A collectible Scandinavian gold and amethyst pin by Kippittan Kulta of Finland. The pin is stamped with the anvil mark 585 Finland and measures 2 1/4" x 1-1/4". Weight 3.6gr.

Two sterling silver flower head bowls. One is collage-style with 3 graduated layers of fluted, striated, and irregular petals and beaded center. The other has fluted and irregular petals with collage-style center comprising 2 graduated and scalloped layers. In cloth-bound case with fitted velvet and silk lining silver-stamped “Gianmaria / Buccellati”. Both marked “Gianmaria Buccellati” with post-1967 Italian mark for Bolognese maker Clementi di Giovanni Mantel. Excellent condition.

Dim...

Pretty Edwardian sterling silver basket. Made by Tiffany & Co. in New York. Solid oval well and open weave-style sides with clusters of applied pendant flowers. Ends splayed. Scrolled rim. Tall and fixed c-scroll handle with entwined and split foliate mount. Spread foot. Interlaced script monogram engraved on handle. Fully marked including maker’s stamp, pattern no. 16368A (first produced in 1905), order no. 4117, and director’s letter C (1902-7). Excellent condition.

Dimensions: H 9 x W 9...

Pretty Edwardian sterling silver basket. Made by Tiffany & Co. in New York. Solid oval well and open weave-style sides with clusters of applied pendant flowers. Ends splayed. Scrolled rim. Tall and fixed c-scroll handle with entwined and split foliate mount. Spread foot. Interlaced script monogram engraved on handle. Fully marked including maker’s stamp, pattern no. 16368A (first produced in 1905), order no. 4117, and director’s letter C (1902-7). Excellent condition.

Dimensions: H 9 x W 9...

George V sterling silver covered urn. Made by Mappin & Webb in Sheffield in 1917. Oval bowl mounted to lobed knop on domed foot. Cover double-domed with acorn finial. Leaf-wrapped and mounted scroll bracket side handles with cast leaf-and-berry ornament. Bowl rim has dense flower rondel border. Bold and fluid leaf-and-dart borders embossed on bowl bottom and foot top. Smaller and more controlled version of same on cover. Striking and traditional Neoclassicism in supersized proportions. Enough ro...

Olympian sterling silver wine cooler. Made by Tiffany & Co. in New York. Each: Round with gently tapering sides and three reeded c-scroll handles with leaf mounts and caps. Foot ring with beading and bead-and-reel ornament, and 3 paw supports with leafy volute-scroll mounts. At bottom a dense repousse frieze of love-making, harp-strumming nymphs, gods, and cherubs. Gilt-washed interior. A beautiful early piece in the celebrated Beaux-Arts pattern that was conceived by French designer F. Antoine ...

Romantic Edwardian Art Nouveau sterling silver frame. Made by Tiffany & Co. in New York. Heart-shaped window in same and curved surround flowing into bracket feet. Acid-etched leafing scrollwork and flowers. At top shaped cartouche vacant for engraving a lovey-dovey message. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 14282, and director’s letter C (1902-7). Excellent condition with stro...

Chippendale sterling silver serving tray. Made by Gorham in Providence in 1944. Round with flat curvilinear ogee rim. A large and heavy piece in this pattern. Fully marked including maker’s stamp, no. 42613, and date code. Very good condition.

Dimensions: H 1/2 x D 13 3/4 in. Weight: 38.4 troy ounces. #BW956

Large Edwardian Art Nouveau sterling silver picture frame. Made by Lebkuecher in Newark, ca 1910. Rectangular window in curvilinear shaped surround. Corner frames inset and entwined with wreaths, leaves, and rondels inset with flower heads. Ornament in low relief on stippled ground. On top rail is engraved single letter monogram (M) between leafing scrolls. With glass, silk lining, and velvet back and hinged easel support. Fully marked including maker’s and retailer’s (Grogan Company) stamps...

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters...

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corporation in Providence. Tall baluster with flared rim and short foot. Overlay in form twisted tendrils entwined and overlaid with flower heads. Glass is green. Silver fully marked including maker’s stamp and no. G3219/6. Very good condition with nice patina.

Dimensions: H 14 x D 5 in. #BX622

Chinese silver mug, ca 1865. Straight and upward tapering sides with dense low-relief frieze: Spearmen and swordsmen on foot and horse thrust and lunge and, in some cases, fall in battle. Applied armorial shield with engraved presentation dated “May 4th 1865”. S-scroll handle in form of scaly dragon with horned head peering over rim. Marked. Very good condition with deep patina.

Overall dimensions: H 5 1/4 x W 5 1/4 x D 3 1/4 in. Weight: 10.8 troy ounces. #BX464

Edwardian sterling silver covered urn. Made by William Comyns in London in 1908. Bowl has straight sides and curved bottom with leaf-capped and wrapped s-scroll side handles and stepped inset foot. Bid and bold chased leaf-and-dart border. Cover raised with bud finial surrounded by turned-down leaves with same border. Striking with plenty of room for engraving. Gilt-washed interior. Fully marked. Excellent condition.

Dimensions: H 10 1/2 x W 14 x D 9 in. Heavy weight: 84 troy ounces. #BX554 ...

Chinese export silver mug, ca 1850. Straight and upward tapering sides applied with leafing bamboo on stippled ground. Branch-form handle and rims. Applied rondel engraved with single-letter monogram in buckled belt. On underside is engraved “H. J. T. / 1855”. Interior gilt washed. Chinese mark and initials KHC for Khe Cheong, a Canton silversmith and retailer active from ca 1830s-70s. Very good condition.

Overall dimensions: H 5 x W 5 1/2 x D 3 1/4 in. Weight: 10 troy ounces. #BX462 ...

Chinese export silver mug, ca 1860. Straight and upward tapering sides with applied pictorial frieze on engraved and stippled ground: Scenes of social life with contemplative sages and chaste maidens amongst palm trees and pagodas. Pastoral exoticism enlivened with scaly, slithering dragon handle, ferocious head peaking above the rim. Armorial cartouche (vacant). Marked “HCH”. Very good condition.

Overall dimensions: H 5 1/2 x W 5 x D 3 in. Weight: 9.6 troy ounces. #BX463

Belle Epoque Rococo soup tureen on stand. Made by Tetard Frères in Paris, ca 1910. Ovoid bowl with tapering sides and curved bottom with fluted and turned-down leaf handles. Sides have projecting volute scrolls inset with leaves. Leaves stippled and irregular. Sides have curvilinear panels applied with leaf and berry garlands with central branches forming wreaths. Raised oval foot. Cover domed and paneled with fluted top on which is mounted a cast finial in form of two embracing cherubs, their ...

Turn-of-the-century American Art Nouveau glass flask with engraved silver overlay. Flat front and concave back; sides curved and bottom flat. Short neck in silver collar and hinged and cork-lined cover. Overlay in form of dense leafing scrollwork and flowers. Glass is clear. Silver marked “Solid Silver / Pat. Jan. 5-86”. Very good condition.

Lady's size: H 5 3/4 x W 3 3/4 x D 1 in. #BX343

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Made by Alvin in Providence. Conical mouth and neck and bellied bowl. Star cut to underside. Dense overlay in form of overlapping and entwined flowers, leaves, and scrollwork. Scrolled cartouche engraved with two-letter script monogram (SS). Glass is green. Silver marked including maker’s stamp and no. G3349. Very good condition.

Dimensions: H 6 1/2 x D 7 3/4 in. #BX402

The pottery style know as “nerikomi” or sometimes “neriage” in Japan is a technique where various colors and consistencies of clay are stacked together and then cut through to reveal a unique pattern. Here we see a beautiful execution of this approach by potter Wakasugi Naomi (b. 1974) who spent many years perfecting the technique. Wakasugi typically uses Shigaraki clay and porcelain clay from Kyoto in her works and says that when she first started out very few people were ma...

The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto. The lightness of the clay, the s...

Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korean potters brought to the shores of Japan during its colonial expansionism of the late 16th century. A favorite of the Kuroda lords of the time, its production and use was closely guarded until later in the 19th century when the domain system was abolished, freeing it up to be more widely used. Though Takatori-ware has been admired by many...

Japanese silver box, ca 1890. Rectangular with straight sides and hinged cover. On cover top and box sides are chased and engraved iris flowers and tendrils in eddying water. Stippled ground. Box and cover interior lined with stained wood. Open bottom. Meiji-era Art Nouveau for the cosmopolitan West. Appears to be unmarked. Very good condition with deep patina.

Dimensions: H 3 x W 6 3/4 x D 3 5/8 in. Gross weight: 15 troy ounces. #BX248

Art Nouveau sterling silver trophy cup. Made by Tiffany & Co. in New York. Urn on tall and spread foot; double-scroll side handles. Chased semi-abstract tendrils terminating in volute scrolls, garlands, and pendant flowers. A fluid, slightly hallucinatory take on traditional ornament. Gilt-washed interior. Fully marked including maker’s stamp, pattern no. 8637, director’s letter T (1892-1902), and volume (3 pints). Excellent condition.

Dimensions: H 7 7/8 x W 10 1/2 x D 6 3/8 in. Weight: 2...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...

English Georgian sterling siler ladle with oval bowl; twisted baleen handle with sterling silver terminal. Worn marks including maker’s initials TM (possibly Thomas Mynd). Good condition.

Height: 13 7/8 in. #BX386

American Neoclassical sterling silver bowl. Retailed by Georg Jensen USA in New York. Curved sides and raised round foot mounted to square base. Beading. Fully marked including retailer’s stamp, no. 777, and phrase “Reproduction”. Very good condition.

Dimensions: H 5 1/4 x D 6 in. Weight: 20 troy ounces. #BX067

Italian Midcentury Modern 800 silver box. Rectangular with straight sides and thumb rest. Cover flat and hinged with tab. Allover engine-turned curvilinear ornament in plain borders on sides and cover top. Box underside plain. Marked “800” and stamp (1944-68) for Florentine maker Bartolini Bartolozzi. Condition: Minor bung to upper left corner. Otherwise very good.

Dimensions: H 1 1/2 x W 7 1/8 x D 3 3/4 in. Weight: 9 troy ounces. #BW633

Art Deco sterling silver tray. Made by Tiffany & Co. in New York, ca 1911. Round with soft faceting. A nice piece in the emerging geometric style. Fully marked including maker’s stamp, pattern no. 18072 (first produced in 1911), and director’s letter m. Very good condition.

Dimensions: H 3/4 x D 14 3/8 in. Weight: 41 troy ounces. #BW625

George V sterling silver ice bucket. Made by Charles & Richard Comyns in London in 1925. Urn with curved bottom and raised and inset foot. Leaf-wrapped s-scroll side handles with cherub cap in form of chubby-cheeked, curly haired boy. Cover raised with reeded and overhanging rim and leaf bud finial. Engraved Indo-Persian decoration with turbaned swordsmen amidst vegetation and birds. Ye Olde English porringer adapted to the exigencies of Roaring Twenties barware. Fully marked. Excellent conditio...

Edwardian Georgian sterling silver monteith bowl. Made by William Hutton & Sons, Ltd in London in 1906. Round and curved on raised and stepped foot. Molded curvilinear rim with interspersed with leaves and applied pendant flowers. Vertical strapwork bands with laurel-wreathed oval frames (vacant) in leafing scroll surround applied to same-shaped stippled ground. Fully marked. Very good condition.

Dimensions: H 6 5/8 x D 10 1/2 in. Weight: 40 troy ounces. #BW931

Large Georgian-style sterling silver tray. Made by International in Meriden, Conn. Round with curved and tapering sides, and flat ogee piecrust rim. Fully marked including maker’s stamp and no. W36. Very good condition.

Dimensions: H 3/4 x D 14 1/4 in. Heavy weight: 32.5 troy ounces. #BW628

Edwardian Art Nouveau sterling silver picture frame. Made by Cornelius Saunders & Frank Shepherd in Birmingham in 1904. Shaped rectangular window in shaped surround with bracket feet. Chased ornament: Entwined tendrils and flower heads spilling over molded border and scallop shells surrounded by dynamic scrolls. Mounted to stained wood with hinged easel support. With beveled glass and silk lining. For portrait (vertical) display. Fully marked at bottom. Very good condition with deep patina.

...

Edwardian Art Nouveau sterling silver picture frame, 1904. Shaped rectangular window in shaped surround with bracket feet. Chased ornament: Entwined tendrils and flower heads spilling over molded border and scallop shells surrounded by dynamic scrolls. Tubular cartouche (vacant). Mounted to stained wood with hinged easel support. With beveled glass and silk lining. For portrait (vertical) display. Fully marked at top including unidentified maker's stamp and Birmingham assay stamp. Very good con...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

George VI sterling silver salver. Made by Walker & Hall in Sheffield in 1940. Round well with traditional molded curvilinear piecrust rim. Three volute-scroll supports. Fully marked. Very good condition with nice finish.

Dimensions: H 1 1/8 x D 8 1/4 in. Weight: 11 troy ounces. #BW553

George VI sterling silver salver. Made by Walker & Hall in Sheffield in 1940. Round well with traditional molded curvilinear piecrust rim. Three volute-scroll supports. Fully marked. Very good condition with nice finish.

Dimensions: H 1 x D 8 1/4 in. Weight: 11 troy ounces. #BW554

Modern Georgian sterling silver tray. Made by International Silver Co. in Connecticut, ca 1950. Scroll shaped well with flat rim. Fully marked including maker’s stamp and no. WW434. Very good condition.

Dimensions: H 1 x W 20 1/8 x D 14 3/8 in. Weight: 52 troy ounces. #BW572

Traditional Georgian sterling silver bowl. Retailed by Cartier in New York. Curved sides and raised foot. Cast lion’s head mounts with loose rings. Cast gadrooned rims. Old fashioned and substantial with plenty of room for engraving. Perfect for presentation or display. Fully marked including maker’s (Tuttle) and retailer’s stamps, and maker’s presidential date code for Lyndon Baine Johnson (1963-1969). Excellent condition.

Dimensions: H 6 1/4 x W 12 1/2 x D 11 1/4 in. Heavy weight: 59...

Pair of Edwardian Georgian sterling silver covered serving dishes. Made by John Round & Son Ltd in Sheffield in 1904. Each: Rectangular with chamfered corners and tapering sides. Cover raised and chamfered with twist-lock ring handle. Handle, covers, and rim gadrooned with scallop shells and leafing scrolls. A gorgeous twosome—make that foursome because the covers convert to bowls. Fully marked. Excellent condition.

Overall dimensions: H 6 1/4 x W 13 x D 9 1/2 in. Heavy total weight: 115 t...

Midcentury Modern sterling silver water pitcher. Designed by Alphonse La Paglia (d. 1953) for International Silver Co. in Meriden, Conn. Baluster with helmet mouth. Capped high-looping handle with volute-scroll terminal mounted with Blossom-style seeding pod. Open foot ring inset with stylized flower and bead border. An original American design that pays homage to Danish master Georg Jensen. Marked “International / Sterling / La Paglia Designed / 118”. Excellent condition.

Dimensions: H 9 ...

Elizabeth II sterling silver salver tray. Made by Pinder Bros in Sheffield in 1955. Square cartouche with curvilinear corners and molded rim. Corner leaf-capped volute scroll supports. Fully marked. Very good condition.

Dimensions: H 1 1/2 x W 15 x 15 in. Heavy weight: 52 troy ounces. #BW555

European Biedermeier silver keepsake casket, ca 1840. Lobed and bombe with hinged and raised cover. Cover top flat and vacant. Chased and engraved clusters of leafing scrolls and flowers. Corner leaf-mounted volute-scroll supports. Engraved on underside: “Souvenir from / Sarine & Isaac”. Marked. Very good condition.

Dimensions: H 5 x W 7 x D 6 in. Weight: 12 troy ounces. #BW830

Charming Edwardian pendant. Variscite cabochon on 14k yellow gold mount with open and alternating leaves and beads. With bail. United States, ca 1910. Excellent condition.

Dimensions: H (without bail) 1 1/8 x W 3/4 x D 5/8 in. #1215

Pair of Victorian Neoclassical sterling silver 3-light candelabra. Made by Walker & Hall in Sheffield in 1898. Tapering and fluted shaft on raised square foot. Central socket on knopped base to which are mounted two leaf-capped and -wrapped scrolled arms, each terminating in single socket munted to wax pan. Sockets urn form on raised foot. Beading, ribboned swags, garlands, paterae, ram’s heads, and leaf-and-dart ornament. Fully marked. Very good condition.

Dimensions: H 18 1/4 x W 15 x D 5 ...

An interesting contemporary Hagi piece resting on a split-foot (wari-kodai) and a unique glaze patterning that somewhat resembles layers of flower petals. A creation of Morishige Tetsuyo, a native of the famous potting town of Hagi who later studied in Kyoto and eventually took up a position at the family kiln “Renkozan” with tutelage from both his father and grandfather. This particular piece is from a series he began in 2009 aptly named “Kaben” (The petal series). Actively displaying b...

Midcentury Modern brooch. A cluster of lapis lazuli berries mounted to irregular and striated 14k gold leaves. United States, ca 1960s. Very good condition.

Dimensions: L 2 1/4 x W 1 1/2 in. Approximate weight: 12.7 dwt. #1208

Two pairs of Edwardian Regency sterling silver salt & pepper shakers. Made by Graff, Washbourne & Dunn in New York, ca 1909. Each: Ovoid body with engraved scrolled frames inset with flowers and leaves. One frame engraved with interlaced script monogram. Short neck and pierced and domed cover with vasiform finial. Foot raised with tubular piercing overlaid with swags, and open heraldic shields inset with flowers. Fully marked including maker’s stamp, no. 5542/47, and patent year 1909. Very goo...

Victorian sterling silver pitcher. Made by Dominick & Haff in New York in 1894. Ovoid body with chased fruiting grapevines forming 2 irregular frames (vacant). Helmet mouth and raised and round foot with same applied to rims. High-looping branch-form handle. Tall and tactile with succulent bunches. Holds 5 1/2 pints. Fully marked including dated maker’s stamp, retailer’s stamp (JE Caldwell), no. 275, and volume. Very good condition.

Dimensions: 15 1/4 x W 8 1/2 x D 6 in. Weight: 38.5 troy...

George V sterling silver sugar caster. Made by Harrison Bros & Howson in London in 1911. Baluster with applied shell-mounted garland on domed foot with chased imbricated leaf-and-flower border. Cover threaded and domed with vasiform finial and ornamental piercing. Fully marked. Excellent condition.

Dimensions: H 8 1/4 x D 3 1/4 in. Weight: 11 troy ounces. #BW523

Edwardian sterling silver water pitcher. Made by Frank M. Whiting Co. in North Attleboro, Mass., ca 1910. Lobed and oval body on short and scalloped foot. Capped and scroll-mounted high-looping handle. Scrolled helmet mouth with applied rim. Pretty with nice heft. Fully marked including maker’s stamp, no. 2511, and volume (3 1/2 pts). Very good condition.

Dimensions: H 9 1/2 x W 8 1/4 x D 5 in. Heavy weight: 27 troy ounces. #BW526

Turn-of-the-century Art Nouveau glass perfume with engraved silver overlay. Made by Gorham in Providence. Globular with short neck and everted rim in silver collar. Ball stopper. Open and whiplash overlay with linear borders, and round cartouche (vacant). Silver has maker’s stamp and no. D939. Very good condition.

Dimensions: H 5 1/4 x D 3 in. #BW284

English Victorian cologne bottle, 1880. Cut-glass cylinder with short and threaded inset neck. Ball cover in form of male head with big ears, receding hairline, tronie-style grimace, and red bead eyes. Fully marked including London assay stamp and unidentified maker’s initials “T.S” in oval. Very good condition.

Dimensions: H 6 x D 2 1/4 in. #BW614

Deceptively simple and notoriously difficult to apply with the calligrapher’s brush in one fluid, arching stroke; the symbol of the ensō has long been associated with strength, elegance, and the simultaneous being and non-being of the universe. A closed ensō (such as the one featured here) is more closely associated with the idea of transcendent perfection, while an open ensō represents movement, fluidity, and attainment in the corporeal world. Though the monk who created this piece, Hasega...

1960's Chinese green and white jadeite carving of lotus and bamboo on a custom wood stand. A frog is perched on one of the lotus leaves and a bamboo stalk in the background serves to hold calligraphy brushes or fresh flowers. In excellent condition, it measures 7.25" high, on stand 8.75" high, 5.5 across, and about 3.5" deep.

Elizabeth II sterling silver box. Made by Harman Bros. in Birmingham in 1982. Excellent condition. Rectangular with straight sides. Cover flat and hinged. Engine-turned wave ornament in plain frames. Front has rectangular mono plate. Cover top has engraved diagonal band with chevron in lower right corner, and tooled border. Corner splayed bracket supports. Interior cedar lined and partitioned. Box underside laminate lined. Fully marked. Very good condition.

Overall dimensions: H 2 7/8 x W 8 3/...

Turn-of-the-century Edwardian sterling silver trophy cup. Made by Reed & Barton in Taunton, Mass. Faceted baluster with scalloped and beaded rim. Reeded and leaf-capped, -wrapped, and -mounted side handles. Four leaf-mounted open scroll supports. Fully marked including maker’s stamp and no. 80. Very good condition.

Dimensions: H 9 x W 11 x D 7 in. Weight: 49 troy ounces. #BW447

Unusual 14k gold chain necklace, comprising faceted oval links. No clasp. Custom made. United States, ca 1980s. Very good condition.

Length: 37 inches. Weight: 57.1 dwt. #1204