An antique pair of Chinese vases with lingzhi mushroom outcrops on a craggy rock platform. The lingzhi mushroom is a symbol of longevity and health. The platform could display an object. These wares originated out of kilns in the Shiwanzhen sub-district within the city of Foshan, going as far back as the Neolithic period. Each vase is pigmented with custard yellow and aubergine.

Date: Late 18th to Early 19th Century

Dimensions: 11" tall X 9" X 6" deep

Made by a women of the Miao minority often referred to as the "tiny Miao" ...not because of their stature but because they were recongnize for their "tiny" embroidery stitches... This jacket was worn for festivals ...and shows some use...wonderful display piece and also could be worn by a small person....

Traditional Yemeni necklace with an amulet box, made of silver and coral. First half 20th century. The amulet box has a maker’s mark on the top. The box is 5 cm. wide. The necklace is 48 cm long. From a Dutch private collection. Overall in good condition with expected age wear on the box.

Hiratsuka Un-ichi
Pagoda of Joruriji Temple, Kyoto
Date: 1960
Edition: 21/80
Size: Approximately 20 x 13.25 inches.
Artist's seal lower left. Signed, dated, and numbered in pencil.
Medium: Japanese woodblock print.
Condition: Back margin has tape remnants. Outer margin toned.

An antique Chinese arm chair made of hardwood. The back rest is a carved relief of a tree with a bird and blossoms. A carved bat is hovering over the tree. The arms of the chair are rounded.

Date: Republic Period c1910.

Dimensions: 26" wide X 40" tall X 18" deep

Very beautiful dark wood phurbu richly carved, the top shows 3 beautiful faces of protective ancestors of exceptional sculptural quality, each face measures 5 to 6 cm high. The top shows a miniature animal head (1.5 cm high), probably that of the mythical horse Hayagriva. The central part is a beautiful dorgi very finely carved. The triangular point shows a trunk wrapped in the mouth of Makara, each hand of which holds the head of a snake which rise from the point of the Phurbu; H 28.5 cm

This large traditional Suriname Maroon wood comb has identical carvings on both sides and would have been worn for ceremonies. The Suriname Maroons were originally sub Saharan African slaves that were brought to and escaped from the Caribbean plantations. They fled to the hills where they established their own villages far beyond the the Spanish "authorities"who then ruled the Caribbean Islands at the time. The comb is 14.5 inches tall and 3.5 inches at the widest...

An antique Chinese summer undergarment made of bamboo tubes for cooling. The garment was used to prevent silk from sticking to the skin during the hot summer months.

Date: 19th C

Dimensions:25.5" wide X 58" long

Yokouchi Ginnosuke (1870-1942)
Rain and Night Cherry Blossoms in Ueno Park
Date: September 1935
Size: Oban. Approximately 16.25 x 11.5 inches.
Edition: First and only. 91/300. Japanese-language limitation seal on back.
Signed and sealed by the artist.
Published by the artist.
Medium: Japanese woodblock print.
Condition: Age toning. Faint matte line. Pencil note on back.
This rare woodblock print is one of only eight designs by the artist.

Andrew Kay Womrath (1869-1939)
Cottage and lane at night (given title)
Paper size: Approximately 8.25 x 6.5 inches.
Edition: 3/14.
Date:ca 1920s.
Medium: Woodblock print.
Condition: Excellent.
Womrath collaborated with Yoshijiro Urushibara (1888-1953) on our Venice by Night (Item Womrath 005).

Andrew Kay Womrath (1869-1939)
Canal scene, Venice.
Paper size: Approximately 9.75 x 7.5 inches.
Artist's proof
Date:ca 1920s.
Medium: Japanese woodblock print.
Condition: Excellent.
Womrath collaborated with Yoshijiro Urushibara (1888-1953) on our Venice by Night (Item Womrath 005).

A pair of Chinese Huanghuali trays with scalloped edges.

Date: Republic Period (1910-1920)

Dimensions: 11" diameter X .75 deep

A 19th century Chinese canopy lacquered bed of cypress and elmwood (ju-mu). The bed rail has a turned spindle gallery with a low relief carving of scrolling floral panels as the back splash. The canopy spandrel has turned hook-spindles for holding drapes or clothing. The main canopy lattice pattern has a centralized floral medallion. The bed platform stands on a carved gadrooned bun foot on stretcher. The facade apron has framed low relief carvings of a floral motif...

An antique Chinese clear rock crystal snuff bottle with green peking glass lid.

Provenance: Howard Capland Collection

Date: early 19th C

Dimensions:3" tall X 2" wide

Japanese sosaku hanga woodblock print by Onchi Koshiro (1891-1955) titled "Portrait of the Poet Hagiwara Sakutaro" dated 1943. Memorial edition printed by Koichi Hirai. The print is stamped on the back and dated in pencil September 1956. Red seal at the lower left. Paper size: 21 7/8" x nearly 17 1/4" (image: 20 1/2" x 16 1/2"). The print might have been loosely rolled at one time and is not completely flat. The back is lightly browned and has a short pen mark...

An antique Chinese monochrome cucumber green beaker. The beaker was used as a drinking vessel. It has a cylindrical shape with a trumpet shaped top and flared base and with no handle or stem.

Date: 18th C, Qing Dynasty

Dimensions: 5.25" high X 3.5" diameter

An antique apple green enamel container. The box is square with small square feet embellished with blue glass. The faces of the box have a tree image with leaves.

Date: circa 1900's

Dimensions: 3" square X 1.75" high

A rare antique Chinese apple green Peking Glass snuff bottle with stopper. The bottle has rounded shoulders and a thin carved oval shaped foot. The jade lid with a coiled dragon and bone spoon. Chinese glass was largely used to imitate more precious materials such as white jade, Lapis Lazuli and other valuable minerals.

Provenance Howard Capland Collection Dimensions: 3.25" X 2.5"

Date: early 1900's

Two types of masks: At First Mesa, a white case mask with beak, owl wings in place of ears. At Second and Third Mesas. a case mask covered with rabbit fur, "horns" of jackrabbit tails, beak. Fox skin ruff. Kilt, sash, fox skin, buckskin over back. White body paint. Carries a bow and a yucca whip. Appears in Mixed Kachina Dance, or in an ordinary kachina dance where he spies on the clowns...

Yukata (cotton unlined kimono) with shibori (tie-dye) whose motifs are tomoe (three-way), aboshi (fishing net being dried) and a logo with the character uma (horse). The shibori techniques are: Miura shibori and Ori-nui shibori (folded and stitched). It is hand-sewn and all tie-dye is by hand. Vegetable indigo dyed. In excellent condition. 20th century. 126cm x 131cm

An antique Chinese seal chop of soapstone with an image of Hotei. Chinese seals are used with red ink or cinnabar paste (zhusha). A seal in an East is a general name for printing stamps and impressions which are used in lieu of signatures in personal documents, office paperwork, contracts, art, or any item requiring acknowledgement or authorship. The process started in China and soon spread across East Asia.

Date: Early 20th Century

Dimensions: 2" tall X 1" square

Tsuchiya Koitsu
Festival
Date: 1930s. First and only edition.
Size: Chuban. Approximately 10.0 x 7.25 inches.
Publisher: Takemura Hideo. Takemura seal at lower left. H. Takemura stamp on verso.
Koitsu's "Shinsei" seal at lower right.
Koitsu catalog no.: TK-TM-67.
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have some thinning.

Kawase Hasui
Sailboat at Yashima
Date: 1930s
Size: Koban. Approximately 7.75 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-82.
"Made in Japan" stamped on verso. Medium: Japanese woodblock print.
Condition: Very slight toning.

Impressive figure of 63 cm. height. Excellent age wear and patina with remains of old infestations. Ex. Robert van der Heijden, Amsterdam This item will be exhibited at the Tribal Art Fair Amsterdam, October 25th-27th www.tribalartfair.nl

Ohara Koson
Fishing Boats at Sea
Size: Chu-tanzaku. Approximately 14.5 x 5 inches.
Date: ca. pre-1910.
Publisher: Kokkeido.
Artist's signature and seal and publisher's seal at lower right.
Reference: K44.20 and cat. #29 in Crows, Cranes and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

A wonderful translucent blue celadon Tobi vase done in the classic style of Longquan Chinese pottery. This piece was made by one of the few great female Japanese potters of the previous century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873...

An antique Chinese tiered table with mother of pearl inlay inset. The table is square with a marble top with bead edge with mother of pearl inlaid floral motifs. The supports are lion headed that extend to the lower tier and end as lion paw's on a ball as the feet of the table.

Date: 1920's

Dimensions: 31.5"high X 19" wide

Chinese Jumu hardwood coffer cabinet. A coffer is a strong chest or box used for keeping money or valuables safe. The front of the cabinet holds two drawers with hardware for locks. The lower portion has 3 panels.

Date: 19th Century

Dimnensions: 35" tall X 35" wide X 18" deep

Kawase Hasui (1883-1957)
Springtime Evening, Ote Gate (Otemon no Haru no Yugure)
Date: 1952.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Edition: First state. Watanabe red 6mm seal lower right corner. Used 1946-1957.
Reference: Hotei #573.
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder.

Vintage Woman's Jacket from Miao Ethnic Minority of Southern China. Indigo Dye fabric, covered with intricate batik pattens. lower panel on back has rows of hand woven decorative tape... comfortable to wear or use as great wall decoration. 36 inches long x 21 inches across shoulders. Fits med size woman...field tested...

Takahashi Shotei (Hiroaki)
The Sumida Bank in the Night (aka. Sumida Dike in the Night; Boat by the snow-covered bank of the Sumida River)
Size: Approximately 14.75 x 5.75 inches.
Date: 1907. Pre-earthquake.
Shotei seal at right.
Publisher: Watanabe Shozaburo.
Reference: The first illustration in The Collected Print Works of Shotei Takahashi, a Modern Ukiyo-e Painter, p. 10.
Condition: Excellent...

A Tsuiki Jippo Cloisonne Enamel Writing Box (Suzuribako), 
Ando Company, early 1930’s .

The box is formed from heavy gauge copper, the lid decorated with tsuiki-jippo enamels in relief on a raised design of a Shinto shrine in a wooded setting, a Torii and lantern also present. The interior has been applied with a coarse cloth lacquered with both clear and red lacquer in an abstract design and contains a hardwood tray with fitted inkstone and tsuiki-jippo water-dropper...

This is a truly beautiful large pair of Japanese cloisonne vases. They stand 8 inches tall and are 8 1/2 inches across. The workmanship on these is tip-top quality. Not signed but were probably made by Ando or Gonda.Condition is excellent and the rims are silver.

Kawase Hasui (1883-1957)
Kamoson Village on Sado Island
Date: 1921.
Size: Oban. 14.25 x 9.5 inches. Trimmed margins.
Hasui signature and diamond-shaped seal at lower right.
Publisher: Watanabe Shozaburo. Black 6 mm seal at lower right.
Reference: Hotei #66.
Medium: Japanese woodblock print.
Condition: The margins have been trimmed as shown. Slight fading.
"A villager and child look at the reflection of distant sails on the lake" - Narazaki

Ex Joris Visser, Brussels. H. 55 cm. First half 20th century. Excellent condition.

A stunning pair of Himachal Pradesh bracelets with double Makara heads. Made of high grade silver (acid tested) with details in green and blue enamel. Finely engraved details. Inner size: 5,5 x 4 cm. Outer size 7,3 x 5,5 cm. Weight 361 gr. Very good condition. Provenance: Collection Baobab, Amsterdam, collected in situ in the 1980’s. Private collection Amsterdam.