The panache, verve, and energy of this striking wood carving of a Spanish conquistador is remarkable for its dynamism and expressiveness. The figure is hand enameled in traditional conquistador costume, wearing buccaneer shoes, pantaloons, coat, and plumed helmet, and dagger on his belt. The figure is in action stance, but it is clear that he is missing his original instruments of perhaps sword and shield. His penetrating gaze shows focus on his adversary.

While the sculpture is int...

The size of Vase : 14" High x 8 7/8" Dia, 4 5/16" Top Dia
35.5 cm x 22.5 cm, 11 cm top dia.
This very fine Japanese Porcelain Vase done with
Yomon (relief works, raised works) with pale yellow green glaze,
in design of Ho-O bird intricately done in Yomon(relief) works.
It is made same era of Seifu Yohei 4th. The vase
is very similar to Seifu. The vase is made from Taisho to Showa.
It came with Kiriwood Tomobako as well as wooden stand.
Inside cover has Ja...

Bead Chain fixtures were the standard ceiling fixture of the American home from the 1920’s through the 1940’s. The decorative glass shade hung from 3 bead chains, and could be adjusted up or down depending on the size of the room and height of the ceiling. The graceful Art Deco design of these fixtures makes them the perfect fit in today's homes.
This vintage 10 1/4 inch glass shade has a grape design done in crystal against a pastel pink background. Price includes both the shade and the...

A fine pair of Kashmir lidded jars or vases. The copper base was first engraved with special tools to create the design in relief, the grooves were later filled with glass and then embellished with additional engraving and wonderful shiny gilding. This technique is called in India "meena" or "meenakari" and was first applied by the Mughal. Condition: fine, only one rim with a small dent and minor wear to gilding. Dimension: c. 18 cm high, diameter: c. 12.5 cm, total weight:

Confirmed unsigned Chanel necklace circa 1960 or 1970; I recently saw this same necklace with a Chanel hang tag with just the name in block lettering (no season numbers or copyright symbols), which dates it to 1970 or prior. I had previously listed this necklace as a probable Chanel. Designed in the Indian moghul style which was one of Chanel's main influences, with red and green Gripoix poured glass beads simulating carved rubies and emeralds, and dark goldtone beaded drops and term...

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

A Chinese jade vase, carved as a lotus leaf with a flower in one corner and a ribbon tying the leaf and its coiled trailing stalk forming the base. The composition is very attractive, the body is quite thinly carved and the stone is of celadon hue. A high quality example of Qing lapidary arts, it measures 14 cm ( 5 1/2 inches) high. It comes with its own custom made wooden base. Age; 19 C. condition: excellent.

Four finely carved wooden (maybe sandalwood) masks with lacquering and most with glass bead eyes. Showing different types of theatre masks as Hannya, Oni etc. Condition: minor rim frits, the Hannya mask with few lacquer losses. Dimension: c. 5.1 cm long x c. 3.5 cm wide.

An Art Deco bakelite and celluloid snake upper arm bracelet circa 1920s. This genuine period survivor measures 3" x 2-7/8" across the interior and the snake's heads are 5/16" across and both have cobalt blue glass rhinestone eyes. The body is black celluloid with an applied clear yellow layer over a bed of embedded sparkly metallic confetti. This Egyptian style figural bracelet is in mostly excellent condition with no chips, cracks, losses, damage or repairs other than some groove striations/lin...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

Outstanding quality antique, 19th century, Islamic, Turkish Ottoman Empire, (Egypt), Cairo -Ware, Mamluk Revival, Silver and copper, inlaid brass, large hanging Mosque lamp, “Qandeel."

A brass body of classical dome form and small conical finial surmounted by an elaborated openwork finial, the central wide band adorned with four large copper, inlaid and pierced, medallions containing a calligraphic Arabic inscription, profusely inlaid in thick silver and interrupted by four elaborated cart...

Antique American Indian Beaded Dance Harness Authentic Antique 19th century American Indian (Canadian Plains Cree from Saskatchewan) dance harness composed of black trade silk fabric with twelve rosettes white red and blue glass beads sown to hide discs enclosed by hanging feather attachments. The central panel of the bandoleer is constructed in a geometrical pattern beaded with emerald green and burgundy glass beads on a thick fabric. The entire sewing was done by hand. These items come fr...

Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...

Rare Chinese Yuan Dynasty Early "Blue & White" Vase

This rare pear-shaped vase or bottle was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. It is "heavily-potted" and decorated in underglaze cobalt blue with floral and leaf designs. It is coated with a clear glaze that falls short of the heavy irregularly cut foot. Similar wares were first unearthed in 1973 in Lufe...

Large Chinese Song Dynasty Qingbai Porcelain Ewer

This wide-bodied porcelain ewer was made during the Song Dynasty (AD 960 - 1279). It is particularly "heavily-potted" for its type. It has a "kinked" spout, a wide loop handle and two decorative loops on opposite sides joined at the shoulder and neck. It is coated in a fairly thick greenish blue glaze that is crackled in places. The base remains unglazed revealing the creamy-white body.

Height 22.5 cm. Weight 1.325 kg. Despite being an i...

Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)

This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.

Diameter 14.5 cm. Condition is very good: there is a hairlin...

Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog

This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.

Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...

Large Chinese Neolithic Machang Painted Pottery Jar (Repaired)

This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" with a smooth surface and is fairly highly-fired. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared m...