Six Victorian Classical sterling silver goblets. Made by Charles Stuart Harris in London, 1884-9. Medici urn bowl with bellied bottom and flared rim. Spool shaft with flange flowing into raised foot. Chased and engraved garlands and two leaf and cattail wreath frames of which 1 vacant and 1 with applied coat of arms. Super fancy and capacious for ceremony or dining. Very much the special occasion set. Fully marked including date letters 1884 (2), 1886 (1), 1888 (1), and 1889 (2). Excellent cond...
Edwardian Modern Regency sterling silver basket. Made by the Sweetser Co. in New York, ca 1910. Faceted octagonal bowl with straight and tapering sides on spool support mounted to raised and faceted octagonal foot; fixed curvilinear handle. Engraved ornament with fluted and paterae curvilinear borders forming frames of which four vacant and the others inset with garlands, scrollwork, and vases. Handle has pendant flowers and oval frames inset with paterae. Fully marked including maker’s stamp ...
Turn-of-the-century Art Nouveau glass vase by historic maker Loetz with engraved silver overlay. Cylindrical with bellied top and bottom, and short inset neck. Overlay in form of open and horizontal pattern with stylized leaves and scrollwork. Glass is Titania pattern with shaded streaky green in vertical leaf arrangement. Silver marked “Sterling”. Excellent condition.
Dimensions: H 7 x D 3 1/4 in. #BV932
American Modern sterling silver flask, ca 1920. Rectilinear and curved; cover hinged, threaded, and cork-lined. Front engraved with a camel, a paragon of drought survival, standing on parched ground with scattered shoots of greenery. In background are palm trees and pyramids. Drink up to survive the desert—physical or metaphorical. Back vacant for engraving. Marked “Sterling”. Very good condition with strong definition.
Dimensions: H 7 x W 5 x D 7/8 in. Weight: 9 troy ounces. #BX740
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Large Japanese Meiji silver chalice, ca 1890. Oval bowl with irregular rim on tall cylindrical shaft flowing into raised and scalloped foot. Spout hammered ground. Double walled. Applied iris and chrysanthemum flowers and blossoming branches. Wire stem with flower head and bud wrapped around shaft. Mount Fuji-form mono plate (vacant). No cliché left behind. A wonderful ceremonial vessel for the advanced export market. Japanese marks and “Kuhn & Komor / Sterling”. Kuhn & Komor was a Hungari...
This lot includes eight marked Gorham sterling 4780 nut dishes . Two are mongrammed on the bottom( one of those has very faint etched numbers). 4" x 2-1/2" Total weight 6.8 ozs.
A collectible Scandinavian gold and amethyst pin by Kippittan Kulta of Finland. The pin is stamped with the anvil mark 585 Finland and measures 2 1/4" x 1-1/4". Weight 3.6gr.
Two sterling silver flower head bowls. One is collage-style with 3 graduated layers of fluted, striated, and irregular petals and beaded center. The other has fluted and irregular petals with collage-style center comprising 2 graduated and scalloped layers. In cloth-bound case with fitted velvet and silk lining silver-stamped “Gianmaria / Buccellati”. Both marked “Gianmaria Buccellati” with post-1967 Italian mark for Bolognese maker Clementi di Giovanni Mantel. Excellent condition.
Dim...
Edwardian Regency sterling silver jewelry box. Made by William B. Durgin in Concord, ca 1910. Rectangular with straight sides and hinged drop-front. Cover hinged and flat. On sides, wraparound garland held-up by sweet bare-bottomed cherubs. Cover top encircled with same (center vacant). Reeded rims. Interior velvet-lined. Fully marked including maker’s stamp and no. 1809. Very good condition.
Dimensions: H 4 x W 9 3/8 x D 4 1/2 in. Heavy gross weight: 40.6 troy ounces. #BX652
Two pairs of German 800 silver 2-light candelabra. Made by M. H. Wilkens & Söhne in Germany, ca 1890. Each: tapering pillar on raised foot with spread c-scroll supports. Garland-entwined figure mounted to pillar top. On two, a bosomy, drapery-clad caryatid; on other two, a naked atlantes. Soft youthful flesh that contrasts with the statuary pillar. Each figure holds a stem with two open and scrolled branches terminating in single socket. Fluid and dynamic Art Nouveau mixed with frothy Rococo. ...
Belle Epoque Classical 950 silver wine bottle holder. Made by Odiot in France, ca 1890. Open body comprising two rectilinear supports mounted to round bowl with straight sides. Conical neck with adjustable screws. Leaf-capped double-scroll handle. Meandering fruiting grapevine on stippled ground. Perfect for enjoying a special vintage. Note: The bowl is smallish, so the best fit is going to be one of the really old bottles down in the cellar. Fully marked with Minerva head and maker’s stamp....
George V sterling silver covered urn. Made by Mappin & Webb in Sheffield in 1917. Oval bowl mounted to lobed knop on domed foot. Cover double-domed with acorn finial. Leaf-wrapped and mounted scroll bracket side handles with cast leaf-and-berry ornament. Bowl rim has dense flower rondel border. Bold and fluid leaf-and-dart borders embossed on bowl bottom and foot top. Smaller and more controlled version of same on cover. Striking and traditional Neoclassicism in supersized proportions. Enough ro...
Austrian Classical gilt-washed 800 silver box, ca 1875. Ovoid and bellied on plain inset foot. Cover hinged and domed with cast figural finial: A little girl sits cross-legged and barefoot and rests her hand on the back of a hungry animal while spooning sustenance into its mouth. Engraved ornament: Leafing rondels inset with heads alternating with same shaped frames (vacant) on engine-turned border. Shoulder has leaf-and-dart border and cover top leaf-and-patera border. Fully marked including ...
English Victorian Modern sterling silver smoking box 1885. Rectangular with straight sides. Scroll-bracket handle mounted to central panel between two hinged covers. On one in blue enamel “Cigars”; on other “Cigarettes”. Cedar lined. Felt-lined underside. Fully marked including London assay stamp and maker’s initials “T.W”. Very good condition.
Dimensions: H 4 x W 7 3/4 x D 6 1/2 in. Gross weight: 28.3 troy ounces. #BX649
English Georgian sterling silver salver, 1727. Square with molded rim and curvilinear corners. Engraved armorial in well center. Rests on 4 corner hoof supports. Substantial with nice heft from the year the first Hanoverian king George I died and was succeeded by his son George II. A really nice piece of native craftsmanship from the early years of the German ascension. Worn marks including London assay stamp. Very good condition.
Dimensions: H 1 3/4 x W 13 x D 13 in. Heavy weight: 61.7 troy o...
Romantic Edwardian Art Nouveau sterling silver frame. Made by Tiffany & Co. in New York. Heart-shaped window in same and curved surround flowing into bracket feet. Acid-etched leafing scrollwork and flowers. At top shaped cartouche vacant for engraving a lovey-dovey message. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 14282, and director’s letter C (1902-7). Excellent condition with stro...
Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...
Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...
With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.
The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...
This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters...
Japanese Modern silver box on stand, ca 1930. Rectangular with curved corners. Box has straight sides and cover top is gently raised and has applied gilt medallion with dramatic dragon in low relief. Box and cover interior lined with stained-wood. Stand has wide and tapering shoulder and flat well border with open stained-wood bottom. Marked. Very good condition.
Dimensions: Box: H 2 1/2 x W 6 1/2 x D 4 3/4 in. Stand: H 7/8 x W 8 1/8 x D 6 3/8 in. #BX437
Belle Epoque Rococo soup tureen on stand. Made by Tetard Frères in Paris, ca 1910. Ovoid bowl with tapering sides and curved bottom with fluted and turned-down leaf handles. Sides have projecting volute scrolls inset with leaves. Leaves stippled and irregular. Sides have curvilinear panels applied with leaf and berry garlands with central branches forming wreaths. Raised oval foot. Cover domed and paneled with fluted top on which is mounted a cast finial in form of two embracing cherubs, their ...
The pottery style know as “nerikomi” or sometimes “neriage” in Japan is a technique where various colors and consistencies of clay are stacked together and then cut through to reveal a unique pattern. Here we see a beautiful execution of this approach by potter Wakasugi Naomi (b. 1974) who spent many years perfecting the technique. Wakasugi typically uses Shigaraki clay and porcelain clay from Kyoto in her works and says that when she first started out very few people were ma...
A key figure in the Japanese folk craft movement of the 20th century, Fujita Kyohei is credited with helping to develop a thriving glass-working community within Japan. Best known for his “dream” or “Liuli” boxes—very colorful and skillfully crafted boxes that often incorporated gold and silver leaf into their designs. Here we see a piece that would likely have been crafted earlier in his career but that demonstrates his masterful technique even then. In 1972 Fujita, along ...
The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto. The lightness of the clay, the s...
Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korean potters brought to the shores of Japan during its colonial expansionism of the late 16th century. A favorite of the Kuroda lords of the time, its production and use was closely guarded until later in the 19th century when the domain system was abolished, freeing it up to be more widely used. Though Takatori-ware has been admired by many...
Pair of Midcentury Modern sterling silver 2-light candelabra. Designed by Alphonse La Paglia (d. 1953) for International Silver Co. in Meriden, Conn. Two arms, each comprising two open quadrilateral scrolls inset at center with volute scroll terminating in buds overhanging sides. Each arm terminates in socket. Sockets tall and tapering with wide flat rim and stylized leaves and beads at bottom. Arms mounted to raised foot with knop comprising alternating rings and beads. Marked “International ...
Victorian Classical sterling silver mustard pot. Made by Charles Thomas Fox & George Fox in London in 1858. Drum-form with straight and inset sides, and open bottom. Cover flat and hinged, and scroll-bracket handle with scallop shell thumb rest. Engraved ornament: On sides, leafing scrollwork, flowers, and eagles, and on cover top round frame (vacant) surrounded by leafing scrollwork. With cobalt glass liner. Fully marked. Condition: Very good. Minor rim chips to liner.
Overall dimensions: H 3...
Set of 6 Edwardian Regency sterling silver demitasse holders and saucers. Made by Tiffany & Co. in New York, ca 1914. Each holder: Tapering bowl with open bottom, high-looping capped handle, and raised and spread foot. Each saucer: Round with well and wide and tapering shoulder. Engraved ornamental bands with vases in beaded rondels joined by scrollwork between dentil borders. Fully marked including maker’s stamp, pattern no. 18705E (first produced in 1914), and director’s letter m. Very goo...
American Colonial sterling silver bowl. Retailed by Georg Jensen USA in New York. Revere form with Tapering sides, flared rim, and curved bottom; stepped foot. Traditional form with lots of room for engraving. Fully marked including retailer’s stamp, no. 408, and phrase “P Revere / Reproduction”. Excellent condition.
Dimensions: H 4 1/2 x D 9 in. Weight: 26 troy ounces. #BX242
Gorgeous turn-of-the-century Martelé-style Art Nouveau 950 silver basket. Made by Black, Starr & Frost in New York. Flared and ovoid mouth and cylindrical body flowing into spread foot on 4 turned-under scroll supports; fixed and shaped c-scroll handle. Ruffled and irregular rims. Chased and applied ornament with flowers and climbing and entwined tendrils overlaid with leaves. Hand-hammered ground. Fully marked with maker’s stamp, no. 7577, and phrases “Exclusive Design”, and “950 Fine...
Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...
Set of 4 Edwardian sterling silver place card holders. Made by Sampson Mordan & Co. Ltd. in Chester, 1904-6. Each: Two flat discs mounted to flat and circular base. Front disc smaller and enameled with fox loping through forest. In leather-bound case with fitted velvet and silk lining; lining has gilt retailer’s stamp (Arnold & Lewis, Manchester). Fully marked including date letters 1904 (3) and 1906 (1), and design nos. 402227 (2) and 429790 (2). Very good condition with strong color.
Dimen...
English Georgian sterling siler ladle with oval bowl; twisted baleen handle with sterling silver terminal. Worn marks including maker’s initials TM (possibly Thomas Mynd). Good condition.
Height: 13 7/8 in. #BX386
Set of 6 Victorian sterling silver equestrian place card holders. Made by Samuel Jacob in London, 1896-1902. Cut out with chasing, stippling, and tooling. Each different with jockeys, polo players, and hedge-jumping hunters. Hinged c-scroll support.
Fully marked including date letters 1896 (3), 1901 (1), and 1902 (2). Five holders have each a different design number; the numbers were registered between 1894 and 1897. Three have retailer’s stamp (Thornhill & Co.). Very good condition.
Ove...
Italian silver gilt grand-tour bell, ca 1920. Figural handle in form of piping faun with puffed out cheeks and hoofed and hirsute hindquarters. Based on Greek statuette excavated in Pompeii and today in the National Archaeological Museum in Naples. Marked. Very good condition with nice toning.
Dimensions: H 4 3/4 x W 2 3/8 x D 1 3/4 in. Weight: 3.6 troy ounces. #BX081
American Neoclassical sterling silver bowl. Retailed by Georg Jensen USA in New York. Curved sides and raised round foot mounted to square base. Beading. Fully marked including retailer’s stamp, no. 777, and phrase “Reproduction”. Very good condition.
Dimensions: H 5 1/4 x D 6 in. Weight: 20 troy ounces. #BX067
Italian Midcentury Modern 800 silver box. Rectangular with straight sides and thumb rest. Cover flat and hinged with tab. Allover engine-turned curvilinear ornament in plain borders on sides and cover top. Box underside plain. Marked “800” and stamp (1944-68) for Florentine maker Bartolini Bartolozzi. Condition: Minor bung to upper left corner. Otherwise very good.
Dimensions: H 1 1/2 x W 7 1/8 x D 3 3/4 in. Weight: 9 troy ounces. #BW633
Set of 4 turn-of-the-century French Belle Epoque Rococo 950 silver open salts and spoons. Each salt: Open oval with scrolled and leafing rim and four reeded and scrolled supports. Asymmetrical scrolled cartouches engraved with interlaced script monogram. Cobalt glass liner with scalloped rim. Each spoon: Double-sided gilt-washed shell bowl and tapering stem with raised scrollwork. All pieces have maker’s stamp for V. Boivin. Spoons have Minerva head. Very good condition.
Overall dimensions: ...
George V sterling silver ice bucket. Made by Charles & Richard Comyns in London in 1925. Urn with curved bottom and raised and inset foot. Leaf-wrapped s-scroll side handles with cherub cap in form of chubby-cheeked, curly haired boy. Cover raised with reeded and overhanging rim and leaf bud finial. Engraved Indo-Persian decoration with turbaned swordsmen amidst vegetation and birds. Ye Olde English porringer adapted to the exigencies of Roaring Twenties barware. Fully marked. Excellent conditio...
Colonial Revival sterling silver bowl. Made by Dominick & Haff in New York in 1940. Tapering sides, flared rim, curved bottom, and raised and inset foot. Traditional form with plenty of room for engraving. Fully marked including maker’s stamp, no. X1455, Reed & Barton date symbol, and phrase “Paul Revere / Reproduction”. Dominick & Haff was acquired by Reed & Barton in 1928. Very good condition.
Dimensions: H 4 7/8 x D 10 in. Weight: 28.8 troy ounces. #BX253
Set of 8 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1902 to 1909. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Each coat of arms different. Symbols include lions, ravens, eagles, and swords. All fully marked. Date letters vary: 1902 (1), 1905 (1), 1906 (2), 1907 (1), and 1909 (1). Two have indistinct marks. Six have design no. 454426. Retailer’s stamp (“Rowell / Oxford”). Excellent condition with st...
Set of 4 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1901 to 1902. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Two each in two coats of arms. In leather-bound case with silk lining and fitted velvet. All fully marked including date letters 1901 (2) and 1902 (2). Design no. 454426 and retailer’s stamp (“Rowell / Oxford”). Excellent condition with strong and intact color.
Dimensions: H 1 1/2 x W 1 ...
Set of 4 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1906 to 1908. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Same design comprising yellow cross and birds on cobalt ground. In leather-bound case with silk lining and fitted velvet. Case has retailer’s stamp (Army and Navy Co-Operative Society) All fully marked including date letters 1906 (3) and 1908 (1). Design no. 454426 and retailer’s stamp (“Ro...
Set of 3 Chrysanthemum sterling silver butter pats. Made by Tiffany & Co. in New York. Plain and round gilt well. Shoulder has rinceaux-style flower heads and tendrils. Rim scalloped. Engraved interlaced script monogram. Marked “Tiffany & Co. / Sterling / 925”. Very good condition.
Dimensions: H 1/4 x D 3 1/2 in. Heavy total weight: 6 troy ounces. #BX135
Turn-of-the-century sterling silver baby set rich in period assumptions. Made by William B. Kerr in Newark. This set comprises cup, bowl, and plate.
Cup has acid-etched frieze depicting sailor-suited, flag-holding, all-American boy with exotic coevals in native dress relegated to background. Imagery enhanced with verse: “Little Indian, Sioux or Crow, little frosty Eskimo, little Turk or Japanese—Oh! Don’t you wish that you were me?”
Ahem.
Bowl sides feature modes of transportation...
American Midcentury Modern sterling silver basket. Rectangular with straight sides and curved ends. Plain rim and fixed and high c-scroll handle. Woven strips. Marked “Sterling”. Very good condition.
Small dimensions: H 4 1/4 x W 2 1/2 x D 2 in. Weight: 1.6 troy ounces. #BR473
Traditional Classical sterling silver water pitcher. Made by Dominick & Haff in New York, ca 1920. Tapering and faceted bowl on round and stepped foot. High-looping capped and scrolled handle and helmet mouth. Fully marked including maker’s and retailer’s (SA MacQueen) and no. 0310. Very good condition.
Dimensions: H 11 x W 9 1/2 x D 6 in. Weight: 24.5 troy ounces. #BX721
An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...
Royal Danish sterling silver gravy boat on stand. Made by International in Meriden, Conn. Boat bellied with helmet mouth, banded scroll handle, and oval reeded foot. Stand ovalish with pierced acorn motif at ends. Desirable pieces in the classic pattern. Fully marked including maker’s stamp, pattern name, and no. G39. Very good condition.
Dimensions: Boat: H 4 x L 7 x W 3 5/8 in. Stand: H 1 1/4 x L 9 x W 5 1/4 in. Total weight: 17 troy ounces. #BW897
Traditional Georgian sterling silver bowl. Retailed by Cartier in New York. Curved sides and raised foot. Cast lion’s head mounts with loose rings. Cast gadrooned rims. Old fashioned and substantial with plenty of room for engraving. Perfect for presentation or display. Fully marked including maker’s (Tuttle) and retailer’s stamps, and maker’s presidential date code for Lyndon Baine Johnson (1963-1969). Excellent condition.
Dimensions: H 6 1/4 x W 12 1/2 x D 11 1/4 in. Heavy weight: 59...
Set of 4 Midcentury Modern sterling silver nut dishes. Made by Tiffany & Co. in New York. Each: Stylized leaf with radiating veins, 5 tips, and stubby stem. Fully marked including maker’s stamp, pattern no. 22475, and director’s letter M (1947-56). Excellent condition.
Dimensions: H 1/2 x W 3 1/4 x D 3 in. Total weight: 5 troy ounces. #BW966
Pair of Royal Danish sterling silver salt and pepper shakers. Made by International in Meriden, Conn. Each: Baluster on raised foot with concentric bands. Cover pierced top and scroll and acorn finial. Fully marked including maker’s stamp, pattern name, and no. S107. Very good condition.
Dimensions: H 4 3/4 x D 2 in. Total weight: 4.5 troy ounces. #BW909
Pair of Royal Danish sterling silver salt and pepper shakers. Made by International in Meriden, Conn. Each: Baluster on raised foot with concentric bands. Cover pierced top and scroll and acorn finial. Fully marked including maker’s stamp, pattern name, and no. S107. Very good condition.
Dimensions: H 4 3/4 x D 2 in. Total weight: 4.5 troy ounces. #BW908
Midcentury Modern sterling silver water pitcher. Designed by Alphonse La Paglia (d. 1953) for International Silver Co. in Meriden, Conn. Baluster with helmet mouth. Capped high-looping handle with volute-scroll terminal mounted with Blossom-style seeding pod. Open foot ring inset with stylized flower and bead border. An original American design that pays homage to Danish master Georg Jensen. Marked “International / Sterling / La Paglia Designed / 118”. Excellent condition.
Dimensions: H 9 ...
Set of 4 Edwardian sterling silver figural place card holders. Made by Levi & Salaman in Birmingham 1906. Each: Pair of perched owls with scrolled back clip; raised and round base. Wise birds standing ready to tamp down excessive dinner party levity. In leather-bound case with fitted velvet and silk lining with gilt retailer’s stamp (“Leighton / Lancaster”). Fully marked. Very good condition.
Dimensions: H 1 3/4 x D 1 1/2 in. Gross weight: 2.3 troy ounces. #BW863
Charming Edwardian pendant. Variscite cabochon on 14k yellow gold mount with open and alternating leaves and beads. With bail. United States, ca 1910. Excellent condition.
Dimensions: H (without bail) 1 1/8 x W 3/4 x D 5/8 in. #1215
An interesting contemporary Hagi piece resting on a split-foot (wari-kodai) and a unique glaze patterning that somewhat resembles layers of flower petals. A creation of Morishige Tetsuyo, a native of the famous potting town of Hagi who later studied in Kyoto and eventually took up a position at the family kiln “Renkozan” with tutelage from both his father and grandfather. This particular piece is from a series he began in 2009 aptly named “Kaben” (The petal series). Actively displaying b...
Classical coin silver christening mug. Made by Tifft & Whiting in North Attleboro, Mass., ca 1850. Straight and tapering sides with beaded rims. Three names and 3 birthyears (1851, 1877, and 1908) engraved in leafing scrolled frame. Leaf-capped s-scroll handle. Maker’s stamp and phrase “Pure Silver Coin”. Good condition with attractive period wear and nicely sunk engraving.
Overall dimensions: H 3 1/4 x W 3 3/4 x D 2 1/2 in. Weight: 2 troy ounces. #BR811
Classical sterling silver compote. Made by John Wendt for Ball, Black in New York, ca 1870. Round and curved bowl mounted to open support comprising three leafing oak shoots with acorns inset with cast figure of standing boy holding a ball in each hand with one arm raised. Domed foot. Reeding and beading.
A fashionable centerpiece evocative of youth and growth. The figure suggests the influence of the Dancing Faun, the ancient statue in the Uffizi in Florence that was a grand tour icon. The fr...