Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Ito Yuhan
Kiyomizu Temple (Temple Corner)
Date: 1930s.
Size: Oban. Approximately 15.75 x 10.5 inches.
Publisher: Nishinomiya Yosaku. Seal at the left margin. Back stamp: "All Rights Reserved. Y. Nishinomiya, Kami-Negishi, Tokyo."
Sealed "Yuhan" in Japanese within the image.
Medium: Japanese woodblock print.
Condition: Foxing spots and toning. Tape remnants at top back.
Note: This print has the above condition issues as shown but is a pleasing early exampl...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

Ota Shumin (1884-1950, Japanese)
Boats on River (given title).
Date: 1930s.
Size: Oban. 17.25 x 12.625 inches.
Signed "Shumin" by the artist.
Medium: Japanese watercolor.
Condition: Tonal difference at edges where formerly matted. Light creasing visible in side light.
Note: Shumin participated in a painting event at the 1936 Olympics.

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 18...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice ton...

Set of 12 Midcentury Modern sterling silver cocktail cups. Made by Tiffany & Co. in New York. Each: Curved conical bowl on tapering columnar stem with incised bands. Foot round and raised with applied cutout snowflake. A snowflake motif but not for snowflakes. These ones are for the grownups. Fully marked including maker’s stamp and postwar pattern no. 23411. One cup has director’s letter M (1947-56) and 11 have director’s letter L (1956-ca 1965). Very good condition.

Dimensions: H 3 3/4...

Victorian sterling silver baby cup. Made by John Aldwinckle & Thomas Slater in London in 1887. Straight and gently upward tapering sides and c-scroll handle. Ornamental borders engraved at top and bottom including ribbon-tied garlands. Festive and celebratory with plenty of room for announcing a special event. Interior gilt washed. Fully marked. Very good condition.

Dimensions: H 3 x W 3 3/8 x D 2 3/8 in. Weight: 3.4 troy ounces. #BW400

Dutch silver figural spice box. Imported to England in 1891 by BH Joseph & Co. An egret gracefully scrolled neck, red glass eyes, and gaping beak stands on one scaly leg, the other leg raised with clenched talons. A beautiful bird with nicely delineated plumage. Hinged at bust. Dutch assay stamp and date letter, and English sterling-standard import marks including London assay stamp. Excellent condition.

Dimensions: H 15 1/2 x W 6 3/4 x D 4 1/4 in. Weight: 19 troy ounces. #BZ288

Tsuchiya Koitsu
Kyoto Kiyomizu Temple
Publisher: Takemura Hideo. Round Takemura seal.
Date: 1930-40s.
Size: 5.5 x 3.5 inches.
Titled and sealed by the artist.
Reference: TK-TM-140.
Medium: Japanese woodblock print.
Condition: Excellent

Stunning vintage Antonio Pineda Modernist style bracelet featuring thick heavy silver links done in 970 grade silver set with a faceted Blue "stone" on one corner. Measures 6 7/8" long by 3/4" wide and weighing 95.3 grams. Hallmarked with the Antonio Taxco Crown Mark, 970, eagle 17, Hecho en Mexico. Light wear and tarnish but no damage noted. Secure decorative claps and safety chain. A timeless and elegant bracelet now on Sale!

A pair of blue topaz earrings. The pear shaped stones measure 1/2" x 3/8" while the setting measures 3/4" x 5/8". The butterfly clutches are marked 14k.

Kawase Hasui
Fisherman at Sunset
Date: 1930s. This edition 1950s-60s.
Approximately 5.5 x 3.75 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower left.
Medium: Japanese woodblock print attached along its top edge only to original card.
Condition: Excellent.

Dubya-era sterling silver mint julep. Made by Scearce in Shelbyville, Kentucky. Straight and tapering sides, and beaded and molded rim and foot. A great barware cup from the surprisingly long ago aughts. Marks include maker's stamp and presidential date code "GWB". Very good condition.

Dimensions: H 4 x D 3 1/8 in. Weight: 5.4 troy ounces. #BY876