners. Fox spot at top margin.
Note: We know this example to be early as it was acquired along with a heretofore unknown Koitsu design.

One Finely formed and decorated Japanese blue and white porcelain dish. The deep, foliate rim fired to chocolate brown along the edge is suggestive of kakiemon influence. Decoration of figure seated in royal ease pose, perhaps Kannon, in rich foliate garden setting centered by repetitive characters (perhaps suggestive of sutra or chants) inside the deep rim. The Buddhist motif is unusual. Spurious Ming Chenghua mark. Good condition. Diameter, 7 5/8 inches. Ca 1900/early 20th century. (Five like ...

Josetsu (Jousetsu) 城雪
Cock and Hen with Chickens under a Plum-tree
Size: 7 x 4.75 inches.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #164 tag on back.
Medium: Japanese woodblock print from a painting by Tokyo artist Josetsu.
Condition: A few marks. Slight waviness corresponding to location of tag on back.

This attractive e-Shino bowl (“e†meaning picture) bears a pine-needle motif on the front surrounded by fields of dazzling ochre and white.

Fired in the kilns of Kato Kageaki (1899-1972), this Shino bowl is from one of the oldest traditions in Japanese pottery. Kageyaki was the 12th generation of Mino potters known for their distinctive styles of Shino and Oribe pottery. He was a great potter in his own right who was designated as a Human Intangible Cultural Treasure...

Obi (sash) with design on both sides. One side taupe colored silk embroidered in brown, murasaki, pink, green and blue with a design of bamboo leaves and matsukawabishi. The other side decorated in silver and some colored silk on murasaki colored silk with an intricate design of a river bank with stone barricades, containers and vegetation: bamboo, pine, chrysanthemums and momiji. The end of the obi marked with two strokes of gold thread. Japan, early Showa period.
Length 151 ¾ in. (385.5 ...

Kawase Hasui
Enoshima at Night
Date: 1930s.
This is a late edition (post-1989) printed from the original blocks.
Approximately 6.25 x 4.25 inches.
Publisher: Watanabe.
Artist's oval seal at lower right.
Reference: Hotei #Hp-23.
Medium: Japanese woodblock print.
Condition: Excellent.

Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rippling through the clay body. The shape of the this tea bowl is known as “tsutsu” in Japanese and is regarded as being especially attractive. Tsutsu bowls are used mainly in the depths of winter to keep in the heat and prevent the tea from cooling too quickly. Tea disciples of all stripes appreciate this type of bowl for its elegant li...

Kobayashi Kiyochika
Dawn at Ryogoku Hyappongui, Tokyo
From the series, Famous Places of Tokyo (Tokyo Meisho).
Date: 1879.
Signed by the artist at lower right.
Publisher: Fukuda Kumajiro.
Size: Oban. Approximately 14.25 x 9.75 inches.
Medium: Japanese woodblock print.
Condition: Missing some margin. Frayed areas of the margin have been repaired by a conservator. Excellent color.

Tsuto made of rice straw which is used for containing ceramic plates. It has a small wooden tag "12 plates". In old age, there was no plastic cushioning material so that rice straw was used much for it and for other crafts. In good condition and very few scraps which is usual for old crafts made of rice straw. The first half of the 20th century. Diameter:24cm, H:26cm

This is a japanese vintage cotton katazome child kimono of Charming baseball design.This kimono is unused and has no stains or damage. It is an item that has been carefully stored.Size:Length:75cm(29.5inch) / Cuff to cuff, across the back:76cm (29.9inch)inch

Kawase Hasui
Bird's Eye View of Kiyomizu Temple in Snow
Date: 1930s.
Size: Approximately 5.675 x 3.675 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower right.
Reference: Hotei #Hp-59.
Medium: Japanese woodblock print.
Condition: Excellent.
This marginless print is from a mid-century collection that included another marginless Hasui print.
Most examples are found with margins, so it may have been trimmed or issued in this state.

Tsuchiya Koitsu (1870 - 1949)
Lake Kawaguchi
Date: 1933.
Size: Oban. Approximately 15.75 x 10.5 inches.
Publisher: Doi Hangaten. Doi watermarked paper.
Carver: Harada. Printer: Yokoi.
This seal combination indicates a 1950-1963 edition.
Reference: Koitsu catalog TK-DH-6.
Medium: Japanese woodblock print.
Condition: Short dash mark in right sky. Very slight creasing at upper right.
Notes: This spectacular Fuji view features embossed clouds. Title...

Beautiful Japanese silk kimono decorated with lovely understated design of flowers in a paste resist technique, painted details in gold, some use of gold thread, peach colored silk, Showa Period. Size: 61" long x 51" wide (cuff to cuff)

This an excellent hand-carved contemporary netsuke of a standing Hotei carrying his bag over his right shoulder. In his left hand he holds a Ruyi Scepter. Signed Shodo on a rectangular reserve on the bottom of the netsuke. SHODO, the Go name of Hiroshi Asaoka, born in Tokyo in the year 1923 was a master of intricate detailed carvings, and quiet, serene designs, who studied under Shomin. Netsuke measures 1.40 inches (3.5cm) in diameter, and 2.0 inches (5.ocm) tall. It is in outstanding condi...

Kashigata (wooden sweet mold) with double Kiku (chrysanthemum) motif, early 20th C., Japan. L.8.75"(22.5cm) x W.4.25"(10.5cm) x H.1.75"(4.5cm.) This mold has two chrysanthemum blossoms, a symbol of beauty and abundance in late fall and winter. On the side, the sweetmaker has written "an iri no natsume" (sweet red bean paste filled jujube) to indicate for which of type of sweet this mold was used. On the back is carved the sweet shop's name, "Bai Getsu" (Plum Moon.) This is the name of a famous s...

A Zohiko covered soup bowl. Colorful leaf decoration sparsely applied on black ground with almost iridescent effect with gold and silver maki-e and red details. Zohiko mark in silver lacquer inside the bowl's foot rim. 20th century. Bowl diameter 4 9/16 inches (11.59 cm). Condition is relatively quite good with only a small abrasion to the lacquer on foot rim of the bowl. The lacquer otherwise is in good condition with no distress or wear of note. A quirk in the underlying wood (not an issue wit...

Japanese vase of convex shape, Totai decoration of a bird and a butterfly among leaves and berry bushes. The motif created by thin metal threads is filled in with colored lacquer and polished. The brown lacquer background is carved as to resemble tree bark (totai). This complicated technique for decoration on porcelain was in use in Japan in the 1920’s and 30’s.The base with old paper label, indistinct letters in blue and the word “Lacquer”. Height "7½/ 19,2 cm. Condition: Flakes aroun...

Japanese glass ojime in a form of tombodama bead with multicolored flowers and long scrolling vine. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Beautifully made piece - see the white veining of the vine and air bubbles at the center of each flower, in perfect condition. Height 0.75 inches.