Japanese glass ojime in a form of tombodama bead with milky white body and multicolor brocade pattern. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Height 0.68 inches.

Japanese glass ojime in a form of tombodama bead with black body and of numerous white flowers and beautiful ribbed leaves. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals and yellow centers of the flowers and fine structures of the leaves, in perfect condition. Height 0.6 inches.

Japanese glass ojime in a form of tombodama bead with numerous cherry flowers and a crescent moon, silver foil flakes background. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.64 inches.

Japanese glass ojime in a form of tombodama bead with cherry red body and 2 clusters of white flowers and beautiful ribbed leaves. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals and yellow centers of the flowers and fine structures of the leaves, in perfect condition. Height 0.65 inches.

Japanese glass ojime in a form of tombodama bead of flattened ball shape with inlays of a butterfly and cherry flowers. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Diameter 0.78 inches.

Japanese glass ojime in a form of tombodama bead with bright red flowers floating in a stream, fine gols foil flakes background. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.64 inches.

Japanese glass ojime in a form of tombodama bead of flattened ball shape with black body and 2 pairs of sunflower and face designs. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Diameter 0.81 inches.

Japanese glass ojime in a form of tombodama bead with two flowers on stems with prickly leaves - appear to be some species of a thistle. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.76 inches.

Japanese glass ojime in a form of tombodama bead with numerous white flowers. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.64 inches.

Japanese glass ojime in a form of tombodama bead with pink body and twisted ribbons forming a brocade pattern. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Height 0.65 inches.

Japanese glass ojime in a form of tombodama bead with multicolored flowers and long scrolling vine. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Beautifully made piece - see the white veining of the vine and air bubbles at the center of each flower, in perfect condition. Height 0.75 inches.

This is a really pretty Floragold Louisa 11 Ounce, band at top, Water Tumbler made by Jeannette Glass in the 1950s. This Tumbler is in very good condition with no chips, cracks or scratches. Be sure to search our other Floragold available. We guarantee all items to be as described. THANK YOU.

These really pretty Floragold Louisa 6 inch Square Dessert Plate or Saucer was made by Jeannette Glass in the 1950s. This Plate is in very good condition with no chips, cracks or scratches. Be sure to search our other Floragold available. We guarantee all items to be as described. THANK YOU.

These really pretty Floragold Louisa 4 1/2 inch Square Dessert or Berry Bowl was made by Jeannette Glass in the 1950s. This bowl is in very good condition with no chips, cracks or scratches. Be sure to search our other Floragold available. We guarantee all items to be as described. THANK YOU.

This is a really nice Floragold, aka Louisa, 13 1/2 inch Indented Tray made by Jeannette Glass into the 1950s. This tray is in very good condition with no chips or cracks. Be sure to search our other Floragold glass items available. THANK YOU.

Description 張大千 松隂論琴圖 設色水墨紙本立軸（特大中堂）1944年作 款識：虬龍夭矯結無垠，噓嘆浮雲護古春。早晚天風下山半，不知原是老蒼鳞。甲卯八月大千張爰。 鈐印：張爰之印、大千居士。 此巨幅中堂堪稱張氏後敦煌時期人物畫神品之一，曾為徐伯郊先生的香港詩外簃收藏的張大千《大風堂》畫作珍品。 徐氏則是二十世紀下葉張大千畫作在海外的全權代理人和最權�...

Description 張大千 賽金花像 設色水墨紙本立軸 款識：蜀人張大千爰摩詰城寫。 鈐印：張爰福壽、大千居士。 此畫曾為徐伯郊先生的香港詩外簃收藏的張大千《大風堂》畫作珍品。 徐氏則是二十世紀下葉張大千畫作在海外的全權代理人和最權威鑑藏大家。他一度收藏了大風堂珍藏的眾多代表畫作，並於2003年由中國國家文物局文物出版社出版了他的《詩外簃張大千書畫集》。 P...

Round tea bowl of more or less circular shape on a bamboo node foot. Fine cream-colored stoneware with decoration in the form of an abstracted character in slightly raised slip relief on opposite sides of the bowl. The bowl is covered in a light gray glaze on the inside, the outside is covered in a bright copper red glaze, turned brown along the foot.

No potter’s mark, but the bowl has strong resemblances to works by Kawai Kanjiro (1890-1966)...